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                  <text>Deborah Wolf LGBT Community Interviews, 1978-1980</text>
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                  <text>Deborah Wolf owns the copyright to all of the tapes in this collection. See the LHA copyright statement.</text>
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                <text> Deborah Wolf LGBT Community Interviews: Tape Seventeen - James </text>
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            <description>An account of the resource</description>
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                <text>Tape 2 of 2</text>
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                <text>September 28, 1979</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p class="p1"&gt;Copyright Deborah Wolf&lt;br /&gt;&lt;br /&gt;&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See the Lesbian Herstory Archives Rights Statement&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>SPW81 - SPW CD 59</text>
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        <name>Communities</name>
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        <name>Deborah Wolf</name>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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              <text>Side A: 31:45/ Side B: 31:52</text>
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                <text>"Everywomanspace Tidal Wave - The Coming of Age of Young ♀♀ (Women)"</text>
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                <text>"Everywomanspace Tidal Wave - The Coming of Age of Young ♀♀ (Women)"</text>
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                <text>Everywomanspace - Tidal Wave - The Coming of Age of Young ♀♀ (Women) &#13;
Before + After this Decade of Feminism</text>
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                <text>Feminism, Second-wave Feminism, Women's Rights--United States--history--20th Century</text>
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                <text>A conversation between Irene Yarrow and Nina Kriegel includes a discussion about what it must have been like to grow up, reach adolescence, and go through one's teens at a time when the women's movement was already gaining momentum. Examine the generational upbringings and consider how much the women's movement has truly impacted them, particularly in comparison to growing up before the second wave of feminism.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>WBAI Radio</text>
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                <text>WBAI Radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60779">
                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Irene Yarrow</text>
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                <text>Nina Kriegel</text>
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                    <text>�roDYKE TV AT
Ann Northropts

NEW DIGS

Ann Northrop, Vivian Shapiro, Irene Sullivan and Joy Tomchin

Invite you to join them at a cocktail party
for DYKE TV.

Wednesday. May 25. 1994
6:30 - 9:00 pm
465 West 23rd Street
Apartment 17B
New York City
Please RSVP with the enclosed card
DYKE TV's goal is to create a blueprint for lesbiiln progumming,
broadcast throughout the country to enhance lesbian visiblity and empoweTment.

�</text>
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                  <text>Dyke TV television program components, 1993-1998</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Advertising&#13;
Lesbians</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank"&gt;See the LHA Copyright Statement &lt;/a&gt;</text>
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                    <text>�Series IV. Subject Files: Alphabetical Files: Conference: Committee for the Visibility of Other Black Women. 1981. TS The National Gay and Lesbian
Taskforce Records, 1973-2000: Series IV. Subject Files Box 140, Folder 3. Cornell University Libraries. Archives of Sexuality and Gender, link.
gale.com/apps/doc/XDNRGX449178952/AHSI?u=nypl&amp;sid=bookmark-AHSI&amp;pg=2. Accessed 2 Apr. 2023.

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                <text>&lt;a class="in-cell-link" href="http://herstories.prattinfoschool.nyc/omeka/rights-statement" target="_blank" rel="noopener"&gt;See the LHA Copyright Statement&lt;/a&gt;</text>
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                <text>(This is Side A of tape) Part one of a program on Latin-American women, features a recorded lecture by journalist Anne Nelson given at an International Women's League for Peace and Freedom meeting. Nelson discusses her trip to El Salvador, the paramilitary death squads, and the specific state violence done to Salvadoran women. Nelson laments how this is not being reported on or considered "news" by fellow American reporters and Washington.</text>
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              <text>13th Moon: The Immaculate Conception of the Blessed Virgin Dyke (Ellen Marie Bissert; New York, 1977)</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>1st East Coast Conference on Women &amp; Porn</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text> Pornography</text>
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            <description>An account of the resource</description>
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                <text>Side B - 1st East Coast Conference on Women &amp; Porn: “The following segment on the Velvet Sledgehammer features tapings from the 1st East Coast Conference on Women and Pornography.” &#13;
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            <description>A related resource from which the described resource is derived</description>
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                <text>WBAI Radio</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>WBAI Radio</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Gail Simon</text>
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                <text>Side A: Gail Simon</text>
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                <text> Side B: Gloria Steinem</text>
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                <text> Lois Gould</text>
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                <text> Robin Morgan</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>A New You: The Laura Grey Way</text>
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                <text>A New You: The Laura Grey Way, hosted by John Cox and Laura Grey, is a weekly radio show that talks about beauty, skincare, and health. In this two-part recoding, the hosts are interviewing Betty Morales, the president of the Cancer Control Society. These episodes specifically focus on the idea of cancer as a nutritional deficiency condition, with Morales promoting the use of Laetrile, also know amygdalin, as a way to 'control' cancer in patients. However, the FDA has never given approval for laetrile to be used in the United States.</text>
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                <text>KCRW</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>LC038</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Physical Format</name>
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                <text>1/4 inch audio tape</text>
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            <description/>
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                <text>Lesbian Hestory Archives</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:29:11</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <name>Identifier</name>
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                <text>A Woman's Place - Kate Millett Speaks About Sita</text>
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            <description>An account of the resource</description>
