Lesbian Herstory Archives AudioVisual Collections

Browse Items (745 total)

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    The Deadly Nightshade Press Photo
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    The Real Live Lesbian Show
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    Creative Commons: Attribution- Non Commerical
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    Gwen Avery
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    Womens Studies, via WBAI Folio 1970s
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    Lesbian Studies, via WBI Folio 1970s
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    Viv Sutherland, via WBAI Folio 1970s
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    Donna Allegra, via Saskia Scheffer/Lesbian Herstory Archives
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    Donna Allegra, via Cassandra Grant Collection
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    Salsa Soul Sisters, via Salsa Soul Collection, Lesbian Herstory Archives
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    Mary Watkins
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    Linda Tillery
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    Pat Parker in 1989 by Robert Giard
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    Rubyfruit Jungle cover, by Rita Mae Brown
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    Jan Albert, circa 2022
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    Stan Mack's "New Year's Day at WBAI" comic featuring Jan Albert, from Stan Mack's Real Life Funnies
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    Susan Shown Harjo via wikipedia (Public Domain)
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    Producers, Women's Programming
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    1972 Village Voice article courtesy of Liza Cowan
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    Black and white photo of Nanette Rainone
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    This episode of Everywomanspace, hosted by Irene Yarrow on WBAI radio, Yarrow and a group of women discuss the recent events surrounding Assata Shakur's arrest and imprisonment and current treatment in the media and jail system. They read Shakur's poems, "What is Left" and play a recording of Evelyn Williams reading Shakur's poem, "Rights and Responsibilities Middlesex County Jail." The women go on to discuss the current state of Shakur's trial, share information on how listener's can support her, play a recording of Shakur thanking supporters from prison, and take calls from listeners.
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    This episode of Everywomanspace, hosted by Irene Yarrow on WBAI radio, features the complete reading of Yarrow’s autobiographical story “Woman Becoming.” Yarrow explores her personal journey of self-realization and coming out as a lesbian, interwoven with experiences of motherhood, marriage, and feminist awakening. The broadcast incorporates poetry by Judy Grahn, musical selections by Alix Dobkin and Joni Mitchell, and live listener call-ins.
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    This episode of Women's Studies features journalist Gloria Emerson in conversation with Viv Sutherland on WBAI Radio, presenting an in-depth discussion of Emerson’s experiences as a New York Times correspondent during the Vietnam War and the themes explored in her book Winners and Losers. Emerson reflects on her transition from covering fashion in Paris to reporting from Vietnam, the ethical and emotional challenges of war journalism, and the gender dynamics within the press corps. The interview addresses subjects including the portrayal of Vietnamese civilians, the psychological effects of war on soldiers and reporters, and Emerson’s critical perspective on American media and class divisions. Side B continues with Emerson’s postwar reflections on patriotism, public reception of her book, her relationship with the New York Times, and her evolving views on feminism and morality.
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    This edition of Everywomanspace presents a conversation between Betty Levinson, an attorney in private practice and one of the regular producers of the Women's Legal Clinic, and Rhonda Copeland of the Center for Constitutional Rights, discussing the issue of abortion, along with the cuts that happened at the constitutional level towards Medicaid, and the consequences of the Family Protection Act.
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    This episode of Women’s Studies, hosted by Viv Sutherland, features a taped interview by Marjorie Collins with Selma James, founder of the Wages for Housework movement. James discusses the economic exploitation of women’s unpaid domestic labor, the hierarchies within capitalism that devalue care work, and the need for international solidarity among women demanding wages for housework. She connects women’s financial independence to personal liberation, equality in relationships, and freedom of sexual and emotional expression, including lesbian identity. The episode concludes with live listener call-ins responding to James’s ideas about women’s labor, dependency, and social change.
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    This episode of The Women’s Consciousness Raising Hour, hosted by Diane Trombley, features an in-depth discussion on the struggles faced by women, particularly divorced and lesbian mothers, within the American custody and legal systems. Guests Jennifer Fleming of Women in Transition and Mickey Weinstein of Custody Action for Lesbian Mothers (CALM) explore the emotional, financial, and institutional challenges encountered by women navigating separation, abuse, and child custody disputes. The program exposes systemic sexism and judicial bias, shares strategies for legal self-advocacy, and promotes alternatives such as shared custody and community support networks.
