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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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                <text>The recording is from a workshop from April 20, 1971. The women are having an open discussion on honesty and trust within the group. The talk about how they feel about each other and how they handle being in Daughters of Bilitis. </text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students.</text>
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&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>48:08</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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                <text>This audio recording talks about activism and oppression within the lesbian community. The workshop is a group of women discussing their feelings and experiences with being oppressed as women in society, especially as lesbians. </text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>33:13</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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              <text>Side A: 31:44 /&#13;
Side B: 28:38</text>
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              <text>Diane Trombley</text>
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              <text>Jennifer Fleming, Mickey Weinstein</text>
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              <text>Cassette Tape</text>
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              <text>Side A: SPW1958_SideA_20251007_Transcript.docx&#13;
Side B: SPW1958_SideB_20251007_Transcript.docx</text>
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                <text>Women’s Consciousness Raising Hour - Child Custody II</text>
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                <text>CR Hour - Child Custody II</text>
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                <text>Side A: ♀'s (Women's) CR Hour - Child Custody part II - Diane Trombley Speaks with ♀♀ (Women) from Custody Action for Lesbian Mothers + Transition &#13;
Side B: ♀♀ (women) CR Hour - Custody part II - Diane Trombley Speaks with ♀♀ (Women) from Calm + ♀♀ (Women) in transition</text>
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                <text>Custody Of Children, Feminism, Lesbian Mothers, Motherhood</text>
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            <description>An account of the resource</description>
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                <text>This episode of The Women’s Consciousness Raising Hour, hosted by Diane Trombley, features an in-depth discussion on the struggles faced by women, particularly divorced and lesbian mothers, within the American custody and legal systems. Guests Jennifer Fleming of Women in Transition and Mickey Weinstein of Custody Action for Lesbian Mothers (CALM) explore the emotional, financial, and institutional challenges encountered by women navigating separation, abuse, and child custody disputes. The program exposes systemic sexism and judicial bias, shares strategies for legal self-advocacy, and promotes alternatives such as shared custody and community support networks.</text>
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                <text>WBAI Radio</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                <text>Diane Trombley</text>
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Robin Morgan Reads: The Network of the Imaginary Mother</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Interview with Kay Gardner, executive director and co-founder of the Women's Music Network, and Lou Crimmins, performer. 1974 production of the Feminist Radio Network. Discussion of the nonprofit Women Music Network's ideals and operations supporting women in the music industry. including Lavender Jane.</text>
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                <text>Womens Businesses Master</text>
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                <text>An episode of Radio Free Women in which four businesswomen discuss their work. Interviewees include (but are not limited to) Susan Sojourner of First Things First, a fe-mail order house for books for women and Sue Sasser, an auto mechanic.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                <text>Susan Sojourner, Sue Sasser, Barbara Relic?, Chris Coe?</text>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Rape Crisis Center Presentation</text>
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                <text>Women's Action Organization Rape Crisis Center Presentation, Washington D.C.,  November 1973</text>
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            <description>An account of the resource</description>
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                <text>This is a panel introduced by the president of the Women's Action Organization, with the Vice President of the Department of State in attendance. The speakers (from the DC Rape Crisis Center) discuss sexual violence. They also discuss how the crisis center came to be and the services it offers, issues with legal definitions, how to protect women, medical support, and self-defense, among other topics. The first speaker is Karen Kollias (RCC co-founder). The end of this audio includes live instruction and demonstration of self-defense tactics.</text>
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                <text>1973-11</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Feminist Radio Network, circa 1974-1978</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=kayla+taylor"&gt;Kayla Taylor&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Susan+Moore"&gt;Susan Moore&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Alice+Walker"&gt;Alice Walker&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rita+Mae+Brown"&gt;Rita Mae Brown&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Dolores+Bargowski"&gt;Dolores Bargowski&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1974-1978</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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              <description>A language of the resource</description>
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                  <text>English</text>
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                <text>The radio episode, which is part of the Feminist Radio Network, includes recordings from a conference panel which included the writers Maxine Kumin, Alice Walker, and Grace Paley. They discuss the challenges of being women writers, how their writing processes are affected by societal gender norms, and how important women’s stories are within the individualistic, middle-class American society where female bonding is not encouraged. This episode also includes excerpts from Living, by Grace Paley, and Everyday Use, by Alice Walker. </text>
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                <text>Feminist Radio Network</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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                <text>WAV</text>
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            <elementTextContainer>
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                <text>Lesbian Hestory Archives&#13;