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                <text>(Side A) Viv Sutherland welcomes listeners to &lt;em&gt;The Velvet Sledgehammer &lt;/em&gt;and announces that the show's program will include "Hot Flashes," women's news from "Majority Report"; a story on "A Woman's Place" produced by Irene Yarrow; and an interview of author Kate Millett about her book &lt;em&gt;Sita&lt;/em&gt; (1976) conducted by Judy Pasternak and Viv Sutherland.&lt;br /&gt;&lt;br /&gt;The first segment is "Hot Flashes," a women's news report announced by Nancy Borman. Topics covered include: an "anti-wedding" event sponsored by Majority Report to discuss the sexist details of marriage contracts, Valerie Solanas reprinting Scum Manifesto after the original publisher went out of business and the copyright reverted to her, New York's announcement of plans for a large-scale Women's Rights rally, events for Lesbian Pride Week, and a bill to legalize abortion in Italy.&lt;br /&gt;&lt;br /&gt;Irene Yarrow then introduces a tape about "A Woman's Place," a feminist collective in upstate New York that has existed for three years but is now in danger of closing due to lack of support. Irene recorded this tape at "A Woman's Place" and features women's songs, poetry and feelings about what the retreat has meant to them. The recording begins at 19:25 and continues onto side B. Irene announces that women interested in learning about "A Woman's Place" or contributing to save it can contact her. She attributes the music in the recording to Ruth Pelham, and the poetry to Erica Silver.&lt;br /&gt;&lt;br /&gt;Kate Millet guest stars in the last segment, discussing her new autobiographical novel, &lt;em&gt;Sita&lt;/em&gt;, with Judy Pasternak and Viv Sutherland. Kate describes the plot of &lt;em&gt;Sita&lt;/em&gt; as "the plotline of the woman destroyed." She rebuffs "malicious" reviews that called her work either "icky" and "pukey" or "pornographic" for being queer. She considers these reviews to be motivated by bigotry. Kate recounts that a major motivation in writing &lt;em&gt;Sita&lt;/em&gt; was to describe the loss of a lover, which she felt does not exist in any other book. She says she wanted to "write a very musical and very romantic book in praise of love: in praise, even, of its melancholy and possible futility." Kate also discusses hoping for "company" in writing "these kinds of books," but that she is alone in having to "take abuse" for them. With Judy Pasternak and Viv Sutherland, Kate Millett reflects on activism and efforts to dismantle the patriarchy. The interview closes with discussion of Kate's visual art.</text>
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            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Marriage</text>
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                <text>Lesbian autobiographies</text>
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                <text>Intolerance towards LGBTQ+ people</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59269">
                <text>See the LHA Copyright Statement</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>The Velvet Sledgehammer</text>
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                <text>See SPW 1591 and 1592 (parts two and three). Note included with tape is enclosed in donors binder and reads as follows: Meetings between Women with HIV/AIDS and AIDS activists with Sten Vermund, head of epidemiology at NIAID and later that week with staff people at NIAID (arranged by Diane Hartell) to discuss the first natural history study of women with HIV, Dec. 4, 1991 and Dec. 6, 1991 As part of the ACT UP Women's Network's ongoing work concerning women with HIV we had made a demand at our July meeting with Tony Fauci that there had to be a major epidemiological study of women with HIV. The NIAID had conducted the MACS study following 5,000 gay/bi men with HIV from 1984 on, spent millions on it and it served as the basis for all of the info about T cells, infections, etc. But it did not contain any women. Sten Vermund, of NIAID, who organized that study, had been pleading for one for women for years but Fauci paid him no mind, partly because he was busy pacifying the ACT UP men who eventually became his supporters (Mark Harrington, Peter Staley, et al.) by putting all of NIAID's money into clinical trials for men. Sten Vermund was, and as of this writing still is, an ally of the ACT UP women (he had done research on HPV and HIV). In our CDC campaign he was the lone government voice supporting our position. We arranged this meeting with him to state our concerns about this first study (which we pressured Fauci to fund) in terms of who would be in it, how it would be done, etc. Diane Harte II was a good friend of Jeff Gates, a PW A from ACT UP NY who was also a friend of mine. She got this job working as Sten's assistant (before she had worked with injection drug using women) and orchestrated all of these meetings to support us. The first meeting took place with Sten and about 25 people attending during the ACTG meetings also held that week. Then on Friday, Dec. 6, about 15 women we had organized met with other NIAID staff people involved in ongoing epi studies and who would be involved in the later ones. We shared with &#13;
The epi study was finally funded and then Bush appointed Healy as head of NIH and she held up the fund to "review" the work. We did a national phone zap and got the funds released. At that meeting with Sten we insisted that we have people on the peer review panels to avoid doing business as usual (giving grants to wellheeled researchers who saw no women) and that we also create a national overview board with women PW As and activists to make sure the study went well. We also told him he had to help those sites seeing all of the women who were not researchers to create grant applications which could get the funding. Both happened and because Linda Meredith and Keri Duran (HIV+, Boston ACT UP) sat on the peer review panel, the final grants went to Judith Cohen's group in&#13;
SF, Kathy Anastas' group in the Bronx and Mary Lucy's group (Alexandra Levine, MD) in LA. All of these studies included lesbian issues and all were based on cooperation with community based groups. A fourth one went to Mary Young at Georgetown who was an M.D. we located and enlisted in our CDC and SSA work because she had data relevant and saw many women. However, her grant was&#13;
not great but they gave it to her anyway. At this writing the grant is just beginning.&#13;
Recorded Persons: Seh Welch, Mary Lucy, Maxine Wolfe, Diane Hartell&#13;
Persons Mentioned: Marsha Cannichael, Dawn Smith, Martha Rogers, Eliza Sullivan, Gloria Weissman, Bert Peterson, Carol Hogue</text>
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                <text>This is a tape of women from ACT UP LA (lesbian and heterosexual) and some gay men who worked with them, attending the AIDS Clinical Trials Groups Meetings in Washington, D.C. from November 3-November 5, 1992. It has footage of them in their hotel rooms , as well as footage of researcher meetings, the activists discussing what they have heard and the action they did at the Democratic Party Election Night Shindig, where they took over the stage with a banner that read "NO MATTER WHO IS PRESIDENT, AIDS IS STILL A CRISIS" as Jesse Jackson was finishing his speech after the results showed that Clinton was elected. There is also footage of them planning their strategy for getting on stage of of them waiting for the perfect moment and celebrating afterwards. There is footage of them on the mall in the evening just having fun. There is also footage of them watching Bush concede (in their hotel room watching TV), of them finding out that Mary's boss is one of 50 people invited to attend a meeting with Clinton's staff re: AIDS on the following Saturday and of them preparing material for her, along with Iris Long (ACT UP NY) and Vic Hernandez (ACT UP NY).&#13;
&#13;
Most of the footage was taken either by Mary Lucey (an HIV-infected lesbian who was in ACT UP LA, on the ACT UP National Women's Committee, and later co-founded Women Alive in LA), Nancy McNiel (Mary's lover also in ACT UP LA, the National Women's Committee and co-founder of Women Alive), and Seh Welsch (a Native-American Lesbian who founded Santa Barbara ACT UP, was on the National Women's Committee and is the E.D. of the Indian Health Center in Santa Barbara). Also in the video are Vic Hernandez (a Mexican-American from the S.F. area but a member of ACT UP NY at the time) and Kyioshi Kurimyia (an Asian-American who was a member of ACT UP Philadelphia, and founded Critical Path, a newsletter about AIDS treatments, especially alternative and wholistic treatments), both of whom are gay men. Iris Long, a heterosexual woman who was an early member of ACT UP NY, a founder of its Treatment and Data Committee, one of the first pseople to document the exclusion of women from clinical trials, is also shown in the video. She is a pharmaceutical chemist (Ph.D.) who taught the men in ACT UP everything they knew about pharmaceutical chemistry and clinical treatment research.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Alma Routsong is interviewed in New York in 1990. She discusses her early experiences of being a lesbian and coming out. She explains how lesbian literature of the time informed her about DOB and influenced her to leave her husband and move to New York with her lover. Alma also discusses her writing career and use of a pseudonym. In tape 2 she discusses DOB groups and events, as well as the demise of DOB.</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            <name>Physical Format</name>
