Lesbian Herstory Archives AudioVisual Collections

Browse Items (413 total)

  • Mabel Hampton Oral History Transcripts Cover.pdf

    A two-volume transcript of several tapes in the Mabel Hampton Oral History collection. In addition to tape transcriptions, the volumes include notes and other annotations by Joan Nestle and Sara Atatimur. The final pages of volume two also include Joan Nestle's article "I Lift My Eyes to the Hill: The Life of Mabel Hampton as Told by a White Woman;" Mabel Hampton's obituary in the New York Times; and a draft of Joan Nestle's article "Her Spirit Soars Above Us."
  • LC003.JPG

    Part 1 of the recording of Ti-Grace Atkinson, a writer and philosopher who was part of the Women’s Movement in the 1970s, discusses elements of logic and different academic theories around logical thinking. She connects these elements of logic to oppression and the Women’s Movement. Part 1 mainly covers abstract theories of logical thinking.
  • LC004.jpeg

    Marcia Danub and Linda Daniels speak with Eleanor Cooper, spokeswoman for Lesbian Feminist Liberation, and Jean O'Leary, Legislative Coordinator, Board for the (then) National Gay Taskforce. LGBTQ+ and women’s rights activists were looking to repeal laws criminalizing homosexuality. Sodomy bills in the 1970s were explicitly written to target gay people, causing fear in the LGBTQ+ in their professional and personal lives. Intro 554 was one of many forms of the NYC Gay Rights Bill, which was passed in 1986, banning discrimination because of sexual orientation. Cooper and O'Leary provide information about the way these laws affect the lives of lesbians and how to participate in the repeal of sodomy laws and support the passing of Intro 554.
  • WomenWritersProdMother.wav

    The radio episode, which is part of the Feminist Radio Network, includes recordings from a conference panel which included the writers Maxine Kumin, Alice Walker, and Grace Paley. They discuss the challenges of being women writers, how their writing processes are affected by societal gender norms, and how important women’s stories are within the individualistic, middle-class American society where female bonding is not encouraged. This episode also includes excerpts from Living, by Grace Paley, and Everyday Use, by Alice Walker.
  • LC006.jpeg

    Discussion of domestic relations, and how a woman agrees to certain terms when she gets married. Women do not know what they are agreeing to. They know what it is, but they do not want the details. There is a discussion of how women are programmed to inherently undermine their own thoughts, and to label them as “feelings” as opposed to facts. Further discussion on how gender issues are defined.
  • SenecaFalls.wav

    The Seneca Falls radiodrama is a brief overview of what led to the first Women's Rights Convention in Seneca Falls, New York, 1848. The convention, now called the Seneca Falls Convention, was held in order to converse about the liberties that women do and do not have, be they civil, social, political, or religious. The recording introduces listeners to Lucretia Mott and Elizabeth Cady Stanton, two prominent members of the women’s rights movement at the time. A reading of the Declaration of Sentiments, which outlines the civil, social, political, and religious rights of women, as well as various quotes, are included in this recording.
  • LC011.jpeg

    This untitled interview features a guest who discusses her time in prison, the songs she wrote about another incarcerated woman, songs she wrote for political prisoners including Lolita Lebron and Susan Saxe, and conditions of the women’s prison which she was subjected to. She talks about how the state justified the horrible conditions at the prison, and the lack of access to any kind of rehabilitation programs, despite rehabilitation being the supposed purpose of prison.
  • LC039.jpeg

    Thoughts on athletics as they exist in America, and the pressure to develop oneself physically. In this radio show there is a reclamation of the “physical you.” There is also a discussion of how sports have become controlled by big business interests, they are now a plaything of the rich. This dehumanizes athletes, causing them to strive for only what can make them rich. Women's sports don't get much spectatorship and consequently don't get promotion or funding. The guests discuss how sports have also become a masculinity rite, and how winning is associated with proving one’s virility. On the other end, women athletes are pressured to prove their femininity in a masculine field. The emphasis on winning destroys athletes' bodies and spirits. Coaching forces athletes to be disciplined and to accept commands unquestioningly. The upward social mobility of sports is an illusion, and can only benefit a small portion of women and POC. The athletic system in this country is elitist, and little encouragement is given to amateurs and women. Black and women athletes have been challenging institutional sports in America.
  • LC005.JPG

    Women perform poems and songs, including “Ode to a Gym Teacher” by Meg Parker.
  • TiGraceAtkinson3.wav

    In part 3 of the recording of Ti-Grace Atkinson, she continues her discussion on the elements of logic. In Part 3, she further discusses different social movements and their analysis of their own oppression.
  • LC010.JPG

    In Part 2 of the recording of Ti-Grace Atkinson, she further discusses elements of logic. She connects these elements of logic to oppression and the Women’s Movement. She starts to connect the abstract elements of logic to social issues and includes a discussion of the class system based on the writings of Karl Marx.
  • IMG_3586.jpg

    In this interview, Marcia Danab, the host, talks to two members of Olivia Records: Ginny Berson, and Meg Christian. Berson and Christian talk about how they created their record label, as well as the challenges that they faced as a company made by women for women. They both talk about the struggles that they have faced in the music industry as women in regard to gaining ownership, being paid, being taken seriously as artists, and making music that is specific to the female experience and understanding. Olivia Records was founded in 1973 and played an important role within the gay rights and counterculture movements of the time. Notable artists they represented were Tret Fure, Kay Gardner, Leslie Ann Jones, BeBe K'Roche, Pat Parker, and Cris Williamson. Due to declining sales, Olivia Records became Olivia Cruises and Resorts, a lesbian vacation company, in 1990.
  • Halloween_10.74.wav

    In this program there is a discussion on the earliest myths on the creation of the universe, and goddess creation myths. There is a discussion of ancient matriarchal culture, and its survival as wicca/witchcraft. It pays homage to women who were hanged under accusations of witchcraft. The goddess is synonymous with gynocracy, and women participate in the divine.
  • LC053.jpeg

    This production from Radio Free Women is an interview with Judith Katz, playwright, and Betsy Toth, director, of the Franny Chicago Play. The play revolves around the suicide of Franny Chicago, a lesbian who lives with her partner and a roommate, who is also a lesbian. Katz and Toth speak about the struggle of accurately portraying lesbian life while not turning it into a spectacle. In addition, they talk about the importance of feminist representation in theater.
  • LC031_details(H).jpg

    Sloan is the President of the National Black Feminist Organization. She discussed NBFO’s mission to provide an organization for black feminists who felt the need to fight both sexism and racism at the same time. She discussed the formation of the organization and the eastern conference on black feminism.
  • LC007.jpeg

    Lee Brown is a black woman and an ex-offender, but says “none of the three overlap with eachother”. Brown's conversation with Colivia Carter is an dicourse touching on themes of intersectionality before the framework had its name. Brown reads poetry she calls “streetology” about her experiences with prostitution, incarceration, and black families.
  • LC038.jpeg

    A New You: The Laura Grey Way, hosted by John Cox and Laura Grey, is a weekly radio show that talks about beauty, skincare, and health. In this two-part recoding, the hosts are interviewing Betty Morales, the president of the Cancer Control Society. These episodes specifically focus on the idea of cancer as a nutritional deficiency condition, with Morales promoting the use of Laetrile, also know amygdalin, as a way to 'control' cancer in patients. However, the FDA has never given approval for laetrile to be used in the United States.
  • LC027.jpeg

    Columnist for the village voice, feminist, Jill Johnson discusses the role of the feminist lesbian within the larger movement of women’s liberation. Johnson discusses the variations in the NYC lesbian experience, and the relationship they have with straight women, and the overarching culture at large. She discusses the contributions that a lesbian feminist can make to empower other women.
  • LC036.jpeg

    The Furies was a group of twelve lesbian separatists in Washington, D.C. who saw heterosexual women as an obstacle in their feminism. Heterosexuality was as cyclical, and women in heterosexual relationships reinforced their oppression by absorbing the name and values of their male partners and moving them forward. The Furies published a newspaper, The Furies, that ran from 1972-1973.
  • LC044.jpeg

    In this episode of Radio Free Women, three members of the National Organization for Women (NOW), discuss the state of abortion after the passage of Roe v. Wade. Mary Bailey (coordinator of the NOW Abortion Coalition), Mary Helen Bloom (member of the national area chapter of NOW), and Mary Garrison (President of the Montgomery NOW chapter) discuss threats to the landmark ruling. They also discuss how women are excluded for the conversation around abortion, as well as where states have the right to regulate and balance issues of state interests with consideration of women's health.
  • ClassWomensMovement.wav

    This episode is a Production of Radio Free Women in Washington DC, affiliated with the Feminist Radio Network. The hosts cover issues of class wtihin the Women’s Movement, often from personal experience as lower or working class women. It includes discussions on the differences between the working class, poor working class, and lower class, the overlap between race and class, and the lack of culture within middle class spaces. Furthermore, they cover some common experiences of working and lower class women within the Women’s Movement, from discriminatory treatment from the middle class women in the movement and the lack of solidarity and support from middle class women to those with material needs.
  • LC048.jpeg

    This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs are written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recording in the 1950s.
  • VID009.jpeg

    Irving Cooperberg discusses the importance of having a physical, experimental space and what it means for the legitimacy and stability of the community. He discusses different LGBT groups and community spaces throughout NYC, and the ways in which they promote life and hope amidst the HIV/AIDs epidemic. He talks about how these spaces give legitimacy to the community and allow for the melding of all different cultures and people. He also discusses the gay Synagogue and its role in the larger gay and lesbian community.
  • VID018.jpeg

    Sonny Wainwright provides discourse about the privilege of marriage as it pertains to illness and becoming a parent. She explains her choice to "live straight" for several years so that she could have a child. It was not until she met Audre Lorde that she realized she had "choices", whom she called her teacher. Wainwright also discusses the need for lesbian illness support groups due to unjust experiences brought on by the illegality of same-sex marriage.
  • VID017.jpeg

    Sonny Wainwright discusses being closeted, her group of closeted friends, and keeping her private life private. She also discusses labels as being necessary because the word “woman” does not define every part of her, and when she is free to be who she is she will no longer feel the need to be labeled a “radical lesbian feminist” because woman will be sufficient. Also mentioned is Wainwrights’ battle with breast cancer, and how it brought her first book Stage V: A Journal Through Illness.
  • VID016.jpeg

    The New York gay bar scene in the 1950s gave Sonny Wainwright and her peers a place to be together without the interference of straight society. She left New York in 1953 to become a college teacher at University of New Hampshire. Wainwright oscillates between ideas of identity and stories of different instances of being outed in her personal and professional life, including a story about developing a relationship with a student at the University of New Hampshire, who outed her sexualty leading to her dismissal.
  • VID015.jpeg

    Wainwright remembers her youth and feeling on the “fringes” of society. Growing up and attending an all girls highschool, she was aware of her feelings about women and only later realized what it meant after graduating high school and meeting her first lover. Despite understanding her identity and sexuality, she made the choice to “live straight” in the 1960s due to the lack of acceptance by society and the threat of losing her job as principal of a junior high school while raising her daughter alone.
  • VID014.jpeg

    Sonny Wainwright discusses coming out in 1948, navigating the Village bar scene as a young college student with her lover Kelly, and the social life of lesbians in the 1950s. Wainwright found support in the bars as well as her close circle of closeted friends prior to the formation of the Gay Women’s Alternative.
  • VID013.jpeg

    In the final part of the Old Neighborhood Voices interview with Audre Lorde, she wraps up the talk with a discussion on the drama of lesbian life in her youth. She talks about the difficulties and joys of living in community with lesbians in the 1950s and how being on the edge of society gives you a different worldview. She stresses how everyone should view themselves as an outsider so they don't lose perspective on the true sense of power structures at play in the world.
  • VID012.jpeg

    In the third part of the interview, Audre Lorde discusses the lure of the Village for gay people, black people, and others who wished for an egalitarian environment, and how sometimes they would ignore the homophobia and racism they faced in the neighborhood to hold onto this dream. Also, she discussed in more depth what she thought about the Stonewall riot, and how it felt tied to the black revolutionary movement of the time. Furthermore, she discusses at length the different gay bars she would frequent, their ties to the mafia, and the different women that would frequent them.
  • VID011.jpeg

    In the second part of the Old Neighborhood Voices interview with Audre Lorde, she talks about living around the Village in the 1950s - from the migrators who came into the gay bars just for the weekend, to the imagined mythos of the Village as a place for anyone outside of white, middle-class America, and to the conflicts between the older residents and the newcomers to the area. Lorde touches on what her apartments were like and the rent situation of the area, as well as scrouging together food to share with her communities as a poor person. Then, Lorde discusses the multiple lives lesbians of the time had to live and the incredible gift that integrating every aspect of herself was as she got older. She touches on the Stonewall Riot, as well as the way she had to stop arbitrarily dividing aspects of herself to make others more comfortable.
  • VID010.jpeg

    Old Neighborhood Voices interviews Audre Lorde about living as a young Black lesbian in the Lower East Side (now referred to as the East Village). She discusses the interconnectedness of the lesbian communities in the neighborhood, the imperfect support systems they offered each other when there were no other options, and the pressures of living on the edge of society. Lorde also discusses the racism that was rampant in the gay community in the Village, and how the few black lesbians within these communities were met with apathy when discussing political matters. She also discusses the effects of McCarthyism in the 1950s on her lesbian communities, as well as how she gained political consciousness growing up with the Brown v. Board of Education case, as well as by living near the Women’s House of Detention in the Lower East Side and seeing Black incarcerated women for the first time.
  • LC041.jpeg

    This recording is a compilation of songs, music, excerpts, quotes, and recordings by, about, and for women in show business. Featured in part two are songs by Judy Garland; music from various Broadway shows and movie musicals; excerpts from Bette Davis' autobiography;quotes from Dorothy Dandrige; a recording of "Mary C. Brown and the Hollywood Sign" by Dory Previn; a reading of the poem "I Have Come to Claim Marilyn Monroe's Body" by Judy Grahn; and a recording of "There's No Business Like Show Business".
  • LC041.jpeg

    This recording is a compilation of quotes, songs, poems, and performances by, about, and for women in show business. Featured in part one are quotes about working in music from Billie Holiday and Aretha Franklin; music by Melanie Safka; a poem to Aretha Franklin by Nikki Giovanni; a letter to Janis Joplin; a performance of Mercedez Benz by Janis Joplin. There are unnamed performances throughout the recording.
  • LC055.jpeg

    Anne Imelda Radice, an art museum director and arts administrator, discusses the life and art of Romaine Brooks. Romaine Brooks was a lesbian portrait artist born in Rome, Italy in the late 19th century. She was known as the "thief of souls" for her ability to capture emotion in her art. The host and Radice have a conversation on how lesbianism was perceived during Brooks' time period, as well as her relationship with her lifelong partner, Natalie Barney.
  • LC040.jpeg

    This episode is titled Women in Welfare and features discussions from Carol Brill, the director of the Massachusetts chapter of the National Association of Social Workers (NASW), and welfare advocates Kayla Taylor, and Susan Moore. This episode covers the topics of the welfare system structure, stereotypes and myths about welfare recipients, double standards working mothers face based on class, and the classism within the social work profession. Furthermore, it includes clips from governmental proceedings related to welfare and proposed cuts to welfare benefits. It ends with a discussion on how the issues within the welfare system relate to the Women’s Liberation Movement and demands economic change from politicians who fund big business and the military while disregarding the poor through welfare cuts.
  • LC045.jpeg

    In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity. The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose.
  • LC052.jpeg

    Four women from working-class backgrounds critique leadership and individualism in second-wave feminism. Karen Kollias, Rita Mae Brown, Dolores Bargowski, and Beverly Fisher discuss the exclusion they experience by middle-class feminists who do not hold the same values of strength and leadership, which are viewed as masculine and therefore threatening. Feelings of guilt and the role of the mother in lower-class homes are also discussed.
  • 20211130_164639.jpg

    A question-and-answer session with members of the Women's Press Collective, including Wendy Cadden, Judy Grahn, and Martha Shelley. They discuss how they fund their projects. The uploaded file has been cropped due to Fair Use restrictions. The full file is available at the Lesbian Herstory Archives.
  • 20211130_164609.jpg

    A recording of a workshop featuring members of the Women's Press Collective, including Wendy Cadden, Judy Grahn, and Martha Shelley. The panelists describe the founding of the Collective in Oakland, California. The uploaded file has been cropped due to Fair Use restrictions. The full file is available at the Lesbian Herstory Archives.
  • 20211130_164609.jpg

    A recording of a workshop featuring members of the Women's Press Collective, including Wendy Cadden, Judy Grahn, and Martha Shelley. The panelists describe the founding of the Collective in Oakland, California. The uploaded file has been cropped due to Fair Use restrictions. The full file is available at the Lesbian Herstory Archives.
  • clip.png

    Sidney Abbott reflects on earlier years of the gay and lesbian movements; audience participation turns the presentation into a discussion on turning tides in the movements.
  • clip2.png