&#13;
</text>
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                <text>00:29:34</text>
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        <name>Alice Walker</name>
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        <name>Gender Roles</name>
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        <name>Grace Paley</name>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A - Political Prisoners: “Insight into the political nature of the imprisonment of women. Gail Simon has selected and read the writings of women who are imprisoned. Also hear music and poetry selected from the Olivia Records Album - Any Woman’s Blues, made by the Women’s Concert Collective, recorded live in the Women’s Jail at San Bruno in December 1975.” </text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>Audio opens with live coverage of women's tennis, moves on to women's athletics discussion with Billie Jean King. Discrimination against women in tennis and athletics overall is a main focus, centering specifically on pay disparities and lack of social support for participation in sports at all ages.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>This episode is titled Women in Welfare and features discussions from Carol Brill, the director of the Massachusetts chapter of the National Association of Social Workers (NASW), and welfare advocates Kayla Taylor, and Susan Moore. This episode covers the topics of the welfare system structure, stereotypes and myths about welfare recipients, double standards working mothers face based on class, and the classism within the social work profession. Furthermore, it includes clips from governmental proceedings related to welfare and proposed cuts to welfare benefits. It ends with a discussion on how the issues within the welfare system relate to the Women’s Liberation Movement and demands economic change from politicians who fund big business and the military while disregarding the poor through welfare cuts. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Carol Barill: the Welfare Coalition and Executive Director of the Eastern Massachusetts chapter of the Association of Social Workers</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Susan+Moore"&gt;Susan Moore&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Alice+Walker"&gt;Alice Walker&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rita+Mae+Brown"&gt;Rita Mae Brown&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Dolores+Bargowski"&gt;Dolores Bargowski&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>1974-1978</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Women and Religion </text>
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                <text>In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity.  The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose. </text>
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                <text>Feminist Radio Network</text>
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                <text>Lesbians in the Church</text>
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            <elementTextContainer>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Women and Religion </text>
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                <text>Feminist Radio Network </text>
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                <text>Sally Gearheart</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Women Against Rape (Part 3)</text>
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                <text>This recording of the “Women’s Showcase” is the third part of three from the NYU hosted event, Women Against Rape. Ellyn Joyce the author of the poetry book “Instinct for Survival” reads selected poems from her own work. Before each reading Ellyn offers a little insight into what inspired her. At the end of the recording she discusses her work at the Bedford Hills Correctional Facility and advocates for better treatment of the women imprisoned there.</text>
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                <text>08/05/1978</text>
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                <text>Gift of Martha Shelley</text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A: In this interview, Dr. Freda Adler discusses the rise in female criminal behavior as a consequence of broader social changes, particularly women’s increased participation in public and professional life. She explains that as women gain access to new roles, they also gain opportunities to engage in crimes once dominated by men. Traditional “feminine” crimes (such as prostitution and shoplifting) are being replaced by more assertive and violent acts like armed robbery and even assassination. Adler emphasizes that this shift doesn’t stem from new motivations but from changing circumstances, and she challenges the myth of inherent female passivity by documenting the evolving cultural landscape.&#13;
&#13;
Side B: This side explores how institutions—from law enforcement to the courts and prisons—have struggled to keep pace with changes in female behavior. Adler critiques the justice system’s gendered assumptions, showing how women have often received either harsher or overly lenient treatment based on outdated ideas. She also highlights discrimination in prison rehabilitation, the invisibility of women’s prison uprisings, and the psychological toll of role confusion (psychological and social uncertainty that many women face as gender roles shift rapidly) and cultural pressure. The tape closes with a call to treat women’s liberation and female criminality as separate issues, arguing for systemic reform rather than a return to traditional gender roles.</text>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Viv Sutherland</text>
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              <elementText elementTextId="60412">
                <text> Dr. Frieda Adler</text>
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          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
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        <name>Labor</name>
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      <tag tagId="1119">
        <name>Move from Patriarchy</name>
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      <tag tagId="1120">
        <name>Violence/Rage</name>
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    </tagContainer>
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  <item itemId="1320" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Lesbian identity&#13;
Radio&#13;
Second wave feminism</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Taped radio program for the lesbian community.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Margie Adam, Meg Christian</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Date of creation of the resource.</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57998">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <description>The size or duration of the resource.</description>
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                <text>1.48 GB</text>
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            <description>A language of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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        <name>Identity</name>
