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                  <text>Video Library, 1973-1993</text>
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                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
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                <text>Performance Theatre Troupe / Gathering (Tape 2)</text>
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                <text>Lesbian Theater, Lesbian Community, LGBTQ+ home movies, Women's Friendship, White Lesbians</text>
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                <text>The tape is divided into two sections.&#13;
&#13;
The first section of the tape contains Act 3 of "The Performance" (6 min), a one-woman play by the Performance Theatre Troupe from Iowa City. The play centers around Effy, a 17-year-old lesbian and musician who must make a decision about her life.&#13;
&#13;
Following "The Performance," the tape cuts to a gathering of lesbians sitting outside, playing guitar, singing, and reading.</text>
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                <text>&lt;strong&gt;The Performance:&lt;/strong&gt;&lt;br /&gt;&lt;span data-sheets-root="1" data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Kathleen [Hardy], writer and performer\n[Bonnie Marslack], director&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:769,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0}"&gt;Kathleen [Hardy], writer and performer&lt;br /&gt;[Bonnie Marslack], director&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gathering:&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;Creator Unknown&lt;/span&gt;</text>
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                <text>1976 (date filmed)</text>
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                <text>11/2023 (date digitized)&#13;
&#13;
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            <description>A language of the resource</description>
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                <text>The_Performance_Tape_2</text>
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                <text>Baked Tape</text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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            <name>Physical Format</name>
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                <text>1/2 inch videotape</text>
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                  <text>Audre Lorde audio recordings, 1977-1986</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Astraea Benefit, "Conversation with Poems," 1981 (Tape 1 of 2)</text>
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                <text>Poetry, Lesbians' writings, Lesbians, African American lesbians--Identity, Racism, Sexism ,Lesbians--Identity</text>
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            <description>An account of the resource</description>
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                <text>Benefit for the Astraea Foundation, "Conversation with Poems." Introduced by unnamed speaker. Poetry reading and conversation with Audre Lorde and Adrienne Rich; includes speech, poetry, and remarks.</text>
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                <text>Audre Lorde</text>
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                <text>Adrienne Rich</text>
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                <text>1981, December 5</text>
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            <name>Date Modified</name>
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                <text>Digitized: June 2011</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tape 1 of a 2 tape series.  Followed by SPW1166.</text>
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                <text>Original = Cassette Tape</text>
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                <text>Poetry reading and conversation</text>
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                <text>Hunter College, New York, NY</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>Alix Dobkin video recordings, 1976 </text>
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                  <text>Alix Dobkin</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;&lt;a href="https://www.alixdobkin.com/bio/bio.htm"&gt;Alix Dobkin&lt;/a&gt; was a celebrated folk musician, composer and feminist activist involved in the women’s liberation movement of the early 1970s. After the birth of her daughter and an amicable divorce she began listening to countercultural radio shows and worked to become a leading voice, meeting her lifelong partner &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt; along the way. She wrote how she initially focused on “a traditional, international, and contemporary/protest repertory, [coming] out as lesbian in 1972 and turned to writing and singing for women … to [build] lesbian culture in particular.” Dobkin found her voice while immersing herself in the Greenwich Village folk scene then moved on to bigger, women-centered crowds around the world. In 1973, Dobkin–as part of the group Lavender Jane, released the album &lt;a href="https://www.alixdobkin.com/discography/discography.htm"&gt;Lavender Jane Loves Women&lt;/a&gt;, arguably the first lesbian album made by and for women. Over the years, her influential songs such as “Woman to Woman,” “My Lesbian Wars,” and “Lesbian Code” spoke to crowds of women foregoing their way in the world, preaching to never be ashamed of identifying as lesbian. Dobkin passed away due to a brain aneurysm and stroke; she was surrounded by her family in Woodstock, NY.&lt;/span&gt;</text>
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            <name>Title</name>
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                <text>Alix Dobkin Performance [Fair Use Excerpt]</text>
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                <text>Alix Dobkin Fair Use Clip</text>
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                <text>Alix Dobkin sings a collection of her songs at an unknown location. The uploaded file has been cropped due to Fair Use restrictions. Full file available to view at Lesbian Herstory Archives.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>Anne Imelda Radice, an art museum director and arts administrator, discusses the life and art of Romaine Brooks. Romaine Brooks was a lesbian portrait artist born in Rome, Italy in the late 19th century. She was known as the "thief of souls" for her ability to capture emotion in her art. The host and Radice have a conversation on how lesbianism was perceived during Brooks' time period, as well as her relationship with her lifelong partner, Natalie Barney.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Episode Title</name>