    Sidney Abbott reflects on earlier years of the gay and lesbian movements; audience participation turns the presentation into a discussion on turning tides in the movements.
  • 20211130_164710.jpg

    A poetry reading featuring Judy Grahn. Grahn reads from "She Who" and other works. The uploaded file has been cropped due to Fair Use restrictions. The full recording is available at the Lesbian Herstory Archives.
  • 20211130_164559.jpg

    Creating local Lesbian chapters and national communication through publications: The Ladder, Focus, Sisters, and Lesbian Tide.
  • b626ea65920aa0fe81ae036b55d8ea95.png

    Alix Dobkin sings a collection of her songs at an unknown location. The uploaded file has been cropped due to Fair Use restrictions. Full file available to view at Lesbian Herstory Archives.
  • 20211130_164549.jpg

    About the First Lesbian Convention in San Francisco. A discussion of early scientific studies of sexuality (a couple of attendees and host talk about shock therapy). Trigger Warning: Discussion of shock therapy and suicide.
  • 20211130_164535.jpg

    Wendy Hayes elaborates her coming out in San Francisco and joining the Daughters of Bilitis (DOB). The Daughters of Bilitis started as a group of women trying to find an alternative to the bar scene in San Francisco.
  • clip3.png

    Del Martin, Phyllis Lyon, Barbara Gittings, and Lois Johnson discuss their experiences in Daughters of Bilitis on a panel for the 1987 Berkshire Conference on the History of Women; Cleo Glenn discusses some of her younger life as well as her involvement with Daughters of Bilitis
  • explore_02.tiff
  • T81_1_38.jpg

    This recording begins with announcements for upcoming poetry readings located throughout New York City. The next segment is a pre-recorded interview panel that offers insight into the gay professional led by a woman identified only as Shoshana. She discusses her own background and experiences in the workplace and then asks her panelists questions about their experiences and difficulties they face. The panelists go on to discuss their hesitancy and fears of what the repercussions of being out on the job would mean. Continuing on, the panelists discuss societal pressures and the vagaries of workplace policies and the paranoia it can lead to. As the discussion concludes, the focus and fear society has on the sexual aspect of being gay is explored. This broadcast concludes with Martha Shelley discussing her feelings of nostalgia on turning 30.
  • T81_1_52.jpg

    Martha Shelley and Lois Chaffee discuss the Women’s Liberation Center and an ongoing dispute over its occupancy of 243 West 20th St., as a family services group has tried to claim the space for themselves. Following their conversation, Martha Shelley reads aloud two letters from listeners, one a gay senior at Stuyvesant High School and the other a student at Sarah Lawrence College. Trigger warning: bullying, homophobic slurs.
  • T81_1_46.jpg

    Martha Shelley interviews authors Rita Mae Brown and Blanche Boyd about growing up in the American South, publishing their work with the independent feminist press Daughters Inc. rather than a mainstream publisher, and the synthesis and conflict between feminism and art. Among other announcements, Shelley also gives a brief update on the Women's Liberation Center and their right to occupy the 20th Street firehouse.
  • T81_1_45.jpg

    Martha Shelley plays a Lavender Jane song to open the episode and reads a series of local announcements. In the second part of a three-episode interview, Shelley speaks with Florynce Kennedy about intersectional feminism and racial conflict in the feminist movement, defining one's lesbian identity, and working to reject the pathology of oppression. Trigger warning: racial slurs.
  • T81_1_40.jpg

    The episode opens with a song from Lavender Jane. Then in the final part of a three-episode interview, Martha Shelley brings back Florynce Kennedy to discuss Bobby Seale's trial and mayoral run in Oakland, Kennedy's experience as part of Assata Shakur's legal team, and intersectionality and conflict between the feminist and black power movements. Following their interview, Viv Sutherland reviews Myrna Lamb's play Because I Said So, playing at the Women's Arts Center. Trigger warning: racial slurs.
  • T81_1_32.jpg

    Martha Shelley speaks with Kate Millett, author of Sexual Politics, about a wide range of subjects that includes the Angela Davis trial of 1971, bisexual identity, radical counterculture in American universities, sadomasochism, and the Vietnam War.
  • T81_1_37.jpg

    Recorded by Martha Shelley in San Francisco, an unknown woman reading a poem written about the birth of her child and motherhood.
  • T81_1_22 (1).jpg

    In this episode Martha Shelley reads a letter written by Jane Alpert. The letter discusses male vs female biology, motherhood, feminism and the feminist revolution, Gynocracies and patriarchies, as well as gender roles.
  • T81_1_47.jpg

    In this episode of Lesbian Nation Martha Shelley speaks with Isabel Miller, author of “Patience and Sarah”. They discuss Miller’s writing career, her use of a pseudonym for writing lesbian novels, and the process of getting “Patience and Sarah” published.
  • T81_1_36.jpg

    In this episode of Lesbian Nation Martha Shelley speaks with poet Susan Caver. In between Caver reading her poetry, Shelley and her discuss the “disturbing” themes in Caver’s poetry which include incest and religion, as well as Carver’s past relationships.
  • T81_1_48.jpg

    This episode of Lesbian Nation opens with Mary Flowerpot’s comedy segement followed by Martha Shelly interviewing Bertha Harris. Harris is the author of “Catching Saradove” (1969), “Confessions of Cherubino.” (1972), and “Lover” (1976). Shelley and Harris have a conversation about the writing process and intellectualism.
  • T81_1_51.jpg

    Martha Shelley hosts a poetry reading and interview with lesbian poets from the San Lorenzo Bay area. In between reading their poems, the women discuss power and equality dynamics, as well as relationships and trying to get works published in The Ladder. Trigger warning: racial slurs.
  • T81_1_50.jpg

    This episode of Lesbian Nation opens with a Mary Flowerpot humor segment then dives into an interview between Martha Shelley and Phyllis Chesler, renowned psychologist and author. In this interview, Chesler discusses women’s health, delving into her observations on how women are treated in mental health institutions. The episode ends with a poetry reading.
  • T81_1_42.jpg

    Martha Shelley interviews lesbian students from Southern Illinois University in Carbondale about a number of topics including lesbian publishing, local environmental concerns, and student activism. Mary Flowerpot opens the show with another funny segment before Shelley comes on to address more serious topics. The students discuss a recent incident involving unwarranted police brutality against a local student group (trigger warning).
  • T81_1_41.jpg

    In this installment of Lesbian Nation, Martha Shelley interviews women of the Women’s Lesbian Liberation Committee of the Gay Activists’ Alliance (GAA). Mary Flowerpot also hosts her comedy segment. In Shelley’s interview, the women discuss the emergence of the Lesbian Liberation Committee and their role within the GAA. They talk about what they have done to address issues of sexism in the GAA and how they try to maintain positive discourse with male members.
  • T81_1_39.jpg

    In this episode of Lesbian Nation, Martha Shelley and guests read original poetry. They cover love, relationships, and life as a lesbian in New York City. Mary Flowerpot opens the show with her trademark whimsical comedy segment.
  • T81_1_33.jpg

    Martha Shelley interviews Gene Damon aka Barbara Grier, founder of the lesbian magazine The Ladder (1956-1972). They discuss the beginnings of The Ladder and how it evolved from a smaller publication within the Daughters of Bilitis (DOB) into an independent publication. Grier discusses the shift in content as well once the magazine became independent of the Daughters of Bilitis. Grier felt that under DOB they were focused on presenting a clean public image of lesbians to society at large and that this was reflected in what was published in older versions of The Ladder. Once Grier became the editor, she felt it was important to address topics like sexuality, saying “we began running material that deals with sex honestly and forthrightly.”
  • T81_1_53.jpg

    A recording of Judy Grahn who briefly discusses publishing and two independent presses run by women, the Women’s Press Collective & Mama’s Press in the California bay area. The majority of airtime is dedicated to Grahn’s reading of works from the aforementioned presses. She reads chapter 17 from Sharon Isabel’s autobiographical novel “Yesterday’s Lessons” as well as poetry from “Lesbians Speak Out” & poems of Susan Griffin.
  • T81_1_44.jpg

    An interview with Julie Lee about her background, work and ongoings with New York City & New Jersey branches of Daughters of Bilitis. This recording also includes a discussion of the book “Lesbian Woman” by Del Martin & Phyllis Lyon, the topics it addresses and Julie Lee’s efforts on east coast distribution of the book.
  • T81_1_35.jpg

    This recording consists of informal interviews and a narrated tour conducted by Martha Shelly as she walks through the museum on the opening of the Women Choose Women exhibit at the New York Cultural Center. Martha Shelley interviews important people tied to this exhibit such as Mario Amaya, director of the New York Cultural Center. Anne Kang, an activist who discusses work with her fellow activists to protest discrimintion against work created by women at Moma and the organization of what would become the Women Choose Women exhibition.
    Artist Muriel Castanis, a self described “sculpturette” shares her enthusiasm for the exhibition and the NY Cultural Center for hosting it. After the conclusion of this section, Martha Shelley conducts a walking tour of the exhibition and discusses selected works that stood out to her. She bumps into Janet Kogan and asks about her works and how they became part of the show.
  • T81_1_29.jpg

    This recording features thoughts on feminist credit unions by an unidentified speaker covering topics from the buercratic procedures and structure needed to create and run them, the ethical decisions on how to allocate loans given limited funding and importance of preserving their history.
  • T78_1_3.jpeg

    This recording of the “Women’s Showcase” is the third part of three from the NYU hosted event, Women Against Rape. Ellyn Joyce the author of the poetry book “Instinct for Survival” reads selected poems from her own work. Before each reading Ellyn offers a little insight into what inspired her. At the end of the recording she discusses her work at the Bedford Hills Correctional Facility and advocates for better treatment of the women imprisoned there.
  • T78_1_2.jpg

    This recording of the “Women’s Showcase” is the second part of three from the NYU hosted event, Women Against Rape. The opening of the recording features the conclusion of Alice McIntyre’s poetry reading. This part features poetry read by Daniella Guiseppe, Davita Singer and Margie Fine and a comic autobiographical story from Karen Mendelsohn. There are also musical performances by Rosemary Mclaughlin and a self composed piano piece from Elieen Kane, a WBAI radio host.
  • T78_1_1.jpg

    This recording of the “Women’s Showcase” is the first of three from the NYU hosted event, Women Against Rape. This part features performances & poetry from Nina Miller, Lee Van De Velde, Alice McIntyre and music from Jazz pianist Esther Blue & singer Kathy Rose Salat.
  • Martha Shelley.png

    On November 7th 2020, MSLIS students Julia Rosenzweig, Tiffany Chan, and Sadie Hope-Gund conducted an interview with Martha Shelley on behalf of Pratt Institute School of Information and the Lesbian Herstory Archives. Martha was the producer of the 1970’s radio show Lesbian Nation, the tapes of which have been preserved in digital format on this website. The interview was recorded remotely from Brooklyn and Portland, and the covered topics regarded: her personal history, activism, and work on Lesbian Nation.
  • LHA_image_023.jpg

    Part 1 of a reading of a letter by Jane Alpert titled Mother Right that discusses Jane Alpert's life in the Weather Underground for three years. The letter is split into two parts: an open letter to women activists to leave the left movement to radical feminism and a call to action to build a matriarchy. The episode references rape, emotional manipulation and sexism performed by members of the Weather Underground and the left.
  • LHA_image_024.jpg

    Second part of the interview with Jill Johnson, writer of the book, Lesbian Nation. Martha and Jill continue their discussion about personal and political relationships in lesbian culture and the complex issue of men in lesbian and feminist spaces. [Music: Can't Stop the Maddness by Birtha and audio from Everything You Ever Wanted to Know About The Godfather but Never Thought to Ask]
  • LHA_image_023.jpg

    Martha Shelley interviews Sydney Abbott and Barbara Love about their newly released book "Sappho Was a Right On Woman," The book and discussion touches on topics of lesbian experience including the "evil" lesbian who attempt to rebel against norms, the external and internal pressure of the lesbian experience and the fragmented nature of the women's movement. [Music: Women Like Me by Roberta Kosse and Heroin by the Velvet Underground plays]
  • LHA_image_022.JPG

    Interview with Jane Kogan about Daughters of Bilitis and why she gave up painting and her life as an activist and artist [The Lady’s Not for Sale by Kris Kristofferson plays] .
  • LHA_image_021.JPG

    Introduction of Mary Flowerpot followed by an interview where Martha Shelley and Mary Flowerpot compare and contrast the beginning of the GLF in the United Kingdom and discuss class distiniction, women in the workforce and the drag scene in Europe. Martha Shelley and Mary Flowerpot also read a letter a homophobic letter directed at Joe Johnston that was sent to the Village Voice. At end the episode, Martha Shelley answers phone calls from two lesbians about the firing of a lesbian speaker from WBAI.
  • LHA_image_020.JPG

    On February 21st, a protest was conducted in Times Square by Committee for Fair Divorce and Alimony Laws protesting the paying of alimony by husbands. A counter protest conducted by National Organization for Women (N.O.W.) in favor of alimony and increased regulations and child support. Martha Shelley conducted interviews with both organizations from individuals at the protests.
  • LHA_image_017.JPG

    Martha reads a response letter originally published in "Off Our Backs" from the women of Weather Underground in reply to Jane Alpert's letter. This letter references topics including the bridge between the radical feminism movement and the left, the divisions in the women's movement, and the ideals of the organization. [Music from Bali]
  • LHA_image_016.JPG

    Part two of an interview about Marge Piercy's newest book "Small Changes." Discussion included topics like the value of writing about working class characters and language in writing and speech.
  • LHA_image_015.JPG

    Bertha Harris from Richmond College on writing and her life as a lesbian author.
  • LHA_image_014.JPG

    Interview about the play "Coming Out: A Documentary Play About Gay Life & Liberation in the U.S.A". by Jonathan Ned Katz with five members of the cast. In the course of the conversation, the cast also discusses issues with relating to other social groups through the play.
  • LHA_image_013.JPG

    Karla Jay and June Rook about the book "Out of the Closet," a gay anthology of views and articles about the gay experience including the gay experience in Cuba and a discussion of the value of the individual perspective. [Bar One by Maxine Adele Feldman]
  • LHA_image_012.JPG

    Mary Flowerpot plays a recording of Joyce Grenfell's audio drama and a continuation of the story of "Sally Lime, the Third Woman." Later, Martha Shelley interviews Karla Jay and June Rook about the book "Out of the Closet," a gay anthology of views and articles about topics including the gay experience in Cuba and a discussion of the value of the individual perspective. [Music: Bar One by Maxine Adele Feldman]
  • LHA_image_011.JPG

    Interview with Julie Lee, an important member of the Daughters of Bilitis, about the New Jersey National Organization for Women (N.O.W.) and her struggles to create a chapter of NOW dedicated to "doubly-oppressed" women (which included lesbians, POC women and improvished women in the community).
  • LHA_Audio_010_access.mp3

    A re-broadcast of a poetry reading with Audre Lorde on Staten Island. The poem read include "Times Change and We Change with Them or We Seem to have Lost Touch with Each Other," "Martha," and "The Maiden, and Song."
  • resolver.jpeg

    Lesbians dancing, Martha Shelley on the right.
  • IMG_7205 LHA Audio 1.jpg
  • IMG_7201 LHA Audio 004.jpg
  • IMG_7199 LHA Audio 002.jpg
  • IMG_7197 LHA Audio 007.jpg
  • IMG_7191 LHA Audio 006.jpg
  • IMG_7176 LHA Audio 009.jpg
  • IMG_7160 LHA Audio 008.jpg
  • DykeTV_FromTheArchives_Patierno.mp3

    Edited excerpt from an interview with Mary Patierno, cofounder of Dyke TV with Linda Chapman and Anna Maria Simo. In this excerpt, Mary describes the From the Archives segment that was sometimes included in Dyke TV programs.
  • 030-09_sf-pride-1995_a_c.mp4

    This footage shows events and gatherings from the third annual San Francisco Dyke March on June 18, 1995, themed "A World Without Borders." It includes several women giving brief speeches before the march begins on topics such as domestic violence and gay communities in South Africa. California State Senator Carole Migden and Assistant Secratoary of the US Department of Housing and Urban Development Roberta Achtenberg appear in the march. At the end of the march, Achtenberg gives a speech, and the singer Rozalla performs.
  • 030-02_nyc-gay-pride-1993_a_c.mp4

    Raw footage of the the Gay Pride Parade in New York City near Washington Square Park. Includes shots of spectators and parade participants including the Gay Police Association, RuPaul, Love Lounge, New Jersey Lesbian Coalition, The Eulenspiegel Society, Parents and Friends of Lesbians and Gays Long Island, Senior Action in a Gay Environment (SAGE), the Hetrick-Martin Institute, People With AIDS Coalition (PWAC) and PWAC Mother's Support Group, AIDS Resource Center, Community Health Project, The Village AIDS Programs, and Gay Men's Health Crisis. "Boycott Colorado" signs are present throughout, referencing Colorado's 1992 ballot Amendment 2 that prevented protected status under the law for homosexuals or bisexuals.
  • ThirdSeasonRecruitment.pdf

    A flyer announcing the third season of Dyke TV and encouraging people to come to a producer's meeting to present ideas.
  • GoodNewsFlyer.pdf

    A Dyke TV flyer announcing various events including screenings, workshops, and parties, as well as new Board of Directors memebrs. The reverse side of the flyer announces New York Dyke TV airtimes and encourages support
  • ExpansionLetter.pdf

    A press release announcing that Dyke TV will begin airing in San Francisco and seven other cities, for a total reach to 18 cities. The announcement notes the current cities of distribution, and describes content that will be included in upcoming programming.
  • DykeTVBeijing.pdf

    A fundraising letter asking for support for the Dyke TV Beijing Project to attend the NGO Forum at the United Nations World Conference on Women to record testimonies from women. The letter notes a partnership between Dyke TV and FIRE (Feminist International Radio Endeavor) to also bring recorded testimonies to short wave radio.
  • FundraisingLetter1994.pdf

    A fundraising letter describing some of the past news and features presented by Dyke TV, and asking for donations to continue creating programming. The letter warns that without help, Dyke TV will soon be off the air.
  • dyke-tv-logo.jpg

    In this interview Mary Patierno, co-founder and executive producer of Dyke TV discusses Dyke TV, a groundbreaking public access program produced in New York City by and for lesbians. Pateirno talks about the program’s history and its goals. She mentions some of Dyke TV’s important news stories and recollects some of the interviews the show conducted with women artists, activists and public figures. Patierno stresses the importance of preserving other Dyke TV footage that currently remains in storage. In addition to providing more detail about the structure of the episodes, Patierno discusses her experience creating the show, the circumstances surrounding the show’s founding, and the show’s legacy as the first lesbian content on television.