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        <name>Alma Routsong</name>
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        <name>Femininity &amp; Masculinity</name>
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        <name>Isabel Miller</name>
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        <name>Lesbian Writer</name>
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      <tag tagId="166">
        <name>Military</name>
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        <name>New York City Lesbians &amp; Gays</name>
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        <name>Pseudonyms</name>
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        <name>Relationships</name>
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        <name>The Ladder</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Related Video Recordings, 1989-1995</text>
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                  <text>This collection includes videos created during the course of the Daughters of Bilitis Video Project, including the 20th Anniversary of the Boston chapter and the memorial service for Diane Cleaver.</text>
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              <name>Rights Holder</name>
              <description>A person or organization owning or managing rights over the resource.</description>
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                  <text>Lesbian Herstory Archives</text>
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              <text>4:3</text>
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              <text>29:97</text>
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              <text>2014-11-05</text>
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              <text>Preservation: .AVI with DV Codec, Access: .MP4</text>
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          <name>Physical Format</name>
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              <text>VHS</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Amazon Autumn Event, 1986&#13;
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Lesbian Herstory Archive</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48713">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Video Recording, Oral History</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lesbian Herstory Archives, Organizing, Consciousness Raising, Conferences and Events</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48978">
                <text>Footage of an event held in 1986. Both Deborah Edel and Judith Schwarz are featured sitting at a table for the Lesbian Herstory Archives and are handing out information about lesbian herstory in general and the archives more specifically. Joan Nestle and Mabel Hampton are also featured.</text>
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            <name>Date</name>
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                <text>1986</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="48980">
                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Identifier</name>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>VHS</text>
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            <name>Digital Format</name>
            <description/>
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                <text>Access Copy: M4V</text>
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        <name>Daughters of Bilitis</name>
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        <name>Deborah Edel</name>
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        <name>Judith Schwarz</name>
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            <element elementId="50">
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>An account of the resource</description>
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                <text>Victoria Brownworth interviews author Bertha Harris in an episode of &lt;em&gt;Amazon Country&lt;/em&gt;. Bertha discusses how writing has been a means of freedom and escape for her, and how she would like fiction to help define what it means to be a lesbian. They also explore whether and how the patriarchy has an impact on what women write. They ruminate on the overlap between politics and art.</text>
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                <text>Lesbian radio</text>
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                <text>Women's music</text>
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                <text>Lesbian authors</text>
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                <text>Lesbian fiction</text>
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                <text>Patriarchy</text>
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                <text>Lesbian identity</text>
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                <text>WXPN radio</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Rights Holder</name>
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                <text>Amazon Country</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:58:41</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Your Mama Won't Like Me" by Suzi Quatro</text>
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                <text>"It's Gonna Take A Miracle" by Jade and Sarsaparilla</text>
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        <name>Lesbian Musician</name>
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        <name>Lesbian Separatism</name>
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        <name>Lesbian Writer</name>
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        <name>Media</name>
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          <description>An account of the resource</description>
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              <description>An account of the resource</description>
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                  <text>This collection includes interviews with members of the Rossmoor Lesbian Social Club. The Club consists of over one hundred residents of the Rossmoor, a community for people 55 years and older located in the San Francisco Bay Area. Club members themselves organized these interviews  in order to preserve their personal histories. </text>
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                  <text>Rossmoor Lesbian Social Club</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Amy+Klitsner"&gt;Amy Klitsner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=EJ+Koch"&gt;EJ Koch&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Carol+Newhouse"&gt;Carol Newhouse&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Ann+Bidderman"&gt;Ann Bidderman&lt;/a&gt;</text>
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                <elementText elementTextId="55774">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Marlene+Michelson"&gt;Marlene Michelson&lt;/a&gt;</text>
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                <elementText elementTextId="55775">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rhona+Lishinsky"&gt;Rhona Lishinsky&lt;/a&gt;</text>
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                <elementText elementTextId="55820">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Nicole+Schapiro"&gt;Nicole Schapiro&lt;/a&gt;</text>
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                <elementText elementTextId="55821">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Renee+Archer"&gt;Renee Archer&lt;/a&gt;</text>
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                <elementText elementTextId="55822">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Judy+Greyboys"&gt;Judy Greyboys&lt;/a&gt;</text>
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                <elementText elementTextId="55823">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Janet+Seldon"&gt;Janet Seldon&lt;/a&gt;</text>
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                <elementText elementTextId="55824">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sharon+Noteboom"&gt;Sharon Noteboom&lt;/a&gt;</text>