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    This episode of the Women’s Consciousness Raising Hour features a panel discussion from the Bicentennial Women's Center in Philadelphia on the topic of child custody. Cynthia Little acts as the moderator. Mike Simeone opens with a historical overview of childhood and family formation, tracing evolving social attitudes toward children and the emergence of custody as a modern legal concern. Dr. Stuart Kaplan follows with a psychological analysis of post-divorce family dynamics, emphasizing the emotional toll on children and the importance of maintaining relationships with both parents. Jennifer Baker Fleming discusses the experiences of women navigating custody and divorce, exposing systemic gender biases, economic inequities, and the emotional dimensions of motherhood within patriarchal legal systems. Rosalie Davies concludes with a discussion of custody discrimination against lesbian mothers, describing early legal challenges, case precedents, and strategies for advocacy within the emerging gay rights movement.
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    This episode of the Women’s Consciousness Raising Hour, hosted by Diane Trombley, features an interview conducted by Victoria Brownworth with writer and scholar Bertha Harris, Director of Women’s Studies at the City University of New York. Harris discusses her literary influences, the role of writing as personal liberation, and her exploration of lesbian identity and imagination through fiction. She reflects on the lesbian and feminist writers of 1920s Paris, such as Djuna Barnes, Natalie Clifford Barney, and Renée Vivien, emphasizing their impact on women’s literature and the need for broader recognition of their works. The program also features feminist songs highlighting women’s autonomy, labor, and resistance to patriarchy.
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    A collection of poetry performed by Pat Parker and Judy Grahn. Pat Parker's performance speaks of topics such as her Black lesbian feminist experiences, domestic violence, reproductive rights, civil rights, and anti-racism. Judy Grahn's performance talks about her experiences as a lesbian, love, and feminism.
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    In this episode of Women's Studies, host Viv Sutherland, speaks with poet Robin Morgan. They go on to discuss feminism as it relates to Christianity, Wicca, and spiritualism and religion at large.
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    In this episode of Women's Consciousness Radio Hour on WXPN, host Diane Trombley kicks off the program by playing a two songs by activist and musician Malvina Reynolds. One song is from the album "Virgo Rising - The Once And Future Woman," and the other is from Reynold's own album, "Held Over." Trombley then welcomes guest Joanne Wolf to the show. Joanne was convener of the Women's Health Concern Committee, a member of NOW, and also a member of the board of the Bicentennial Women's Center. They discuss women's issues in American politics with a particular emphasis on the Democratic and Republican split and the Carter-Mondale ticket / platfrom of 1976.
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    Recorded at the 1974 Gay Academic Union Conference at NYU, this panel, The Lesbian in Literature, features Janet Cooper and Cynthia Secor, chaired by Virginia Apuzzo. Cooper critiques the erasure of female affection, emotion, and intimacy in children’s literature, tracing it to the influence of early 20th-century librarian Anne Carroll Moore and her control over publishing standards that suppressed depictions of female relationships. Secor’s paper analyzes Gertrude Stein’s feminist and lesbian aesthetics, comparing her to James Joyce while celebrating Stein’s rejection of patriarchal literary traditions and her creation of new forms of expression rooted in female consciousness, identity, and language. Together, the talks explore censorship, literary history, and lesbian representation within both children’s and modernist literature.
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    A conversation between Irene Yarrow and Nina Kriegel includes a discussion about what it must have been like to grow up, reach adolescence, and go through one's teens at a time when the women's movement was already gaining momentum. Examine the generational upbringings and consider how much the women's movement has truly impacted them, particularly in comparison to growing up before the second wave of feminism.
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    The episode features a conversation between the host, Irene Yaros, and Ellie Bulkin, Lavinia Penson, and Catherine Conroy. They discuss their new grassroots educational program for adult women, called Project Chance, which HEW funded through the Women's Studies and the Women's Center at Brooklyn College. What they'll be doing is preparing women who want to return to college, who wish to decide whether to do so, or who want to re-enter the labor market, and possibly do so at a level that gives them a slight advantage over what they would have had otherwise.
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    This episode explores the politics of body image. A conversation with a guest named Roe Rasmussen, Roz Pulitzer, Judy Grad, Carol Rosenthal, and Deborah Plumer. As they discuss their problems with self-image, especially in activist spaces, they address issues related to being fat, eating disorders, beauty standards, feeling desirable, and societal treatments around womanhood and fatness.
