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![[2014SP]RE Honesty Ends Helplessness side b.mp3](/omeka/application/views/scripts/images/fallback-audio.png "[2014SP]RE Honesty Ends Helplessness side b.mp3")
John and Elizabeth, Side B, November 14, 1988
This sound recording is a continuation of a previous tape, but the location of the previous tape is unknown. The woman on the tape discusses a car accident she was in and various aspects regarding this incident. She goes on to talk about her mother and her upbringing. -
Dear Morgan, Side A, November 14, 1988
An anonymous woman records a tape to send to her friend Morgan. She is excited about Christmas being in a few weeks and carefully tells her stories as to not reveal the identities of friends who do not want to be named. -
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Morgan G, Side B, November 2, 1988
This is a continuation of a previous audio recording. The recording is taken in a car ride and it is a letter for Morgan. She discusses her daily routine. -
Workshop #4, Side B, April 20, 1971
The recording is from a workshop from April 20, 1971. The women are having an open discussion on honesty and trust within the group. The talk about how they feel about each other and how they handle being in Daughters of Bilitis. -
Morgan G, Side A, November 13, 1988
This audio recording is discussing her issue with addiction and alcoholism. She opens up about having good people by her side in these hard times. -
Workshop #3, Side A, February 18, 1971
This audio recording talks about activism and oppression within the lesbian community. The workshop is a group of women discussing their feelings and experiences with being oppressed as women in society, especially as lesbians. -
San Francisco Lesbian History Project discusses Buffalo lesbian bars in the 1950's, 1981 February 24
Side A:
Discussion on the social issues in the Lesbian communinity bar and nightlife scene in Buffalo, NY during the 1950s.
Side B:
Continuation of side A. Only 2 minutes of side B used in original recording.Tags Butch and Femme -
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March on Washington / Pacifica Program Service, 1979 (Tape 3 of 4)
March on Washington on October 14, 1979, which dealt with the civil rights of the gay and lesbian community. Participants included Audre Lorde (who can be heard on side A about 80% through), Allen Ginsberg, Peter Orlovsky, Ted Weiss, Gotham, Tom Robinson, Howard Wallace, Kate Millet, and Flo Kennedy. Key topics included civil and human rights, the labor movement, racism, sexism, and love. Short technical glitches occur on Side A. -
March on Washington / Pacifica Program Service, 1979 (Tape 4 of 4)
Rally mediated by Audre Lorde given at the March on Washington on October 1979. Speech topics include rights of LGBT prisoners, parents, immigrants, and atheists. -
Voices of Women Writing Conference, April 30, 1982 (Tape 1)
Ms Holly makes assorted announcements then introduces Audre Lorde. She reads three poems: "For Each of You" "Poem for Women in Rage" "Sister, Morning is a Time for Miracles". Side B: Continuation of poem from Side A: "Sister, Morning is a Time for Miracles" Then reads: "After Images" Final Poem of reading: "On My Way to San Francisco I Pass Over You and the Verazano Bridge" -
Voices of Women Writing Conference, April and May, 1982 (Tape 2)
Audre Lorde is on the panel. Lorde speaks on side A after other panelists introduce themselves an on side B. This is the recording of a Community Workshop panel, mostly discussing obstacles to women writing, specifically, black womens literature. The recordings are fairly audible aside from some inaudible speakers who are not close enough to the recording device. -
The Personal or the Political - I / Conference on Feminist Theory, September 29, 1979
In addition to Audre Lorde, Linda Gordon, Manuela Prairie, Jessica Benjamin, Bonnie Johnston, Camille Bristow, and Susan McHenry participated in the panel. The recording includes a question and answer session between panelists and audience members. The topics discussed include racism, feminism, class oppression, individualism, sexuality, community, and sisterhood. -
Mabel Hampton, Morgan Gwenwald, Pam Hicks: Breakfast at Pam's, April 9, 1989 (Tape 2)
Pam Hicks and Morgan Gwenwald chat with Mabel Hampton over breakfast about mundane topics, including lost keys and colors. The three get in a car and try to find the cemetery where Mabel has purchased a plot to be buried in. They locate the cemetery, but it is closed to visitors, so they proceed on to see if they can find where she purchased the tombstone. -
Mabel Hampton, Morgan Gwenwald, Pam Hicks: Breakfast at Pam's, April 9, 1989 (Tape 1)
Morgan Gwenwald visited Mabel Hampton at Pam Hicks' place. Over breakfast, they talked about the dreams Mabel had been having lately, how people thought about her. Morgan made plans to visit Lillian's cemetery with Mabel together and listened to a tape that Mary gave Mabel. -
Mabel Hampton talks about Lillian and more, January, 1988 (Tape 1)
Mabel discusses meeting Lillian Foster, her wife, Lillian's childhood, and their life together in the community as well as various events they were a part of against the backdrop of World War II. -
Statement of Purpose; Visitor Feedback / Lesbian Herstory Archives
Oral history recording that documents the history and legacy of the Lesbian Herstory Archives. Members of LHA recite the LHA Statement of Purpose from 1974. This is followed by the reading of quotes (with multiple, unidentified readers) from appreciative visitors to LHA. -
Women's Press Collective Workshop (Clip 3)
A question-and-answer session with members of the Women's Press Collective, including Wendy Cadden, Judy Grahn, and Martha Shelley. They discuss how they fund their projects. The uploaded file has been cropped due to Fair Use restrictions. The full file is available at the Lesbian Herstory Archives.