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      <tag tagId="287">
        <name>Lesbian Community</name>
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      <tag tagId="526">
        <name>Lesbian Identity</name>
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      <tag tagId="566">
        <name>Second Wave Feminism</name>
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Woman (W♀man): Sandra Elkin Speaks with Cris Williamson</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Social issues</text>
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                <text> women</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60495">
                <text>Woman' is a talk show featuring in-depth conversations exploring issues affecting the lives of women. This episode features a conversation with Cris Williamson, who has been a singer songwriter for the past 14 years. She currently records with Olivia Records, an all-womens recording company. Her latest release is the "Changer and the Changed."</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>WBAI Radio</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI Radio</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1976-03-04</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60503">
                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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              <elementText elementTextId="60500">
                <text>Sandra Elkin</text>
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          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Cris Williamson</text>
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        <name>Music</name>
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      <tag tagId="1125">
        <name>Social issues</name>
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      <tag tagId="323">
        <name>Women</name>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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                <name>Bit Depth</name>
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                <elementTextContainer>
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                <name>Channels</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Windsor, Tape 1, July 31, 1980</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>Lesbian Community--New York (State)--New York</text>
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                <text>Lesbians--United States--Interviews</text>
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                <text>Lesbianism</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>SIDE   A	   Windsor discusses femme and butch roles in several lesbian relationships, and Skip’s opinion on these role changes. Windsor speaks about her relationship with Skip and difficulties of being constantly with her partner, having different money-earning capabilities, the emotions and desires in their relationship, and how they celebrated holidays together.&#13;
&#13;
SIDE B	  (Duplicate of Side A) Windsor discusses femme and butch roles in several lesbian relationships, and Skip’s opinion on these role changes. Windsor speaks about her relationship with Skip and difficulties of being constantly with her partner, having different money-earning capabilities, the emotions and desires in their relationship, and how they celebrated holidays together.&#13;
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                <text>Interviewee: Windsor &#13;
Interviewer: Liz&#13;
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            <name>Source</name>
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SPW542_WINDSOR_B</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Lesbian Herstory Archives</text>
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                <text>1980-07-31&#13;
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              <elementText elementTextId="43161">
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                <text>Pratt Institute, School of Information and Library Science, LIS 665 Projects in Digital Archives students&#13;
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                <text>tape cassette “SPW542 Windsor”</text>
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              <elementText elementTextId="43164">
                <text>Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge&#13;
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                <text>Digital reproduction of audio cassette.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Sound</text>
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                <text>Oral History Interview</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPW543</text>
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            <name>Temporal Coverage</name>
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                <text>1959-61</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Coming Out</name>
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        <name>Dating</name>
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                    <text>Where Would I Be Without You: The Poetry of Pat Parker + Judy Grahn - Pat Parker</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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              <text>Side A: 27:44/ Side B: 27:58</text>
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              <text>Performer: Pat Parker</text>
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              <text>Performer: Judy Grahn</text>
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              <text>Cassette Tape</text>
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                <text>Where Would I Be Without You</text>
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            <name>Subject</name>
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                <text>LQBTQ+ Performance Art, LGBTQ+ People's Writings, LGBTQ+ Poetry, LGBTQ+ Poetry</text>
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                <text>A collection of poetry performed by Pat Parker and Judy Grahn. Pat Parker's performance speaks of topics such as her Black lesbian feminist experiences, domestic violence, reproductive rights, civil rights, and anti-racism. Judy Grahn's performance talks about her experiences as a lesbian, love, and feminism.</text>
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                <text>WBAI Radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60851">
                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                <text>Pat Parker&#13;
Judy Grahn</text>
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                <text>Wendy Cadden, Judy Grahn</text>
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                <text>http://dcmny.org/islandora/object/lesbianherstory%3A1235/compound-parent-metadata</text>
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                <text>Note that this image is used as a visual representation of the Judy Grahn/Women's Press Collective, and is not part of the collection itself.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Educational Foundation, Inc.</text>
