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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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                <text>Workshop #4, Side B, April 20, 1971</text>
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                <text>The recording is from a workshop from April 20, 1971. The women are having an open discussion on honesty and trust within the group. The talk about how they feel about each other and how they handle being in Daughters of Bilitis. </text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students.</text>
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                <text>48:08</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>This audio recording talks about activism and oppression within the lesbian community. The workshop is a group of women discussing their feelings and experiences with being oppressed as women in society, especially as lesbians. </text>
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&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>Womens Studies, via WBAI Folio 1970s</text>
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              <text>Women's Work Weekend (New York: WBAI Folio Aug 1977)</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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              <text>Side A: 31:37 / &#13;
Side B: 24:13</text>
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              <text>Viv Sutherland</text>
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              <text>Side A: SPW1974_SideA_20250923_Transcript.docx&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
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Robin Morgan Reads: The Network of the Imaginary Mother</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Part of special programming for Women’s Health Day Nov 5, 1977, this broadcast is described as a “medical magazine” of three short pieces. Program begins with information for local women’s health resources and details for upcoming pro-Abortion demonstration. Followed by the first segment: an interview with journalist Judith Randall regarding criticism of potential over prescription of preventative mammography. Second, they play audio from a press conference with activist Barbra Seaman about the role of Sex Hormones in Women’s health, and specifically, the need for pharmaceutical to educate about potential side effects for prescription medication. Testimony was also given from vocalist Kitty Callen. Last, they play a recording of a pro-abortion gait-prop short play by Myrna Lamb.</text>
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                <text>1977-11-05</text>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>"Bread and Roses" by unknown</text>
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                <text>Around 19:30, static and interfernce decreases clarity of sound.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>In this episode of &lt;em&gt;Women's Consciousness Raising Hour&lt;/em&gt;, the first poet Rosemary Cappello reads a mixture of original poems and poems from friends and other notable poets, surrounding the theme of correspondence. Rosemary views correspondence as the most faithful way to show affection and grow closer with other poets. She also reads a poem that she wrote, in place of an angry letter, to respond to an anti-feminist book review.&lt;br /&gt;&lt;br /&gt;The second poet, Barbara Ruth, opens with a poems about her awe for life: her experience knowing and being close to other women, seeing a solar eclipse. Her poems discuss women's issues, specifically, the tension between being a woman and having intense or maddening emotions, and the tensions women have with men. Her poems frequently invoke the power of women and call for a revolution. Furthermore, Barbara grapples with issues of valuing some lives over others, witnessing suffering, narcissism, and simple wanting. She also reads poems about her mother.</text>
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                <text>At times the audio on the tapes is unintelligible, especially around 19:50 on side A. There is also a screeching sound beginning around 3 mins on side B and continuing until about 4:15.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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              <text>Diane Trombley</text>
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              <text>Joanne Wolf</text>
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              <text>Cassette Tape</text>
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                <text>Politics</text>
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                <text>In this episode of Women's Consciousness Radio Hour on WXPN, host Diane Trombley kicks off the program by playing a two songs by activist and musician Malvina Reynolds. One song is from the album "Virgo Rising - The Once And Future Woman," and the other is from Reynold's own album, "Held Over." Trombley then welcomes guest Joanne Wolf to the show. Joanne was convener of the Women's Health Concern Committee, a member of NOW, and also a member of the board of the Bicentennial Women's Center. They discuss women's issues in American politics with a particular emphasis on the Democratic and Republican split and the Carter-Mondale ticket / platfrom of 1976.</text>
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                <text>The Women's Conciousness Raising Hour</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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                <text>Womens Businesses Master</text>
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                <text>Women's Businesses </text>
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            <description>An account of the resource</description>
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                <text>An episode of Radio Free Women in which four businesswomen discuss their work. Interviewees include (but are not limited to) Susan Sojourner of First Things First, a fe-mail order house for books for women and Sue Sasser, an auto mechanic.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                <text>Susan Sojourner, Sue Sasser, Barbara Relic?, Chris Coe?</text>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Rape Crisis Center Presentation</text>
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                <text>Women's Action Organization Rape Crisis Center Presentation, Washington D.C.,  November 1973</text>
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            <description>An account of the resource</description>
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                <text>This is a panel introduced by the president of the Women's Action Organization, with the Vice President of the Department of State in attendance. The speakers (from the DC Rape Crisis Center) discuss sexual violence. They also discuss how the crisis center came to be and the services it offers, issues with legal definitions, how to protect women, medical support, and self-defense, among other topics. The first speaker is Karen Kollias (RCC co-founder). The end of this audio includes live instruction and demonstration of self-defense tactics.</text>