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                <elementText elementTextId="56715">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Lynn+Gold"&gt;Lynn Gold&lt;/a&gt;</text>
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                <elementText elementTextId="56736">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jade+Martner"&gt;Jade Martner&lt;/a&gt;</text>
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                <elementText elementTextId="56737">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Deb+Mayer"&gt;Deb Mayer&lt;/a&gt;</text>
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                <elementText elementTextId="56738">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Cecelia+Wambach"&gt;Cecelia Wambach&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Andrea+Gourdine"&gt;Andrea Gourdine&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Andrea+Gilbert"&gt;Andrea Gilbert&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Stephanie+Singer"&gt;Stephanie Singer&lt;/a&gt;</text>
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                  <text>Shirley Kaiser</text>
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                  <text>Celenia Desol</text>
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                <elementText elementTextId="56809">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Victoria+Rue"&gt;Victoria Rue&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Kathryn+Poethig"&gt;Katheryn Poethig&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jean+Lerner"&gt;Jean Lerner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Liz+Salen"&gt;Liz Salen&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Bev+Lyon"&gt;Bev Lyon&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Amy Klitsner Interview </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="55745">
                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, Amy Klitsner discuss her family, early life, her realization that she was a lesbian, her coming out process, and finding community with other women and lesbians. </text>
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                <text>Jan 26, 2022 </text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="55767">
                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60077">
                <text>GLBT Historical Society</text>
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      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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              <elementText elementTextId="55747">
                <text>Amy Klitsner</text>
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          <element elementId="173">
            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Bobbi Ausubel</text>
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        <name>Amy Klitsner</name>
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      <tag tagId="205">
        <name>Class</name>
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      <tag tagId="199">
        <name>Jewish Lesbians</name>
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      <tag tagId="875">
        <name>Rossmoor Lesbian Social Club</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>SPW1881B</text>
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            <description>A name given to the resource</description>
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                <text>An Evening with Anaïs Nin - interviewed by Judy Chicago</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Part 4 of the &lt;em&gt;Women in the Arts&lt;/em&gt; series, introduced by the director of Drama and Literature at KPFK, Clare Spark Loeb. Judy Chicago hosts and interviews author Anaïs Nin on the subjects of feminist literature and women's liberation. They discuss a disagreement they previously had about anger and women's liberation. Anaïs also reads from and discusses her book, &lt;em&gt;Fourth Diary&lt;/em&gt;.</text>
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            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Feminist literature</text>
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                <text>Women's liberation</text>
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                <text>Patriarchy</text>
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                <text>KPFK radio</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59231">
                <text>See the LHA Copyright Statement</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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                <text>Women in the Arts</text>
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                <text>Clare Spark Loeb</text>
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            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Anaïs Nin</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
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                <text>Access Copy: MP3</text>
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            <name>Digital Location</name>
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                  <text>&lt;strong&gt;Del Martin&lt;/strong&gt; &lt;br /&gt;Del Martin (Dorothy Erma Corn) was born on May 5, 1921 in San Francisco. After studying journalism, Martin met Phyllis Lyon on a reporting job in Seattle in 1950 and moved in together in San Francisco in February of 1953. In September 1955, a woman named Rose Bamberger approached Del and Phyllis to inquire about starting a club for lesbians—it would be the first of its kind in the U.S.—a social and political club for lesbians. The founders agreed to name it after “Song of Bilitis,” the collective title for Pierre Louys’s poems about lesbian sexuality. Martin was its first president in 1955, national president from 1957-1960, and editor of DOB’s publication, The Ladder, from 1960-1962. She and Lyon started the first DOB national convention in 1960. As Martin stated, the Daughters of Bilitis were "fighting the church, the couch, and the courts.” She and Lyon pushed for legislation reform at a time when homosexuals were criminalized. In 1964, they created the Council on Religion and the Homosexual (CRH). One of Martin’s most famous writings in The Ladder was “If That’s All There Is,” a 1970 piece against sexism in the gay rights movement. Members of the National Organization for Women since 1967, Martin and Lyon worked to combat homophobia within NOW in 1971 and 1973. Martin was elected to NOW’s board of directors as the first out lesbian. DOB folded in 1970, but two years later, Lyon and Martin published their famous Lesbian/Woman. They also started the Alice B. Toklas Democratic Club in 1972, “the first gay political club in the United States.” Martin’s hard work over the years resulted in the American Psychiatric Association’s 1973 decision that homosexuality was not an illness. She attacked domestic violence in Battered Wives in 1976 and catalyzed a movement and the creation of several organizations combatting domestic violence. She was also chair of the San Francisco Commission on the Status of Women from 1976-1979. She and Lyon were lifelong members of the American Civil Liberties Union. They were members of numerous other organizations including in 1989 Old Lesbians Organizing for Change. In 1987, Del received a Doctorate from the Institute for Advanced Study of Human Sexuality. A documentary about Martin and Lyon was released in 2003. After their 2004 marriage was declared null, they married again in May 2008. Del Martin died on August 27, 2008 in San Francisco. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Phyllis Lyon&lt;/strong&gt; &lt;br /&gt;Phyllis Lyon was born on November 10, 1924 in Tulsa, Oklahoma. She earned a B.A. in journalism at the University of California at Berkeley. She was the secretary in the newly formed Daughters of Bilitis in 1955, and she edited The Ladder from 1956 to 1960. In 1957, Lyon famously did away with her pen name, Ann Ferguson, editing the magazine under her real name. Lyon worked at the Glide Foundation and the National Sex and Drug Forum (1968), where she did workshops and wrote and distributed lesbian-positive sex education materials. She helped found the Institute for Advanced Study of Human Sexuality in 1976. She fought against the banning of gay and lesbian teachers in 1978. She engaged in numerous other activities with her partner, Del Martin. &lt;br /&gt;&lt;br /&gt;Citations:&lt;br /&gt;&lt;br /&gt;Del Martin and Phyllis Lyon (n.d.). In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Del_Martin_and_Phyllis_Lyon. &lt;br /&gt;&lt;br /&gt;Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Gordon, R. (2008, June 17). Couple of 55 years tie the knot—again. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;Gordon, R. (2008, August 28). Lesbian rights pioneer Del Martin dies at 87. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;Graff, E.J. (2012, April 25). The Queer List, Part 1: Del Martin and Phyllis Lyons. The Queer List. Retrieved from http://prospect.org/article/queer-list-part-1-del-martin-and-phyllis-lyons. &lt;br /&gt;&lt;br /&gt;Health Services Lyon Martin. Remembering Del Martin. Retrieved from http://lyon-martin.org/about-us/the-lyon-martin-story/remembering-del-martin/. Lgbt history month. &lt;br /&gt;&lt;br /&gt;Del Martin &amp;amp; Phyllis Lyon. Retrieved from http://lgbthistorymonth.com/del-martin-phyllis-lyon?tab=biography. Lyon, P. (2009, May 26). &lt;br /&gt;&lt;br /&gt;Same-Sex Marriage: An Oral History: ‘It never was much of an issue for us.’ Los Angeles Times. Retrieved from http://articles.latimes.com. May, M. (2010, February 11). &lt;br /&gt;&lt;br /&gt;Same-sex-marriage trailblazer Phyllis Lyon. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;National Organization for Women. Phyllis Lyon and Del Martin Make History Again. Retrieved from http://www.now.org/issues/lgbi/021304lyon-martin.html. &lt;br /&gt;&lt;br /&gt;Religious Archives Network. Profile: Del Martin &amp;amp; Phyllis Lyon. Retrieved from http://www.lgbtran.org/Profile.aspx?ID=124.</text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, Andrea Gilbert discusses her coming out process later in life and in relationship to her marriage to a man, her divorce, and her relationship to her children; as well as her family’s reaction to her coming out as a lesbian. She also discusses the impact of living at Rossmoor and the Rossmoor community on her life and her work in advocacy for the families of LGBTQ people. </text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Victoria+Rue"&gt;Victoria Rue&lt;/a&gt;</text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, Andrea Gourdine  discusses growing up conservative in the bay area and the racial discrimination and segregation she and her family faced in 1940s in Richmond, CA. Her coming out process and the response from her mother. She discusses her career in HR which lead her to be the first black woman working in HR for the City and County of San Francisco where she ultimately become the director and the closeted environment of her professional work. She touches on her experience with the lesbian community in San Francisco and finding herself through that community, and later, through the Rossmoor community. </text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Andy further discusses how she came to construct her butch image. She recalls getting into fights with men and having to give up good jobs because she refused to give up her queer image and identity. She discusses her clash with a teacher when she was in school in the 1950s. She describes her relationship with a prostitute and other close relationships. On side B she talks about breaking into the butch scene and coming out. Andy talks about gay bars and places queer women were welcome or not. She discusses fashion and explains why they wore their t-shirts backward.</text>
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Madeline Davis (Interviewer)</text>
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                <text>Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, Ann Biderman discusses her early feelings for other girls, her coming out process and mixed reactions that led her to be fearful of coming out to people. She talks about her relationship with her parents, looking for a Jewish Lesbian community in Austin, TX and eventually moving to San Francisco in 1987. Ann discusses her involvement with Bay Area Career Women, her Temple, and the National Center for Lesbian Rights. </text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 665 Projects in Digital Archives students</text>
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&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Anne MacKay is interviewed in Orient Point, New York in 1988. She discusses the early days of the DOB, lesbian conventions, coming out to her family, socializing, theatrical productions to help fund the Lesbian Herstory Archives, and relationships between lesbians.</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>Arcus Flynn discusses her early life and her struggle with isolation and depression, her eventual discovery of the Daughters of Bilitis meetings and the community and friendships she found there. Arcus talks about the early importance of roles assumed by lesbians in the community (butch/femme), her involvement with the Women’s Rights movement, her evolution from Catholicism to born-again pagan spirituality (the Irish triad: truth, knowledge, and nature), and her discovery of herbology and natural healing.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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                  <text>The Daughters of Bilitis is a previously unreleased documentary created in 1988 by Manuela Soares, Sara Yager and Morgan Gwenwald, with support from the Lesbian Herstory Archives. This film provides a visual and oral history of the Daughters of Bilitis, as told by original members of the group.</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tape 2 of a 2 tape series.  Preceded by SPW1165.</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Fund raising</text>
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                <text>A letter sent to individuals who have previously donated to Astraea, requesting renewed support.</text>
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            <name>Creator</name>
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                <text>New York, New York, United States</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank"&gt;See the LHA Copyright Statement &lt;/a&gt;</text>
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                <text>Lesbians dancing, Martha Shelley on the right. </text>
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                <text>Note that this image is used as a visual representation of the "Lesbian Nation" radio program, and is not part of the collection itself.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Bettye Lane c/o the Lesbian Herstory Educational Foundation; Digitized by LHEF, Inc. For permission to use email: imageslha@gmail.com</text>
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                <text>Lesbian Herstory Educational Foundation, Inc.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>Black feminism</text>
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                  <text>Education</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains video interviews with students in Barbara Smith’s Mount Holyoke College classes. Topics include Lesbian Feminism, Lesbian fiction, and intersectionality. There are also interviews with Smith herself.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/search?query=barbara+smith&amp;amp;query_type=keyword&amp;amp;submit_search=Submit"&gt;Barbara Smith&lt;/a&gt;</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57952">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See the LHA Rights Statement&lt;/a&gt;</text>
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            <name>Title</name>
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                <text>Barbara Smith Classroom Discussion (Tape 5)</text>
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LGBTQ+ literary criticism&#13;
Erotica</text>
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          <element elementId="41">
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                <text>Recorded classroom discussion focusing on a fictional story about lesbians and the erotic. Location uncertain.</text>
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            <name>Creator</name>
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                <text>Barbara Smith</text>
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          <element elementId="47">
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            <elementTextContainer>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Language</name>
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            <name>Digital Format</name>
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                <text>U-matic</text>