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    In this episode of "Everywomanspace," hosted by Irene Yarrow, the host emphasizes that the program is inclusive for all women, regardless of sexual orientation, race, ethnicity, social class, or gender. She introduces the show as a platform for open communication and discourse. Throughout the episode, Irene takes calls from listeners, welcoming their criticisms and suggestions regarding what they would like to see in the program in the future.
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    This Everywomanspace episode hosted by Irene Yarrow with guests Margaret Robinson, Yolanda Bacow, and Magna Taliswoman, focusing on violence against women. The program highlights rising rape statistics, community actions like the Women’s Walk Against Rape, and the case of Cheryl Todd and Desi Woods, two Black women punished for defending themselves. Discussion expands to systemic injustices, racism, and the importance of women’s solidarity and self-defense.
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    This Everywomanspace episode features host Irene Yarrow in conversation with author Alma Rautsong (Isabel Miller), discussing her novel Patience and Sarah, her use of a pseudonym, and her turn toward feminist and lesbian themes. Rautsong reads from her unfinished work Gertrude, which explores motherhood, domestic labor, intimacy between women, and struggles within marriage, highlighting themes of resilience and female connection. The discussion expands to women’s lived experiences, including menstruation, nurturing, anger, and forgiveness, and stresses the importance of preserving women’s diaries and personal writings as vital feminist and lesbian history, before closing with announcements and a feminist song.
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    This Every Woman’s Space episode is centered on the theme of women’s anger, how it is expressed, repressed, and how it is shaped by socialization. Side A opens with an introduction explaining that this episode continues a previous “Speak Out on Anger” program, inviting women of all identities to share their experiences. The host plays a recorded discussion with writer Isabel Miller about interpersonal anger among women and the difficulties of expressing it, followed by readings of listener letters and journal entries, including one describing sexism in a legal workplace. Side B continues with call-in discussions where women describe struggles to voice anger in friendships, workplaces, and family relationships, reflecting on how they were conditioned to “be nice” and suppress confrontation. The host comments on these dynamics, encouraging listeners to unlearn emotional repression and view anger as a constructive, transformative force. The program closes with a listener’s poem and Margie Adam’s song “I’ve Got a Fury”.
  • In this episode of Everywoman Space (the second show of the Women Writing Series) host, Irene Yarrow, speaks with author Jan Clausen. Clausen reads a selection of her work, a short story called "The Warsaw Ghetto." Yarrow and Clausen go on to discuss the story and writing process. They take calls from listeners and Clausen reads a poem titled "A Christmas Letter."
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    In this episode of Everywomanspace, host, Irene Yarrow, speaks with Louise Risken about the lives of "shopping bag women" (unhoused women) in New York City. They play a short selection of recorded interviews between Risken and these women then take calls from listeners.
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    This is the second episode of Everywomanspace. Host, Irene Yarrow, speaks with author Carol Rosenthal. Rosenthal reads her short story Cowboys and Yarrow reads her short story, Mother. The two briefly discuss each piece and how to support women's writing amongst themselves before taking calls from listeners on the same topics.
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    Side A - Political Prisoners: “Insight into the political nature of the imprisonment of women. Gail Simon has selected and read the writings of women who are imprisoned. Also hear music and poetry selected from the Olivia Records Album - Any Woman’s Blues, made by the Women’s Concert Collective, recorded live in the Women’s Jail at San Bruno in December 1975.”
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    Episode of Our Lives, Our City. Side A is an interview with members of the Center for the Elimination of Violence in the Family (Yolonda Baker and Diane Jackson) and a former resident of the center (Laura), mostly about the center and the work they are doing. The Center for the Elimination of Violence in the Family opened on March 4, 1977 (according to Yolonda, it is the first domestic violence shelter in NYC). The Center offers shelter/residence, counseling, referrals to education programs, job-training, work opportunities at the shelter, and accompaniment to welfare, family court, and police appointments. Side B is for taking calls.
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    Side A: Margot Adler discusses the various definitions of "occult" and "magic" as expressed by four groups in society: the uneducated, the educated, scholars, and practicitioners. Adler contends that the way these words are defined reflect social conditioning and shape the conversation around spiritual practice and occult study. She proposes a definition that is not mystical nor supernatural that she explores and expounds upon throughout the program. To this end, Adler relates an experience she had visiting and working within a small farming community of magic practitioners and how their understanding of magic as the "art of getting results" applied to their lives. One psychological element that Adler focuses upon is charisma and how the charisma of individuals or communities is itself a magical quality.