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              <text>WBAI Program Listing by Type (New York: WBAI Folio August 1977)</text>
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                <text>Voices of Women Writing Conference, April and May, 1982 (Tape 2)</text>
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                <text>Audre Lorde is on the panel. Lorde speaks on side A after other panelists introduce themselves an on side B.  This is the recording of a Community Workshop panel, mostly discussing obstacles to women writing, specifically, black womens literature. The recordings are fairly audible aside from some inaudible speakers who are not close enough to the recording device.</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1168_A.mp3 Side A (wav) http://herstory.prattsils.org/wav_files/spw1168_A.wav</text>
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                <text>African American feminists [sh2004002861] African American lesbians [sh85001859] Lesbianism [sh85076157] Lesbians [sh85076160] Sexism [sh85120678] Sex discrimination [sh85120591] Lesbian culture [sh2004003370] Literatures [sh2003003668]</text>
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                <text>Ms Holly makes assorted announcements then introduces Audre Lorde. She reads three poems: "For Each of You" "Poem for Women in Rage" "Sister, Morning is a Time for Miracles". Side B: Continuation of poem from Side A: "Sister, Morning is a Time for Miracles" Then reads: "After Images" Final Poem of reading: "On My Way to San Francisco I Pass Over You and the Verazano Bridge"</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1167_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1167_A.wav</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>Viv Sutherland, via WBAI Folio 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Marlene+Michelson"&gt;Marlene Michelson&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Janet+Seldon"&gt;Janet Seldon&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sharon+Noteboom"&gt;Sharon Noteboom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Lynn+Gold"&gt;Lynn Gold&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jade+Martner"&gt;Jade Martner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Deb+Mayer"&gt;Deb Mayer&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Victoria+Rue"&gt;Victoria Rue&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Kathryn+Poethig"&gt;Katheryn Poethig&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jean+Lerner"&gt;Jean Lerner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Liz+Salen"&gt;Liz Salen&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Bev+Lyon"&gt;Bev Lyon&lt;/a&gt;</text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club,  Victoria Rue discusses growing up Catholic and her time in Catholic School and in the Convent for a short time. She talks about her first sexual encounter with a woman, living LA and then moving to New York City in 1977 to work in theater. Vitoria discusses getting a Master's of Divinity at Columbia and then a PHD in Berkley, CA and her focus on religion and the arts and exploring her identity as a Christian and a Lesbian. She talks about theater as activism, her involvement in the Women's Music Movement, and her relationship with her partner. She speaks about her relationship to both her family and her partners family. </text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Discusses health administrations and hospitals disregarding women's wishes when giving birth, and taking the newborn away leaving the mother to wait for days to see the baby. The show also highlights women being rushed through birth, the instrumental nature of nurses, and complications with doctors. It focuses on connecting medicine with feminist ideology to insure legal change and rights protection. </text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A: Margot Adler discusses the various definitions of "occult" and "magic" as expressed by four groups in society: the uneducated, the educated, scholars, and practicitioners. Adler contends that the way these words are defined reflect social conditioning and shape the conversation around spiritual practice and occult study. She proposes a definition that is not mystical nor supernatural that she explores and expounds upon throughout the program. To this end, Adler relates an experience she had visiting and working within a small farming community of magic practitioners and how their understanding of magic as the "art of getting results" applied to their lives. One psychological element that Adler focuses upon is charisma and how the charisma of individuals or communities is itself a magical quality.  &#13;
&#13;
Side B: There is a call in portion at the end of the program wherein Adler and callers talk about Rorschach and the Tarot, therapist role within witchcraft, New York magical and spiritual communities, and ends with a more heated discussion regarding the divisions between magic and science. </text>
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                <text>Audio recording of the Third World Lesbian Writers Conference that took place on March 24, 1979.  This is one of two tapes from the workshop, the second tape is missing. This is a workshop with Audre Lorde, Yvonne Flowers, and Robin Christian.   Audre Lorde is on Side 1.  Joan Nestle, Deb Edel, and Candice Wood are mentioned.</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1157_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1157_A.wav</text>
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                <text>Third World Lesbian Writers Conference</text>
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                <text>1979, March 24</text>
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                <text>Digitized: June 2011</text>
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                <text>Joan Nestle, Deb Edel, Candice Wood</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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              <text>"The Women's Department". Article featuring the women of ''The Real Live Lesbian Show', 'Our Cities, Our Lives', 'More Than Half the World', 'Women's Studies', and 'Everywomanspace'. Photos: Viv Sutherland, Rebecca Tron, Irene Yarrow (New York: WBAI Folio August 1977)</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Donna Allegra hosts members of &lt;em&gt;The Varied Voices of Black Women&lt;/em&gt;, a touring poetry and music production, on &lt;em&gt;The Lesbian Show&lt;/em&gt;. Guests include poet Pat Parker, singer and percussionist Linda Tillery, pianist Mary Watkins and Gwen Avery.</text>
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                <text>Women's music</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>An account of the resource</description>