    *Note: The interview was recorded using an online call service.
  • RecruitmentLetter.pdf

    A flyer advertising jobs at Dyke TV. Positions include camera operator, video editor, news writer/producer, fund-raiser, and public relations. Contains casual descriptions of positions and required skills.
  • RecruitmentFlyer.pdf

    A flyer advertising jobs at Dyke TV. Positions include camera operator, video editor, news writer/producer, fund-raiser, and public relations.
  • Membership_Flyer.pdf

    A membership form for Dyke TV detailing donation tiers. Handwritten note in upper right hand corner reads "Yes! Sign me up, and send me DTV's newsletter, Get Turned On!
  • InternetCourses.pdf

    A flyer advertising two internet courses. One teaches about the internet being used for lesbian and women's organizations and communication. The second teaches how to design a web page.
  • GetTurnedOn_Flyer.pdf

    A promotional flyer for Dyke TV.
  • DykeTVLetter1994.pdf

    A letter requesting support for Dyke TV. The letter asks the recipient to consider becoming a member of the Dyke TV network of grass-roots lesbian television supporters.
  • EventFlyer.pdf

    A flyer advertising the 1995 fall season premier of Dyke TV, as well as related promotional events and requests for "Lesbian Child" segment participants.
  • DykeTVPromoCard.pdf

    A promotional card promoting Dyke TV.
  • ColoradoDaily.pdf

    An email sent by David B. O'Donnell containing text from a June 19, 1995 article in the Colorado Daily called "Dyke TV is hateful? Prove it" by Richard Cendo. According to the article, Melanie J. Schurr refers to Dyke TV as a hate show due to its aversion toward "straights." The author argues that the show may be for lesbians, but that there is no evidence that points to it being averse to different sexual orientations.
  • LogoFlyer.pdf

    An invitation for the Dyke TV Does 100! Cocktail Party & 100th Show Screening at Joy Tomchin and Baby Evan's home.
  • ASTREA_Letter.pdf

    A letter sent to individuals who have previously donated to Astraea, requesting renewed support.
  • Patierno_Interivew.pdf

    In this interview Mary Patierno, co-founder and executive producer of DykeTV discusses DykeTV, a groundbreaking public access program produced by and for lesbians. Pateirno talks about the program’s history and its goals. She mentions some of DykeTV’s important news stories and recollects some of the interviews the show conducted with women artists, activists and public figures. Patierno stresses the importance of preserving other DykeTV footage that currently remains in storage. She also describes the production and post-production process, the ideas behind show segments and reflects on how she would like the show to be remembered.

    The transcript can be searched when viewed in the document viewer below.
  • DykeTV_LesbianChild_Patierno.mp3

    Edited excerpt from an interview with Mary Patierno, cofounder of Dyke TV with Linda Chapman and Anna Maria Simo. In this excerpt, Mary describes the I was a Lesbian Child segment that was sometimes included in Dyke TV programs.
  • DykeTV_Eyewitness_Patierno.mp3

    Edited excerpt from an interview with Mary Patierno, cofounder of Dyke TV with Linda Chapman and Anna Maria Simo. In this excerpt, Mary describes the Eyewitness segment that was sometimes included in Dyke TV programs.
  • DykeTV_TheArts_Patierno.mp3

    Edited excerpt from an interview with Mary Patierno, cofounder of Dyke TV with Linda Chapman and Anna Maria Simo. In this excerpt, Mary describes the "The Arts" segment that was sometimes included in Dyke TV programs.
  • 053-03_clinton-nyc-police_a_c.mp4

    This video is documentation of a demonstration protesting Don’t Ask Don’t Tell. The protest occurred on September 23, 1993 outside a fundraiser for the then prospective mayor of New York David Dinkins in which Bill Clinton was speaking. This segment combines raw footage artifacts with more formal documentation of the chants, and informal interviews with the participants. The last portion of this video shows police attempting to forcibly remove demonstrators.
  • 055-04_lesbian-child-comp_a_c_3.mp4

    In this segment of I Was a Lesbian Child, Desireena Almoradie shares photographs from her childhood in the Philippines and stories of her life while growing up there.
  • 055-04_lesbian-child-comp_a_c_2.mp4

    In this segment of I Was a Lesbian Child, Jocelyn Taylor shares photographs from her childhood and stories of her life while growing up. She shares a memory from when she attended Duke Ellington School of the Arts in Washington DC.
  • 053-17_clark-corner_a_c_2.mp4

    This video features comedian Georgia Ragsdale. The video includes clips from an interview and stand up footage from one of Ragsdale’s performances. She discusses the way she approaches her work and being out as a comedian. Ragsdale explains that for her, “Being out as a comic isn't a choice, because as a stand up comedian all you have is your worldview, your perspective on life and your life and the people around you, so I don’t see how you have a choice to be in or out if you're a stand up comedian.” She also reminisces about her first hour long show when circumstances forced her to come up with enough material in a very short period of time.
  • 053-17_clark-corner_a_c_1.mp4

    A woman reports about discrimination and threats she and her girlfriend faced when they kissed at a restaurant in Brooklyn Heights. She talks about the “kiss in” she and the Lesbian Avengers were having restaurant in protest. She also talks about plans to file a police report and take legal action if possible.
  • 051-07_reverend-holland_a_c.mp4

    This video serves as a valuable resource to understand what a full episode of Dyke TV would have looked like when it aired. In addition to a segment titled, “From the Archives,” which spotlights the experience of lesbians in Harlem, and further illustrates the community presence outside of the well documented activism surrounding Stonewall. Next was an “Arts” segment, in which filmmaker Su Friedrich discusses her background and experience making films. Finally, there are two segments of “I was a Lesbian Child,” a segment which is represented in clips on this site. These segments aimed to normalize the lesbian experience; interviewees discuss their childhoods and showcase childhood photos. The video closes with credits, contact information, and a Public Service Announcement about street harassment.
  • 030-01_nyc-gay-pride-1993_a_c.mp4

    This clip shows archival footage of the New York City Gay Pride Parade on June 27, 1993. This particular parade represented the 25th anniversary of the Stonewall Riots. It was also taking place at an apex for the movement against Don’t Ask Don’t Tell, banning out gay people from military service. Participating groups include the Lesbian and Gay Big Apple Corps, the Lesbian Avengers, the Women's Action Coalition, the Gay Veterans Association, and the Lesbian Herstory Archives. Also seen marching is politician Ruth Messinger and comedian/performer Lea DeLaria.
  • 028-04_world-aids-day-1996_a_c.mp4

    A Dyke TV report on World AIDS Day from New York City Hall. The event is a commemoration and demonstration memorializing New Yorkers who have died of AIDS, and a protest against budget cuts that will impact AIDS education, prevention, and services. It includes footage of people reading the names of the deceased, with City Hall chosen as a location to send a message to the mayor (Rudolph Giuliani) for his lack of response to the AIDS crisis. The report includes footage from a Housing Works Theater Project, "In Limbo", and interviews with participants including health care workers, an AIDS educator, and a harm reduction advocate and recipient of assistance at risk of being cut. Excerpts from the DYKE TV series "Risk, Lesbians, and AIDS" is also shown, including interviews with lesbian women living with AIDS and health care workers, and an excerpt from "Voices From the Front" about the People With AIDS Health Group and Act Up protests against the United States Food and Drug Administration and the National Institutes of Health.
  • dyke-tv-compilation_a_c.mp4

    This video is a compilation of edited footage of Dyke Marches from 1993-2001: the 1993 Dyke March in Washington D.C.; the 1993 Dyke March in New York City; the 1994 Dyke March in New York City; the 1995 Dyke March in New York City; the 1999 Dyke March in New York City; the 2000 Dyke March in New York City; and the 2001 Dyke March in New York City. The video includes interviews with lesbians and individuals who are participating in the Dyke March and studio interviews with Kelly Cogswell, Maxine Wolfe, and Marlene Colburn. Lesbians participating in the march express their need for visibility, civil rights, and liberation on all fronts.
  • 054-04_yugoslav-interview_a_c.mp4

    This is an interview with Jelena Topalović* about being a queer woman in Yogoslavia during the Yugoslav Wars. She discusses nationalism of the Serbian government, women’s rights, and social attitudes toward homosexuality. Topalović discusses the role of women in Serbian society- that of the mother and the nurturer, and how being a lesbian places people outside that paradigm. She also discusses the government campaign to ban abortion, explaining that this makes lesbian women 'useless' members of society because they do not fit into a nationalistic image that a woman's purpose is to bear children to increase the Serbian population. While she notes there were no specific bans in place against lesbians, the government could still make life very difficult for them. She then discusses Arkadia, Serbia’s first Lesbian Lobby, in which she provides a space for women to gather and discuss issues that affect them, and how to fight misconceptions about lesbianism propagated by the government, and social stigmas against lesbians and single women.

    *Name changed for privacy

  • 028-05_ny-life-referrals_a_c.mp4

    This segment shows a short interview with filmmaker Maria Maggenti about her 1995 film The Incredibly True Adventures of Two Girls in Love. Maggenti first developed the script of the film as a project for NYU’s Graduate Film Program, but abandoned it after several years of trying to work through much darker themes. She explains that, while the film deals with highly politicized topics like coming out, and interracial relationships, the film’s tone remains light and comedic. In this segment, Maggenti describes the making of the film, which included a crew that was entirely women, none of whom were paid; rather, she explains the film provided women the opportunity to expand their careers in the industry. The film was released on June 16th, 1995, and distributed by New Line Cinema. It also participated in several film festivals in 1995, including Sundance.
  • 020-02_gay-marriage_a_c.mp4

    This segment shows interviews with several members of the lesbian community, including a lesbian couple, a lesbian lawyer, and a mother of a lesbian, discussing the possibility of gay marriage. Themes discussed include the ways that legal marriage can or can not legitimize gay relationships; the presence or absence of gay people’s desire to get married; legal protections that marriage can provide; whether or not it would encourage parents to accept gay children; alternatives to gay marriage including domestic partnerships and second parent adoptions; and imaginings of what a lesbian wedding ceremony would look like. Also mentioned around 1:30 is the mass wedding of gay couples that took place as a demonstration on the lawn of the Lincoln Memorial on April 25,1993. This event was part of the March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation.
  • IMG_3015.JPG

    Presentation at the final CDC hearing by Linda Meredith, followed by physicians, about the definition of AIDS activists, especially the inclusion of lesbians, difference from advocates, and inaccurate characterizations.
  • SPW1686_Side1.jpg

    NIH-moderated panel about defining a national AIDS policy, research health services, and prevention in four talks from Maxine Wolfe (ACT UP), Dr. Wanda Jones (CDC), Corola Marta (Yale physician), and community activist Michelle Lopez.
  • NoSPW_MeetingFDA_SideA.jpg

    Meeting between ACT UP and other HIV/AIDS activists and employees of the Federal Drug Administration regarding recent FDA activities in accelerated approval and expanded access to drugs.
  • SPW1671_Side1.jpg

    Women in an ACT UP organizing meeting strategize how to recruit activists to grow their community and perform inclusive outreach to support different needs, specifically with connecting healthcare professionals with subjects.
  • SPW1593_Tape1_Side1.jpg

    Meeting between ACTG [AIDS Clinical Trials Group] and Sten Vermund discussing Women with HIV/AIDS and the clinical trials and drug testing, as well as treatment options and the future of their work.
  • SPW1592_SideA.jpg

    Meeting between NIAID employee Diane Hartnell and ACT UP, Women with HIV/AIDS, and AIDS activists in Bethesda, Maryland about AIDS research. Side B includes discussions about first women's natural history study with other NIAID employees.
  • SPW1591_SideA.jpg

    Meeting between NIAID employee Diane Hartnell and ACT UP, Women with HIV/AIDS, and AIDS activists in Bethesda, Maryland regarding research, including the ACTG, women's natural history, sexual health, pregnancy, and questionnaires.
  • SPW1590_SideA.jpg

    Meeting between NIAID employee Diane Hartnell and ACT UP, Women with HIV/AIDS, and AIDS activists in Bethesda, Maryland regarding the inclusion and diversity of women in AIDS studies, sexual health, ACTG, and pediatric care.
  • SPW1521_Side1.jpg

    Director of NIAID, Tony Fauci, listens to a presentation by ACT UP activists from New York and Washington, D.C. about the neglect of research for women's health issues in contrast to men's, plus statistics about women with AIDS.
  • SPW1520_Tape2_SideA.jpg

    Meeting at the CDC in Atlanta, Georgia between representatives of ACT UP and CDC Officials about changing the Centers for Disease Control's definition of AIDS to include infections that women and injection drug users were getting.
  • SPW1519_SideA.jpg

    Meeting at the CDC in Atlanta, Georgia between representatives of ACT UP and CDC Officials about changing the Centers for Disease Control's definition of AIDS to include infections that women and injection drug users were getting.
  • SPW1223_Side1.jpg

    GLIB (Gay and Lesbian Independent Broadcasters): Radio program "Outlooks" hosts a roundtable discussion with ACT UP members to discuss NYC's Response to AIDS, from policies to public opinion.
  • 42_ACTUPClinical.png

    Women from ACT UP LA and some gay men who worked with them, attending the AIDS Clinical Trials Groups Meetings in Washington, D.C.
  • ACTUPCityHall.png
  • TargetCityHall.png

    Produced by DIVA TV, this video focuses on the ACT UP action known as Target City Hall when activists demonstrated against access to AIDS drugs and Mayor Ed Koch's response to the crisis at the New York City Hall.
  • LivingWithAIDS.png

    Episode of Gay Men's Health Crisis (GMHC) cable show Living with AIDS, covering topics related to women with AIDS.
  • 2e903b3c192540b3908c18c2784086a6.jpg

    Side A : A poetry reading from Audre Lorde
  • ZimmerBradley_thumb.jpg

    Marion Zimmer Bradley talks about her experience growing up, her marriage and children, being a woman writer, and discrimination in publishing.
  • willer_thumb.jpg

    Shirley Willer talks about becoming aware of her true sexuality, being a lesbian nurse, the DOB, her view on motherhood, and her experience as an activist.
  • walker_thumb.jpg

    Pat Walker talks about her mother's reaction to her sexuality, her first girlfriend, living with blindness, and her experiences with the DOB and its members.
  • SlideTitlesforGWA.mp4

    This is a collection of video clips, photos, and opening/closing credits for a Daughters of Bilities documentary sponsored by the Lesbian Herstory Archives.
  • oline_thumb.jpg

    This is a collction of clips from an interview of Pamela Oline talking about being a Lesbian, the DOB and its eventual fractioning, and the debate of whether the lesbian's movement should be separate from the women's moevement.
  • nestle_thumb.png

    This is a collection of clips from interviews of Judith Schwarz and Joan Nestle. Judith Schwarz talks about the significance of DOB, the secrecy of membership, new member experience, social events, and harassment. Joan Nestle talks about the perception of the DOB as a threat during the McCarthy Era, the complexity of the organization, and her own perceptions of DOB.
  • martin_lyon_thumb.png