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                <text>Lesbian Herstory Archives</text>
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                  <text>Dyke TV television program components, 1993-1998</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Astraea Foundation Letter to Donors</text>
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                <text>Lesbians&#13;
Lesbian community&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A letter sent to individuals who have previously donated to Astraea, requesting renewed support.</text>
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                <text>Astraea National Lesbian Action Foundation</text>
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                <text>1994-12-09</text>
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            <description>A language of the resource</description>
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                <text>en-US</text>
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            <name>Type</name>
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                <text>document</text>
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            <name>Identifier</name>
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                <text>ASTREA_Letter</text>
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                <text>New York, New York, United States</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank"&gt;See the LHA Copyright Statement &lt;/a&gt;</text>
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        <name>Health</name>
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        <name>Lesbian and Gay Civil Rights</name>
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        <name>Media</name>
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              <description>An account of the resource</description>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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                <text>Lesbian &amp; Gay Community Services Center (2nd Tuesday Series), 1986 </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>American poetry--20th century, Poets, Oral interpretation of poetry, Lesbians--United States,  Feminists--United States, Social conditions, Criticism and interpretation,  Apartheid--South Africa, Gays, Russians, Lesbianism--United States, Apartheid--South Africa, Cold War, African American women </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Audre Lorde reading her poems for the "2nd Tuesday Series" at the Lesbian and Gay Community Services Center, New York City. Side A: Recorded at the Lesbian and Gay Community Services Center, New York City. Sponsored by the Lesbian and Gay Community Services Center, Women's Poetry Center at Hunter College, New York. Poet Audre Lorde reads thirteen poems many from her new book. [Poems: Notes from a Trip to Russia, Sisters in Arms, Holographs, Political Relations, A Question of Climate, There are No Honest Poems about Dead Women, A Question of Essence, For the Record: (In memory of Eleanor Bumpurs), Making Love to Concrete, Women on Trains. Never to Dream of Spiders and Call.] Side B: Question and answer session with a collection for the Sisters in Support of South Africa.</text>
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            <name>Creator</name>
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                <text>Audre Lorde</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1170_A.mp3 Side A (wav) http://herstory.prattsils.org/wav_files/spw1170_A.wav</text>
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                <text>Side B (mp3) http://herstory.prattsils.org/mp3_files/spw1170_B.mp3  Side B (wav) http://herstory.prattsils.org/wav_files/spw1170_B.wav</text>
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                <text>Lesbian and Gay Community Services Center</text>
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            <description>Date of creation of the resource.</description>
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                <text>1986, May 13</text>
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                <text>Digitized: June 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"Our Dead Behind Us: Poems", 1986, Norton, New York.</text>
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                <text>WAV</text>
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                <text>Side B [14:03 minutes]</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Barbara Smith Classroom Tapes &amp; Interviews, 1988</text>
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              <name>Subject</name>
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              <elementTextContainer>
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                  <text>Activism</text>
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                  <text>Barbara Smith</text>
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                  <text>Black feminism</text>
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                  <text>Education</text>
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                  <text>Lesbian fiction</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains video interviews with students in Barbara Smith’s Mount Holyoke College classes. Topics include Lesbian Feminism, Lesbian fiction, and intersectionality. There are also interviews with Smith herself.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Date</name>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57951">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/search?query=barbara+smith&amp;amp;query_type=keyword&amp;amp;submit_search=Submit"&gt;Barbara Smith&lt;/a&gt;</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57952">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See the LHA Rights Statement&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Barbara Smith Classroom Discussion (Tape 7)</text>
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LGBTQ+ literary criticism&#13;
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Recorded classroom discussion focusing on a fictional story about lesbians and the erotic. Continuation of #6. Location uncertain.</text>
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            <name>Creator</name>
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                <text>Barbara Smith</text>
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          <element elementId="47">
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            <elementTextContainer>
              <elementText elementTextId="57804">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>tape_7_barbara_smith</text>
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            <name>Digital Format</name>