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        <name>Barbara Smith</name>
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        <name>Education</name>
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        <name>Job Discrimination</name>
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        <name>Literature</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Barbara Smith Classroom Tapes &amp; Interviews, 1988</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Activism</text>
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                <elementText elementTextId="57944">
                  <text>Barbara Smith</text>
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                  <text>Black feminism</text>
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                  <text>Education</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains video interviews with students in Barbara Smith’s Mount Holyoke College classes. Topics include Lesbian Feminism, Lesbian fiction, and intersectionality. There are also interviews with Smith herself.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="39">
              <name>Creator</name>
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            <element elementId="40">
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57951">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/search?query=barbara+smith&amp;amp;query_type=keyword&amp;amp;submit_search=Submit"&gt;Barbara Smith&lt;/a&gt;</text>
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            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57952">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See the LHA Rights Statement&lt;/a&gt;</text>
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            <element elementId="90">
              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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      <name>Moving Image</name>
      <description>A series of visual representations that, when shown in succession, impart an impression of motion.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Barbara Smith Classroom Discussion (Tape 6)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lesbian fiction&#13;
LGBTQ+ literary criticism&#13;
Lesbian authors</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="57794">
                <text>Recorded classroom discussion focusing on a fictional story about lesbians and the erotic. Continuation of #5. Location uncertain.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="57795">
                <text>Barbara Smith</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57796">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>501.8 MB</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57847">
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          <element elementId="43">
            <name>Identifier</name>
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                <text>tape_6_barbara_smith</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="57863">
                <text>2023-10-17 (digitized)</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Barbara Smith Tape 6</text>
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            <name>Digital Format</name>
            <description/>
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                <text>00:21:09</text>
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          <element elementId="176">
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>U-matic</text>
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        <name>Literature</name>
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  <item itemId="1304" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Barbara Smith Classroom Tapes &amp; Interviews, 1988</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Activism</text>
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                <elementText elementTextId="57944">
                  <text>Barbara Smith</text>
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                  <text>Black feminism</text>
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                  <text>Education</text>
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            <element elementId="41">
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains video interviews with students in Barbara Smith’s Mount Holyoke College classes. Topics include Lesbian Feminism, Lesbian fiction, and intersectionality. There are also interviews with Smith herself.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="39">
              <name>Creator</name>
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            <element elementId="37">
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/search?query=barbara+smith&amp;amp;query_type=keyword&amp;amp;submit_search=Submit"&gt;Barbara Smith&lt;/a&gt;</text>
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            <element elementId="47">
              <name>Rights</name>
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              <elementTextContainer>
                <elementText elementTextId="57952">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See the LHA Rights Statement&lt;/a&gt;</text>
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            <element elementId="90">
              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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      <name>Moving Image</name>
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    <elementSetContainer>
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                  <text> COPYRIGHT: 1988 L.H.E.F., Inc.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Amy+Klitsner"&gt;Amy Klitsner&lt;/a&gt;</text>
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                <text>&lt;span&gt;In this oral history conducted by the Rossmoor Lesbian Social Club, Bev Lyon discusses her family background and history, her early feelings for other girls in High School and her coming out in her early 40s. She speaks about getting married to a man in her senior year of college and their adoption of a child together. She discusses her her first relationship with a women and breaking into the lesbians and feminist world, and her later coming out to her family amf her reations. Bev talks about her life long ilness and how that affecter her life as well as the misogyny that she encoutered in law school. She speaks about meeting her partner and her involvement with the Bay Area Career Women group.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.'&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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      <description>Metadata elements specific to Video Recordings, taken from PBCore and LC-AV (interoperable with METSRights) to supplement Dublin Core.</description>
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          <description/>
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                <text>Lesbian Herstory Archive</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;br /&gt;&lt;/a&gt;&#13;
&lt;p&gt;Photograph by Morgan Gwenwald&lt;/p&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>Activism, Counseling, Discrimination, The Ladder, Police Harassment, Political Movements and Community Struggles, Psychology, Religion, Conferences and Events, Voting, Well of Loneliness</text>
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                <text>Billye Talmadge discusses her early experiences as she came to understand her own preferences and sexuality, and the support she received from her college dean, classmate, and mother.  She describes her role in the Daughters of Bilitis and the responsibilities and liabilities of being an officer in the group. She elaborates on the social and political climate of the times, and how she endeavored to help people overcome their fear of harassment and discrimination through providing education and supportive counseling and resources.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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            <description>A language of the resource</description>
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            <description>Spatial characteristics of the resource.</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <name>Transcription</name>
            <description>The textual transcription of the media item.</description>
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                <text>Transcript available upon request. Content of the transcript may differ from the content of the video.</text>