    Del Martin and Phyllis Lyon talk about how they met, moving to San Francisco, living together, meeting other lesbians, the starting of a "secret social club," the growing of the organization, and the struggle for legal recognition of gay rights in the late 80s.
  • evening_martin_lyon_thumb.png

    Del Martin and Phyllis Lyon speak at a program for a lesbian movement exhibit. They give an overview of the beginning of the lesbian movement and the DOB's history, including public protests and conventions. They speak about a need for lesbians to be recognized more and to be more visible in the media. Unrelated video clips start after 01:30:42.
  • stewart.jpg

    Jean Ko Stewart speaks about meeting with the Daughters of Bilitis community
  • roughcut_thumb.png

    Del Martin, Phyllis Lyon, Billye Talmadge, Nikki Nichols, and Barbara Gittings speak about their experiences with the Daughters of Bilitis organization.
  • gittings_tobin_3_thumb.png

    Barbara Gittings speaks about organizing for conferences and workshops, including creating exhibits for the 1971 American Psychiatry Conference in San Francisco.
  • gittings_tobin_thumb.png

    Barbara Gittings speaks about concerns of being infiltrated by the FBI, and heists of the publication "The Ladder".
  • dob_titles.png

    Del Martin, Phyllis Lyon, Billye Talmadge, Nikki Nichols, Barbara Gittings, and Shirley Willer speak about their experiences with the Daughters of Bilitis organization.
  • cleaver.png

    Friends and family gather at the funeral of Diane Cleaver to share stories, reminisce, and pay homage to her.
  • Shirley Willer side 2.wav.mp3

    This is a recording of Shirley Willer talking about her life. She talks about her experience with men, her experience as being labeled a lesbian, coming out to family and friends, how she discovered the existence of homosexual organizations through ONE Magazine, discrimination, the DOB, her initial expectations when first joining the organization, becoming chapter president, duties and achievements as president, conflicts surrounding the DOB, her decision to step down as chapter president, and the dissolution of DOB.
    Marion Glass is recorded as well. She talks about her relationship with women, joining the Mattachine Society, and about DOB’s activist approach.
  • Cassew Live Sagaris.wav.mp3

    This sound recording captures a live music performance. The audience sings and claps along to several traditional American folk songs including "Down in the Valley to Pray".
  • Seed_Tape_Series_1_Stella Rush_B.wav.mp3

    Stella Rush records a live standup performance of a western comedian. She is continuing her “letter” to Morgan at home. She talks of various things: cartoons, her cat, her grandmother Elizabeth “Lizzie” Dietrich, how she was named Stella, wonders what may happen to the recording, her personalities John and Elizabeth, her parents, Del and Phil, and offers words of advice. Throughout the recording she coughs due to asthma. The recording is suddenly cut off at the end.
  • Seed_Tape_Series_1_Stella Rush_A.wav.wav.mp3

    A woman named Stella Rush records a tape for Morgan while she’s driving. She discusses her life, recent personal events, her hopes for the future, and her current worries. She talks about Sandy in the hospital, her personalities John and Keith, sings a song (“The Gambler”), and mentions sleeping difficulty. She continues to talk about cancer groups, AA and ALA meetings, and imaginary scenarios. The recording is suddenly cut off at the end.
  • DOB Atkinson 10 Side B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson 10_A.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson 9 Side B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson 9 Side A.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #8 Side B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #8 Side A.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB ATKINSON #7_B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB ATKINSON #7_A.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #6 SIDE B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #6 SIDE A.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #5 Side B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #5 Side A.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB_Atkinson_#4_B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB ATKINSON # 4.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #3 SIDE B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #3.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office. [THIS FILE DUPLICATES FILE "SPW159_DOB ATKINSON #3 SIDE B_"]
  • DOB_Atkinson_2_B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson 2.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #1 Side B.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • DOB Atkinson #1.wav.mp3

    This sound recording captures workshop discussions led by Ti Grace Atkinson at the Daughters of Bilitis office.
  • mgStellaRush copy.jpg

    Stella Rush and Helen Sandoz discuss writing and printing the Ladder, and another lesbian publication, the One. They also touch on a range of topics including obscenity laws, pornography, spirituality, the Homosexual Bill of Rights, and DOB conferences. They discuss the politics of the 1980s and compare it to that of the 1950s. Stella goes into detail about her upbringing and subsequent mental health issues.
  • mgNikkiNichols copy.jpg

    Nikki Nichols talks about The Ladder and its role in lesbian history, and gives her thoughts about which leaders loomed large in the DOB. She brings up the Act or Teach “controversy” of the early 60s. She mentions problems with drug culture in San Francisco during the 60s. She also talks about her enthusiasm for active protest/picketing, and the difficulties of getting gay activists and rallies in California outside of San Francisco.
  • mgBarbaraGrier copy.jpg

    The majority of this video depicts Barbara and her partner, Donna McBride, going through photo albums and images of Barbara’s childhood, her family, and then her later years with Donna. Some topics that come up include Helen Bennett, Barbara’s relationship before Donna, and Naiad Press. The last 30 minutes or so of the video focus on Barbara as she discusses The Ladder and the various women who contributed to it and how publications helped shape social change for the gay and lesbian movement.
  • lois beeby.jpg

    Lois Beeby discusses her early experiences and confusion as to recognizing she was a lesbian. She speaks about her role as a member and officer in the Daughters of Bilitis, and the eventual unrest and split in the group, leading to her leaving DOB. She speaks of unrest between gay men and lesbians and the desire for the two to join together as a united front.
  • mgPatTurner copy.jpg

    Pat Turner describes early experiences as a lesbian growing up in the south, conflicts with her enthusiasm for religion as a young person, and her family’s reaction to her sexual orientation. She talks about the relative lack of gay social life in Tennessee, despite the existence of certain bars in Nashville. Discusses how her first letter to The Ladder became an article, and the response from readers. Describes working on The Ladder, and later experiences after the Stonewall.
  • judith.png
  • Screen shot 2014-11-24 at 5.14.19 PM.png

    Deborah Edel, Joan Nestle, and Judith Schwarz discuss the formation of the Lesbian Herstory Archives in the 1970s. They detail how the Archives grew out of a consciousness raising group through the Gay Academic Union in 1973. They talk about the mission of the archives, to ensure that lesbian voices and culture were heard and preserved. They also talk about the growth of their collections through donations of books, papers, and photographs from the lesbian community.
  • mgPatBarbara copy.jpg

    Pat and Barbara continue to discuss their early lives in Iowa and relationships with their families. They elaborate on their early days in San Francisco, Pat’s previous marriage, political affiliations, jobs, dancing in gay bars, and why they ultimately left the DOB.
  • mgPDGriffin copy.jpg

    P.D. Griffin discusses her role in the Daughters of Bilitis and her relationship to the lesbian community. She also discusses her interests, which include softball and ukulele.
  • Screen shot 2014-11-24 at 5.07.24 PM.png

    The Boston chapter of the Daughters of Bilitis celebrate their 20th anniversary with opening remarks by Lois Johnson. She briefly discusses the founding of the chapter in 1969 by Jan Chase before thanking committee members and individuals for their contributions to the ceremony. The video ends with the lighting and cutting of the cake.
  • astrea.png

    Short clips of several interviews with various members of the Daughters of Bilitis about their experiences with the group and being a lesbian in the 1950s and thereafter.
  • mgPatTurner copy.jpg
  • billye talmadge.jpg

    Billye Talmadge discusses her early experiences as she came to understand her own preferences and sexuality, and the support she received from her college dean, classmate, and mother. She describes her role in the Daughters of Bilitis and the responsibilities and liabilities of being an officer in the group. She elaborates on the social and political climate of the times, and how she endeavored to help people overcome their fear of harassment and discrimination through providing education and supportive counseling and resources.
  • mgStellaRush copy.jpg

    Stella Rush and Helen Sandoz are interviewed in 1987. The interview mostly concerns Stella Rush, who talks about her childhood; specifically her encounters with incest and molestation. She also talks about her experiences with police discrimination in the 1950s and 1960s in L.A. Helen and Stella both talk about being editors of the Ladder and being a part of the DOB. Stella talks about workplace harassment, and fear of loser her job. They show photographs from the 1960s, including some of their cat. The video closes with the two discussing their wedding rings.
  • mgHelenRevelas copy.jpg

    Helen Ruvelas discusses her involvement with the Daughters of Bilitis during the 1970’s and the strong friendships she developed with some of the women in the group. She also talks about her eventual drift away from the group and its dissolution.
  • mgNikkiNichols copy.jpg

    Nikki Nichols describes her coming out process, and experiences with older lesbian women as a teenager. Discusses changing views on butch/fem issue. Laments the lack of lesbian groups in Sacramento, as well as describing issues with and fears of gay bars. Talks about how the discovery of DOB saved her life – socially and otherwise. Describes first DOB convention in 1960. Discusses her research into Native American attitudes towards homosexuality, as well as Native American rights movement.
  • rose.png

    Rose Jordan discusses her involvement with women’s political organizations and feminist groups and the schism that existed between 2 generations of lesbian women.
  • mgBarbaraGrier copy.jpg

    This video consists of a brief interview with Grier’s partner, Donna McBride, and then follows a discussion Grier leads on her book collection, favorite authors, and publishing experience. She and McBride talk about Naiad press and its successes over the years and the video shows their office workspace and the multitude of submissions they receive for publication. Donna McBride’s segment focuses on her awareness of being a lesbian, the aftermath of telling her parents, and her later involvement with women’s activist groups.
  • arcus flynn.jpg

    Arcus Flynn discusses her early life and her struggle with isolation and depression, her eventual discovery of the Daughters of Bilitis meetings and the community and friendships she found there. Arcus talks about the early importance of roles assumed by lesbians in the community (butch/femme), her involvement with the Women’s Rights movement, her evolution from Catholicism to born-again pagan spirituality (the Irish triad: truth, knowledge, and nature), and her discovery of herbology and natural healing.
  • Screen shot 2014-11-24 at 5.14.19 PM.png

    Deborah Edel, Joan Nestle, and Judith Schwarz discuss the formation of the Lesbian Herstory Archives in the 1970s. They detail how the Archives grew out of a consciousness raising group through the Gay Academic Union in 1973. They talk about the mission of the archives, to ensure that lesbian voices and culture were heard and preserved. They also talk about the growth of their collections through donations of books, papers, and photographs from the lesbian community.
  • lois beeby.jpg

    Lois Beeby discusses her early experiences and confusion as to recognizing she was a lesbian. She speaks about her role as a member and officer in the Daughters of Bilitis, and the eventual unrest and split in the group, leading to her leaving DOB. She speaks of unrest between gay men and lesbians and the desire for the two to join together as a united front.
  • Screen Shot 2014-12-05 at 11.55.35 AM.png

    Footage of an event held in 1986. Both Deborah Edel and Judith Schwarz are featured sitting at a table for the Lesbian Herstory Archives and are handing out information about lesbian herstory in general and the archives more specifically. Joan Nestle and Mabel Hampton are also featured.
  • mgKarenAndersonRyer copy.jpg

    Karen Anderson Ryer discusses her coming out process, and the acceptance of her parents. She talks about butch vs. fem, and changing generational attitudes. Discusses importance of feminism to lesbianism specifically, and differences from gay men’s movement. She details the split of “The Ladder” from the San Francisco chapter from DOB, and how she left to start a new magazine. Also mentions the integration of different lesbian communities – Oakland vs. San Francisco, and the impact of AIDS on the lesbian community.
  • billye talmadge.jpg

    Billye Talmadge discusses her early experiences as she came to understand her own preferences and sexuality, and the support she received from her college dean, classmate, and mother. She describes her role in the Daughters of Bilitis and the responsibilities and liabilities of being an officer in the group. She elaborates on the social and political climate of the times, and how she endeavored to help people overcome their fear of harassment and discrimination through providing education and supportive counseling and resources.
  • rose.png

    Rose Jordan discusses her involvement with the New York chapter of the Daughters of Bilitis, as well as her involvement with other women’s political organizations and feminist groups.
  • ruth_simpson.jpg

    Ruth Simpson and Ellen Povill are interviewed in Woodstock, New York. They talk about various movements, including civil rights, feminism and gay and lesbian rights. They describe the day a group of feminists were arrested at a demonstration and the police brutality they experienced and later on, examples of FBI interception. Ruth discusses DOB and her leadership of the New York chapter and Ellen talks about her activities on the action committee.
  • pamela_oline.jpg

    Pamela Oline is interviewed. She is heterosexual and talks about her path to and experience of being a member of DOB and campaigning for gay and lesbian rights. She describes her childhood growing up in England, moving to America when she was 14 and changing career from a mathematician and to a psychotherapist. Recognizing the psychological issues of the time, she decided to understand the lesbian community from the inside. She talks about DOB meetings, lesbian and feminism issues, radical and conventional activism, marriage, and GAU (Gay Academic Union) meetings, panel discussions, etc.
  • martha_shelley.jpg

    Martha Shelley is interviewed in New York in 1989. She talks about being a lesbian in New York from the 1960s, the negative views of lesbians portrayed by psychologists, the bar scene, roles and her use of a pseudonym. She talks about finding DOB, the meetings and discussions that took place, and her contributions to the Ladder. She talks about Jean Powers and other members of DOB and describes the members as mixed race, working class, couples and singles. She also talks about her political activism in terms of DOB, peace, civil rights and the Stonewall Riots, including the marches she was involved in and the speeches she made.
  • linda_lopez.jpg

    Linda Lopez is interviewed in 1988. She talks about the impact of the Dallas DOB in Dallas and beyond, how it inspired activism and other organizations. She talks about Rob [Shivers]' leadership and its role in DOB's strength. She discusses Dallas and the South in General - how lesbians were treated and how they lived. She talks about the need for job security, the roles and expectations of women.
  • linda_lopez.jpg

    Linda Lopez is interviewed in 1988. She talks about growing up in the South and how she fared as a lesbian living in a conservative community. She discusses the Dallas DOB and how the membership consisted of a number of women who had been married, divorced and had kids (including herself). She talks about the custody battle she had with her parents over her son and how many women faced similar battles but with their spouses. She also talks about how she and a number of women lost their jobs when it was discovered that they were lesbians. She discusses the Dallas DOB's events.
  • kay_ohara_gerrie_morrison.jpg

    Kay O'Hara and Gerrie Morrison are interviewed in 1988. They comment on a series of slides and photographs of members of DOB.
  • kay_ohara_gerrie_morrison.jpg

    Kay O'Hara and Gerrie Morrison are interviewed in 1988. They both talk about their family lives, when they realized they were lesbians, coming out, their relationship, and previous relationships. Kay mentions her engagement and marriage before she accepted she was a lesbian. They talk about the San Francisco DOB from the 1950s and the meeting's events that were held, as well as butch and femme roles. They talk about literature that was available, including the Ladder and the contributions they made to its design and distribution.
  • [2014SP]Sanders Interview.mp3

    This tape contains an interview with Helen Sanders in her home.
  • [2014SP]Morgan G_B.mp3

    Stella talks about a tape that she created on June 19th of 1987 (Side A) and is grateful for a reunion she recently had with her friends.
  • [2014SP]Morgan G_A.mp3

    A woman records her thoughts while on a road trip and talks about a car accident she had in the past and what it was like to travel through Central City, L.A.
  • [2014SP]11.14.88 dear morgan side a.mp3
  • [2014SP]Sanders Interview Side B.mp3

    An interview with Helen Sanders in her home

    *includes audio from side A
  • ruth_simpson.jpg

    Ruth Simpson is interviewed in Woodstock, New York. She talks about her past experience dating men and falling in love. She discusses coming out and realizing her sexual orientation when she was doing theater in college.
  • renee_shapiro.jpg

    Renee Shapiro is interviewed April 1, 1989. She discusses joining the Daughters of Bilitis and the various group activities they did. Renee talks about her hands on experience with putting together plays and different group events.
  • marilyn_lamkay.jpg

    Marliyn Lamkay is interviewed in New York City in 1987 (it seems to continue from a previous video and is perhaps continued in another video). She talks about being a lesbian in New York and coming out to her family and professionally, her relationships and religious beliefs. She discusses lesbian roles and how she didn't fit into any of the existing roles, even in the DOB community. She discusses community building and CR groups when she was younger and how she went on to hold workshops about resources for gay and lesbian New Yorkers at Bronx Community College. She mentions New YorkDOB meetings and the influence that DOB had in the creation of subsequent lesbian groups and communities.
  • julie_lee.jpg

    Julie Lee and her partner [Ginny] are interviewed in 1989. They discuss relationships, lesbian communities, activism and the civil rights movement. Julie talks about her role as secretary of the New York chapter of DOB and her roles in United Sisters, ACLU, etc. They both talk about police harassment and how 'out' lesbians lost their jobs. Julie also mentions her pseudonym.
  • jean_ko_stewart.jpg