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                <text>1973-11</text>
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                <text>audio/mpeg</text>
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          <element elementId="113">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
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                <text>1/4" audio tape</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57725">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=kayla+taylor"&gt;Kayla Taylor&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Susan+Moore"&gt;Susan Moore&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Dolores+Bargowski"&gt;Dolores Bargowski&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>1974-1978</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>The radio episode, which is part of the Feminist Radio Network, includes recordings from a conference panel which included the writers Maxine Kumin, Alice Walker, and Grace Paley. They discuss the challenges of being women writers, how their writing processes are affected by societal gender norms, and how important women’s stories are within the individualistic, middle-class American society where female bonding is not encouraged. This episode also includes excerpts from Living, by Grace Paley, and Everyday Use, by Alice Walker. </text>
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                <text>Feminist Radio Network</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Lesbian Hestory Archives&#13;
&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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                <text>Women Political Prisoners</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Side A - Political Prisoners: “Insight into the political nature of the imprisonment of women. Gail Simon has selected and read the writings of women who are imprisoned. Also hear music and poetry selected from the Olivia Records Album - Any Woman’s Blues, made by the Women’s Concert Collective, recorded live in the Women’s Jail at San Bruno in December 1975.”</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. However, for this item, no rights-holder(s) have been identified. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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            <name>Host</name>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>This episode is titled Women in Welfare and features discussions from Carol Brill, the director of the Massachusetts chapter of the National Association of Social Workers (NASW), and welfare advocates Kayla Taylor, and Susan Moore. This episode covers the topics of the welfare system structure, stereotypes and myths about welfare recipients, double standards working mothers face based on class, and the classism within the social work profession. Furthermore, it includes clips from governmental proceedings related to welfare and proposed cuts to welfare benefits. It ends with a discussion on how the issues within the welfare system relate to the Women’s Liberation Movement and demands economic change from politicians who fund big business and the military while disregarding the poor through welfare cuts. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity.  The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Women and Religion </text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>This recording of the “Women’s Showcase” is the third part of three from the NYU hosted event, Women Against Rape. Ellyn Joyce the author of the poetry book “Instinct for Survival” reads selected poems from her own work. Before each reading Ellyn offers a little insight into what inspired her. At the end of the recording she discusses her work at the Bedford Hills Correctional Facility and advocates for better treatment of the women imprisoned there.</text>
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                <text>Gift of Martha Shelley</text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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                <text>Vickie O'Dougherty, NYU</text>
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        <name>California</name>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>This recording of the “Women’s Showcase” is the first of three from the NYU hosted event, Women Against Rape. This part features performances &amp; poetry from Nina Miller, Lee Van De Velde, Alice McIntyre and music from Jazz pianist Esther Blue &amp; singer Kathy Rose Salat.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A: In this interview, Dr. Freda Adler discusses the rise in female criminal behavior as a consequence of broader social changes, particularly women’s increased participation in public and professional life. She explains that as women gain access to new roles, they also gain opportunities to engage in crimes once dominated by men. Traditional “feminine” crimes (such as prostitution and shoplifting) are being replaced by more assertive and violent acts like armed robbery and even assassination. Adler emphasizes that this shift doesn’t stem from new motivations but from changing circumstances, and she challenges the myth of inherent female passivity by documenting the evolving cultural landscape.

Side B: This side explores how institutions—from law enforcement to the courts and prisons—have struggled to keep pace with changes in female behavior. Adler critiques the justice system’s gendered assumptions, showing how women have often received either harsher or overly lenient treatment based on outdated ideas. She also highlights discrimination in prison rehabilitation, the invisibility of women’s prison uprisings, and the psychological toll of role confusion (psychological and social uncertainty that many women face as gender roles shift rapidly) and cultural pressure. The tape closes with a call to treat women’s liberation and female criminality as separate issues, arguing for systemic reform rather than a return to traditional gender roles.</text>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>&lt;a href="https://digicoll.lib.berkeley.edu/record/21272?ln=en"&gt;https://digicoll.lib.berkeley.edu/record/21272?ln=en&lt;/a&gt;</text>
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                <text>Digitized Spring 2026</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Broadcast "Woman and Cancer," a special series hosted by Viv Sutherland about the myths and realities of cancer. Inscribed title on both sides is "Women + Cancer. Guests are Dr. Philip Strax, director of the Guttman Breast Diagnostic Institute; Mary Overton, assistant executive director of Cancer Care; Richard Klarberg,director of the Public Health Center, the American Health Foundation; Pam Booth, co-director of Women's Health Forum; and Denise Dillon Fuge, member of the Committee on Women and Health, National Organization for Women, New York (NOW-NY). Dr. Stax, an early advocate of mammography, discusses the need for routine screening. Additional topics are the impacts of cancer on the lives of women, the politics of research and development of new detection techniques, prevention, etc. Continued in SPW1965, inscribed title "Women + Cancer II".</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="62693">