    Side B: There is a call in portion at the end of the program wherein Adler and callers talk about Rorschach and the Tarot, therapist role within witchcraft, New York magical and spiritual communities, and ends with a more heated discussion regarding the divisions between magic and science.
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    Side A opens with Viv Sutherland introducing Lily Tomlin’s comedy album Modern Scream on the WBAI Women’s Studies program. The bulk of the tape features Tomlin’s satirical sketches, where she voices multiple characters. Highlights include a bizarre monologue from a woman addicted to rubber, a mock celebrity interview parodying Hollywood shallowness, a chaotic sorority speech full of performative morality, and a child’s monologue touching on emotional contradictions. The humor is absurdist, character-driven, and rooted in media and gender satire.

    Side B continues with more sketches from Modern Scream, maintaining the format of comic vignettes performed by Tomlin. It features a flashback to Detroit high school life, a surreal phone company sketch, a spoof interview about playing a heterosexual woman, a parody detergent commercial that turns into a soap opera-style meltdown, and a long sermon from “Sister Boogie Woman” celebrating radical self-expression. The tape closes with Sutherland’s sign-off and a preview of upcoming feminist programming. Like Side A, it’s rich in satire but not thematically aligned with our themes.
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    Side A: Host discusses women's rights and justice in the United States. Show features various feminist musicians.
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    Side A:Women playing the guitar singing a jingle. She goes on to talk about the pain that comes with operating in a male centered society. In an interview, two women talk about women not being as confident in their ability of being without the "big father" figure present for reassurance. There's a conversation discussing how a woman sacrifices more, does more, feels more, which makes them gifted. They talk about women as nature, explaining how a woman's suffering forces people to experience life on a deeper level. There is talk about work as a form of salvation while finding moments of joy in the process.

    Side B:"Equating women to death, and men with life." Person being interviewed offers a new perspective on coexisting as both man and woman. She stresses personal identity over identification and speaks about how when a women acquires education she poses as a threat to men. She mentions how women giving boundless and immense love to men, when in actuality women are in search of themselves as an individual. Tape ends in music.
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    (This is side B of tape) An interview with Alice Kessler-Harris about her book, "Women Have Always Worked," published by Feminist Press. Hessler redefines "work" and also emphasizes how historically women's labor was not salaried or compenstated financially.
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    (This is Side A of tape) Part one of a program on Latin-American women, features a recorded lecture by journalist Anne Nelson given at an International Women's League for Peace and Freedom meeting. Nelson discusses her trip to El Salvador, the paramilitary death squads, and the specific state violence done to Salvadoran women. Nelson laments how this is not being reported on or considered "news" by fellow American reporters and Washington.
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    Robin Morgan reads her five part poem that is " a weird love poem" to her mother, husband, friends (sisters), children, and her self. Morgan describes it as a metaphysical search for transcendence. Mentioning the goddess, the poem situates womanhood to genitalia and the body.
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    Woman' is a talk show featuring in-depth conversations exploring issues affecting the lives of women. This episode features a conversation with Cris Williamson, who has been a singer songwriter for the past 14 years. She currently records with Olivia Records, an all-womens recording company. Her latest release is the "Changer and the Changed."
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    Notes on back: "Return from Vacation"
    "Prospectus for 'Season'" "Feminism"
    "Synthesis of Politics + Spirituality"
    "Ms.Magazine September 1975 + Akwesasne Note"
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    Tarot reader explains her practice and interpretation of tarot from a “subjective level.” Spirituality/tarot is positioned as a move from patriarchy. The tarot reader credits her practice of tarot to her upbringing around women, reading of feminist texts, also her mother is a witch.
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    Host, Judy Pasternak, discusses abortion and the struggle for the legal right of women to have control over their bodies. In her reflection upon the legal battle surrounding this issue, Pasternak notes that the majority of the individuals making these decisions from a federal level down to its local implementation are male identifying. In her past experience and many other of the callers, the medical infrastructure and service providers were male which they felt impacted their care and the comportment of the medical team.
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    Side B - 1st East Coast Conference on Women & Porn: “The following segment on the Velvet Sledgehammer features tapings from the 1st East Coast Conference on Women and Pornography.”
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    Side A: In this interview, Dr. Freda Adler discusses the rise in female criminal behavior as a consequence of broader social changes, particularly women’s increased participation in public and professional life. She explains that as women gain access to new roles, they also gain opportunities to engage in crimes once dominated by men. Traditional “feminine” crimes (such as prostitution and shoplifting) are being replaced by more assertive and violent acts like armed robbery and even assassination. Adler emphasizes that this shift doesn’t stem from new motivations but from changing circumstances, and she challenges the myth of inherent female passivity by documenting the evolving cultural landscape.