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Women's Press Collective Workshop (Clip 2)
A recording of a workshop featuring members of the Women's Press Collective, including Wendy Cadden, Judy Grahn, and Martha Shelley. The panelists describe the founding of the Collective in Oakland, California. The uploaded file has been cropped due to Fair Use restrictions. The full file is available at the Lesbian Herstory Archives.
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Women's Press Collective Workshop (Clip 1)
A recording of a workshop featuring members of the Women's Press Collective, including Wendy Cadden, Judy Grahn, and Martha Shelley. The panelists describe the founding of the Collective in Oakland, California. The uploaded file has been cropped due to Fair Use restrictions. The full file is available at the Lesbian Herstory Archives. -
Windsor, July 17, 1980
Windsor talks about what it was like coming out and her relationships, the death of her partner and how that affected her. She also talks about the changes in gay community and what it was like being single or in love. -
Windsor, July 31, 1980 (Tape 2)
SIDE A Discussing Windsor’s memories of her relationship with Ruth also called “Skip” beginning in 1933, when they began to identify as lesbians. Past discrimination in town of Reedsville, Pennsylvania, childhood and background, and time attending Allegheny College and working in a factory. Skip came to Buffalo to study biochemistry, and enters the gay community in 1937; however Skip remained in the closet until 1975. Discussing lesbians in the medical profession in New York, and past relationships of Skip. These women attended bars such as Ralph Martin’s and Carousel in late 1930s and early 1940s.
SIDE B Windsor discusses suicides in the lesbian community. Skip was able to accept herself as lesbian, and Windsor explains why.
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Boston, November 14, 1981
Side A:
Opens with an unnamed woman singing with guitar playing in a live venue. Continues to go through the concert with intermittent breaks to speak about songs.
Side B:
Blank -
MAD Boston
Proceedings from the MAD Conference in Boston -
Ti-Grace Atkinson, Theories of Logic (Tape 2)
In Part 2 of the recording of Ti-Grace Atkinson, she further discusses elements of logic. She connects these elements of logic to oppression and the Women’s Movement. She starts to connect the abstract elements of logic to social issues and includes a discussion of the class system based on the writings of Karl Marx. -
Terry, May 12, 1980
Terry talks about her experience, coming of age as a woman and specifically as a lesbian; and how she sought comfort first in alcohol and then within the lesbian community. -
To Morgan Gwenwald With Love Stella Rush November 27, 1988 Side B
Stella Rush records a live standup performance of a western comedian. She is continuing her “letter” to Morgan at home. She talks of various things: cartoons, her cat, her grandmother Elizabeth “Lizzie” Dietrich, how she was named Stella, wonders what may happen to the recording, her personalities John and Elizabeth, her parents, Del and Phil, and offers words of advice. Throughout the recording she coughs due to asthma. The recording is suddenly cut off at the end. -
To Morgan Gwenwald With Love Stella Rush November 27, 1988 Side A
A woman named Stella Rush records a tape for Morgan while she’s driving. She discusses her life, recent personal events, her hopes for the future, and her current worries. She talks about Sandy in the hospital, her personalities John and Keith, sings a song (“The Gambler”), and mentions sleeping difficulty. She continues to talk about cancer groups, AA and ALA meetings, and imaginary scenarios. The recording is suddenly cut off at the end. -
To Morgan Gwenwald from Stella Rush, November 2, Side B
Stella talks about a tape that she created on June 19th of 1987 (Side A) and is grateful for a reunion she recently had with her friends. -
To Morgan Gwenwald from Stella Rush June 19, 1987, Side A
Stella Rush records her thoughts while on a road trip and talks about a car accident she had in the past and what it was like to travel through Central City, L.A. -
To Morgan Gwenwald from Stella Rush June 2, 1987 Side B
Continuation from "To Morgan Gwenwald from Stella Rush June 2, 1987 Side A"
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To Morgan Gwenwald from Stella Rush June 2, 1987 Side A
Stella Rush records a tape for Morgan. She discusses her life and her struggles, and how recording tapes for others helped her to express herself when she was too depressed to write. She mentions nonchalantly at beginning of tape that she won't stop at a Denny's because they once refused her service. -
To Morgan Gwenwald from Stella Rush June 4, 1987 and June 5, 1987 #2 Side A
Stella talks about reuniting with her old friends and passing the torch to new, young activists. She also discusses her struggle with addiction and how she moved past it. -
Madeline Davis and Liz Kennedy. Boots of Leather Oral History Project Panel Gay Pride, 1979
Side A:
Panel discussion on the history of the archives, including a brief introduction on how they gather information through different interview procedures within the Lesbian community in order to build the oral history project.
Side B:
Panel discussion continues with topic brought up in side A. -
Seneca Women's Encampment for a Future of Peace and Justice - Tape 5
An interview with two women discussing the history of women's peace camps, ecofeminism, and issues of ethnocentricity among non-indigenous activists, particularly among white activists who believe they "know how to do things." Interviewees also discuss restorative land justice and “The Mountain,” a survival camp hosted by Native Americans that teaches indigenous traditions. The video is interrupted by static for the first 16 seconds, as well as from 2:30-6:11 due to the physical condition of the tape. -
Seneca Women's Encampment for a Future of Peace and Justice - Tape 6
Footage of a demonstration that took place outside of the main gates of the Seneca Army Depot, in which a group of women wearing white fabric and fake blood wail and rattle the chainlink gate as guards look on. A group of women beat on small paddle drums and hum behind them.