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                <text>00:14:12</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Barbara Smith Classroom Tapes &amp; Interviews, 1988</text>
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            <element elementId="49">
              <name>Subject</name>
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                  <text>Activism</text>
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                <elementText elementTextId="57944">
                  <text>Barbara Smith</text>
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                  <text>Black feminism</text>
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                  <text>Education</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains video interviews with students in Barbara Smith’s Mount Holyoke College classes. Topics include Lesbian Feminism, Lesbian fiction, and intersectionality. There are also interviews with Smith herself.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
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            <element elementId="40">
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="57951">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/search?query=barbara+smith&amp;amp;query_type=keyword&amp;amp;submit_search=Submit"&gt;Barbara Smith&lt;/a&gt;</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57952">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See the LHA Rights Statement&lt;/a&gt;</text>
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            <element elementId="90">
              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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                  <text>Probably 1988</text>
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      <name>Moving Image</name>
      <description>A series of visual representations that, when shown in succession, impart an impression of motion.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="57825">
                <text>Meeka Interview (Tape 1)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="57826">
                <text>Women, Black&#13;
Feminism&#13;
Feminist literature</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="57827">
                <text>Interview with 19 year-old Mount Holyoke student Meeka on the structure of and experiences in Barbara Smith's class. She highlights a presentation on “Homegirls”and talks about discussions in the class surrounding culture and experiences of women of color.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="57828">
                <text>Barbara Smith</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57829">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2023-10-24 (digitized)</text>
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          <element elementId="112">
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          <element elementId="44">
            <name>Language</name>
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              <elementText elementTextId="57873">
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="57874">
                <text>tape_1_meeka_interview</text>
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          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="57940">
                <text>Circa 1988</text>
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          <element elementId="177">
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                <text>00:21:27</text>
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            <name>Physical Format</name>
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                <text>U-matic</text>
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        <name>Barbara Smith</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Barbara Smith Classroom Tapes &amp; Interviews, 1988</text>
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            <element elementId="49">
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains video interviews with students in Barbara Smith’s Mount Holyoke College classes. Topics include Lesbian Feminism, Lesbian fiction, and intersectionality. There are also interviews with Smith herself.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="39">
              <name>Creator</name>
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            <element elementId="37">
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/search?query=barbara+smith&amp;amp;query_type=keyword&amp;amp;submit_search=Submit"&gt;Barbara Smith&lt;/a&gt;</text>
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            <element elementId="47">
              <name>Rights</name>
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              <elementTextContainer>
                <elementText elementTextId="57952">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See the LHA Rights Statement&lt;/a&gt;</text>
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            <element elementId="90">
              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Barbara Smith graduated class of 1969 from Mount Holyoke and during her time as a student she was a co-founder of the college’s &lt;a href="https://commons.mtholyoke.edu/blackhistoryatmhc/the-afro-american-society/"&gt;Afro-American Society&lt;/a&gt;. She returned to the college as a professor in the 1980s and remains an engaged alumna and member of the college community.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>From a series of 8 lectures which comprised a course by and for women also entitled "Know Your Body." The course was given at the Women's Medical Center in New York City, where this lecture was recorded for WBAI in May and June, 1972, by Caryl Ratner and Bill Monaghan. Produced by Caryl Ratner. Contains frank, explicit discussion. Broadcast on WBAI first in June, 1972 and also in October 1972.</text>
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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        <name>Sexuality</name>
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Law</text>
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            <description>An account of the resource</description>
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                <text>Black and white recorded documentary video exploring themes of Lesbian relationships, the AIDS pandemic and the criminalization of LGBTQ+ media.</text>
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                <text>Catherine Saalfield, Zoe Leonard</text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>The Seneca Falls radiodrama is a brief overview of what led to the first Women's Rights Convention in Seneca Falls, New York, 1848. The convention, now called the Seneca Falls Convention, was held in order to converse about the liberties that women do and do not have, be they civil, social, political, or religious. The recording introduces listeners to Lucretia Mott and Elizabeth Cady Stanton, two prominent members of the women’s rights movement at the time. A reading of the Declaration of Sentiments, which outlines the civil, social, political, and religious rights of women, as well as various quotes, are included in this recording.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>1/4 inch audio tape</text>
