![Lesbian Herstory Archives AudioVisual Collections](http://herstories.prattinfoschool.nyc/omeka/files/theme_uploads/a8e51ed4de006ef3b7927f5b35c8290c.png)
Browse Items (36 total)
Sort by:
-
A Lesbian Portrait (Lesbian Music For Lesbians Only) - Reel 1
A Lesbian Portrait consists of songs written by Linda Shear from 1972-1975. Shear, who requested that audiences for her performances be exclusively lesbian beginning in 1976, aimed to distribute A Lesbian Portrait through Lesbian-only networks. To support this goal, Shear and her then-partner Tryna Hope formed the distribution company Old Lady Blue Jeans. The album was released in 1977.
Read the liner notes.
1-1: Mama / Womanchild
1-2: Goddesses And Other Truths
1-3: Woman Let Go Now
1-4: For Tryna
1-5: Ninety
1-6: Remember -
A Lesbian Portrait (Lesbian Music For Lesbians Only) - Reel 2
A Lesbian Portrait consists of songs written by Linda Shear from 1972-1975. Shear, who requested that audiences for her performances be exclusively lesbian beginning in 1976, aimed to distribute A Lesbian Portrait through Lesbian-only networks. To support this goal, Shear and her then-partner Tryna Hope formed the distribution company Old Lady Blue Jeans. The album was released in 1977.
Read the liner notes.
2-1: Well Story – Spoken and Written by Tryna
2-2: Well Song
2-3: Old Woman
2-4: Song to Myself/Portrait
2-5: Family of Women
2-6: Lesbian Wombmoon-Chant -
Advertisements
Opens with "Reasons" by Minnie Riperton and goes into an advertisement for Sophie's Parlor. A version of the advertisement repeats but is a blooper/is incomplete. Following this, another version of the advertisement plays. Includes sped-up song and an unknown ad, as well as "Check Out Your Mind" by Chaxayn. -
Alix Dobkin Performance [Fair Use Excerpt]
Alix Dobkin sings a collection of her songs at an unknown location. The uploaded file has been cropped due to Fair Use restrictions. Full file available to view at Lesbian Herstory Archives. -
Bachelorettes, Side B, September 5, 1981
The sound recording is women singing the old hymn "Down in the River" with the words changed slightly. The rest of the recording is the women singing various songs. -
Casse Culver and Others Music and Poetry Performances
Women perform poems and songs, including “Ode to a Gym Teacher” by Meg Parker. -
Coalition of Labor Union Women #1
This is the same discussion as CoalitionofLaborUnionWomen_2, but without the additional music conversation. The CLUW interview also has additional questions (at around minute 21): "How can women get in touch with you?" and "How many women are involved in the DC chapter of CLUW?"
Note: Audio has static throughout -
Coalition of Labor Union Women #2
This interview/discussion opens with "Frontier" by Cris Williamson. Pat Strand and Linda Osbourne are interviewed about the Coalition of Labor Union Women (CLUW) conference. They talk about how the women's unions and the coalition got their start. The effects of the conference on local unions is also talked about. The CLUW episode ends at 27 minutes. Note: At 27:20 the audio cuts to the middle of a conversation about women in music and the different challenges that are faced in male-dominated music spaces. -
Cris Williamson, Singer
Cris Williamson talks about her music and plays some songs on guitar.
Note: The tape suffers from water damage which has made parts difficult to hear and which causes some drop-outs. -
Folk Songs of the Industrial Workers of the World
This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs were written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recorded in the 1950s. -
From an Old House in Char[?]