Interviews in Tape 3 of this collection describe the experience and meaning behind the demonstration. -
Seneca Women's Encampment for a Future of Peace and Justice - Tape 4
Three interviews with women who participated in the “Seneca Women's Encampment for a Future of Peace and Justice“ protest. The interviews touch on the women's experiences of being detained, their mistreatment under the hands of the Seneca Army Postmen, and their reasons for participating in civil disobedience. -
Seneca Women's Encampment for a Future of Peace and Justice - Tape 3
[00:00-15:26] Video begins with a protest/ceremony outside the Seneca Army Depot, a military-industrial complex in Seneca, New York.
[15:39-22:52] Following the demonstration, the video cuts to an interview in which two participants explain the importance and objective of their ceremony and the purpose of their "wailing," which was meant to imagine and express the agony of victims and those threatened by nuclear war. -
Sidney Abbott at Lesbian Herstory Archives "The Good Old/Bad Old Days: Lesbian-Feminism, Its Origins—What's Helpful to Us Now?" Part 2 of 2
Sidney Abbott reflects on earlier years of the gay and lesbian movements; audience participation turns the presentation into a discussion on turning tides in the movements. -
Sidney Abbott at Lesbian Herstory Archives "The Good Old/Bad Old Days: Lesbian-Feminism, Its Origins—What's Helpful to Us Now?" Part 1 of 2
Sidney Abbott reflects on earlier years of the gay and lesbian movements; audience participation turns the presentation into a discussion on turning tides in the movements. -
Shirley Willer, Tape 2 of 4, Side A, July 11, 1987
This is a recording of Shirley Willer talking about her life. She talks about her experience with men, her experience as being labeled a lesbian, coming out to family and friends, how she discovered the existence of homosexual organizations through ONE Magazine, discrimination, the DOB, her initial expectations when first joining the organization, becoming chapter president, duties and achievements as president, conflicts surrounding the DOB, her decision to step down as chapter president, and the dissolution of DOB.
Marion Glass is recorded as well. She talks about her relationship with women, joining the Mattachine Society, and about DOB’s activist approach.
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It Can Be Done: Chicago Women's Graphic Collective
A video about the relationships and bonds among members of the Women's Graphics Collective. The Collective produced posters addressing the struggles of the women's movement and other political movements, including the United Farm Workers organized a boycott on non-union lettuce and grape farmers. -
Shane, undated (Tape 3)
Shane talks about the different lives she led during her youth. These different roles included working a job at Goodwill, dating and living with hookers on the weekends, and studying to become a Methodist minister as a man. She then talks about her current career as a trucker. -
Shane, undated (Tape 2)
Shane talks about running away from home with two girls after her father forced her to leave home. She then lived as a man in New Orleans under an assumed identity. She was arrested and held for 72 hours on suspicion of robbery. She recalls the people she met during her stay in jail. -
Shane, undated (Tape 1)
Shane talks about getting into trouble during her teenage years and how her father kept sending her to all-girls schools thinking it would straighten her out. She speaks about gay bars in Buffalo and Pittsburgh. She tells a story about running away from home to pursue a relationship, ending up involved with hustlers and begging her father to help her stay out of jail. She talks about moving back to Buffalo, getting a job, and how things have changed.Tags Atheism, Bars, Education, Families, Fathers, Friendship, Mothers, Oral History, Parents, Relationships, Religion, Sex Work, Work -
Memorial Service for Diane Cleaver (Part 2)
Friends and family gather at the funeral of Diane Cleaver to share stories, reminisce, and pay homage to her. -
Women and Religion
In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity. The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose. -
SAGE's Second National Conference on Aging: the Many Faces of Activism for Middle Aged and Old Lesbians, 2000
Audio from SAGE's Second National Conference on Aging, which took place from May 5-6, 2000 in New York, NY.
The audio starts with a conversation with a woman discussing activism, being an out lesbian parent, and atheticism and answering questions from the auidence. She talks about "The Gay Games" and the healing effect of sports for women and girls. Questions from the audience include comments on finding community at the intersection of elder lesbians and sports.
At 9:41 the audio cuts to a panel discussion with Ruth Berman and Connie Kurtz. They play a clip of Ruthie + Connie's 1988 apperance on the Phil Donahue Show. Ruth and Connie talk about their personal hsitroy and early activism, their lawsuit against the New York City Board of Education for domestic partner benefits, the importance of being political and of coming out. They also talk about oening a counceling cener in their home and issues with the Butch/Femme Bianary.
At 28:41 the audio switches to Joan Nestle speaking about the Lesbian Herstory Archives and the importance of including reords about diverse Lesbian History.