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        <name>Conferences</name>
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              <name>Title</name>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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          <element elementId="43">
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            <description>An account of the resource</description>
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                <text>Speakers self-describe the show as "a tape of six creative Black women discussing the media portrayal of Black women and their confrontation of racism and sexism." Originally recorded during the "Black Women in the Arts" Workshop at the National Alliance of Black Feminists conference held in Chicago, October 21-23 [1975]. Broadcast in an episode of &lt;em&gt;Everywomanspace&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;(On side A) Darlene Hayes (Phil Donahue Show) discusses media portrayal. Margaret Walker Alexander (poet) discusses the problems facing the Black woman writer. Mari Evans (poet) discusses her experience as a Black woman writer. (Panel continues on side B) Carolyn Marie Rodgers (poet) also discusses her experience as a Black woman writer. Two additional panelists are featured, but their names could not be deciphered.</text>
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                <text>Black feminism</text>
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                <text>Womanism</text>
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                <text>Black feminists</text>
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                <text>Anti-Blackness</text>
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                <text>Misogynoir</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59309">
                <text>See the LHA Copyright Statement</text>
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            </elementTextContainer>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>Everywomanspace</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Adrienne Gantt</text>
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                <text>1975-10-2x</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Somebody Somewhere" by LaBelle</text>
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              <elementText elementTextId="59317">
                <text>"Border Song (Holy Moses)" by Aretha Franklin</text>
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              <elementText elementTextId="59318">
                <text>"What Can I Do for You" by LaBella</text>
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      <tag tagId="577">
        <name>Black Women</name>
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      <tag tagId="192">
        <name>Conferences</name>
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      <tag tagId="551">
        <name>Lesbian Authors</name>
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      <tag tagId="158">
        <name>Lesbians of Color</name>
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      <tag tagId="424">
        <name>Media</name>
      </tag>
      <tag tagId="588">
        <name>National Black Feminist Organization</name>
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      <tag tagId="28">
        <name>Racism</name>
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      <tag tagId="480">
        <name>Sexism</name>
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                <name>Bit Depth</name>
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              <element elementId="75">
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jean+Lerner"&gt;Jean Lerner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Bev+Lyon"&gt;Bev Lyon&lt;/a&gt;</text>
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                <text> In this oral history conducted by the Rossmoor Lesbian Social Club, Carol Newhouse discusses her family history, her travels and life living around the in Puerto Rico, New York, and France, and her eventual move to the Bay Area and then to Rossmoor. </text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Bad sound quality. Discusses that she doesn't think of her community of a lesbian community, though she can contribute to the lesbian community. Says she now stays away from gay bar communities because she is a teacher. Discusses running into students at bars, relationships,  family.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt;&lt;/a&gt;</text>
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                <text>Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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          <name>Frame Rate</name>
          <description/>
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            <elementText elementTextId="43957">
              <text>29.97 fps</text>
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          </elementTextContainer>
        </element>
        <element elementId="132">
          <name>Resolution</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="43958">
              <text>avi: 720 x 480; mp4: 320 x 240</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Carole Morton Interview, October 21, 1988</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="43933">
                <text>Lesbian Mothers</text>
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                <text>Marriage</text>
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                <text>Homophile Movement</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Carole Morton discusses her discovery of Daughters of Bilitis and her activism on behalf of lesbian mothers.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="43937">
                <text>Manuela Soares</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>http://devherstories.prattsils.org/omeka/archive/files/6aaa55d570e582e49e0cf09a13bbe555.mp4</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="43939">
                <text>Lesbian Herstory Archives</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
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                <text>October 30, 2013</text>
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          </element>
          <element elementId="94">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>October 21, 1988</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>edited by Morgan Gwenwald, Manuela Soares, Sara Yaeger</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43943">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="43944">
                <text>Digital reproduction of video cassette</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43945">
                <text>English</text>
              </elementText>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="43946">
                <text>Video; Oral history</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="43947">
                <text>MV-51</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="43948">
                <text>San Francisco, CA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="48881">
                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            </elementTextContainer>
          </element>
          <element elementId="98">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="58439">
                <text>CC BY-NC-ND (Creative Common License) </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="58440">
                <text>LHA Spoken Word Audio Cassette Collection, SPW174 - SPW175</text>
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        <name>Carole Morton</name>
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      <tag tagId="457">
        <name>Daughters of Bilitis</name>
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      <tag tagId="298">
        <name>Homophile Movement</name>
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      <tag tagId="160">
        <name>Lesbian Mothers</name>
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      <tag tagId="782">
        <name>Manuela Soares</name>
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      <tag tagId="224">
        <name>Marriage</name>
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        <src>https://herstories.prattinfoschool.nyc/omeka/files/original/1bfcd848cec1ca2de43ab7336c21f1a3.webp</src>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="58736">
                <text>Carolyn Rodgers photo</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57771">