Live performance of a variety of songs, including covers of "Imagine my Surprise" by Holly Near and "Take it Easy" by the EaglesTags Music -
Irene Young Demo Tape
Irene Young music demo tape. Vocals by Stefanie Saldana and Judith Skolnik. Track Listing: 1. The Lie / 2. Sad Song / 3. It's Good to Meet You / 4. Pleasin' ManTags Music -
Learning to Fly, Women and Alcohol
This is a Radio Free Women episode about women and alcohol, including topics such as the societal pressures that might cause women to drink excessively. The different topics are also combined with the following songs: "Lilac Wine" by Nina Simone, "Red Wine" at Noon by Joy of Cooking, "Broke Down Girl" by Buffy Saint-Maire, "Shake Sugaree" by Elizabeth Cotten, "Leftover Wine" by Melanie, "Sunday Morning Coming Down" by Lynn Anderson, "Sweet Blindness" by Laura Nyro, and "Bye, Bye Baby" by Big Brother & The Holding Company & Janis Joplin. Nikki Giovanni's "All I Gotta Do" is also included. -
Lesbian Nation, April 14, 1972
Martha Shelley hosts a poetry reading and interview with lesbian poets from the San Lorenzo Bay area. In between reading their poems, the women discuss power and equality dynamics, as well as relationships and trying to get works published in The Ladder. Trigger warning: racial slurs. -
Lesbian Nation, July 28, 1972
Martha Shelley interviews Gene Damon aka Barbara Grier, founder of the lesbian magazine The Ladder (1956-1972). They discuss the beginnings of The Ladder and how it evolved from a smaller publication within the Daughters of Bilitis (DOB) into an independent publication. Grier discusses the shift in content as well once the magazine became independent of the Daughters of Bilitis. Grier felt that under DOB they were focused on presenting a clean public image of lesbians to society at large and that this was reflected in what was published in older versions of The Ladder. Once Grier became the editor, she felt it was important to address topics like sexuality, saying “we began running material that deals with sex honestly and forthrightly.”Tags Barbara Grier, Coming Out, Daughters of Bilitis, Gay Activists Alliance (GAA), Interviews, Lesbian Musician, Lesbian Nation, Lesbian Writer, Literature, Martha Shelley, Music, Publications, Sex, Sexual Relationships, Sexuality, The Ladder, Women's Lesbian Liberation Committee, Women's Liberation Movement, Writing -
Lesbian Nation, October 6, 1972
This episode of Lesbian Nation opens with a Mary Flowerpot humor segment then dives into an interview between Martha Shelley and Phyllis Chesler, renowned psychologist and author. In this interview, Chesler discusses women’s health, delving into her observations on how women are treated in mental health institutions. The episode ends with a poetry reading. -
Lesbian Nation, September 22, 1972
In this installment of Lesbian Nation, Martha Shelley interviews women of the Women’s Lesbian Liberation Committee of the Gay Activists’ Alliance (GAA). Mary Flowerpot also hosts her comedy segment. In Shelley’s interview, the women discuss the emergence of the Lesbian Liberation Committee and their role within the GAA. They talk about what they have done to address issues of sexism in the GAA and how they try to maintain positive discourse with male members. -
LHA Daughters of Bilitis Video Project: Edythe D. Eyde aka Lisa Ben, October 25, 1988 (Tape 2)
Edith Eyde continues to discuss her experiences in California, interacting with others who were vested in the same interests surrounding lesbian culture, and being proactive in literature and the arts.
-
LHA Daughters of Bilitis Video Project: Edythe D. Eyde aka Lisa Ben , October 25, 1988 (Tape 1)
Edith Eyde talks about her life growing up in rural southern California, moving to Los Angelos and discovering the lesbian culture there. She discusses publishing Vice Versa, one of the first lesbian magazines, and her music career. -
LHA Daughters of Bilitis Video Project: Lois Johnson and Sheri Barden, April 1, 1989 (Tape 1)
The interview begins with Lois Johnson, who discusses when she realized that she was a lesbian, which caused her to move out to California and take a job in journalism. It was there that she met a woman who eventually became her lover, and they used to play music together. Sheri Barden talks about her social life after she met Lois Johnson, though she did like to party with her landlord, who was also a lesbian, though these social affairs pretty much came to an end when her relationship began with Lois. -
Lou, October 21, 1981 (Tape 2)
Lou discusses her experience raising children as a lesbian woman, discussing at length her love of children, and wanting them to have a better life then she did. She also discusses her experience with police harassment as both a black women, and a lesbian.