AT 33:11 a woman from the aidence speaks from the perspective of radical lesbians who have never had children or been married and about expanding the lesbian agenda in the future. She reads from a a piece she wrote called “a week in the life of a 60 Year Old Lesbian” about her activism within the lesbian community. -
Susan Abod Interview
Susan Abod is interviewed by Ruth Scovill. The tape starts in the middle of a conversation. Susan talks about women’s rock music as the antithesis to “cockrock,” or rock music for and by men. She discusses her journey of auditioning and joining bands, and being influences by socialism, feminism, and how she joined a political band of women. (Some audio distortion). She talks about rewriting song lyrics, the concepts of straight-baiting, utopian politics, and differences between women’s music and feminist lyrics in music. Around 49:30 the narrator changes, and the topic changes to the Woman’s Coffee Coven, which later became a production company. This may be the predecessor of Olivia Records. -
Sally Piano Interview (Part 3)
Sally Piano is interviewed by Ruth Scovill. Sally talks about her distrust of the government, including phone-tapping, spying, and the CIA. She addresses mainstream musicians of ripping off minority culture, including lesbians by men in power. She shares views on women’s music as alienating male audiences, intended to create space for women-only, as well as differences between straight and gay audiences. She discusses issues of maintaining an ethnic name as a performer, and how she came about using a stage name. Sally touches on themes of separatism in the women’s and lesbian movements. Part 3 of 3. -
Sally Piano Interview (Part 2)
Sally Piano is interviewed by Ruth Scovill. Sally talks about her relationship with her audience as a performer. She addresses difficulties with men in the women’s music scene, as well as appropriation and criticism. Part 2 of 3. -
Sally Piano Interview (Part 1)
Sally Piano is interviewed by Ruth Scovill. Sally discusses her early life, including her ethnicity, and racial identity. She mentions how learning the piano and music led her to the women’s movement, and feminist music. Part 1 of 3. -
Olivia Records Interview (Part 2)
Jennifer Woodul and Ginny Berson, founders of Olivia Records, are interviewed by Ruth Scovill. Jennifer and Ginny continue to talk about women’s autonomy in the lyricism of women’s music. They talk about their views on music production and concerts as places of political organization. They attempt to self-define what “women’s music” means to them, while acknowledging the classism in the music industry. Part 2 of 2. -
Olivia Records Interview (Part 1)
Jennifer Woodul and Ginny Berson, founders of Olivia Records, are interviewed by Ruth Scovill. Jennifer Woodul and Ginny Berson talk about their band and production studio, Olivia. The recording starts mid-sentence. They discuss recording music and starting a music studio. They talk about how they met at The Furies Newspaper, and the need they seen for women-owned businesses, and issues with capitalism. Part 1 of 2. -
Margie Adam Interview (Part 4)
Margie Adam is interviewed by Ruth Scovill. Margie talks about the value of women musicians as speaking out for women’s communities. She discusses the roles of feminism and autonomy in women’s music. Margie talks about what it is like to be a traveling musician, and bands on tour, acknowledging that most women musicians at the time are soloist, white, middle-class women. She talks about trying to be accessible to audiences through music. Part 4 of 4. -
Margie Adam Interview (Part 3)
Margie Adam is interviewed by Ruth Scovill. Margie continues the interview, discussing her song-writing style, and musician performance technique. She is passionate about music for social change, and talks about difficulties making a living as a performer, specifically focusing on the financial responsibilities as a musician with women audiences. Part 3 of 4. -
Margie Adam Interview [Redubbed]
Margie Adam is interviewed by Ruth Scovill. Margie performs music, woven between interviews, in this redubbed interview. She discusses women’s music as not being mainstream music, as well as the politics of women’s music, and need for women’s production companies. She mentions the importance of networking with women-owned companies and businesses. Redubbed. -
Holly Near Interview
Holly Near is interviewed by Ruth Scovill. Holly talks about her early life, and influences that led her to the women's movement. She talks about anti-imperialism, the role of women’s music, and her criticism within the women’s movement, along with influences in art and politics. -
Margie Adam Interview (Part 2)
Margie Adam is interviewed by Ruth Scovill. Margie talks about the Women’s Movement, and the National Womens’ Music Festival in Champaign-Urbana. She discusses definitions for women’s music, feminist music, and her song writing. Part 2 of 4. -
Margie Adam Interview (Part 1)
Margie Adam is interviewed by Ruth Scovill. Recorded April 1, 1976. Margie speaks about growing up with music in the home, and the role of music in civil disobedience. She mentions being deeply affected by tragedies of the day, including the Kent State Massacre, and how it informed her relationship with music, and later moving to California. Part 1 of 4. -
March on Washington/Pacifica Program Service, 1979 (Tape 1 of 4)
Tape 1 of 4 of a collection of cassette recordings of the NPR/Pacifica Radio national broadcast of coverage of the 1979 Washington DC march and rally for gay rights. Side A includes speeches by Robin Tyler, Troy Perry, Adelle Starr, and Michiko Cornell, as well as brief interviews with spectators in the crowd. Topics covered on side A include general theme of gay rights, as well as advocacy for gay youth and gay Asian Americans. Side B includes speeches by Rene McCoy, Bill Blish, Arly Scott, Maria Diaz, and Steve Alt, as well as brief interviews with spectators in the crowd. Topics covered include general gay/civil rights themes, advocacy for promotion of parental support for gay/lesbian children and discussion of Mayor Berry decision to declare "Gay/Lesbian Awareness Week". Side B. also also includes the song, "Not Anymore", (performed by Celebration). -
Dyke TV is hateful? [Correspondence]
An email sent by David B. O'Donnell containing text from a June 19, 1995 article in the Colorado Daily called "Dyke TV is hateful? Prove it" by Richard Cendo. According to the article, Melanie J. Schurr refers to Dyke TV as a hate show due to its aversion toward "straights." The author argues that the show may be for lesbians, but that there is no evidence that points to it being averse to different sexual orientations. -