    Jean Ko Stewart is interviewed in Boston in 1989. She discusses her early relationships with women and coming out. She speaks about her role as the Vice President of the Boston chapter, which involved organizing dances and concerts and a focus on providing a community space for lesbians. She compares the political and social climate of California and Boston, and considers Boston’s racial climate at the time. Jean explains that she moved to California because she heard that women wore slacks to work, which was considered unacceptable in Boston in the 1960s.
  • barbara_sang.jpg

    Barbara Sang is interveiwed in 1989. She talks about how she went through psychotherapy and attempted to live as a heterosexual woman. She discusses her role in the New York chapter of DOB as the Education Chair and the programs and events she organized as well as finding as much information as she could about gays and lesbians. She also talks about DOB in the 1960s and the privacy it afforded its members, not insisting that they come out, which was criticized by more radical movements.
  • barbara_emmerth.jpg

    Barbara Emmerth is interviewed in New York City in 1988. She discusses the uniqueness of coming out on West Virginia in the 1950s where there was little stigma attached to homosexuality because there was so little understanding or awareness of it. She speaks about her relationships, moving to New York City in the 1960s and her involvement with DOB (including a brief stint as the VP of the New York chapter) and with SAGE (Services & Advocacy for Gay, Lesbian, Bisexual & Transgender Elders).
  • anne_mackay.jpg

    Anne MacKay is interviewed in Orient Point, New York in 1988. She discusses the early days of the DOB, lesbian conventions, coming out to her family, socializing, theatrical productions to help fund the Lesbian Herstory Archives, and relationships between lesbians.
  • alma_routsong.jpg

    Alma Routsong is interviewed in New York in 1990. She discusses DOB groups and events, as well as the demise of DOB.
  • alma_routsong.jpg

    Alma Routsong is interviewed in New York in 1990. She discusses her early experiences of being a lesbian and coming out. She explains how lesbian literature of the time informed her about DOB and influenced her to leave her husband and move to New York with her lover. Alma also discusses her writing career and use of a pseudonym.
  • lee_tape1of1_1989.mp4
  • lee_tape1of1_1989.mp4
  • [2014SP]Memorial Service Helen J. Sandoz 7-19-87 (side B).mp3

    This is a continuation of the memorial service for Helen J. Sandoz. Various friends read scripture and share stories of how Helen J. Sandoz has touched their lives.
  • [2014SP]re honesty ends helplesness side b.mp3

    This tape was recorded November 14th and is a continuation of a previous recording. She discusses an accident and an encounter with her sponser.
  • [2014SP]Memorial Service Helen J. Sandoz 7-19-87 (side B).mp3

    This tape is a recording from the memorial service for Helen Sandoz on July 19, 1987. The recording is of a religious service for Sandy with various readings from the Bible as well as religious music. After the religious ceremony, friends and loved ones told humorous and moving stories about Sandy.
  • [2014SP]Bachelorettes_SIde_B.mp3

    The sound recording is women singing the old hymn "Down in the River" with the words changed slightly. The rest of the recording is the women singing various songs.
  • [2014SP]Judy_regan_Side_A.mp3

    This tape is a mixed tape of various songs by the queer country singer Judy Regan.
  • [2014SP]RE Honesty Ends Helplessness side b.mp3

    This sound recording is a continuation of a previous tape. The woman on the tape discusses a car accident she was in and various aspects regarding this incident. She goes on to talk about her mother and her upbringing.
  • [2014SP]11.14.88 dear morgan side a.mp3

    An anonymous woman records a tape to send to her friend Morgan. She is excited about Christmas being in a few weeks and carefully tells her stories as to not reveal the identities of friends who do not want to be named.
  • [2014SP]Morgan #1 Stello Rush Side B.mp3

    seamless continuation from side "Tape to Morgan from Stella Rush" Side A

  • [2014SP]Morgan #1 Stello Rush Side A.mp3

    A woman named Stella Rush records a tape for Morgan. She discusses her life and her struggles, and how recording tapes for others helped her to express herself when she was too depressed to write.

    *mentions nonchalantly at beginning of tape that she won't stop at a Denny's because they once refused her service
  • [2014SP]Letter to Morgan from Stella Rush- June 4,5, 1987.mp3

    Stella talks about reuniting with her old friends and passing the torch to new, young activists. She also discusses her struggle with addiction and how she moved past it.
  • [2014SP]marion_gable_side_b.mp3
  • [2014SP]ForTobybyShirleyloSideA.mp3

    This audio recording discusses the Daughters Of Bilitis New York City chapter. The main voice on the recording is a woman who was elected national president. She talks about her time as national president during the start of the Womens Rights movement. The recording discusses the success of the New York City Chapter and the new role they were playing in the Womens Rights movement.
  • [2014SP]Letter to Morgan from Stella Rush Side B.mp3

    This is a continuation of a previous audio recording. The recording is taken in a car ride and it is a letter for Morgan. She discusses her daily routine.
  • [2014SP]workshop 4.20.71 #4.mp3

    The recording is from a workshop from April 20, 1971. The women are having an open discussion on honesty and trust within the group. The talk about how they feel about each other and how they handle being in Daughters of Bilitis.
  • [2014SP]Letter to Morgan from Stella Rush side A.mp3

    This audio recording is discussing her issue with addiction and alcoholism. She opens up about having good people by her side in these hard times.
  • [2014SP]workshop 2.18.71 #3.mp3

    This audio recording talks about activism and oppression within the lesbian community. The workshop is a group of women discussing their feelings and experiences with being oppressed as women in society, especially as lesbians.
  • cordova.jpg

    Jean Cordova discusses how the Daughters of Bilitis inspired her to change her career path and passions in life from aspirations of playing soft ball, to becoming highly involved in activism.
  • SPW541_OralHistPic.jpg

    Side A:

    Panel discussion on the history of the archives, including a brief introduction on how they gather information through different interview procedures within the Lesbian community in order to build the oral history project.

    Side B:

    Panel discussion continues with topic brought up in side A.
  • SPW540_LesbianHistProjPic.jpg

    Side A:

    Discussion on the social issues in the Lesbian communinity bar and nightlife scene in Buffalo, NY during the 1950s.

    Side B:

    Continuation of side A. Only 2 minutes of side B used in original recording.
  • willer.jpg

    Shirley Willer discusses her National Presidency of DOB, the break up of DOB in 1970 and the end of the Ladder in 1972. She also touches on the 1968 convention and her relationship with Marion.
  • SPW535_SusanPic.jpg

    Susan continues her discussion of lesbian social and political groups, both at the university and within Buffalo. This interview also covers Susan's experience with Buffalo nightlife (specifically gay and lesbian bars), coming out to her parents, and how being gay affected her career.
  • SPW534_Susan_A.wav.mp3

    Susan discusses discovering her sexuality, her first relationship with another woman, and the university atmosphere for a lesbian. Her interview includes stories about her romantic experiences as an overweight woman, the gay and lesbian nightlife in Buffalo, and her political advocacy in the gay and women's rights movements.
  • SPW546Pic.jpg

    SIDE A Discussing Windsor’s memories of her relationship with Ruth also called “Skip” beginning in 1933, when they began to identify as lesbians. Past discrimination in town of Reedsville, Pennsylvania, childhood and background, and time attending Allegheny College and working in a factory. Skip came to Buffalo to study biochemistry, and enters the gay community in 1937; however Skip remained in the closet until 1975. Discussing lesbians in the medical profession in New York, and past relationships of Skip. These women attended bars such as Ralph Martin’s and Carousel in late 1930s and early 1940s.

    SIDE B Windsor discusses suicides in the lesbian community. Skip was able to accept herself as lesbian, and Windsor explains why.
  • SPW542_WinsdorIIPic.jpg

    SIDE A Windsor discusses femme and butch roles in several lesbian relationships, and Skip’s opinion on these role changes. Windsor speaks about her relationship with Skip and difficulties of being constantly with her partner, having different money-earning capabilities, the emotions and desires in their relationship, and how they celebrated holidays together.

    SIDE B (Duplicate of Side A) Windsor discusses femme and butch roles in several lesbian relationships, and Skip’s opinion on these role changes. Windsor speaks about her relationship with Skip and difficulties of being constantly with her partner, having different money-earning capabilities, the emotions and desires in their relationship, and how they celebrated holidays together.
  • spw552Pic.jpg

    Side A:

    The interview discusses what coming out was like for the interviewee and the reactions of her family members.

    Side B:

    Interviewee discusses dating and having her first love affair. The interview talks about the differences in reactions of people when she came out during the 1960s and how that affected what she did and who she hung out with. She discusses the change in going from a group of people who accepted her being gay to a group of people who felt guilty of being gay.
  • SPW550_AnniePic.jpg

    A woman talks about her time married to a man as compared to her time in a relationship with a woman, and the pros and cons of both.
  • SPW549_Terry_A.wav.mp3

    Terry talks about her experience, coming of age as a woman and specifically as a lesbian; and how she sought comfort first in alcohol and then within the lesbian community.
  • SPW537_AnnII_TapeIIPic.jpg

    Ann describes what she looked for in a women. Discusses the clothing change among lesbian women. Explains some of her relationship experience with women.
  • SPW532.jpg

    Stella describes growing up in a broken home, and having to take on a lot of responsibilities. Explains her curiosity in women as she got older. Later, she discusses how her bisexuality made her feel different than everyone.
  • SPW523_Cecilia.wav.mp3

    Phone message left by Cecilia from Routledge publishers. In the message she gives feedback on a chapter of the Boots of Leather, Slippers of Gold: The History of a Lesbian Community manuscript and discusses the next steps in the publishing process.
  • SPW520_Sara_Brown_A.wav.mp3

    Sara Brown discusses her experiences with her previous female partners. She talks about her childhood and the influence that her family and Catholic School had on her life as she was growing up. She also discusses the difficulty she has had in coming out to her parents in later life.
  • BarbaraGrierFinal.jpg

    Barbara Grier discusses her personal experiences with developing her identity. She describes lesbian nightlife and particular lesbians frequented in her youth.
  • SPW539_BostonPic.jpg

    Side A:

    Opens with an unnamed woman singing with guitar playing in a live venue. Continues to go through the concert with intermittent breaks to speak about songs.

    Side B:

  • SPW538_MAD_Boston_B.wav.mp3

    Proceedings from the MAD Conference in Boston
  • DelPhyllis2.jpg

    Del Martin and Phyllis Lyon discuss DOB's National Conventions. They are interviewed by Manuela Soares.
  • KaiserFinal.jpg

    Both Del Martin and Nina Kaiser discuss the end of DOB in 1970. Del also touches upon her name and Nina Kaiser touches upon her first lesbian relationship at 19, her involvement with the Navy and her involvement with the National Organization for Women. They are interviewed by Sara Yager.
  • CaroleMortonFinal.jpg

    Carole Morton discusses her discovery of Daughters of Bilitis and her activism on behalf of lesbian mothers.
  • BarbaraGittings&KateTobin.jpg

    Barbara Gittings talks about her life and her history with the Daughters of Bilitis. She served as the National Corresponding Secretary for DOB and helped run the NYC chapter when she was living in Philadelphia. Despite that, she frequently criticizes DOB positions and found herself to be more radical in her approach to activism.
  • SchwartzNestleFinal.jpg

    The interview begins with Judith Schwarz and her recollections of the late 1950s and early 1960s, and how she knew of women who were hesitant to join Daughters of Bilitis, as they simply wanted to meet women at the bar, and feared their names appearing with labels publicly. She also discusses how women were hesitant to receive mail from Daughters of Bilitis for the same reason. She also talks about her first woman lover, and the circumstances that led to that.
  • HelinDemingFinal.jpg

    Pat Helin and Barbara Deming discuss their childhood in Iowa, their involvement with the Daughters of Bilitis in San Francisco and their friendship with Del Martin and Phyllis Lyon.
  • grierreallyworkonfinal.jpg

    Barbara Grier proceeds with her conversation, discussing her insights and personal contributions to early lesbian literature and publishing, especially in her endeavors with Naiad Press in 1973.
  • griertape.jpg

    Barbara Grier discusses her time involved with the Daughters of Bilitis as a contributor, poetry and fiction editor, and eventual editor-in-chief of The Ladder. She is interviewed by Manuela Soares.
  • BarbaraGrier2AFinal.jpg

    Barbara Grier discusses her time involved with the Daughters of Bilitis as a contributor, poetry and fiction editor, and eventual editor-in-chief of The Ladder. She is interviewed by Manuela Soares.
  • EdithEdye2Final.jpg

    Edith Eyde continues to discuss her experiences in California, interacting with others who were vested in the same interests surrounding lesbian culture, and being proactive in literature and the arts.
  • EdithEyde.jpg

    Edith Eyde talks about her life growing up in rural southern California, moving to Los Angelos and discovering the lesbian culture there. She discusses publishing Vice Versa, one of the first lesbian magazines, and her music career.
  • JohnsonBarden2Final.jpg

    The interview begins with Lois Johnson, who discusses when she realized that she was a lesbian, which caused her to move out to California and take a job in journalism. It was there that she met a woman who eventually became her lover, and they used to play music together. Sheri Barden talks about her social life after she met Lois Johnson, though she did like to party with her landlord, who was also a lesbian, though these social affairs pretty much came to an end when her relationship began with Lois.
  • delphyllis2of4final.jpg

    Del Martin and Phyllis Lyon discuss changing attitudes of mental health care professionals towards lesbianism, contemporary support networks for lesbians. They are interviewed by Manuela Soares.
  • Rush_Stella_Sandoz_Hellen final.jpg

    Stella Rush and Helen Sandoz discuss personal experiences about living as a lesbian in the late 1930's and early 1940's, Sandoz choosing to remain off camera for the interview. Featuring anecdotes of when they realized they were lesbians, career choices, and the story of their relationship.
  • JohnsonBarden.jpg

    In the second part of this two part interview, Lois Johnson discusses expressing herself emotionally, and how she repressed her anger initially, unlike Sheri, who would often explode, leading to a lot of crying in the early part of their relationship. However, she continues to believe in love and commitment, and credits Sheri for having a great sense of humor Sheri Barden also talks about her businesses, including a bed and breakfast, which houses many lesbians. The two then reminisce on what they have in common, including their love of cats.
  • SPW506_Charlie.JPG

    Charlie talks about her life as a lesbian after twice being married to men. She discusses having two long committed lesbian relationships and the differing dynamics between her and those partners as a reflection of her age and comfort with herself. Charlie identifies as a Femme, and the Butch / Femme dynamic is explored. There is also discussion of her mother’s reaction to her lifestyle and the not somewhat non-forthcoming dynamic with her daughter.
    Note: To listen to this recording, please contact the Lesbian Herstory Archives to make an appointment.
  • SPW522_Cheryl.jpg

    In the first few minutes of this tape Cheryl and the interviewer have a casual conversation discussing topics as, a gay computer dating services and gays in the service

    Later in the tape Cheryl discusses how her relationships fall into patterns. From there she list characteristic she is attractive to in a partner.
  • SPW517_Lou.jpg

    Lou discusses her experience raising children as a lesbian woman, discussing at length her love of children, and wanting them to have a better life then she did. She also discusses her experience with police harassment as both a black women, and a lesbian.

    Side B includes songs about lesbians, their lives and realities, and their relationships with children and their families.
  • SPW505_Bonnie.JPG

    Bonnie discusses rules of conduct within the lesbian community, including domestic violence, beginning and ending relationships, identifying as butch or femme, and domestic roles. Other topics include prostitution with women and men, bisexuality, definitions of lesbianism, types of relationships, and her rules of attraction.
  • Andy, 1982, April 20.jpg

    Andy further discusses how she came to construct her butch image. She recalls getting into fights with men and having to give up good jobs because she refused to give up her queer image and identity. She discusses her clash with a teacher when she was in school in the 1950s. She describes her relationship with a prostitute and other close relationships. On side B she talks about breaking into the butch scene and coming out. Andy talks about gay bars and places queer women were welcome or not. She discusses fashion and explains why they wore their t-shirts backward.
  • SPW498_Debra.jpg

    Discusses her child, a son. He was the product of her one-day marriage. She kept him for about 8 months and then her brother and his wife took him and raised him. He would spend the summers with her until he was 12 and then he lived with her and spent the summers with her brother and his wife.
    Believes lesbians make better mothers because they know more. She didn’t want her son to go into gay life because she felt it would be difficult for him, she doesn’t believe that gay men relationships last. She believes you can teach someone not to be gay.
    They talk about gay men and lesbian relationships and social interactions. She would call upon her gay male friends to be her date to events that she needed a date, also sometimes family events. They talk about marriages between a gay man and gay woman. Debra says that she knew quite a few couples who had done that to put up a front, but that those relationships always worked out well. Debra also talks about marriage between two women. She never wanted to get married but knew women who did.
    They also discuss alcoholism and drugs among the gay community.
    On the second tape, Debra further discusses fights in the lesbian community. Madeline asks if she knew any lesbians who played sports in the 1940s and 1950s. Debra believes lesbians played sports but cannot definitely say so.
  • SPW508_Liz Kennedy.JPG

    This tape is part of a roundtable discussion between different researchers working on aspects of lesbian social history. Liz Kennedy discusses the early stages of work on the Buffalo lesbian community and how the project was changing from strictly an oral history and becoming a book. She also talks about how the interview format and questions have changed as a result of the earlier attempts and how they were surprised by some of what they were beginning to learn.
  • SPW519_Lou + Jane.JPG

    Lou and Jane discuss what life is like as an interracial lesbian couple. They discuss how white "studs" feel threatened by black "studs", feeling they will steal their women. Alcoholism is briefly discussed. They also discuss having to tell lies to their family to prevent them from knowing about their sexuality.

