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The Lesbian in Literature - Episode 3 of 4
This tape contains the third panel from the Gay Academic Union Conference at NYU, the "Lesbian in Literature" Panel. Panelists are Janet Cooper, speaking on female crushes and friendships in children's literature, and Cynthia Secor, speaking about Gertrude Stein and James Joyce. The moderator was Virginia Caputo.
Janet describes that the first room in a library targeted specifically for children was in the Pratt Library in Brooklyn in 1895. The librarian Anne Carole Moore worked there, and would become a very influential children's librarian. She speaks on the monopoly of children's literature in publishing and book awards, with Anne Carole Moore at the center due to her connections with other powerful librarians. Since Anne Carole Moore's appointment, child friendships and friend crushes in literature have disappeared. The removal of content in library books where children physically touched each other, Janet says, was a direct result of the fear of lesbianism.
Cynthia Secor speaks about Gertrude Stein and James Joyce. She asserts that Stein is an oft-overlooked figure in literature. Gertrude Stein was a sort of hidden figure, while James Joyce was taught everywhere. Stein was read by many lesbian women, but Cynthia did not read Stein until she joined the lesbian community. Cynthia reads a passage by Stein, "Cow come out...", discusses Stein's novella, Q.E.D., and her "Patriarchal Poetry" essay. -
Marilyn Coffey
Irene Yarrow hosts writer and poet Marilyn Coffey on the show Everywomanspace. The program starts with Marilyn reading several of her poems: "Insight," "The Diet," "Wordlessly," and "Observation." Irene and Marilyn discuss Marilyn's brief career in journalism and development as a writer, and the writing of her novel, Marcella, a coming-of-age story. Marilyn then reads an excerpt from Marcella.
After the excerpt, Marilyn Coffey explains the projects she has been working on more recently--her second novel, books of essays, and teaching English at Pratt Institute. Irene and Marilyn discuss the difficulties of switching between various forms of writing, like poetry vs. prose vs. non-fiction. Marilyn also reflects on how joining the Women's Movement and becoming a feminist has changed her writing and the reception of her writing. They discuss how deeply ingrained the patriarchy is in their lives and consciousnesses. Marilyn reads a final poem, "Cold," to end the program. -
Viv Sutherland Speaks with Myrna Lamb about Her New Play
Myrna Lamb guest stars on Women's Studies to talk about her new play, Apple Pie. Apple Pie is a musical theater piece about a woman's life in Nuremberg. The play grapples with issues of moral truths and internal and external judgement. Myrna and Viv also discuss the difficulties and complexities of being a woman playright, and various ways that the play attempts to tackle sexism, racism, and anti-semitism in society. They also discuss Myrna's run-ins with male directors in theater and the complex feelings people have about male directors directing women's stories. -
Black Women in the Arts
Speakers self-describe the show as "a tape of six creative Black women discussing the media portrayal of Black women and their confrontation of racism and sexism." Originally recorded during the "Black Women in the Arts" Workshop at the National Alliance of Black Feminists conference held in Chicago, October 21-23 [1975]. Broadcast in an episode of Everywomanspace.
(On side A) Darlene Hayes (Phil Donahue Show) discusses media portrayal. Margaret Walker Alexander (poet) discusses the problems facing the Black woman writer. Mari Evans (poet) discusses her experience as a Black woman writer. (Panel continues on side B) Carolyn Marie Rodgers (poet) also discusses her experience as a Black woman writer. Two additional panelists are featured, but their names could not be deciphered. -
The Heat Is On Miss Saigon
Interviews and speeches from the demonstration at the Broadway opening of Miss Saigon organized by a coalition called "The Heat Is On 'Miss Saigon': Coaltion to End Racism and Sexism on Broadway". -
Robin Morgan
Robin Morgan talks about the creation of the New York Radical Women group in 1967 (20-25 women), the male Left, working on the Atlantic city pageant demonstration 1968, and publishing the "Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement" in 1970. She then reads a poem and uses poetry as a political tool, as well as asserts that the Women's Movement is fostering relations between different strata of US society. Morgan advocates for women to take control legally, health-wise, and become an international force. She states that rape and pornography affect all women and she depicts women as the largest and longest subjugated people. The Women's Movement will continue to prosper. -
Coalition of Labor Union Women #1
This is the same discussion as CoalitionofLaborUnionWomen_2, but without the additional music conversation. The CLUW interview also has additional questions (at around minute 21): "How can women get in touch with you?" and "How many women are involved in the DC chapter of CLUW?"
Note: Audio has static throughout -
Coalition of Labor Union Women #2
This interview/discussion opens with "Frontier" by Cris Williamson. Pat Strand and Linda Osbourne are interviewed about the Coalition of Labor Union Women (CLUW) conference. They talk about how the women's unions and the coalition got their start. The effects of the conference on local unions is also talked about. The CLUW episode ends at 27 minutes. Note: At 27:20 the audio cuts to the middle of a conversation about women in music and the different challenges that are faced in male-dominated music spaces. -
Women In Athletics (Tape 2)
Audio opens with live coverage of women's tennis, moves on to women's athletics discussion with Billie Jean King. Discrimination against women in tennis and athletics overall is a main focus, centering specifically on pay disparities and lack of social support for participation in sports at all ages. -
Women In Athletics (Tape 1)
Women are interviewed about their experiences in sports, feminism in spots, and the struggles that women face when playing sports seriously at any level. This includes brief interview with Olympic swimmer Melissa Belote following 1972 Olympic wins, and ends with Althea Gibson introduction. -
Margaret Sloan
Sloan is the President of the National Black Feminist Organization. She discussed NBFO’s mission to provide an organization for black feminists who felt the need to fight both sexism and racism at the same time. She discussed the formation of the organization and the eastern conference on black feminism. -
Lesbian Nation, September 22, 1972
In this installment of Lesbian Nation, Martha Shelley interviews women of the Women’s Lesbian Liberation Committee of the Gay Activists’ Alliance (GAA). Mary Flowerpot also hosts her comedy segment. In Shelley’s interview, the women discuss the emergence of the Lesbian Liberation Committee and their role within the GAA. They talk about what they have done to address issues of sexism in the GAA and how they try to maintain positive discourse with male members. -
March on Washington / Pacifica Program Service, 1979 (Tape 3 of 4)
March on Washington on October 14, 1979, which dealt with the civil rights of the gay and lesbian community. Participants included Audre Lorde (who can be heard on side A about 80% through), Allen Ginsberg, Peter Orlovsky, Ted Weiss, Gotham, Tom Robinson, Howard Wallace, Kate Millet, and Flo Kennedy. Key topics included civil and human rights, the labor movement, racism, sexism, and love. Short technical glitches occur on Side A. -
Voices of Women Writing Conference, April 30, 1982 (Tape 1)
Ms Holly makes assorted announcements then introduces Audre Lorde. She reads three poems: "For Each of You" "Poem for Women in Rage" "Sister, Morning is a Time for Miracles". Side B: Continuation of poem from Side A: "Sister, Morning is a Time for Miracles" Then reads: "After Images" Final Poem of reading: "On My Way to San Francisco I Pass Over You and the Verazano Bridge" -
Voices of Women Writing Conference, April and May, 1982 (Tape 2)
Audre Lorde is on the panel. Lorde speaks on side A after other panelists introduce themselves an on side B. This is the recording of a Community Workshop panel, mostly discussing obstacles to women writing, specifically, black womens literature. The recordings are fairly audible aside from some inaudible speakers who are not close enough to the recording device.