Reggie, September 21, 1980
Discusses growing up in Buffalo, when she realized she was first gay at a young age, and going to clubs -
Women and Welfare
This episode is titled Women in Welfare and features discussions from Carol Brill, the director of the Massachusetts chapter of the National Association of Social Workers (NASW), and welfare advocates Kayla Taylor, and Susan Moore. This episode covers the topics of the welfare system structure, stereotypes and myths about welfare recipients, double standards working mothers face based on class, and the classism within the social work profession. Furthermore, it includes clips from governmental proceedings related to welfare and proposed cuts to welfare benefits. It ends with a discussion on how the issues within the welfare system relate to the Women’s Liberation Movement and demands economic change from politicians who fund big business and the military while disregarding the poor through welfare cuts. -
Learning to Fly, Sports
Thoughts on athletics as they exist in America, and the pressure to develop oneself physically. In this radio show there is a reclamation of the “physical you.” There is also a discussion of how sports have become controlled by big business interests, they are now a plaything of the rich. This dehumanizes athletes, causing them to strive for only what can make them rich. Women's sports don't get much spectatorship and consequently don't get promotion or funding. The guests discuss how sports have also become a masculinity rite, and how winning is associated with proving one’s virility. On the other end, women athletes are pressured to prove their femininity in a masculine field. The emphasis on winning destroys athletes' bodies and spirits. Coaching forces athletes to be disciplined and to accept commands unquestioningly. The upward social mobility of sports is an illusion, and can only benefit a small portion of women and POC. The athletic system in this country is elitist, and little encouragement is given to amateurs and women. Black and women athletes have been challenging institutional sports in America. -
The Franny Chicago Play
This production from Radio Free Women is an interview with Judith Katz, playwright, and Betsy Toth, director, of the Franny Chicago Play. The play revolves around the suicide of Franny Chicago, a lesbian who lives with her partner and a roommate, who is also a lesbian. Katz and Toth speak about the struggle of accurately portraying lesbian life while not turning it into a spectacle. In addition, they talk about the importance of feminist representation in theater. -
Jill Johnson on Lesbians in the Women's Movement
Columnist for the village voice, feminist, Jill Johnson discusses the role of the feminist lesbian within the larger movement of women’s liberation. Johnson discusses the variations in the NYC lesbian experience, and the relationship they have with straight women, and the overarching culture at large. She discusses the contributions that a lesbian feminist can make to empower other women. -
The Furies
The Furies was a group of twelve lesbian separatists in Washington, D.C. who saw heterosexual women as an obstacle in their feminism. Heterosexuality was as cyclical, and women in heterosexual relationships reinforced their oppression by absorbing the name and values of their male partners and moving them forward. The Furies published a newspaper, The Furies, that ran from 1972-1973. -
Abortion
In this episode of Radio Free Women, three members of the National Organization for Women (NOW), discuss the state of abortion after the passage of Roe v. Wade. Mary Bailey (coordinator of the NOW Abortion Coalition), Mary Helen Bloom (member of the national area chapter of NOW), and Mary Garrison (President of the Montgomery NOW chapter) discuss threats to the landmark ruling. They also discuss how women are excluded for the conversation around abortion, as well as where states have the right to regulate and balance issues of state interests with consideration of women's health. -
Learning to Fly, Show Business (Tape 2)
This recording is a compilation of songs, music, excerpts, quotes, and recordings by, about, and for women in show business. Featured in part two are songs by Judy Garland; music from various Broadway shows and movie musicals; excerpts from Bette Davis' autobiography;quotes from Dorothy Dandrige; a recording of "Mary C. Brown and the Hollywood Sign" by Dory Previn; a reading of the poem "I Have Come to Claim Marilyn Monroe's Body" by Judy Grahn; and a recording of "There's No Business Like Show Business". -
Learning to Fly, Show Business (Tape 1)
This recording is a compilation of quotes, songs, poems, and performances by, about, and for women in show business. Featured in part one are quotes about working in music from Billie Holiday and Aretha Franklin; music by Melanie Safka; a poem to Aretha Franklin by Nikki Giovanni; a letter to Janis Joplin; a performance of Mercedez Benz by Janis Joplin. There are unnamed performances throughout the recording.Tags Theater -
Margaret Sloan
Sloan is the President of the National Black Feminist Organization. She discussed NBFO’s mission to provide an organization for black feminists who felt the need to fight both sexism and racism at the same time. She discussed the formation of the organization and the eastern conference on black feminism. -
Ruth Berman & Connie Kurtz Talk with Pride NY, 2002
Audio recorded at an event put on by Pride NY, the employee network group for LGBT individuals at JP Morgan Chase with Out and Equal Metro New York and the NY Bankers Group.
Side1
Blythe Masters from JP Morgan Chase introduces Ruth Berman and Connie Kurtz . Connie recalls feeling different from an early age, issues with shame about being different, and the necessity to challenge the system that makes people feel that way. She talks about her relationship with her family and with Ruthies Family. Ruthie talks about being a mother, coming out as a lesbian as a parent, and her illness that resulted from her internal struggle and shame related to being a Lesbian. Ruthie talks about applying for partner benefits for Connie that lead to the lawsuit against the New York State Board of Eduction and her experience working with Lambda Legal. Ruthie discusses the collective power that queer people and their allies have.
Side 2
Ruthie + Connie talk about their film and take questions from the audience. They discuss making politicians accountable during their time in office and demanding full legal acknowledgement and recognition of rights and personhood. They talk about their involvement with their synagogue, and the power of corperate and professional LGBT groups.