    On Side B- Jane begins with her experience as Fem lesbian, and her difficulty with what that means to her. She talks about her difficulty with coming "out", and then is interrupted by one of their children.

    Lou discusses her relationship with her Fem partner (Jane), as someone who self-identifies as a Butch. She discusses her choices in life, and her commitment to her relationship, her partner, and her family. She also talks about her disillusionment with the future, and her lack of hope for change. Lou references Jane's feelings, and her hope for Jane to recognize what it means to be a Fem.
  • SPW501_Judy.jpg

    Judy shares detailed aspects of her life as a gay woman in the 1940s; she talks about the first time she felt attracted to another girl at age nine, and what it felt like when she came out in 1944. The interview brings to light the array of conflicts and fears she experienced growing up at the heart of a devout Italian family in Buffalo, and the difficulties faced as a young woman living in New York City at the end of World War II. Some of the topics discussed include working conditions, relationships, gay and lesbian bar scenes, popular music, butch and femme, and clothing styles.
  • SPW513_DJ.JPG

    DJ discusses her early experiences with women as a teenager, her feelings of being a tomboy, and her coming-out experience. She discusses her experiences in the bar scene in Buffalo in the 1950s, and describes ways in which women would interact with each other, but publicly and privately. DJ also discusses roles in relationships, particularly the butch and the femme.
  • SPW502_Judy.JPG

    Judy talks about her relationships with three different women and the role they each played in the relationship. She talks about gender identities and one relationship with a woman who wanted to be a man and had very mixed gender roles. She talks about not being able to talk about her relationships with her mother, yet comparing her relationship to that of her mother and father. She speaks about losing sexual interest in her partner and moving from an intimate relationship to just a friendship.
  • SPW497_Debra.jpg

    Debra discusses her experiences as a lesbian. She talks about her first lesbian relationship when she was 12, how she was married for one day, how her mother knew something was different about her, and how her sister figured out she was a lesbian because she was only married for one day.
    She talks about her relationships with women, how she never openly acknowledged that she was gay but if she was asked she wouldn’t deny it.
    They discuss monogamy, she was mostly faithful, but she also talks about jealous partners and how when one is accused of things, one might as well and go ahead and do it.
    She doesn’t believe that a lesbian relationship is any different than a straight relationship.
    They discuss bars and areas in Buffalo that she would frequent: Moon Glow bar, Pearls bar, Ralph Martins, Ryan’s Hotel, Little Harlem. They also discuss dating rituals, fashion, and relationship/ courting roles.
  • SPW521_Cheryl.JPG

    Side A: Cheryl discusses her experiences and the stereotypes that were associated with lesbians in college when she first first came out.
    Side B: Cheryl discusses her relationships, including sexual relationships and partnerships. She shares her experiences and opinions about affairs, and monogamous and non-monogamous relationships. Generational differences within the lesbian community are also discussed.
  • SPW514_DJ.JPG

    Side A: DJ continues her interview from tape SPW513. She finishes discussing her romantic relationships then moves on to discuss gay literature, specifically The Well of Loneliness. The topic of workplace discrimination is mentioned. DJ discusses relationships in the community through the venue of gay and straight bars. Relationships between straight men, lesbians, and bisexual women are discussed as well as race relations. Side B: DJ covers the topic of prostitution in the lesbian community. She speaks about the choice some lesbians make to marry men and have kids.
  • SPW500_Andy.jpg

    Andy discusses the history of gay rights in Buffalo, New York, and describes how it feels like to be open about her sexual identity. She shares some of her childhood and early adulthood experiences in the 1950s and 60s –her first relationships and confronting the risk of losing her job. Other topics discussed include the gay and lesbian bar scene, raids, prostitution, butch and femme roles, and Andy’s experience within the African American gay community.
  • SPW518_Lou + Jane.JPG

    The interviewee discusses the time she considered getting a sex change. She talks about religion. At the end she talks about getting respect. There is significant distortion at the end of the tape.

    Lou and Jane discuss their sexual relationship and further aspects of female sexuality.
  • SPW511_Andy.JPG

    At the start of the interview, Andy talks about the first time someone asked her about sex. She talks about her experience going with hookers. She discusses butches and femmes and argues that femmes aren't "true" lesbians.
  • SPW512_DJ.JPG

    DJ discusses the time she went to the hospital and was diagnosed as a homosexual. She remembers that the doctor suggested she try going out with a man to determine the extent of her feelings toward women. She also recalls that the doctor told her she must learn to live with society and to control her emotions in public.
  • SPW504_Bonnie.JPG

    Bonnie discusses the lesbian community in which she came out and lived during the 1960s. She describes the difference of experience for butch and femme lesbians in public during this time, the roles butches and femmes play within relationships, and the social expectations involved. Other topics include Bonnie's lesbian mother, alcoholism, lesbian bars, Bonnie becoming actively gay at Catholic school, her way of flirting, and monogamy and infidelity within the lesbian community.
  • SPW503_Judy.JPG

    Judy describes her experiences over the past thirty years up to the point of the interview. Topics discussed include cheating (“playing around”), polygamous lesbian relationships, fights in bars, holiday celebrations, friendship, same-sex marriage, religion, drinking, drugs, crime, mental health and treatment of lesbian women, the commonality of lesbian women seeking psychiatric treatment, the working environment for lesbian women, living alone, families of lesbian women, and one case of a lesbian woman raising a son. Judy believes that lesbian women should not raise children and has an extensive discussion about her reasoning. She ends the interview by discussing movie stars and entertainers that were popular among the lesbian community in the 1930s and 1940s.
  • 105.jpeg
  • SPW543_WINDSOR.jpg

    Windsor talks about what it was like coming out and her relationships, the death of her partner and how that affected her. She also talks about the changes in gay community and what it was like being single or in love.
  • SPW530.jpg

    Anita talks about being in an interracial relationship with a white woman, and the roles of butch and femme.
  • SPW529_ANITA.jpg

    Anita talks about her first encounters with a relationship with a woman. She then speaks about the difficulties of raising her child. She also talks about the roles of Butch and Femme.
  • SPW528_SHANE.jpg

    Shane talks about the different lives she led during her youth. These different roles included working a job at Goodwill, dating and living with hookers on the weekends, and studying to become a Methodist minister as a man. She then talks about her current career as a trucker.
  • SPW527.jpg

    Shane talks about running away from home with two girls after her father forced her to leave home. She then lived as a man in New Orleans under an assumed identity. She was arrested and held for 72 hours on suspicion of robbery. She recalls the people she met during her stay in jail.
  • SPW526_SHANE.jpg

    Shane talks about getting into trouble during her teenage years and how her father kept sending her to all-girls schools thinking it would straighten her out. She speaks about gay bars in Buffalo and Pittsburgh. She tells a story about running away from home to pursue a relationship, ending up involved with hustlers and begging her father to help her stay out of jail. She talks about moving back to Buffalo, getting a job, and how things have changed.
  • SPW494.jpg

    The gay movement has taken the lesbian community out of the bars or the "gay underworld," as compared to when she came out in the late 1960s, about 10 years prior to the interview. Portia, age 26, is not out at her job, but is known as a feminist and civil rights activist; her sister is openly homosexual. She talks about her early sexual experiences with girls and how she never felt guilty or different, but felt guilty with boys because of her Catholic upbringing. Her father beat Portia after she went out with her lover, and then she moved out of home at 18. She attended university and discusses her relationships and friendships in college, as well as her relationship with her first lover, who is still her partner, and their infidelities.
  • SPW492.jpg

    Marge speaks of the bars in Buffalo, NY in the 1950s, specifically Bingo's, Chesterfield, Dugan's, Mardi Gras, and Carousel, which had more of an established lesbian clientele. She tells how Carousel changed from a lesbian to gay crowd in the late 1950s and eventually closed because of allowing "careless" behavior. She felt patrons of gay bars in the 1950s were more respectful than at the time of the interview in 1980. Marge was arrested for serving a minor female, which she felt was an attempt to close the bar where she worked. The tape cuts off at the end of the second side.
  • SPW491_BOBBIE.jpg

    Bobbie speaks on the nature of her various relationships, including patterns of sex and cohabitation, being confused about her significant other identifying as a man in public, she addresses the existence of her children, using men after prison to live and make money, attending gay reorientation church, her sexual practices, and the subject of the "Untouchable".
  • SPW490.jpg

    She thinks people have the wrong opinion of lesbians, she says she feels alone in the bars, role playing was important that someone should be the more aggressive person in a relationship, talks about how she needs a butch in a relationship, thought of herself as a femme although she didn't dress feminine, describes a "dyke person", bar atmosphere and how she went to a bar every night to hit on the bartender, how much she enjoyed the bar scenes, prostitution, story about how she was abducted and raped by 3 men, about how she was in an abusive relationship, spending time in a correctional facility, sexual relationships while in jail
  • SPW489_CAROL.jpg

    Bad sound quality. Discusses that she doesn't think of her community of a lesbian community, though she can contribute to the lesbian community. Says she now stays away from gay bar communities because she is a teacher. Discusses running into students at bars, relationships, family.
  • SPW488_BUFF.jpg

    Talks about dating a prostitute, lesbian prostitutes, lesbians and butches having sex with men, lesbian pregnancy, clothing styles,
  • SPW487_BUFF.jpg

    Talks about community tattoos, race, being butch, the challanges of identity and expectations. Touches on past sexual abuse by her father, gender roles, identity, learning about gay life and her discovery process, friendship, clothing and identity, her marriage to a gay man, her suicide attempt.
  • SPW486_BUFF.jpg

    Buff discusses the impact of the Metropolitan Community church on her life and the gay-rights movement. Mentions activities in Tucson, AZ. She stresses that current lesbians should know that there is more to life than the bars, but that in her time in Buffalo she didn't feel there were places for community outside of them. Mentions her time in the army, realizing she was homosexual, and coming out. Discusses her time in the army, lesbians in the military, being in Seattle and Germany with the military just after the Korean war. She talks about the differences in gay identity and self identity in the past compared to now.
  • SPW484_REGGIE.jpg

    Discusses growing up in Buffalo, when she realized she was first gay at a young age, and going to clubs
  • SPW480_ELAINE.jpg

    Discussion on early childhood, being Canadian but growing up on an Indian Reservation near Syracuse. Also discusses being the head of a black gang, her relationship with her mother and abusive stepfather, and the jail time she spent for his murder, finding work (while hiding she was gay) and relationships.
  • SPW479_ELAINE.jpg

    Discussion centers on bars in Buffalo in the late 1950s and into the 1960s, in particular Bingo
  • SPW478_ENIT.jpg

    Enit discusses how her perception of Lesbian oppression has changed over time. She also talks about acceptance in the work place and how professionals view Lesbians. Enit explains that her personal interests have changed with age and that her hobby is dance. She finishes by discussing her interactions with straight women and the support she gets from her Lesbian friends.
  • SPW477_ENIT.jpg

    Enit discusses facing her sexuality at the age of 12 and coming out to her family despite her frustration at their lack of acceptance. She goes on to discuss her social life and dating in Buffalo, NY, noting how she used to meet women at bars but that her social activities have changed with age. She discusses her participation in the Erie Picnics held for gay men and women in Pennsylvania. She is 47 at the time of the interview.
  • spw1160_B.mp3

    March on Washington on October 14, 1979, which dealt with the civil rights of the gay and lesbian community. Participants included Audre Lorde (who can be heard on side A about 80% through), Allen Ginsberg, Peter Orlovsky, Ted Weiss, Gotham, Tom Robinson, Howard Wallace, Kate Millet, and Flo Kennedy. Key topics included civil and human rights, the labor movement, racism, sexism, and love. Short technical glitches occur on Side A.
  • spw1161_A.mp3

    Rally mediated by Audre Lorde given at the March on Washington on October 1979. Speech topics include rights of LGBT prisoners, parents, immigrants, and atheists.
  • 43394_ca_object_representations_media_145_original.jpg

    Ms Holly makes assorted announcements then introduces Audre Lorde. She reads three poems: "For Each of You" "Poem for Women in Rage" "Sister, Morning is a Time for Miracles". Side B: Continuation of poem from Side A: "Sister, Morning is a Time for Miracles" Then reads: "After Images" Final Poem of reading: "On My Way to San Francisco I Pass Over You and the Verazano Bridge"
  • 34159_ca_object_representations_media_151_original.jpg

    Audre Lorde is on the panel. Lorde speaks on side A after other panelists introduce themselves an on side B. This is the recording of a Community Workshop panel, mostly discussing obstacles to women writing, specifically, black womens literature. The recordings are fairly audible aside from some inaudible speakers who are not close enough to the recording device.
  • 34159_ca_object_representations_media_151_original.jpg

    In addition to Audre Lorde, Linda Gordon, Manuela Prairie, Jessica Benjamin, Bonnie Johnston, Camille Bristow, and Susan McHenry participated in the panel. The recording includes a question and answer session between panelists and audience members. The topics discussed include racism, feminism, class oppression, individualism, sexuality, community, and sisterhood.
  • 40656_ca_object_representations_media_117_original.jpg

    Mabel Hampton discusses, with Joan Nestle, gender identity, attraction, men, and marriage. Mabel Hampton also discusses nicknames she shared with Lillian Foster, including "Little Bear" and "Big Bear." They look at photographs and reminisce about Coney Island, buying new clothes, and Nestle's preparation of slideshows for the LHA. The second half of the recording covers a few takes of stories surrounding Mabel's time living with Joan and Deb after an apartment fire, Mabel and Lillian's nicknames for each other, and the meaning of Mabel's fashion choices.
  • 58746_ca_object_representations_media_116_original.jpg

    Pam Hicks and Morgan Gwenwald chat with Mabel Hampton over breakfast about mundane topics, including lost keys and colors. The three get in a car and try to find the cemetery where Mabel has purchased a plot to be buried in. They locate the cemetery, but it is closed to visitors, so they proceed on to see if they can find where she purchased the tombstone.
  • 58746_ca_object_representations_media_116_original.jpg

    Morgan Gwenwald visited Mabel Hampton at Pam Hicks' place. Over breakfast, they talked about the dreams Mabel had been having lately, how people thought about her. Morgan made plans to visit Lillian's cemetery with Mabel together and listened to a tape that Mary gave Mabel.
  • image.png

    Mabel discusses meeting Lillian Foster, her wife, Lillian's childhood, and their life together in the community as well as various events they were a part of against the backdrop of World War II.
  • 87466_ca_object_representations_media_106_original.jpg

    Side A: Mabel Hampton describes meeting other lesbians and associating with other women "in the life". Also discussed is her experience during the 1920s of being set up and sentenced to serve three years for a fabricated prostitution charge at the Bedford Hills Correctional Facility for Women. Side B: Mabel's WWII era activities, including being an Air Raid Warden in Harlem, and meeting married women who ""came out"" during their husband's absence due to the war."
  • 5530_ca_object_representations_media_12_original.jpg

    Mabel discusses the importance of lesbian writing and how she considers being a lesbian to be the most important aspect in shaping her life. She goes on to give a description of her childhood. She also describes the the girl with whom she had her first lesbian experience.
  • image.png

    Oral history interview of Mabel Hampton. Mabel talks about Lilian Foster, her partner, that she has never dated any man, and is a feminine type of lady who likes to dress up.
  • 81431_ca_object_representations_media_19_original.jpg

    Side A: Some discussion of when Mabel first heard the word lesbian, her experiences as a dancer. Side B: Mable describes her experiences caring for children, finding freedom as a child, running away from her aunt and uncle to New Jersey to live with the White family, and her spirituality.
  • 1652_ca_object_representations_media_136_original.jpg

    Mabel discusses her early life as a lesbian in the Village between the two world wars, including the rooming house where she lived and the parties she attended. She describes how women dressed, what they ate at the parties, what they did at the parties, including dancing, the records they listened to, and the general social life of these parties. She describes the interracial relations between white and black lesbians. She also discusses the language lesbians used to describe themselves at the time, including "bulldaggers", "lady lovers", and "butches". She also tells the story of a large lesbian marriage ceremony in Central Park West, officated by a gay minister named Rev. Monroe and how the couple managed to get an offical marriage certificate. She also discusses gay life in Harlem and the New York City drag balls.
  • 24608_ca_object_representations_media_115_original.jpg