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&#13;
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                <text>Feminist Drama Group of Chapel Hill</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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              <text>&lt;br /&gt;&#13;
&lt;h4&gt;&lt;a href="/mp3_files/SPW449_Cindy_Joan_A.wav.mp3" target="_blank"&gt;Download the Interview&lt;/a&gt;&lt;/h4&gt;</text>
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                <text>Cindy or Joan (speaker unclear) discusses her experience of growing up in a working class family. She also discusses going to bars as she got older, and her relationships with women. She describes lesbians being harassed by police officers in the past. She also describes how her car was vandalized once, which she thinks was because she is a lesbian. &#13;
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&#13;
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                  <text>&lt;strong&gt;Del Martin&lt;/strong&gt; &lt;br /&gt;Del Martin (Dorothy Erma Corn) was born on May 5, 1921 in San Francisco. After studying journalism, Martin met Phyllis Lyon on a reporting job in Seattle in 1950 and moved in together in San Francisco in February of 1953. In September 1955, a woman named Rose Bamberger approached Del and Phyllis to inquire about starting a club for lesbians—it would be the first of its kind in the U.S.—a social and political club for lesbians. The founders agreed to name it after “Song of Bilitis,” the collective title for Pierre Louys’s poems about lesbian sexuality. Martin was its first president in 1955, national president from 1957-1960, and editor of DOB’s publication, The Ladder, from 1960-1962. She and Lyon started the first DOB national convention in 1960. As Martin stated, the Daughters of Bilitis were "fighting the church, the couch, and the courts.” She and Lyon pushed for legislation reform at a time when homosexuals were criminalized. In 1964, they created the Council on Religion and the Homosexual (CRH). One of Martin’s most famous writings in The Ladder was “If That’s All There Is,” a 1970 piece against sexism in the gay rights movement. Members of the National Organization for Women since 1967, Martin and Lyon worked to combat homophobia within NOW in 1971 and 1973. Martin was elected to NOW’s board of directors as the first out lesbian. DOB folded in 1970, but two years later, Lyon and Martin published their famous Lesbian/Woman. They also started the Alice B. Toklas Democratic Club in 1972, “the first gay political club in the United States.” Martin’s hard work over the years resulted in the American Psychiatric Association’s 1973 decision that homosexuality was not an illness. She attacked domestic violence in Battered Wives in 1976 and catalyzed a movement and the creation of several organizations combatting domestic violence. She was also chair of the San Francisco Commission on the Status of Women from 1976-1979. She and Lyon were lifelong members of the American Civil Liberties Union. They were members of numerous other organizations including in 1989 Old Lesbians Organizing for Change. In 1987, Del received a Doctorate from the Institute for Advanced Study of Human Sexuality. A documentary about Martin and Lyon was released in 2003. After their 2004 marriage was declared null, they married again in May 2008. Del Martin died on August 27, 2008 in San Francisco. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Phyllis Lyon&lt;/strong&gt; &lt;br /&gt;Phyllis Lyon was born on November 10, 1924 in Tulsa, Oklahoma. She earned a B.A. in journalism at the University of California at Berkeley. She was the secretary in the newly formed Daughters of Bilitis in 1955, and she edited The Ladder from 1956 to 1960. In 1957, Lyon famously did away with her pen name, Ann Ferguson, editing the magazine under her real name. Lyon worked at the Glide Foundation and the National Sex and Drug Forum (1968), where she did workshops and wrote and distributed lesbian-positive sex education materials. She helped found the Institute for Advanced Study of Human Sexuality in 1976. She fought against the banning of gay and lesbian teachers in 1978. She engaged in numerous other activities with her partner, Del Martin. &lt;br /&gt;&lt;br /&gt;Citations:&lt;br /&gt;&lt;br /&gt;Del Martin and Phyllis Lyon (n.d.). In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Del_Martin_and_Phyllis_Lyon. &lt;br /&gt;&lt;br /&gt;Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Gordon, R. (2008, June 17). Couple of 55 years tie the knot—again. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;Gordon, R. (2008, August 28). Lesbian rights pioneer Del Martin dies at 87. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;Graff, E.J. (2012, April 25). The Queer List, Part 1: Del Martin and Phyllis Lyons. The Queer List. Retrieved from http://prospect.org/article/queer-list-part-1-del-martin-and-phyllis-lyons. &lt;br /&gt;&lt;br /&gt;Health Services Lyon Martin. Remembering Del Martin. Retrieved from http://lyon-martin.org/about-us/the-lyon-martin-story/remembering-del-martin/. Lgbt history month. &lt;br /&gt;&lt;br /&gt;Del Martin &amp;amp; Phyllis Lyon. Retrieved from http://lgbthistorymonth.com/del-martin-phyllis-lyon?tab=biography. Lyon, P. (2009, May 26). &lt;br /&gt;&lt;br /&gt;Same-Sex Marriage: An Oral History: ‘It never was much of an issue for us.’ Los Angeles Times. Retrieved from http://articles.latimes.com. May, M. (2010, February 11). &lt;br /&gt;&lt;br /&gt;Same-sex-marriage trailblazer Phyllis Lyon. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;National Organization for Women. Phyllis Lyon and Del Martin Make History Again. Retrieved from http://www.now.org/issues/lgbi/021304lyon-martin.html. &lt;br /&gt;&lt;br /&gt;Religious Archives Network. Profile: Del Martin &amp;amp; Phyllis Lyon. Retrieved from http://www.lgbtran.org/Profile.aspx?ID=124.</text>
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&#13;
Side B: Pat and DJ continue to discuss relationships during the 1950s and talk about reasons for breaking up. The discussion revolves around the importance of taking care of a woman and being able to satisfy her needs. The two women discuss the negative stigma of cheating. The discussion turns to take pride in a partner and the importance of her appearance and physical presence. Pat and DJ also talk about the presence of violence during relationships in the 1950s, listing insecurity between partners as the main reason. The two women speak specifically of violence in bars as a result of talking to another womanâ€™s lady or challenging femmes in relationships to talk to other women. They discuss how much of this behavior was learned from lesbian role models of the 1940s. </text>