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Cecilia, 1990
Phone message left by Cecilia from Routledge publishers. In the message she gives feedback on a chapter of the Boots of Leather, Slippers of Gold: The History of a Lesbian Community manuscript and discusses the next steps in the publishing process. -
Phil, January 18, 1980
Phil talks about being in a relationship with another woman and how she provided for her. She also goes on to talk about how other butch femmes provided for their partners and what would happen when they would break up. Phil further goes on to talk about gay literature and her problems with it. She also discusses gay bars and the lack of support for them. -
Paula, January 18, 1990 (Tape 2)
Paula describes the absence of love and romance in her relationships with women, but later in the interviews describes a relationship after her divorce. She mentions one-night stands and sexual experiences she had with friends, and the importance of these friendships to her. Paula mentions that she was married and had children, and would go out to bars at night with her friends or alone. -
Paula, January 18, 1990 (Tape 1)
Side A: Paula describes various locations where gay men and women would meet each other, like Kleinman's Corner and bars such as Ralph Martin's. Often these locations also served as hubs for sex workers. She speaks about the rigidly defined roles of "butch" and "femme" provided for lesbians during the 1940s. Paula talks about her life as femme and being married to a man who introduced her to gay/lesbian life. She discusses her sexual life and the type of sex that women had with each other in the 1940s, specifically within the strict binary of butch and femme. Paula recalls the social life at bars, such as Ralph Martin's, which included dancing, drag shows, prostitution, and drugs.
Side B: Paula speaks about her family life in relation to her sexual identity. She talks about her husband's fast lifestyle and her changing preferences eventually causing the dissolution of their marriage. Paula mentions the types of employment she has had, including working in department stores, as a waitress, as a desk clerk at the Genesee Hotel, and on the assembly line at Bell Aircraft. She speaks more about various bars that she went to: Pat's, Dugan's, the Carousel, and the Carlton Hotel. She talks about a long-term relationship that she had, after her divorce, that lasted ten years, as well as traveling out of the Buffalo area to places like Florida, California, and Utica, N.Y.
The recording cuts off abruptly after 23 minutes. -
Pat G., May 21, [year unknown] (Tape 2)
Pat shows family photos. She says several of her family members were gay, including her mother and brother. She talks about bars, the 557 and 217, with racially mixed clientele. She describes violence when straight men tried to dance with gay women. She mentions other favorite bars from the 1950s: the Chesterfield, the KittyCat, Club Coco, the 469. Pat describes her relationships, many of which involved "messing around on and off" for many years. She describes coming out to her mother at age 13, and talks about the "white girls from Canada" (lesbians) who were her mother's friends. -
March on Washington / Pacifica Program Service, 1979 (Tape 2 of 4)
The second of four recordings of Pacifica Radio coverage of the National March on Washington for Lesbian and Gay Rights on October 14, 1979. Musical performances by Mary Watkins, Meg Christian, and Holly Near. Speeches by Ray Hill and Charles Law. -
Ruth Berman, Connie Kurtz, and Karen Thompson at the National Organization for Women Conference in San Diego, CA
"Out: One Road to Empowerment" panel moderated by Dixie Johnson from National NOW Power Through Action Conference. Panel includes Karen Thompson, Ruth Berman, and Connie Kurtz.
Side 1 Ruth starts off by singing "I Am What I Am" by Gloria Gaynor and then talks about her life and knowing she was a lesbian from a young age and her journey to get rid of the same she originally felt about her sexuality. She talks about being married and having children, being in the closet, and her early relationship with Connie. She expresses the shame she first felt when being with Connie and regretting how much time she lost being in the closet. Ruth talks about going on the Phil Donahue show and the lawsuit after being denied partner benefits for Connie by the NYC Board of Education because they weren't married. She encourages the audience to undo the damage of being brought up as heterosexual women and to come out.
At 21:40 Connie speaks and talks about being a mother and grandmother, and her relationship to her family. She talks about how abuse has been perpetuated throughout her life about working through her problems and celebrating changes. Connie shares her experience of being diagnosed with cancer and her experience trying to heal herself and going into remission.
At 38:30 Karen Thompson discusses trying to be what other people wanted throughout her early life and meeting a partner who taught her how to live and be herself. She recalls not being able to admit her sexuality to herself or her partner, the car accident that her partner was involved in, and realizing she had to come out to get through this challenging time.
Side 2 The second part of this tape is a duplicate of the audio described in "National Organization for Women (NOW) NYC - Ruth Berman and Rosemary Dempsey" -
Ruth Berman and Rosemary Dempsey for the National Organization for Women NYC, 1991
Audio starts with Ruth Berman talking to an audience about the importance of voting as a Lesbian and as an ally, an about the importance of being political and coming out as a gay person. She touches on the role of money and legality in domestic partnerships and the need to prove them. Ruth encourages the audience to join the National Organization for Women (NOW) to amplify their voices.
10:00 mins into the tape, Rosemary Dempsey from NOW discusses the importance of legal tools to protect gay people and their families, ad how coming out is an important part of that process.
Audio ends at 13:11, the rest of the tape is blank.
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NYPAP Oral History Interview: Maxine Wolfe and Anne Maguire
Oral History conducted by New York Preservation Archive Project in which Maxine Wolfe and Anne Maguire are interviewed. They discuss their early lives, background on their family histories, and the work as activists.