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                <text>This tape contains the third panel from the Gay Academic Union Conference at NYU, the "Lesbian in Literature" Panel. Panelists are Janet Cooper, speaking on female crushes and friendships in children's literature, and Cynthia Secor, speaking about Gertrude Stein and James Joyce. The moderator was Virginia Caputo.&lt;br /&gt;&lt;br /&gt;Janet describes that the first room in a library targeted specifically for children was in the Pratt Library in Brooklyn in 1895. The librarian Anne Carole Moore worked there, and would become a very influential children's librarian. She speaks on the monopoly of children's literature in publishing and book awards, with Anne Carole Moore at the center due to her connections with other powerful librarians. Since Anne Carole Moore's appointment, child friendships and friend crushes in literature have disappeared. The removal of content in library books where children physically touched each other, Janet says, was a direct result of the fear of lesbianism.&lt;br /&gt;&lt;br /&gt;Cynthia Secor speaks about Gertrude Stein and James Joyce. She asserts that Stein is an oft-overlooked figure in literature. Gertrude Stein was a sort of hidden figure, while James Joyce was taught everywhere. Stein was read by many lesbian women, but Cynthia did not read Stein until she joined the lesbian community. Cynthia reads a passage by Stein, "Cow come out...", discusses Stein's novella, Q.E.D., and her "Patriarchal Poetry" essay.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59609">
                <text>See the LHA Copyright Statement</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Gay Academic Union Conference (1974)</text>
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        <name>Conferences</name>
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        <name>Discrimination</name>
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        <name>Lesbian Authors</name>
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        <name>Lesbian Literature</name>
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      <tag tagId="331">
        <name>Lesbian Writer</name>
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      <tag tagId="521">
        <name>Lesbian Youth</name>
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      <tag tagId="244">
        <name>Libraries</name>
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      <tag tagId="305">
        <name>Literature</name>
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      <tag tagId="480">
        <name>Sexism</name>
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                <text>Su Friedrich, producer and director</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>02/2024 (date digitized)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Lesbian Herstory Educational Foundation, Inc.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="97">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="60035">
                <text>Researchers may take photographs or make photocopies of this material for personal use instead of note taking. Researches may NOT copy digital files, including video.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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            <name>Physical Format</name>
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        <name>Activism</name>
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      <tag tagId="391">
        <name>Documentary</name>
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              <elementTextContainer>
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                <text>Asian American LGBTQ+ people&#13;
LGBTQ+ demonstrations&#13;
Anti-racism</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Interviews and speeches from the demonstration at the Broadway opening of Miss Saigon organized by a coalition called "The Heat Is On 'Miss Saigon': Coaltion to End Racism and Sexism on Broadway".</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="60275">
                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>U-matic</text>
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                <text>MP4</text>
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          <element elementId="180">
            <name>Duration</name>
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                <text>00:11:45</text>
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      <tag tagId="480">
        <name>Sexism</name>
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      <tag tagId="236">
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>SPW1887</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>The Goddess and the Origins of Patriarchy</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>LGBTQ+ spiritual people</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>The Lesbian Radio Show, hosted by Rose Jordan. Discussion about the ancient goddess culture and feminist spirituality with Merlin Stone, author of "When God Was a Woman" (1976) and Grace Chanel, who had recent article in feminist journal, Heresies (1978). </text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>WBAI Radio</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="60385">
                <text>WBAI Radio</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60386">
                <text>1978</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60391">
                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <elementContainer>
          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Rose Jordan</text>
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          <element elementId="172">
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                <text>Merlin Stone</text>
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                <text> Grace Chanel</text>
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            </elementTextContainer>
          </element>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>The Furies was a group of twelve lesbian separatists in Washington, D.C. who saw heterosexual women as an obstacle in their feminism. Heterosexuality was as cyclical, and women in heterosexual relationships reinforced their oppression by absorbing the name and values of their male partners and moving them forward. The Furies published a newspaper, The Furies, that ran from 1972-1973.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                <text>This production from Radio Free Women is an interview with Judith Katz, playwright, and Betsy Toth, director, of the Franny Chicago Play. The play revolves around the suicide of Franny Chicago, a lesbian who lives with her partner and a roommate, who is also a lesbian. Katz and Toth speak about the struggle of accurately portraying lesbian life while not turning it into a spectacle. In addition, they talk about the importance of feminist representation in theater.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Lesbian Hestory Archives&#13;
&#13;
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A:Women playing the guitar singing a jingle. She goes on to talk about the pain that comes with operating in a male centered society. In an interview, two women talk about women not being as confident in their ability of being without the "big father" figure present for reassurance. There's a conversation discussing how a woman sacrifices more, does more, feels more, which makes them gifted. They talk about women as nature, explaining how a woman's suffering forces people to experience life on a deeper level. There is talk about work as a form of salvation while finding moments of joy in the process. &#13;
&#13;
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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