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                <text>Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge</text>
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Side B: 31:56</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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Side B: 32:04</text>
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&lt;h4&gt;&lt;a href="/mp3_files/SPW459_PAT+DJ_A.wav.mp3" target="_blank"&gt;Listen to Side A&lt;/a&gt;&lt;/h4&gt;&#13;
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                <text>Side A: Pat and DJ discuss the characteristics of femme identity. The interviewers say they are looking to interview more femmes, which leads to a discussion of the names and locations of lesbians who were a part of the community in the 1940s. The interviewers also mention the difficulties of interviewing lesbians who have not come out. The group discusses why butches are more willing to talk. Pat talks about her time at the Good Shepherd home. There is a brief discussion about the role of lesbians in World War II.&#13;
&#13;
Cut off at 0:14:55&#13;
&#13;
Side B: The group continues their discussion of the interview process, including who is willing to talk and who is not, as well as who will use their names and who will not. There is more discussion about beatings. Pat tells of coming out to her mother. Her mother only worries about the violence Pat is subjected to, on account of being butch. There is a long discussion about the nature of breakups and their aftermath. The group discusses the role of third parties in most breakups and the way a butch or femme reacts to a breakup. The issue of "passing" comes up, and Pat talks about working as a cab driver and passing as a man. Often, the children of femmes did not know that their mothers' partners were actually women. The interview concludes with a description of the rules for asking other butches' girlfriends to dance, and the fights that sometimes ensued. This point in the discussion highlights the difference between the generation of the interviewees and the generation of the interviewers.</text>
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                <text>See SPW 1591 and 1592 (parts two and three). Note included with tape is enclosed in donors binder and reads as follows: Meetings between Women with HIV/AIDS and AIDS activists with Sten Vermund, head of epidemiology at NIAID and later that week with staff people at NIAID (arranged by Diane Hartell) to discuss the first natural history study of women with HIV, Dec. 4, 1991 and Dec. 6, 1991 As part of the ACT UP Women's Network's ongoing work concerning women with HIV we had made a demand at our July meeting with Tony Fauci that there had to be a major epidemiological study of women with HIV. The NIAID had conducted the MACS study following 5,000 gay/bi men with HIV from 1984 on, spent millions on it and it served as the basis for all of the info about T cells, infections, etc. But it did not contain any women. Sten Vermund, of NIAID, who organized that study, had been pleading for one for women for years but Fauci paid him no mind, partly because he was busy pacifying the ACT UP men who eventually became his supporters (Mark Harrington, Peter Staley, et al.) by putting all of NIAID's money into clinical trials for men. Sten Vermund was, and as of this writing still is, an ally of the ACT UP women (he had done research on HPV and HIV). In our CDC campaign he was the lone government voice supporting our position. We arranged this meeting with him to state our concerns about this first study (which we pressured Fauci to fund) in terms of who would be in it, how it would be done, etc. Diane Harte II was a good friend of Jeff Gates, a PW A from ACT UP NY who was also a friend of mine. She got this job working as Sten's assistant (before she had worked with injection drug using women) and orchestrated all of these meetings to support us. The first meeting took place with Sten and about 25 people attending during the ACTG meetings also held that week. Then on Friday, Dec. 6, about 15 women we had organized met with other NIAID staff people involved in ongoing epi studies and who would be involved in the later ones. We shared with &#13;
The epi study was finally funded and then Bush appointed Healy as head of NIH and she held up the fund to "review" the work. We did a national phone zap and got the funds released. At that meeting with Sten we insisted that we have people on the peer review panels to avoid doing business as usual (giving grants to wellheeled researchers who saw no women) and that we also create a national overview board with women PW As and activists to make sure the study went well. We also told him he had to help those sites seeing all of the women who were not researchers to create grant applications which could get the funding. Both happened and because Linda Meredith and Keri Duran (HIV+, Boston ACT UP) sat on the peer review panel, the final grants went to Judith Cohen's group in&#13;
SF, Kathy Anastas' group in the Bronx and Mary Lucy's group (Alexandra Levine, MD) in LA. All of these studies included lesbian issues and all were based on cooperation with community based groups. A fourth one went to Mary Young at Georgetown who was an M.D. we located and enlisted in our CDC and SSA work because she had data relevant and saw many women. However, her grant was&#13;
not great but they gave it to her anyway. At this writing the grant is just beginning.&#13;
Recorded Persons: Seh Welch, Mary Lucy, Maxine Wolfe, Diane Hartell&#13;
Persons Mentioned: Marsha Cannichael, Dawn Smith, Martha Rogers, Eliza Sullivan, Gloria Weissman, Bert Peterson, Carol Hogue</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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&lt;h4&gt;&lt;a href="/mp3_files/SPW472_Dorothy_A.wav.mp3" target="_blank"&gt;Download Side A&lt;/a&gt;&lt;/h4&gt;&#13;
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                <text>Side A: Dorothy discusses her personal life and how she came to discover that she was a lesbian. She talks about her marriage and separation. She discusses her relationships with women, all of which were long-term. Dorothy talks about her job in engineering as a tool designer and the fact that she performed a man's work for a man's salary. She discusses lesbian social life during the 1930s, 1940s, and 1950s and names several popular bars including Eddy's Tavern, Ralph Martin. She talks about her developing alcoholism and the prominence of this disease among lesbians in general, perhaps as a result of their uncertainty about life. Dorothy also talks about butch and femme roles in lesbianism, stating that she doesn't identify herself with either role despite the fact that the butches identified her as one of them. &#13;
&#13;
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                    <text>�fvr