    Side B: This side explores how institutions—from law enforcement to the courts and prisons—have struggled to keep pace with changes in female behavior. Adler critiques the justice system’s gendered assumptions, showing how women have often received either harsher or overly lenient treatment based on outdated ideas. She also highlights discrimination in prison rehabilitation, the invisibility of women’s prison uprisings, and the psychological toll of role confusion (psychological and social uncertainty that many women face as gender roles shift rapidly) and cultural pressure. The tape closes with a call to treat women’s liberation and female criminality as separate issues, arguing for systemic reform rather than a return to traditional gender roles.
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    The Lesbian Radio Show, hosted by Rose Jordan. Discussion about the ancient goddess culture and feminist spirituality with Merlin Stone, author of "When God Was a Woman" (1976) and Grace Chanel, who had recent article in feminist journal, Heresies (1978).
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    Side A is a radio program on WBAI in New York, hosted by Viv Sutherland, and addresses the serious issue of sexual harassment in the workplace. The show consists of two central interviews: Mary Garvin, a carpenter and member of a union, and Rachel, a legal secretary, who both tell their own stories of being harassed at the workplace. Mary Garvin, a member of United Brotherhood of Carpenters and Joiners of America, Local 1204, describes her own encounters with casual and malicious forms of harassment at work on building sites, such as discriminatory treatment as a minority worker. Rachel describes a hellish experience of attempted sexual attack by her employer, a private attorney, detailing being physically restrained and assaulted in his office. The program also features phone-ins from listeners discussing different issues surrounding sexual harassment, law, and potential responses to such an event––some advocating for violent responses. The discussion touches upon the issue of complexities of building harassment cases, shortcomings in current legal protection, and the need for systemic changes to assist the victims better and prevent workplace harassment. Side B continues with call-ins. It expands on themes from the first half but brings in more emphasis on legal, economic, and cultural barriers to justice. The program ends with a call for systemic change, grassroots activism, and women reclaiming their power in courtrooms, workplaces, and daily interactions.
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    Recorded in Paris with Studs Terkel, Simone de Beauvoir describes her philosophies of life and writing her memoirs, discussing: her childhood upbringing in Catholic school, dynamics with her parents, artistic influences in her life, the experience of being a woman writer, and wartime.
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    This tape contains the third panel from the Gay Academic Union Conference at NYU, the "Lesbian in Literature" Panel. Panelists are Janet Cooper, speaking on female crushes and friendships in children's literature, and Cynthia Secor, speaking about Gertrude Stein and James Joyce. The moderator was Virginia Caputo.

    Janet describes that the first room in a library targeted specifically for children was in the Pratt Library in Brooklyn in 1895. The librarian Anne Carole Moore worked there, and would become a very influential children's librarian. She speaks on the monopoly of children's literature in publishing and book awards, with Anne Carole Moore at the center due to her connections with other powerful librarians. Since Anne Carole Moore's appointment, child friendships and friend crushes in literature have disappeared. The removal of content in library books where children physically touched each other, Janet says, was a direct result of the fear of lesbianism.

    Cynthia Secor speaks about Gertrude Stein and James Joyce. She asserts that Stein is an oft-overlooked figure in literature. Gertrude Stein was a sort of hidden figure, while James Joyce was taught everywhere. Stein was read by many lesbian women, but Cynthia did not read Stein until she joined the lesbian community. Cynthia reads a passage by Stein, "Cow come out...", discusses Stein's novella, Q.E.D., and her "Patriarchal Poetry" essay.
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    Irene Yarrow hosts writer and poet Marilyn Coffey on the show Everywomanspace. The program starts with Marilyn reading several of her poems: "Insight," "The Diet," "Wordlessly," and "Observation." Irene and Marilyn discuss Marilyn's brief career in journalism and development as a writer, and the writing of her novel, Marcella, a coming-of-age story. Marilyn then reads an excerpt from Marcella.

    After the excerpt, Marilyn Coffey explains the projects she has been working on more recently--her second novel, books of essays, and teaching English at Pratt Institute. Irene and Marilyn discuss the difficulties of switching between various forms of writing, like poetry vs. prose vs. non-fiction. Marilyn also reflects on how joining the Women's Movement and becoming a feminist has changed her writing and the reception of her writing. They discuss how deeply ingrained the patriarchy is in their lives and consciousnesses. Marilyn reads a final poem, "Cold," to end the program.
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    Victoria Brownworth interviews author Bertha Harris in an episode of Amazon Country. Bertha discusses how writing has been a means of freedom and escape for her, and how she would like fiction to help define what it means to be a lesbian. They also explore whether and how the patriarchy has an impact on what women write. They ruminate on the overlap between politics and art.
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