    Mabel talks about her life at theater Lafayette on Coney Island in the 20s. She also talks about the dress code of her and her friends; also the language describing lesbians back in the 1920s.
  • 50337_ca_object_representations_media_66_original.jpg

    Mabel describes her life after being released from Bedford Hills, relationships with women in the early 20th century, economic and working situation, and more details about her family history (including the murder of her mother, the death of her father, Mabel's rape by her uncle).
  • 55447_ca_object_representations_media_126_original.jpg

    Mabel describes her 1923 arrest (at age 18) and term at Bedford Hills Prison, and the period shortly thereafter.
  • 87466_ca_object_representations_media_106_original.jpg

    Oral history interview of Mabel Hampton. Mabel discusses her relationships during her twenties, including how and why she chose her sexual partners and her relationships with married women. She relates a story about being caught with her partner's husband and hiding under the bed.
  • 67995_ca_object_representations_media_42_original.jpg

    Oral history recording that documents the history and legacy of the Lesbian Herstory Archives. Members of LHA recite the LHA Statement of Purpose from 1974. This is followed by the reading of quotes (with multiple, unidentified readers) from appreciative visitors to LHA.
  • 16045_ca_object_representations_media_99_original.jpg

    Oral history interview of Mabel Hampton. Side A: Mabel discusses Coney Island, and her relationships with women, including Mildred Mitchell.
  • 2420_ca_object_representations_media_94_original.jpg

    Oral history interview of Mabel Hampton. Mabel Hampton reminisces about her life in the early 1920s. Mabel talks about going to Coney Island, cabarets, and various parties around New York City where women could meet other women. She discusses her friends and relationships with particular emphasis on Lillian Foster.
  • 39058_ca_object_representations_media_35_original.jpg

    Oral history interview with Mabel Hampton. Side A: Mabel sings and talks about her life with Lillian Foster, and stories from her youth. Side B: She describes her life in Jersey City, Coney Island and the rape by her uncle. She also talks about the pitfalls of falling in love, and being a working woman at 80 years old.
  • 14478_ca_object_representations_media_122_original.jpg

    Oral history interview of Mabel Hampton. Mabel talks about her childhood; coming out with a woman she met at Coney Island; her relationship with Lillian Foster; the LHA and her respect for Joan Nestle and Deborah Edel.
  • 1652_ca_object_representations_media_136_original.jpg

    Oral history interview with Mabel Hampton. Mabel tells stories of different women she dated and how she met Lillian Foster, who would be her partner from 1932-1978. She also talks about friends and jobs she had in her youth.
  • 12774_ca_object_representations_media_36_original.jpg

    Oral history interview of Mabel Hampton. Mabel describes running away from home and the New Jersey family who cared for her, while they sought Mabel's family. Mabel falsified her personal information in order to avoid reuniting with her abusive uncle in New York. Mabel speaks of her early 20s, her interaction within the underground gay and lesbian community. She begins explaining her 1923 arrest at Bedford Hills Prison and how she was setup by her friend's husband for prostitution. Side A = 9:38 minutes
  • 28245_ca_object_representations_media_62_original.jpg

    Oral History interview of Mabel Hampton. Mabel discusses her early life in South Carolina and New York.
  • 1652_ca_object_representations_media_136_original.jpg

    Oral history interview of Mabel Hampton. Mabel discusses "slumming party" where she first met A'Lelia Walker, and what it was like being gay during the 1930s.
  • 5530_ca_object_representations_media_12_original.jpg

    Oral History interview of Mabel Hampton. Mabel discusses the language and culture of being gay in her time.
  • 81431_ca_object_representations_media_19_original.jpg

    Interview of Mabel Hampton. Mabel discusses her life with Lillian Foster, the lesbian movement, and performing and singing.
  • 2420_ca_object_representations_media_94_original.jpg

    Oral history interview of Mabel Hampton. Mabel discusses lesbian marriage in the 1930s and 1940s, including stories of women getting married and where the ceremonies were. She tells stories about women she knew who had husbands and families, jealousy among women, and passion. She talks about her own experiences with passion and jealousy, including her crushes and relationships. She discusses her first relationship with a white woman, women she had crushes on, women she felt threatened by, her relationship with Lillian, and an experience at a "party house" in Bedford Hills. At the end of the tape there is a discussion about Lillian's tombstone and what to put on it.
  • 52522_ca_object_representations_media_105_original.jpg

    Oral History interview of Mabel Hampton. Conversations between Joan and Mabel about a book Mabel enjoyed, working at the Lesbian Herstory Archives, a documentary film in the making, and Mabel's early life and sexuality.
  • 55447_ca_object_representations_media_126_original.jpg

    Oral history interview of Mabel Hampton. Mabel describes her early childhood and rural upbringing in Winston-Salem, North Carolina. She details her journey from Winston-Salem to New York City to live with her aunt. Mabel continues her story with her development into a young lesbian woman and the issues concerning lesbianism in the North versus the South. She speaks about her lifestyle and her no-regrets stance on her life. Her connection with her childhood is vivid and candid and is described in detail.
  • 55447_ca_object_representations_media_126_original.jpg

    Oral History interview of Mabel Hampton. Mabel describes her early childhood and rural upbringing in Winston-Salem, North Carolina, in the early 1900s. Notable facts include her mother's death (possibly by poisoning) not long after Mabel's birth, and that Mabel was very small (perhaps premature) at birth. Mabel also discusses a range of subjects including a description of and anecdotes about her early caretaker, life on a farm/agricultural setting, and memories of going to church.
  • 12774_ca_object_representations_media_36_original.jpg

    Oral history interview of Mabel Hampton. Mabel discusses meeting her partner Lillian Foster in 1932, whom she was with for 40 years until her passing in 1979. Mabel also mentions highlights of her professional career including performing at the "World's Fair" (New York, 1939?), Carnegie Hall and Coney Island. Mabel also recounts a story involving an incident with a classmate in her youth. The tape finishes with a rendition of "My Buddy", sung by an unidentified vocalist and pianist
  • 9151_ca_object_representations_media_25_original.jpg

    Oral history interview with Mabel Hampton. Side A: Mabel discusses relationships she had with married women. She also discusses what she wore at the time [when she was in her early 20s] and about her feelings about the openness of lesbians today. Side B: Mabel sings two songs- "My Buddy" and "Come to Me".
  • 55447_ca_object_representations_media_126_original.jpg

    Oral history interview of Mabel Hampton. Side A: Mabel tells the story of her arrival in New Jersey, and how she found the people who first took her there. Side B: Mabel sings the American popular song, "My Buddy", and also explains how she left her uncle in New York and went to New Jersey. She talks in detail about the first couple days that she spent in a home in Jersey City, and her reticence to discuss details about her origins with the people that took her in. Additional discussion includes a description of the first time she was kissed by a woman, and why she didn't pursue relationships with married women.
  • 20173_ca_object_representations_media_10_original.jpg

    Oral history interview for Feminary: A Lesbian-Feminist Journal for the South. Joan Nestle interviews Mabel Hampton at 77. Mabel describes her childhood in Winston-Salem, North Carolina, her train journey to New York City, the city vs. the country, meeting lesbians and her views on race, sisterhood and the fight for lesbian rights.
  • 1652_ca_object_representations_media_136_original.jpg

    Oral History interview dated . Side A: Mabel talks about the parties she attended, the atmosphere, the people she met and the music she listened to. She also speaks in detail about romantic relationships with specific women and her first love from Coney Island. Her love of classical music is also discussed, which began when she started her first job.
  • 12083_ca_object_representations_media_72_original.jpg

    Oral history recording of Joan Nestle. Side A: Joan Nestle speaks about lesbian self-expression and the importance of language to identity. She goes on to talk about her early life and how she was motivated to take a stand against the oppression she saw around her in society, specifically oppression against women and lesbians. Side B: Mabel Hampton takes over as the main speaker and recounts her life story, beginning when she was only one month old. Mabel discusses her early years, including the crucial transition from living with her grandmother to living with her aunt, and how she eventually decided to run away to Jersey City.
  • 2420_ca_object_representations_media_94_original.jpg

    Audio cassette. Oral History Interview of Mabel Hampton. Mabel discusses her first girlfriend, a white woman she met while working at a girl's school. She also discusses her three year relationship with a married woman she worked for as a domestic worker, whom she considers her first love. In addition, she discusses her life as a dancer and her trips to a private lesbian club, frequented by notable women. She then relates how she was briefly abducted, attacked and robbed, and how she escaped and how her friends sought revenge on her attackers.
  • spw1163_A.mp3

    Event organized by the Committee for the Visibility of the Other Black Woman. Audre Lorde moderates community discussion and dialogue including issues of identity, cross cultural conflicts, classism, and ageism. She also introduces panelists' presentations. Her most sustained comments are on SPW1163, as she introduces the panel on identity.
  • spw1164_A.mp3

    Audre Lorde moderates community discussion and dialogue including issues of identity, cross cultural conflicts, classism, & ageism. She also introduces panelists
  • 34159_ca_object_representations_media_151_original.jpg

    Audio recording of the Third World Lesbian Writers Conference that took place on March 24, 1979. This is one of two tapes from the workshop, the second tape is missing. This is a workshop with Audre Lorde, Yvonne Flowers, and Robin Christian. Audre Lorde is on Side 1. Joan Nestle, Deb Edel, and Candice Wood are mentioned.
  • spw1158_B.mp3

    Tape 1 of 4 of a collection of cassette recordings of the NPR/Pacifica Radio national broadcast of coverage of the 1979 Washington DC march and rally for gay rights. Side A includes speeches by Robin Tyler, Troy Perry, Adelle Starr, and Michiko Cornell, as well as brief interviews with spectators in the crowd. Topics covered on side A include general theme of gay rights, as well as advocacy for gay youth and gay Asian Americans. Side B includes speeches by Rene McCoy, Bill Blish, Arly Scott, Maria Diaz, and Steve Alt, as well as brief interviews with spectators in the crowd. Topics covered include general gay/civil rights themes, advocacy for promotion of parental support for gay/lesbian children and discussion of Mayor Berry decision to declare "Gay/Lesbian Awareness Week". Side B. also also includes the song, "Not Anymore", (performed by Celebration).
  • 34159_ca_object_representations_media_151_original.jpg

    Preceded by short presentation from representative of the recently vandalized Diana Press. Speakers, in order of appearance: moderator Julia Stanley (unnamed on tape); Mary Daly; Audre Lorde (11:38 into Side B); Judith McDaniel; Adrienne Rich. Lorde's speech is the original draft of her essay "The Transformation of Silence into Language and Action."
  • 34159_ca_object_representations_media_151_original.jpg

    Event organized by the Committee for the Visibility of the Other Black Woman. Audre Lorde moderates community discussion and dialogue including issues of identity, cross cultural conflicts, classism, and ageism. She also introduces panelists' presentations. Her most sustained comments are on SPW1163, as she introduces the panel on identity.
  • 34159_ca_object_representations_media_151_original.jpg

    Benefit for the Astraea Foundation, "Conversation with Poems." Introduced by unnamed speaker. Poetry reading and conversation with Audre Lorde and Adrienne Rich; includes speech, poetry, and remarks.
  • spw1159_B.mp3

    The second of four recordings of Pacifica Radio coverage of the National March on Washington for Lesbian and Gay Rights on October 14, 1979. Musical performances by Mary Watkins, Meg Christian, and Holly Near. Speeches by Ray Hill and Charles Law.
  • 34159_ca_object_representations_media_151_original.jpg

    Audre Lorde continues her presentation as part of “The Personal and the Political” panel held at the Second Sex Conference on September 29, 1979. Audience members pose questions and make comments regarding the intersections between race, class, sexual orientation, and gender and feminism in response to Audre Lorde’s speech, “The Master’s Tools Will Never Dismantle the Master’s House”, from SPW1155.
  • 34159_ca_object_representations_media_151_original.jpg

    Benefit for the Astraea Foundation, "Conversation with Poems." Poetry reading and conversation with Audre Lorde and Adrienne Rich; includes speech, poetry, and remarks.
  • 34159_ca_object_representations_media_151_original.jpg

    Audre Lorde appears on Susan Howe's WBAI radio program "Poetry." She reads "Black Studies," "To My Daughter The Junkie On The Train," "To The Girl Who Lives In A Tree," "Song For A Thin Sister," "Oya," and "The Brown Menace" from her book New York Head Shop and Museum. On Side B, she reads newer poems including, "Solstice," "Dahomey," "Nobody Wants To Die On The Way," "School Note," and "Power."
  • 34159_ca_object_representations_media_151_original.jpg

    Modern Language Association Conference in Chicago, December 1977. Lesbian Feminist Poetry Reading featuring six poets. Side A includes Joan Larkin, Barbara Smith and Diedre McCalla. Side B includes Melanie Kaye, Adrienne Rich and Audre Lorde; Audre Lorde appears at 28:07 on SPW1151_B (Side B).
  • spw1153_B.mp3

    Audio recording of a panel presentation at the Fourth Berkshire Conference on the History of Women. "Power, Oppression and the Politics of Culture: A Lesbian/Feminist Perspective" included Audre Lorde
  • spw1152_B.mp3

    Audio recording of a panel presentation at the Fourth Berkshire Conference on the History of Women. Includes Audre Lorde.
  • 34159_ca_object_representations_media_151_original.jpg

    Audre Lorde reading her poems for the "2nd Tuesday Series" at the Lesbian and Gay Community Services Center, New York City. Side A: Recorded at the Lesbian and Gay Community Services Center, New York City. Sponsored by the Lesbian and Gay Community Services Center, Women's Poetry Center at Hunter College, New York. Poet Audre Lorde reads thirteen poems many from her new book. [Poems: Notes from a Trip to Russia, Sisters in Arms, Holographs, Political Relations, A Question of Climate, There are No Honest Poems about Dead Women, A Question of Essence, For the Record: (In memory of Eleanor Bumpurs), Making Love to Concrete, Women on Trains. Never to Dream of Spiders and Call.] Side B: Question and answer session with a collection for the Sisters in Support of South Africa.
  • 454.jpg

    Side A: Pat discusses her definition of lesbianism and her attitude towards “radical lesbians.” She also discusses her background, including her relationship with her family and her experience at an all-girls Catholic school. She talks about how and when she realized she was a lesbian and describes her early relationships with women. She discusses leaving home and experiencing gay bars for the first time in the 1950s. Finally, she discusses butch and femme roles and how they have changed.

    Side B: Pat discusses why she does not have many gay friends and why she does not identify with the lesbian community. She talks about her relationships and her feelings about sex.
  • 474.jpg

    Side A

    Dorothy discusses lesbians in the military during World War II with regard to her friend Betty, a lesbian marine who feared her phone was tapped. She refers to it as a 'witch hunt'. Dorothy discusses lesbian bars in Buffalo in the 1940s -1950s, and talks about friendships and butch and femme roles.

    Side B

    Dorothy discusses her break up with her girlfriend of 13 years, Charlotte. She talks about their courtship, sexuality, home life, and their families, who were never formally told they were a couple. While talking about the break up she mentions the deed to a cottage they shared and losing personal property in the breakup. Dorothy mentions seeking help from a lawyer and a lesbian psychologist in the 1950s. Dorothy discusses that she once considered suicide after a breakup.
  • 465.jpg

    Side 3: Phil begins the interview by discussing the dynamics of living with her lover and husband under the same roof, as well her lack of shame or guilt in being gay. She then talks about guilt among other lesbians she knew. Related to this, she discusses reasons people were not public about their lesbian identity, including work and family commitments. She spends the majority of this side of the tape talking about her long-term, intimate relationship with her best friend. She discusses the difference between butch and femme friends, as well as the distinct features of a close friend versus a lover.
  • 444.jpg

    Joe offers suggestions for local history sources, research materials, and other interview subjects. He also shares anecdotes of his travels to San Francisco.
  • 451.jpg

    Judy discusses butch and femme identities, social interactions, and role-play within relationships. She expresses relief over how these once rigid demarcations of identity have become more flexible within the lesbian community. Later, however, she notes "class" differences that continue to striate lesbians as a social group.

    The social conditions, the acceptance of lesbians, and the "openness" of homosexuals are compared between New York, Florida, and Toronto. References are made to anti-gay activist Anita Bryant and others who put social pressure on lesbians to stay closeted.

    Additionally, Judy touches upon negotiating workplace discrimination and "nosy" neighbors. She briefly mentions her relationship with her family and what it was like growing up in Buffalo.
  • 466.jpg

    Phil talks about being in a relationship with another woman and how she provided for her. She also goes on to talk about how other butch femmes provided for their partners and what would happen when they would break up. Phil further goes on to talk about gay literature and her problems with it. She also discusses gay bars and the lack of support for them.
  • 475.jpg

    Side A

    Dorothy discusses how women met one another, sexuality, and her various relationships. Particular focus is on her 10 year relationship with her girlfriend during the mid 1950s to mid 1960s.