Nl SPONSORS 4

-

KATHERINE ACEY, BETH GILSON,

ANN NORTHROP, MILO PRINTING, IRENE SULLIVAN

PERFORMANCES BY :

LYN N lAVNER
THE JAMI DAUBER / VIRGIN IA MAYHEW QUINTET

5PtCIAL THANKS TO THE HOST COMMITIEE* !

CHAIR

IRENE SULLIVAN

MINDY BARANSKY. JANET BAUS, CAROLINE CLONE ,
LAURA COTTINGHAM. MARY DORMAN. NANCY GALLAGHER , SHERI HOLDERMAN ,

MAITE: JUNCO , PHYLLIS LUTSKY, KAREN MOULDING, SUSAN MUSKA,
DOROTHY SANDER , VIVIAN SHAPIRO, JOCELYN TAYLOR . JOYCE WARSHOW,
SHELLY WEISS, LISA WINTERS

• LISTS IN FORMATION

JOY T OMCH I N

&amp;

BABY EVAN INV I TE YOU TO THEIR H O M E

FO R A CELEBRATION

DYKE

TV DOES 100 !

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                    <text>AND NOW AWORD FOR OUR SPONSORS.•.

Check out the cool stuff you get
when you support Dyke TV!
Dyke TV newsletter
Dyke TV newsletter and hat
Dyke TV newsletter and Best of Dyke TV tape
Dyke TV newsletter, hat and Best of Dyke TV tape,
plus a listing in the show credits as a sponsor
Name

Addrm

City. Smt. Zip
(m)

Mtphont (dly)
~mail

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Send mt info about sponsoring D1kt TV on pubhc mm in my community

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10 Bnll,P""''""''""'
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[,mail dyb1v &lt;ud10n11.com
Wtt»n,: hnp /f,r,,w dyktrv or&amp;

•

air...

�We interrupt your regular program of
homophobic and mreocyped images to bnng real lesbians in all ou
divermy. Whtie the right wing um cable television 10 advance i1
homophobic agenda, Dyke TV counters their messages by putting

ARTISe NRESI
CE
Our mmion is 10 support and
promote the arttstte and activis1
expressions of lesbians through

images of lesbians by lesbians on 1he air.
a variety of media. Our Artist-in-

1J{;{E f / 15 CW.\ iJ!jJiJG !'/.

Residence program provides

We produce a provocative and savvy

access to equipment, fiscal

monthly cable show, mmd by a

sponsorship, and technical and

pioneering network of produms and

admin1stra11ve support 10

activms.

lesbian media makm. Their

Dyke TV h the only lesbian cable access

completed work is broadcast

television ihow that airs na11onwide, and II is produced enttrely by

on our narional television show

volumm- both profm,onals and DTV students.

and some productions, such

We rmive letters, faxes and e-mail from new viewers across the

country, thanking us for putting lesbians on TV. Wruer Joan Nu de

as risk: Lesbians and AJDS. are

Dyke TV provides hands-on inrensive workshops in video and
multi-media production. We teach all aspects of video production
and post-production. We also offer Internet and digital media
workshops that include everything from Basic and Advanced Web
Design, 10 Interactive Computer Programming, Introduction to
the Internet and Non-linear Digital Editing.

distributed individually. Pluse
contact our office for a list of

These workshops help us to fulfill the skyrocketmg demand for

have a place to m and hear themselvu in the mou popular medium

these productions, or if you would

Internet and digttal media skills in the women's and g/1/b/t

of ,1ny cen1ury." for some women living misolation, the show is a
hfeline to other lesbians.

like more informationahollt tM

commun,tieS, and to encourage and facilitate the continu,d

Artist·il-lesicleace procraa.

development 01Dyke TV as a lesbian media arts resource c'"ter.

has praised Dyke-TV for our w •• • cruc,al work of making sure lesbians

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Ml ET RODUCERS DIRECTORS &amp;
dyke ctra a

9-ueer

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, - L: 212-93
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II