                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>Mary Overton</text>
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                <text>Denise Dillon Fuge</text>
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            <description>An address for a digital media item. Employs an unambiguous reference or identifier for a digital rendition/instantiation of a media item and may include domain, path, filename or html page. This includes URIs for each digital file format created by the Internet Archive (will have multiple values).</description>
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                <text>&lt;a href="https://digicoll.lib.berkeley.edu/record/21272?ln=en"&gt;https://digicoll.lib.berkeley.edu/record/21272?ln=en&lt;/a&gt;</text>
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            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>African American feminists [sh2004002861] African American lesbians [sh85001859] Lesbianism [sh85076157] Lesbians [sh85076160] Sexism [sh85120678] Sex discrimination [sh85120591] Lesbian culture [sh2004003370] Literatures [sh2003003668]</text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Broadcast of The Velvet Sledgehamer, inscribed as "Velvet Sledgehammer - Edwina Lee Tyler - Luna Tunes" on Sides A and B. Donna Allegra interviews Ferne Yangyeitie Caulker-Bronson (Founder and Artistic Director of Wisconsin based, African dance troupe  Ko-Thi), Edwina Lee Tyler (drummer of African percussions, performer, and founder/Artistic Director of African dance troupe A Piece of the World), and Luna Tunes (women’s a cappella group), who also give a live performance.</text>
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                <text>"High Flying Woman" by The Deadly Nightshade</text>
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                <text>"Freedom Time" by Linda Tillery</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>(Side A) Viv Sutherland welcomes listeners to &lt;em&gt;The Velvet Sledgehammer &lt;/em&gt;and announces that the show's program will include "Hot Flashes," women's news from "Majority Report"; a story on "A Woman's Place" produced by Irene Yarrow; and an interview of author Kate Millett about her book &lt;em&gt;Sita&lt;/em&gt; (1976) conducted by Judy Pasternak and Viv Sutherland.&lt;br /&gt;&lt;br /&gt;The first segment is "Hot Flashes," a women's news report announced by Nancy Borman. Topics covered include: an "anti-wedding" event sponsored by Majority Report to discuss the sexist details of marriage contracts, Valerie Solanas reprinting Scum Manifesto after the original publisher went out of business and the copyright reverted to her, New York's announcement of plans for a large-scale Women's Rights rally, events for Lesbian Pride Week, and a bill to legalize abortion in Italy.&lt;br /&gt;&lt;br /&gt;Irene Yarrow then introduces a tape about "A Woman's Place," a feminist collective in upstate New York that has existed for three years but is now in danger of closing due to lack of support. Irene recorded this tape at "A Woman's Place" and features women's songs, poetry and feelings about what the retreat has meant to them. The recording begins at 19:25 and continues onto side B. Irene announces that women interested in learning about "A Woman's Place" or contributing to save it can contact her. She attributes the music in the recording to Ruth Pelham, and the poetry to Erica Silver.&lt;br /&gt;&lt;br /&gt;Kate Millet guest stars in the last segment, discussing her new autobiographical novel, &lt;em&gt;Sita&lt;/em&gt;, with Judy Pasternak and Viv Sutherland. Kate describes the plot of &lt;em&gt;Sita&lt;/em&gt; as "the plotline of the woman destroyed." She rebuffs "malicious" reviews that called her work either "icky" and "pukey" or "pornographic" for being queer. She considers these reviews to be motivated by bigotry. Kate recounts that a major motivation in writing &lt;em&gt;Sita&lt;/em&gt; was to describe the loss of a lover, which she felt does not exist in any other book. She says she wanted to "write a very musical and very romantic book in praise of love: in praise, even, of its melancholy and possible futility." Kate also discusses hoping for "company" in writing "these kinds of books," but that she is alone in having to "take abuse" for them. With Judy Pasternak and Viv Sutherland, Kate Millett reflects on activism and efforts to dismantle the patriarchy. The interview closes with discussion of Kate's visual art.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>Discusses health administrations and hospitals disregarding women's wishes when giving birth, and taking the newborn away leaving the mother to wait for days to see the baby. The show also highlights women being rushed through birth, the instrumental nature of nurses, and complications with doctors. It focuses on connecting medicine with feminist ideology to insure legal change and rights protection. </text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Unstuck in Time w/ Margot Adler - 9/5/75</text>
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                <text>Margot Adler</text>
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                <text>Spirituality</text>
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                <text>Move from patriarchy</text>
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                <text>Notes on back: "Return from Vacation" 
"Prospectus for 'Season'" "Feminism"
"Synthesis of Politics + Spirituality" 
"Ms.Magazine September 1975 + Akwesasne Note"</text>
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                <text>WBAI Radio</text>
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                <text>1975-09-05</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="61247">
                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>Margot Adler</text>
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                <text>Side A: Margot Adler discusses the various definitions of "occult" and "magic" as expressed by four groups in society: the uneducated, the educated, scholars, and practicitioners. Adler contends that the way these words are defined reflect social conditioning and shape the conversation around spiritual practice and occult study. She proposes a definition that is not mystical nor supernatural that she explores and expounds upon throughout the program. To this end, Adler relates an experience she had visiting and working within a small farming community of magic practitioners and how their understanding of magic as the "art of getting results" applied to their lives. One psychological element that Adler focuses upon is charisma and how the charisma of individuals or communities is itself a magical quality.  