    Side B

    Dorothy discusses how she feels about children and the fact that she never any. She gives her opinion on two women raising a child, and talks about her friends who are now married to men who raised children. In addition, she continues her thoughts on sexuality and butch-femme roles.

  • 473.jpg

    Dorothy talks generally of leisure activities, relationships, and sexual relations. She then talks at length about one long-term relationship with Harriette, mentioning their business, break up, life-long friendship, and Harriettes other relationships.

    She talks first of weekend activities or leisure activities such as house parties, picnics, and going to bars. She talks in general about sexual relations, mentioning "daisy chain" sex, and attitudes towards sex and equality in love-making. She talks in general about long-term relationships and breaking up. She then answers questions and talks at length about her long-term relationship with Harriette, their break up and lasting friendship. She mentions their first car and the business they owned together. She talks of monogamy. She talks of Harriette's later marriage and other relationships. Dorothy talks of her opinion of bi-sexuality and of Harriette's marriage and relationships.

  • 476.jpg

    Dorothy discusses her lifelong identity as a lesbian and her uncharacteristic history in adopting both the butch and femme roles in prior relationships. She talks about being the child of a single mother (her father died when she was two years old) and also describes her hobbies. She says she has always been very mechanically inclined and has also always been an avid reader. She suspects that being an avid reader influenced her ability to understand and be accepting of herself. She also discusses her education and career and her treatment as a lesbian on the job. She was the first female member of the American Society of Tool Designers and later became a technical librarian and engineering researcher. She also speaks about her friendships and non-sexual relationships with both gay and straight women. She notes the differences between those relationships and how her mannerisms and level of self-consciousness also differ in those interactions.
  • 471.jpg

    Judy discusses her views of gay men, including her belief that all so-called gay men are in fact bisexual.
  • 470.jpg

    Side A: Judy discusses some of the bars she used to frequent, and her changing views of sex.

    Side B: Judy discusses her past relationships and the ways in which she feels the treatment of women at jobs has changed.
  • 446.jpg

    Joan talks about how she went to jail and her experiences while she was held there.
  • 460.jpg

    Side A: Mary briefly describes her childhood and family dynamics. Mary and the interviewer then discuss the first time Mary recognized being different and her thoughts on desiring women at a young age, yet not knowing about lesbianism as a concept or about the lesbian community. Mary then recalls the first time she encountered the word "lesbian" when she joined the U.S. Air Force and describes her experiences with women while in the service. Mary talks about being a lesbian in the military, the investigation into her conduct, and her dishonorable discharge. After Mary got another job, she started going to a bar in Buffalo, N.Y., and she talks about the other lesbians she met there. Mary then discovered other bars and talks about the scene as well as the role-playing of butch and femme.

    Constant whirring noise that stops about 10 minutes into the recording.

    Side B: Mary continues the discussion on butch and femme role-playing. She elaborates on fights, holding down jobs, and being "out." She also explains the relationships lesbians had with gay men in Buffalo, N.Y., and the bar scene dynamics of mixed, gay, or lesbian bars. Mary and the interviewer discuss gay activism and the difficulties of being involved in activism at that time. Mary also describes outings where there was a risk of being visible as a group, such as going on picnics or renting cottages. She elaborates on her experience with social dynamics like cliques and having heterosexual friends within the lesbian and gay community. Mary then expands upon the nature of her relationships with women as well as with black lesbians - racial prejudice and relationships are discussed.

    Constant whirring noise that stops about 5 minutes into the recording.
  • 449.jpg

    Cindy or Joan (speaker unclear) discusses her experience of growing up in a working class family. She also discusses going to bars as she got older, and her relationships with women. She describes lesbians being harassed by police officers in the past. She also describes how her car was vandalized once, which she thinks was because she is a lesbian.

    Speakers' identities are unclear throughout. Recording label identifies Cindy and Joan but it is hard to tell if there are actually two separate speakers.

    Sound quality is poor. Tape cuts off abruptly at the end.
  • 448.jpg

    Linda discusses work and how her coworkers knew that she is a lesbian, which did not bother them. She recalls beginning to wear men's clothes to work in the 1970s when women began to wear pants. Linda discusses her relationship, and how her life centers around her lover. She believes that the younger generation is less monogamous than hers. Linda also discusses butch and femme dynamics in relationships.

    The sound quality is poor in the beginning. The tape cuts off abruptly at the end.
  • 442.jpg

    Joan discusses permanent relationships and other lesbians' relationships, dating process, how she and others approach lesbians they are interested in, and terminologies in dating (example: when do you start "going" with someone, and is it actually called "going"?). She identifies herself first as a lesbian, second as an African American. She talks about racism in the white lesbian community and the acceptance of black lesbians in black communities, which she says has to do with class. She talks about the black movement and gay/women's liberation in Buffalo. She describes how she's dressed.
  • 468.jpg

    Pat shows family photos. She says several of her family members were gay, including her mother and brother. She talks about bars, the 557 and 217, with racially mixed clientele. She describes violence when straight men tried to dance with gay women. She mentions other favorite bars from the 1950s: the Chesterfield, the KittyCat, Club Coco, the 469. Pat describes her relationships, many of which involved "messing around on and off" for many years. She describes coming out to her mother at age 13, and talks about the "white girls from Canada" (lesbians) who were her mother's friends.
  • 472.jpg

    Side A: Dorothy discusses her personal life and how she came to discover that she was a lesbian. She talks about her marriage and separation. She discusses her relationships with women, all of which were long-term. Dorothy talks about her job in engineering as a tool designer and the fact that she performed a man's work for a man's salary. She discusses lesbian social life during the 1930s, 1940s, and 1950s and names several popular bars including Eddy's Tavern, Ralph Martin. She talks about her developing alcoholism and the prominence of this disease among lesbians in general, perhaps as a result of their uncertainty about life. Dorothy also talks about butch and femme roles in lesbianism, stating that she doesn't identify herself with either role despite the fact that the butches identified her as one of them.

    Side B: Dorothy continues the discussion of roles in lesbianism and the division between the two groups in bars. She says that her "crowd" did not distinguish between these two groups and she ultimately stopped going to bars, partly as a result of the need for role division. She discusses in some depth her problem with alcohol and talks about her membership in Alcoholics Anonymous. She talks about how she decided that she was a lesbian and gives further details about her first relationship. She also speculates on whether or not other people knew she was a lesbian, including her mother and acquaintances such as her landlord. She says that she has never had any problems with people discriminating against her. Dorothy also continues to talk about the social dynamics of bars in Buffalo.
  • 467.jpg

    Side A: Pat discusses her experiences as an African American lesbian. She developed friendships and relationships with both white and black gay women in the 1950s. She denies there were any racial tension in the Buffalo lesbian community; Pat says her experience was very inclusive. She also discusses experiencing police harassment, but says that she longer experiences discrimination from law enforcement. Pat discusses her wardrobe in the 1950s, which was composed of mens' clothing, and where she used to shop.

    Side B: Pat discusses her friendship and romantic relationship with Jerry Jones, a male impersonator, who was well known in the 1950s Buffalo lesbian community. Pat discusses her move to Albany, N.Y., in the late 1950s and the birth of her daughter in 1957. She also mentions her experiences at after-hour bars which were only open to African Americans. While she used to frequent them in her early years, she no longer goes. Pat identifies as a butch lesbian and discusses the differences between butches and femmes. When she was younger she did not allow her partner to touch her during sex, but is much more open to the idea now. According to Pat, many butch lesbians did not receive sexual contact from their partners.
  • 463.jpg

    Paula describes the absence of love and romance in her relationships with women, but later in the interviews describes a relationship after her divorce. She mentions one-night stands and sexual experiences she had with friends, and the importance of these friendships to her. Paula mentions that she was married and had children, and would go out to bars at night with her friends or alone.
  • 459.jpg

    Side A: Pat and DJ discuss the characteristics of femme identity. The interviewers say they are looking to interview more femmes, which leads to a discussion of the names and locations of lesbians who were a part of the community in the 1940s. The interviewers also mention the difficulties of interviewing lesbians who have not come out. The group discusses why butches are more willing to talk. Pat talks about her time at the Good Shepherd home. There is a brief discussion about the role of lesbians in World War II.

    Cut off at 0:14:55

    Side B: The group continues their discussion of the interview process, including who is willing to talk and who is not, as well as who will use their names and who will not. There is more discussion about beatings. Pat tells of coming out to her mother. Her mother only worries about the violence Pat is subjected to, on account of being butch. There is a long discussion about the nature of breakups and their aftermath. The group discusses the role of third parties in most breakups and the way a butch or femme reacts to a breakup. The issue of "passing" comes up, and Pat talks about working as a cab driver and passing as a man. Often, the children of femmes did not know that their mothers' partners were actually women. The interview concludes with a description of the rules for asking other butches' girlfriends to dance, and the fights that sometimes ensued. This point in the discussion highlights the difference between the generation of the interviewees and the generation of the interviewers.
  • 456.jpg

    Side A: Mary discusses her experiences in the gay community in Buffalo in the 1950s. She discusses in detail the gay bar scene and describes the clientele at the Carousel, Bingo's, and the Chesterfield. The interviewee also describes the dynamic of the relationships she experienced and observed in terms of both race and gender identity. Mary also discusses prostitution in the Buffalo community during the 1950s. She describes some of her own sexual and relationship experiences.

    Side B: Continuing the conversation from Side A, Mary discusses in more detail the types of people she observed in the various bars in Buffalo, as well as her family. She explains that she got along with her family, but never came out to them, in spite of which her father never questioned her about her relationships or pressured her to get married. She also discusses the socio-economic status of various gay communities throughout Buffalo. Both the interviewer and the interviewee discuss butch and femme identities within the larger context of the lesbian community in Buffalo. Mary speaks in more detail about her social experiences.
  • 453.jpg

    Mary Ann talks about posing as a prostitute for men in a straight bar. She would arrange a meet-up location and then she and two girl friends would overpower and rob men. She describes several muggings she and her two friends carried out. One happened in a hotel; another took place in a man's house with his family there. She claims she and her friends never hurt anybody "more than they had to." Mary Ann also talks about the distinction between gay bars and bars where she would go to hustle. Gay bars were places to have fun with friends and not for prostitution. In one aside, the interviewer asks Mary Ann why she calls her girlfriend "my man," to which she replies that's the way her lover wanted to be addressed.
  • 458.jpg

    Side A: Pat and DJ continue the discussion of relationships during the 1950s from tape cassette SPW457. The two women discuss aspects of how to make relationships long-lasting and the importance or lack thereof of sexual intimacy in relationships. Both Pat and DJ discuss personal opinions related to intimacy in relationships, particularly in long-term relationships. The discussion then turns to types of attraction and intimacy.

    Side B: Pat and DJ continue to discuss relationships during the 1950s and talk about reasons for breaking up. The discussion revolves around the importance of taking care of a woman and being able to satisfy her needs. The two women discuss the negative stigma of cheating. The discussion turns to take pride in a partner and the importance of her appearance and physical presence. Pat and DJ also talk about the presence of violence during relationships in the 1950s, listing insecurity between partners as the main reason. The two women speak specifically of violence in bars as a result of talking to another woman’s lady or challenging femmes in relationships to talk to other women. They discuss how much of this behavior was learned from lesbian role models of the 1940s.
  • 461.jpg

    Mary describes the bar scene, parties, fashion, music, bar layouts, and fights at Bingo's and Carousel bars.
  • 462.jpg

    Side A: Paula describes various locations where gay men and women would meet each other, like Kleinman's Corner and bars such as Ralph Martin's. Often these locations also served as hubs for sex workers. She speaks about the rigidly defined roles of "butch" and "femme" provided for lesbians during the 1940s. Paula talks about her life as femme and being married to a man who introduced her to gay/lesbian life. She discusses her sexual life and the type of sex that women had with each other in the 1940s, specifically within the strict binary of butch and femme. Paula recalls the social life at bars, such as Ralph Martin's, which included dancing, drag shows, prostitution, and drugs.

    Side B: Paula speaks about her family life in relation to her sexual identity. She talks about her husband's fast lifestyle and her changing preferences eventually causing the dissolution of their marriage. Paula mentions the types of employment she has had, including working in department stores, as a waitress, as a desk clerk at the Genesee Hotel, and on the assembly line at Bell Aircraft. She speaks more about various bars that she went to: Pat's, Dugan's, the Carousel, and the Carlton Hotel. She talks about a long-term relationship that she had, after her divorce, that lasted ten years, as well as traveling out of the Buffalo area to places like Florida, California, and Utica, N.Y.

    The recording cuts off abruptly after 23 minutes.
  • 455.jpg

    Side A: Pat talks about her childhood in North Port, N.Y., her relationship with her parents and siblings. She goes into detail about her estranged relationship with her older sister. She describes when she first knew that she was a lesbian and tells the history of her relationships with women. She starts with her first affair at age 13, with a nun from her Catholic school - Sister Eugenie - to a relationship she had with Maryann (Marty). She describes her time at nursing school in Niagara Falls, N.Y., and the gay bars she frequented until she moved to Florida with her then girlfriend. She says she moved to Buffalo, N.Y., in the late 1950s, and describes the Buffalo bar scene, mentioning Dingles, Mardi Gras, the Chesterfield, the Carousel and the Carol Hotel. Pat mentions that the Carousel was very elite, something she did not like. This leads her into a discussion on “role play” and how important it was to distinguish oneself as either a butch or a femme. She classified herself as butch, but stated that she was very uncomfortable with the label and now prefers to be less overt.

    Side B: In this interview Pat talks about how she does not like or feel comfortable in the gay community. She has never identified with it, or been made to feel welcome. This is one of the reasons that she does not maintain friendships with other lesbians, unless she is having a sexual relationship with them. She mentions being victimized and physically assaulted because she was a butch lesbian. Interviewer Madeline enters the discussion, speaking about her own sexual experiences with women. Madeline classifies Pat as “untouchable,” something that Pat denies, stating that she is simply very private. She feels that sex is a necessary but not important part of a relationship; it is something that is never sought or welcomed. She is suspicious of those who claim to experience sexual pleasure, including Madeline.
  • 457.jpg

    Side A: Liz and Madeline ask Pat and DJ for feedback on a draft of "Boots of Leather, Slippers of Gold." Pat claims the book paints too rosy a picture of lesbian life, underplaying the prejudice most lesbians encountered in the 1940s and '50s. Both talk about the Buffalo bar scene in the 1940s and '50s: mentioned are Carousel, Bingo's, the Chesterfield, Ralph Martin's, the Mardi Gras, and the Midtown. The discussion shifts to relationships, faithfulness, and prostitutes.

    Recording has loud feedback sounds and squeaks at the beginning.

    Side B: Pat and DJ discuss bar denizens vs. lesbians who did not frequent bars and the "class" distinction there, and also the way non-butch lesbians looked down on butches. DJ describes how her long-term relationships were analogous to marriage, where she was the breadwinner and her partners were housewives who perhaps worked but did not "provide." Both discuss the fact that in the 1940s and '50s butches had the freedom to have affairs whereas femmes were expected to be faithful. This created an atmosphere of mistrust in which monogamous long-term relationships became very difficult.

    Recording has loud squeaks at the beginning, hisses throughout, and cuts off abruptly at the end.
  • 452.jpg

    Side A: Mary Ann discusses her experiences going out in public with her girlfriends, and the treatment they receive at restaurants, bars, and on the street. She mentions that their public treatment is very often instigated by the masculine way her partners are dressed; she herself has always been very femme. Mary Ann talks about her incarceration for robbery, and her time in a psychiatric hospital for depression and attempted suicide.

    Side B: Mary Ann continues to discuss her time in jail. She took on a butch look, and began to receive small gifts under her cell door from femme girls in other divisions. She developed relationships with different girls that she worked with while in jail, and talks about lookouts, or "chickies," standing watch for girls who were with their partners in the showers or elsewhere. She then talks about her sex life with a long-term partner of 22 years, with whom she raised foster children. Later, she touches on her job as a dancer at Buffalo clubs, and a two-year period when she worked as a prostitute.
  • 441.jpg

    Side A: Joan discusses the distinction between butch and femme lesbians, the differences between the white and black gay communities, the Buffalo lesbian bar scene, and coming out in the 1960s.

    Side B: Joan discusses the class divisions in the lesbian community, the university gay scene, and her personal, professional, and romantic history.
  • 447.jpg

    Linda talks about her relationships and the idea there are no longer clearly defined lesbian roles (i.e. butch and femme) in relationships, as there were when she first came out in the 1960s. She describes her family life growing up and when she came out to her family.
  • 443.jpg

    Side A: Joe talks about the social atmosphere in the 1920s through the 1940s. He talks about Service Clubs and Music Circles as vehicles for social interaction but claims not to know of any exclusively gay or lesbian social groups. He also talks about the one gay bar in town in the 1930s and '40s and calls it "middle class at best."

    Side B: Joe talks about social clubs (all men's clubs) and how gay society functioned within these clubs. He also talked about sports and gay women at the time.
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, pbcore, rss2