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                    <text>511 B 'W ay&#13;
Suite&#13;
&#13;
604&#13;
&#13;
November, 1994&#13;
&#13;
Dear Lesbian Visibility Supporter:&#13;
Hello!&#13;
&#13;
As DYKE TV proudly completes the production of its&#13;
&#13;
75th show, we'd like to tell you about the exciting growth of this&#13;
media phenomenon, and to keep you abreast of the buzz at the DYKE&#13;
&#13;
TV studio in New York City.&#13;
&#13;
Of course, a big "Thank You" is in&#13;
&#13;
order for your rec ent support of and interest in national lesbian&#13;
television.&#13;
DYKE TV invites you to become a part of the national movement&#13;
for lesbian visibility, by becoming a member of the DYKE TV network&#13;
of grass-roots lesbian television supporters.&#13;
&#13;
Now is the perfect&#13;
&#13;
time to join DYKE TV's membership roster, and join hundreds of&#13;
lesbians around the country who are making DYKE TV happen.&#13;
DYKE TV began in June, 1993, with a vision of grass-roots&#13;
lesbian aedia activism in New York City, and is now an awardwinning national program.&#13;
&#13;
The support of dykes like you has&#13;
&#13;
put DYKE TV on the air in 16 cities across the United States!&#13;
We've grown so fast, but not fast enough to fill the demand for&#13;
&#13;
national lesbian television.&#13;
&#13;
For this, we need your support.&#13;
&#13;
�Despit e t h e e f fo rt s of the Relig i o u s-Ri gh t and mainst ream me d i a&#13;
to control lesbian i mages , DYKE TV h as s ucceeded in mak i n g an&#13;
award- winning weekl y progra m, a s ho w th a t t ran s cends " l e s bi a n&#13;
c hic" .&#13;
&#13;
As we enter our se cond year of product i o n a nd d istribut i o n,&#13;
&#13;
we , re intensifying o u r comm itment t o gra s s - roo t s l es b ian me dia.&#13;
&#13;
We&#13;
&#13;
need you r h elp to d o i t.&#13;
The small staff and voluntee r s o f DYKE TV has b een h ard at&#13;
work over t he past t wo years, d e signi ng the program around the&#13;
needs o f a dive r se l e s b i an commu n ity.&#13;
&#13;
We 're proud that th e show is&#13;
&#13;
fast bec oming an institution for lesbian visibility and me d i a.&#13;
Here are some h i ghl i ghts a nd h a ppenings in th i s product ion yea r :&#13;
The National Ex pansi o n Team is c alling around the U. S . ,&#13;
g ene r at ing inte rest and support for lesbi an telev ision. In c ities&#13;
whe re DYKE TV is on the air, the Team is offering sponsorship to&#13;
l ocal communit y organizations and businesse s - a listing in the n e w&#13;
"Lesbian Friendly" segment o f the weekly show .&#13;
- We' re hosting a Production Meeting on December 7 ( 6: 30 PM. ) ,&#13;
This workshop is one in a series, is open to all lesbians, and is&#13;
a great way to learn how to film and produce segments about your&#13;
local lesbian community.&#13;
It's free, and no prior experienc e is&#13;
needed!&#13;
We're launching&#13;
including Chicago!&#13;
- We've made it&#13;
yearly membership&#13;
for students and&#13;
great for lesbian&#13;
&#13;
four&#13;
&#13;
new&#13;
&#13;
viewing&#13;
&#13;
loc ations&#13;
&#13;
this&#13;
&#13;
quarter ,&#13;
&#13;
easier to Join the DYKE TV team, with two more&#13;
options: The new "Budget Membership " is perfec t&#13;
seniors , and the new "Household Membership" is&#13;
lovebirds!&#13;
&#13;
- The gals on the "Corporate Blitz" Team are pitching corporate&#13;
~~a the opportunity of a lifetime: a chance to really support&#13;
ans by supporting DYKE TV.&#13;
&#13;
TV is increasing awareness at exhibits and screenings al l&#13;
be country.&#13;
&#13;
�For DYKE TV to move, healthfully, into the next phase of&#13;
growth, and to ensure our commitment to grass-roots visibility, we&#13;
need you.&#13;
&#13;
The above projects are just not possible without your&#13;
&#13;
financial support, and a DYKE TV membership expresses your support&#13;
in a very important way.&#13;
&#13;
In fact, we could not have come to this&#13;
&#13;
place without the support of lesbians like you.&#13;
&#13;
We at the studio&#13;
&#13;
believe this is what makes DYKE TV a unique, truly grass-roots,&#13;
media project, not just another "glamour piece".&#13;
The New York Times hailed DYKE TV" . . . its own best&#13;
advertiseme nt'', and the Village Voice called DYKE TV" ... the&#13;
lesbian hut in the global village."&#13;
&#13;
We are committed to presenting&#13;
&#13;
news and features that are not offered on mainstream television,&#13;
and as the Bay Area Reporter writes, programming which is, "&#13;
pro-lesbian, pro-female and thoroughly engaging."&#13;
We hope you join this project now as a member, and become an&#13;
important part of shaping your lesbian "herstory''.&#13;
put the DYKE i n DYKE TV .&#13;
&#13;
TV today.&#13;
&#13;
Thank you,&#13;
&#13;
Only you can&#13;
&#13;
Please use the enclosed form to Join DYKE&#13;
&#13;
�</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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Lesbian community&#13;
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                <text>1994-11</text>
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                    <text>�roDYKE TV AT
Ann Northropts

NEW DIGS

Ann Northrop, Vivian Shapiro, Irene Sullivan and Joy Tomchin

Invite you to join them at a cocktail party
for DYKE TV.

Wednesday. May 25. 1994
6:30 - 9:00 pm
465 West 23rd Street
Apartment 17B
New York City
Please RSVP with the enclosed card
DYKE TV's goal is to create a blueprint for lesbiiln progumming,
broadcast throughout the country to enhance lesbian visiblity and empoweTment.

�</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                    <text>Digital Vld

,

I

'

Macromed1·a o·irector/ Instructor: Jane Pirone

Director was 1nltlally developed for matmg
.
Interactive com•

NEW DIGITAL MEDIA
AT Dvke TV
Internet Courses
Intro to the Internet/In structor: Tina LaPorta
This class will focus In on specif,c women's web projects,
media organizations and how these groups converge A
discussion of email hsts as a communication tool and other
experimental programs, such as video and audio streaming
technologies, will be covered The basics of how to make a
connection onto the internet will be covered m class
6 to 10 peoplt
Ftt: mtmbtrs: $150.00
non· mt mbtrs: $170.00
Wednesday May 13
Wednesday May 20

7pm • 9. 3opm
1pm - 93opm

O.Slgning &amp; Web Page/ Instructor: Audrey Kuenstler
This course 1s an Introduction to the world of web design,
where you'll learn basic HTML, web graphics and other tips
for creating dynamic web pages. There will be an intensive one day workshop. This course requires basic famlhar1ty with the World Wide Web and how to get there, but no
prior knowledge of Web design ,s required. Prior knowl·
edge of Adobe Photoshop 1s helpful.
4 to 6 people
Fff: memlNn:
$140,00
non· mtmlNn:
S16o.oo

Saturday

lune 6

d ·

1nstructo,· eoME lting .on the Media·100/
ary Pa herno
·

puter games but today Director 1s used m the Industry for
creating animation and interactive CD-ROM programs. This
class Is a case study of the computer authoring program
Macromedia Director. You will learn the basic elements of
the program, I e stage, cast and score and discuss animation
techniques and the interactive computer language lingo.
You will view CD·ROM's that have been created with
Director, discuss design elements and learn how certain
effects were created
4 to 6 ptoplt
Ftt: members: Sz75.oo
non-membtrs: h95.oo
Wednesday June ,7
6:30-9:oopm
Friday
June19
6:30-9·oopm
Sunday
lune 21
1oam·5:oopm