                  <text>Assorted Audio Materials, circa 1970s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57772">
                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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              </elementTextContainer>
            </element>
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        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55038">
                <text>Casse Culver and Others Music and Poetry Performances</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55373">
                <text>Women perform poems and songs, including “Ode to a Gym Teacher” by Meg Parker.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55487">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="55488">
                <text>LC005</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="55106">
                <text>1/4 inch audio tape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="55107">
                <text>WAV</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="178">
            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
            <elementTextContainer>
              <elementText elementTextId="55153">
                <text>Lesbian Hestory Archives&#13;
&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="55489">
                <text>26:05</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="623">
        <name>Casse Culver</name>
      </tag>
      <tag tagId="203">
        <name>Music</name>
      </tag>
      <tag tagId="187">
        <name>Poetry</name>
      </tag>
      <tag tagId="566">
        <name>Second Wave Feminism</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="705" public="1" featured="0">
    <fileContainer>
      <file fileId="874">
        <src>https://herstories.prattinfoschool.nyc/omeka/files/original/56/705/Cassew_Live_Sagaris.wav.mp3</src>
        <authentication>13cc573e8c4ad5f292c8e83605061019</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="48462">
                  <text>Audio Recordings, 1971-1988</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="48463">
                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
      <elementContainer>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="51098">
              <text>0:30:38</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="51100">
              <text>128 kbps</text>
            </elementText>
            <elementText elementTextId="51101">
              <text>48.00 kHz</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Casse Live at Sagaris, Tape 1 of 1, September 15, 1981</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="51085">
                <text>SPW211_Casse Live at Sagaris_1981Sept15</text>
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              <elementText elementTextId="51093">
                <text>SPW211</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51086">
                <text>Music, Singing, Women</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This sound recording captures a live music performance.  The audience sings and claps along to several traditional American folk songs including "Down in the Valley to Pray".</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="51088">
                <text>Lesbian Herstory Archive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51089">
                <text>9/15/1981</text>
              </elementText>
              <elementText elementTextId="51097">
                <text>4/4/2015</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51090">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51091">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51092">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51094">
                <text>Lesbian Herstory Archive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51099">
                <text>0.98 GB</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="51095">
                <text>WAV</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="51096">
                <text>Audio cassette</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
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        <name>Casse Culver</name>
      </tag>
      <tag tagId="457">
        <name>Daughters of Bilitis</name>
      </tag>
      <tag tagId="1099">
        <name>Folk Music</name>
      </tag>
      <tag tagId="203">
        <name>Music</name>
      </tag>
    </tagContainer>
  </item>
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57982">
                  <text>Video Library, 1973-1993</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57983">
                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
                </elementText>
              </elementTextContainer>
            </element>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="3">
      <name>Moving Image</name>
      <description>A series of visual representations that, when shown in succession, impart an impression of motion.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="58121">
                <text>Cathay Che’s Performance at Dixon Place</text>
              </elementText>
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                <text> In this oral history conducted by the Rossmoor Lesbian Social Club, Cecelia Wambach discusses her realization her being a lesbian after being married to a man, her experince of being in a convent for 10 years,   teaching at a women’s college, her involvement with the civil rights and anti-war movement and her move to the west coast with her small family. She also talks about her involvement with the LGBTQ communities once she moved to San Francisco, finishing her PHD and working as a college professor at San Francisco State for 30 years, and her life long pursuit of painting.&#13;
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. Ranging from the mid-1930s through the early 1960s, this ethnography of lesbian society is narrated with the backdrop of a mid-sized American city. Davis and Kennedy’s book is the result of 13 years of research, including an extensive oral history project.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These recordings range from conference proceedings to panel discussions to phone messages from book publishers. In each case, these related materials form an important element of the research, enriching and contextualizing the interviews conducted as part of the Buffalo Women’s Oral History Project. They discuss topics such as the publishing process and initial responses to the draft manuscript, the work of lesbian archives in researching and documenting the emergence of lesbian communities and lesbian consciousness across America, and how the research conducted into a small lesbian community in Buffalo, NY fits into a wider social narrative of establishing gay and lesbian identity and the development of gay and lesbian liberation movements.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;For oral history recordings made as part of the research for the book, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/22"&gt;Buffalo Women's Oral History Project, 1978-1990&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
These recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy, and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Phone message left by Cecilia from Routledge publishers. In the message she gives feedback on a chapter of the Boots of Leather, Slippers of Gold: The History of a Lesbian Community manuscript and discusses the next steps in the publishing process. </text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 665 Projects in Digital Archives students</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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                <text>Channel 26 Show&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Charlie talks about her life as a lesbian after twice being married to men. She discusses having two long committed lesbian relationships and the differing dynamics between her and those partners as a reflection of her age and comfort with herself. Charlie identifies as a Femme, and the Butch / Femme dynamic is explored. There is also discussion of her mother’s reaction to her lifestyle and the not somewhat non-forthcoming dynamic with her daughter.&#13;
Note: To listen to this recording, please contact the Lesbian Herstory Archives to make an appointment.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 665 Projects in Digital Archives students</text>
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Note: Audio has static throughout</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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