Side B includes songs about lesbians, their lives and realities, and their relationships with children and their families. -
Mabel at 85 (Tape 1)
Interview of Mabel Hampton. Mabel discusses her life with Lillian Foster, the lesbian movement, and performing and singing. -
Mabel's Parties / Mabel Hampton, 1981 (Tape 1)
Oral History interview dated . Side A: Mabel talks about the parties she attended, the atmosphere, the people she met and the music she listened to. She also speaks in detail about romantic relationships with specific women and her first love from Coney Island. Her love of classical music is also discussed, which began when she started her first job. -
March on Washington / Pacifica Program Service, 1979 (Tape 2 of 4)
The second of four recordings of Pacifica Radio coverage of the National March on Washington for Lesbian and Gay Rights on October 14, 1979. Musical performances by Mary Watkins, Meg Christian, and Holly Near. Speeches by Ray Hill and Charles Law. -
Meg Christian and Holly Near Concert (Side B)
Live recording of Meg Christian and Holly Near performing at 1976 LFF concert. Note: Poor sound quality -
Megan Christian and Holly Near Concert (Side A)
Live recording of Meg Christian and Holly Near performing at 1976 LFF concert. Note: playback speed changes so there is a brief cut in audio around the 12 min mark; poor sound quality. -
Olivia Records Interview (Part 1)
Jennifer Woodul and Ginny Berson, founders of Olivia Records, are interviewed by Ruth Scovill. Jennifer Woodul and Ginny Berson talk about their band and production studio, Olivia. The recording starts mid-sentence. They discuss recording music and starting a music studio. They talk about how they met at The Furies Newspaper, and the need they seen for women-owned businesses, and issues with capitalism. Part 1 of 2. -
Olivia Records Interview (Part 2)
Jennifer Woodul and Ginny Berson, founders of Olivia Records, are interviewed by Ruth Scovill. Jennifer and Ginny continue to talk about women’s autonomy in the lyricism of women’s music. They talk about their views on music production and concerts as places of political organization. They attempt to self-define what “women’s music” means to them, while acknowledging the classism in the music industry. Part 2 of 2. -
Olivia Records interview with Marcia Danab
In this interview, Marcia Danab, the host, talks to two members of Olivia Records: Ginny Berson, and Meg Christian. Berson and Christian talk about how they created their record label, as well as the challenges that they faced as a company made by women for women. They both talk about the struggles that they have faced in the music industry as women in regard to gaining ownership, being paid, being taken seriously as artists, and making music that is specific to the female experience and understanding. Olivia Records was founded in 1973 and played an important role within the gay rights and counterculture movements of the time. Notable artists they represented were Tret Fure, Kay Gardner, Leslie Ann Jones, BeBe K'Roche, Pat Parker, and Cris Williamson. Due to declining sales, Olivia Records became Olivia Cruises and Resorts, a lesbian vacation company, in 1990. -
Sally Piano Interview (Part 3)
Sally Piano is interviewed by Ruth Scovill. Sally talks about her distrust of the government, including phone-tapping, spying, and the CIA. She addresses mainstream musicians of ripping off minority culture, including lesbians by men in power. She shares views on women’s music as alienating male audiences, intended to create space for women-only, as well as differences between straight and gay audiences. She discusses issues of maintaining an ethnic name as a performer, and how she came about using a stage name. Sally touches on themes of separatism in the women’s and lesbian movements. Part 3 of 3. -
Susan Abod Interview
Susan Abod is interviewed by Ruth Scovill. The tape starts in the middle of a conversation. Susan talks about women’s rock music as the antithesis to “cockrock,” or rock music for and by men. She discusses her journey of auditioning and joining bands, and being influences by socialism, feminism, and how she joined a political band of women. (Some audio distortion). She talks about rewriting song lyrics, the concepts of straight-baiting, utopian politics, and differences between women’s music and feminist lyrics in music. Around 49:30 the narrator changes, and the topic changes to the Woman’s Coffee Coven, which later became a production company. This may be the predecessor of Olivia Records. -
Women Against Rape (Part 1)
This recording of the “Women’s Showcase” is the first of three from the NYU hosted event, Women Against Rape. This part features performances & poetry from Nina Miller, Lee Van De Velde, Alice McIntyre and music from Jazz pianist Esther Blue & singer Kathy Rose Salat. -
Women Against Rape (Part 2)
This recording of the “Women’s Showcase” is the second part of three from the NYU hosted event, Women Against Rape. The opening of the recording features the conclusion of Alice McIntyre’s poetry reading. This part features poetry read by Daniella Guiseppe, Davita Singer and Margie Fine and a comic autobiographical story from Karen Mendelsohn. There are also musical performances by Rosemary Mclaughlin and a self composed piano piece from Elieen Kane, a WBAI radio host. -
Women's Music Network Interview
Interview with Kay Gardner, executive director and co-founder of the Women's Music Network, and Lou Crimmins, performer. 1974 production of the Feminist Radio Network. Discussion of the nonprofit Women Music Network's ideals and operations supporting women in the music industry. including Lavender Jane.