The talk about the environments they grew up in, Maxine in Brooklyn and Anne in Dublin, and their early interest in, and awareness of, politics. Anne talks about the political climate of Ireland that made her want to leave, eventually winning a green card in a lottery, and moving to New York City. Anne describes meeting Maxine at a Thanksgiving Dinner through a friend, Marie, who would eventually become her partner.
Maxine discusses her involvement in various LGBTQ and Radical organizations in NYC that lead her to ACT UP. Anne discusses being part of the founding group of ILGO, the Irish Lesbian and Gay Organization, which started in 1990, and which she was part of for 10 years. She talks about ILGO's rejection from the St. Patrick's Day Parade and the publicity the group got from that.
They talk about the erasure of lesbian organizers and leadership within LGBTQ history which tends to focus on gay men, and how Lesbians had to advocate for themselves and form their own movements to be heard and to focus on Lesbian issues. They talk about Lesbian and women erasure during the AIDS crisis and how that lead them to for the Lesbian Avengers along with Ana Maria Simo, Anne-Christine D'askey, Marie Honan, and Sarah Schulman. They decided they wanted to focus on serious politics rather than cultural issues, and to not be a top-down organization. Anne and Maxine discuss the first meetings and actions of the Lesbian Avengers and talk about offering organizing help and support to other Lesbian groups around the country.
Maxine and Anne talk about the real depth of activism, and the dangerous legal and personal implications of direct actions. They discuss the importance of being part of a group and having a support structure when taking part in a direct action. Maxine talks about the learning and training and teaching that happens behind the scenes before any direct actions. They go into more detail about work they did as the Lesbian Avengers around the country, and the effect that their bottom-up structure had on small community movements.
They talk about the Alice Austen House and the fact that the Board was homophobic and hiding the queer part of that story, and work they did around protesting how the history was being handled. They discuss the importance of recovering queer histories from the 19th Century, and making gay history available to the public. Maxine talks about the role of the Lesbian Herstory Archives in preserving the history and lives of all lesbians for this reason. They talks about how visibility and survival are related for Lesbians, and the need for people to see themselves represented.
Maxine and Anne talk about seeing the fruits of their activist labor come to fruition after 25 years, and their thoughts about current acceptance of LGBTQ people as being partially related to capitalism and revenue. They discuss more recent LGBTQ history and archive projects and the celebrating of gay institutions that have survived over the past 50 years. However, through some of these projects, they are still experiencing Lesbian, Bisexual, and Transgender erasure and erasure of the history of every day people.
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Neighborhood Voices: Irving Cooperberg [Partial interview]
Irving Cooperberg discusses the importance of having a physical, experimental space and what it means for the legitimacy and stability of the community. He discusses different LGBT groups and community spaces throughout NYC, and the ways in which they promote life and hope amidst the HIV/AIDs epidemic. He talks about how these spaces give legitimacy to the community and allow for the melding of all different cultures and people. He also discusses the gay Synagogue and its role in the larger gay and lesbian community. -
Neighborhood Voices: Sonny Wainwright Interview (Tape 5)
Sonny Wainwright provides discourse about the privilege of marriage as it pertains to illness and becoming a parent. She explains her choice to "live straight" for several years so that she could have a child. It was not until she met Audre Lorde that she realized she had "choices", whom she called her teacher. Wainwright also discusses the need for lesbian illness support groups due to unjust experiences brought on by the illegality of same-sex marriage. -
Neighborhood Voices: Sonny Wainwright Interview (Tape 4)
Sonny Wainwright discusses being closeted, her group of closeted friends, and keeping her private life private. She also discusses labels as being necessary because the word “woman” does not define every part of her, and when she is free to be who she is she will no longer feel the need to be labeled a “radical lesbian feminist” because woman will be sufficient. Also mentioned is Wainwrights’ battle with breast cancer, and how it brought her first book Stage V: A Journal Through Illness.
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Neighborhood Voices: Sonny Wainwright Interview (Tape 3)
The New York gay bar scene in the 1950s gave Sonny Wainwright and her peers a place to be together without the interference of straight society. She left New York in 1953 to become a college teacher at University of New Hampshire. Wainwright oscillates between ideas of identity and stories of different instances of being outed in her personal and professional life, including a story about developing a relationship with a student at the University of New Hampshire, who outed her sexualty leading to her dismissal. -
Neighborhood Voices: Sonny Wainwright Interview (Tape 2)
Wainwright remembers her youth and feeling on the “fringes” of society. Growing up and attending an all girls highschool, she was aware of her feelings about women and only later realized what it meant after graduating high school and meeting her first lover. Despite understanding her identity and sexuality, she made the choice to “live straight” in the 1960s due to the lack of acceptance by society and the threat of losing her job as principal of a junior high school while raising her daughter alone. -
Neighborhood Voices: Sonny Wainwright Interview (Tape 1)
Sonny Wainwright discusses coming out in 1948, navigating the Village bar scene as a young college student with her lover Kelly, and the social life of lesbians in the 1950s. Wainwright found support in the bars as well as her close circle of closeted friends prior to the formation of the Gay Women’s Alternative. -
Neighborhood Voices: Audre Lorde Interview (Tape 4)
In the final part of the Old Neighborhood Voices interview with Audre Lorde, she wraps up the talk with a discussion on the drama of lesbian life in her youth. She talks about the difficulties and joys of living in community with lesbians in the 1950s and how being on the edge of society gives you a different worldview. She stresses how everyone should view themselves as an outsider so they don't lose perspective on the true sense of power structures at play in the world. -