Side B: There is a call in portion at the end of the program wherein Adler and callers talk about Rorschach and the Tarot, therapist role within witchcraft, New York magical and spiritual communities, and ends with a more heated discussion regarding the divisions between magic and science.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Digitized Spring 2024</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ernestine "Tiny" Davis was a prolific Black lesbian jazz trumpeter and vocalist. Born in 1909 in Memphis, Tennessee, she was the youngest of seven children. She married young and had 3 children. Her start as a musician was with the all-women, racially integrated International Sweethearts of Rhythm band which was formed at her local school but soon toured nationally. She played alongside her partner, Ruby Lucas, in a subsequent band, the Hell Divers. She and her partner owned Tiny and Ruby's Gay Spot in Chicago during the 1950s and stayed together until her death in 1994. A 1988 documentary entitled &lt;em&gt;Tiny &amp;amp; Ruby: Hell Divin' Women&lt;/em&gt; was made as a tribute to the couple. Davis was also the subject of the 1986 documentary &lt;em&gt;International Sweethearts of Rhythm: America's Hottest All-Girl Band&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Source:&lt;a href="https://jazzwomenarchives.wordpress.com/2019/01/16/tiny-davis/"&gt;Jazz Women's Archives&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>This episode of &lt;em&gt;The Women's Music Hour&lt;/em&gt; contains an interview with Pamela Brandt and Helen Hooke, who make up one of the first American all female bands, The Deadly Nightshade.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>"Womanly Way" by Linda Tillery</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>On this episode of &lt;em&gt;The Velvet Sledgehammer&lt;/em&gt;, Donna Allegra interviews members of Mischief Mime, a two woman theater troupe from Ithaca, New York. Mischief Mime tours and teaches nationally to prove artists can make it outside of the larger cities.</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:45:17</text>
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            <description>A name given to the resource</description>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Rebecca Tron</text>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>The Real Live Lesbian Show</text>
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                <text>Mary Jo Risher</text>
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                <text>Anne Foreman</text>
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                <text>Audio cassette</text>
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                <text>1:04:23</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"You And Me Against the World" by Helen Reddy</text>
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                <text>Digitized Spring 2026</text>
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        <name>Custody of children</name>
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        <name>Lesbian mothers</name>
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        <name>Mary Jo Risher</name>
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                <text>via WBAI Folio 1977</text>
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                <name>Bit Depth</name>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>African American feminists, African American lesbians, Lesbian feminism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Audre Lorde continues her presentation as part of “The Personal and the Political” panel held at the Second Sex Conference on September 29, 1979. Audience members pose questions and make comments regarding the intersections between race, class, sexual orientation, and gender and feminism in response to Audre Lorde’s speech, “The Master’s Tools Will Never Dismantle the Master’s House”, from SPW1155.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Audre Lorde</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="27552">
                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1156_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1156_A.wav</text>
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                <text>Side B (mp3) http://herstory.prattsils.org/mp3_files/spw1156_B.mp3 Side B (wav) http://herstory.prattsils.org/wav_files/spw1159_B.wav</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Second Sex Conference</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1979, September 29</text>
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            </elementTextContainer>
          </element>
          <element elementId="95">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
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                <text>Digitized: June 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27557">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <description>A related resource</description>
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                <text>Preceded by SPW1155.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Original = Cassette Tape</text>
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                <text>WAV</text>
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                <text>MP3</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>Side A [46:33]</text>
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                <text>Side B [17:28]</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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                <text>Conference</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPW1156</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>New York University, New York, NY</text>
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          <element elementId="116">
            <name>Temporal Coverage</name>
            <description>Temporal characteristics of the resource.</description>
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                <text>1979, September 29</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Audre Lorde</name>
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        <name>Conferences</name>
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      <tag tagId="188">
        <name>Cross-cultural perspectives</name>
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      <tag tagId="189">
        <name>Feminism</name>
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      <tag tagId="158">
        <name>Lesbians of color</name>
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