Neighborhood Voices: Audre Lorde Interview (Tape 3)
In the third part of the interview, Audre Lorde discusses the lure of the Village for gay people, black people, and others who wished for an egalitarian environment, and how sometimes they would ignore the homophobia and racism they faced in the neighborhood to hold onto this dream. Also, she discussed in more depth what she thought about the Stonewall riot, and how it felt tied to the black revolutionary movement of the time. Furthermore, she discusses at length the different gay bars she would frequent, their ties to the mafia, and the different women that would frequent them. -
Neighborhood Voices: Audre Lorde Interview (Tape 2)
In the second part of the Old Neighborhood Voices interview with Audre Lorde, she talks about living around the Village in the 1950s - from the migrators who came into the gay bars just for the weekend, to the imagined mythos of the Village as a place for anyone outside of white, middle-class America, and to the conflicts between the older residents and the newcomers to the area. Lorde touches on what her apartments were like and the rent situation of the area, as well as scrouging together food to share with her communities as a poor person. Then, Lorde discusses the multiple lives lesbians of the time had to live and the incredible gift that integrating every aspect of herself was as she got older. She touches on the Stonewall Riot, as well as the way she had to stop arbitrarily dividing aspects of herself to make others more comfortable. -
Neighborhood Voices: Audre Lorde Interview (Tape 1)
Old Neighborhood Voices interviews Audre Lorde about living as a young Black lesbian in the Lower East Side (now referred to as the East Village). She discusses the interconnectedness of the lesbian communities in the neighborhood, the imperfect support systems they offered each other when there were no other options, and the pressures of living on the edge of society. Lorde also discusses the racism that was rampant in the gay community in the Village, and how the few black lesbians within these communities were met with apathy when discussing political matters. She also discusses the effects of McCarthyism in the 1950s on her lesbian communities, as well as how she gained political consciousness growing up with the Brown v. Board of Education case, as well as by living near the Women’s House of Detention in the Lower East Side and seeing Black incarcerated women for the first time. -
Astraea
Short clips of several interviews with various members of the Daughters of Bilitis about their experiences with the group and being a lesbian in the 1950s and thereafter. -
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Ruth Berman and Connie Kurtz on the Michelangelo Signorile Show, 2003
Episode of the Michelangelo Signorile Show on Sirius OutQ which aired July 20, 2003 in which have Ruth Berman and Connie Kurtz to talk about their life and new film “Ruthie and Connie: Every Room in the House.” At the beginning of the episode, they also talk about other people they are having on the show.
Ruth and Connie's interview starts at 10:55 and ends at 30:30. They discuss their Cotello Towers neighbohood where they met when they were both married and young mothers. There they started the "Mother's Action Committe" within their community. They talk about their own internalized homophobia at the beginning of their relaionship and their fear that they would have been found out, and the transition to feeling comfortable with themselves and their sexuality. They discuss their lawsit with the New York City Board of Education for Domestic Partnership Benifits and their apperance on the Donahue Show in 1988.
They take questions from callers which relate to being lesbian and Jewish, the community they have found there, and the importance for others around the country to find similar communities, or to create them.
After Ruth + Connie's interview the hosts discuss a NYC teen, Natalie Young, who is sueing her teacher for harasmeent over comments made about the teenagers shirt that said "Barbie is a Lesbian"and other LGBT current events. -
Mary T., July 7, 1978 (Tape 1)
Side A: Mary briefly describes her childhood and family dynamics. Mary and the interviewer then discuss the first time Mary recognized being different and her thoughts on desiring women at a young age, yet not knowing about lesbianism as a concept or about the lesbian community. Mary then recalls the first time she encountered the word "lesbian" when she joined the U.S. Air Force and describes her experiences with women while in the service. Mary talks about being a lesbian in the military, the investigation into her conduct, and her dishonorable discharge. After Mary got another job, she started going to a bar in Buffalo, N.Y., and she talks about the other lesbians she met there. Mary then discovered other bars and talks about the scene as well as the role-playing of butch and femme.
Constant whirring noise that stops about 10 minutes into the recording.
Side B: Mary continues the discussion on butch and femme role-playing. She elaborates on fights, holding down jobs, and being "out." She also explains the relationships lesbians had with gay men in Buffalo, N.Y., and the bar scene dynamics of mixed, gay, or lesbian bars. Mary and the interviewer discuss gay activism and the difficulties of being involved in activism at that time. Mary also describes outings where there was a risk of being visible as a group, such as going on picnics or renting cottages. She elaborates on her experience with social dynamics like cliques and having heterosexual friends within the lesbian and gay community. Mary then expands upon the nature of her relationships with women as well as with black lesbians - racial prejudice and relationships are discussed.
Constant whirring noise that stops about 5 minutes into the recording. -
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Mary Patierno Interview Transcript
In this interview Mary Patierno, co-founder and executive producer of DykeTV discusses DykeTV, a groundbreaking public access program produced by and for lesbians. Pateirno talks about the program’s history and its goals. She mentions some of DykeTV’s important news stories and recollects some of the interviews the show conducted with women artists, activists and public figures. Patierno stresses the importance of preserving other DykeTV footage that currently remains in storage. She also describes the production and post-production process, the ideas behind show segments and reflects on how she would like the show to be remembered.
The transcript can be searched when viewed in the document viewer below. -
AIDS Clinical Trials Group, 1992
Women from ACT UP LA and some gay men who worked with them, attending the AIDS Clinical Trials Groups Meetings in Washington, D.C.