Intro to A~er Effects/ Instructor: Lynn Shelton
This class will introduce you to the wonders of a powerful
software that 1s used in the industry for creating special
effects and 2-0 animation for film, video and telev,slon
commercials. You w,11 learn to composite multiple layers,
animate an unlimited number of elements and apply special
effects. After Effects provides the tools you need to affordably create dynamic designs for CD ROM or video. The f,rst
two class meetings will be demonstration and lecture and
tht second two hands·on experience

1pm • 9:30pm
7pm • 9:30pm
10am • 5:00pm
1oam • 5:00pm

10am - 5:00pm

centact: Lucntla Knapp, Director of Ed

Learn the Joy5 0f
co b
non-linear computer editing through a
m 1nat1on of d emonstratlon, instruction and hands-on
e)(ereIses Th'
· ,s course covers each step of the editing
process· digit
ba
.
In
mng, sic edit techniques, graphics key5
g, peclal effects, outputting and media file management.
Prrrwqu/slt1: computer literacy and a basic knowledge
1traditional video editing
4 to 6 ptoplt
Ftt: membtrs: $335.00
non·mtmbtrs: $360.00

0

Wednesday
lhursday
Friday
Saturday

May 13
May 14
May 15
May 16

7pm - 9:30pm
7pm • 9·3opm
7pm • 9:30pm
10am - 5.00pm

· Graphic s Courses
Adobe Photoshop Overview/Instructor: o,ane
Bonder
This course will give you a solid foundation m creating,
rrtouchmg and compositing d,g,tal images for prmt. You
will learn how to use the program's tools and advanced
features like channels, masking and layers. In addition,
you will learn how to create titles (In Illustrator) for video.
Come to class with: a proJect ,n mind, i.e. a poster or
postcard to advertise your latest video, two images to
scan and an extra 10 dollars to cover the cost of a service
buftau (Klnko's) for input or output of your d191tal creations. This course will meet three limes, the flrst two wlll
l,t dlfflolstratlons and lectures and the third wlll be broup Into Individual blocks for hands-on experience.
,...
flt : members: Sz15.oo
non·mtmbtn : $325.00
7pm • 9:30pm
7pm • 9:30pm
10am - 5:00pm

�Lynn Shelton

Leam basic camera, lighting, sound, and video editing
produc11on, counter media boredom; create music videos
or experimental narratives; and see your finished pro·
gram a11 on TV Mttt future guemllas, documentar1ans,
animators, storytellers, and st_arsl
Tht video classes are available Tuesday evening or
Sunday aftemoon. Your fin Ished video pro1ects will be
screened for the public at Manhattan Neighborhood
Network (Manhattan's pubhc access television station).
The course fee Is h oo.oo or less (shding scale). Partial
scholarships are also available through the generosity of
the Manhanan Neighborhood Network.
There ,s also a FREE studio workshop being offered the
first three Mondays In May at Manhattan Neighborhood
Network. Students will learn how to technical dtrect, use
a character generator, operate an audio board and set
studio lights. If you are interested in the video or studio
workshops or have any other questions call'

video classes meet:
Tuesdays (7pm· 9·30)
May 5,12,19,26
June 2,9
Sundays (1pm· 3 30)
May 3,10,17,24,31
lune 7
studio classet meet:
Mondays (6:30·9:3opm)
May 4,11,18

The studio class will make a televls1on p,ogram on a
Monday evening 1n 1une (TBA).

~J&lt;FNEWll1111
W
MEIII

w

11111111

1s a freelance photographer and graphic designer with a
Masters degree from Rutgers University. She teaches com·
puter graphics at Kean College in New Jersey as well as the
video workshops at DykeTV.

Audrey Kuenstler
has a Master's Degree in Cultural Theory from Carnegie
Mellon University and 1s currently finishing a Master's
degree in Interactive Telecommunications at NYU. She
teaches both media theory and multimedia production at
The New School.

received an MFA in Photography and Rel d
the School of Visual Aris and is an I d ated Media from
..
d
" epen ent video
ma ..er an non·hnear video editor H I
Sesame Street USI C
er c 1ents include

,
ommunications Croup Wh h
Productions and Reel Ar11sts, among other~ S~~e
teaches multi-media at the The School of V;sual ~rls and
Bard College.

a~:ie

Video In s tructor s
Mari Keiko Conzal11
Is a commercial editor and filmmaker. Her work Is d1stnb·
uted through Framehne and Naata. She has worked on
pro1ects for Sony, Sesame Street, Sheryl Crow, Sony Music
and Pepsi Cola.

Tina LaPorta
,s currently an art,st·in·res,dence w1tn Ars Electronica
Future Lab on the World Wide Web. Her work is also included in the d1gltal studies exhibition on the Alt·X Web site.
Last year she produced a telev1S1on sertes on Manhattan
Cable Network and her videos have been screened at The
Kitchen, P.S 122, and Art in General. She holds an MfA from
the School of Visual Arts in Computer Art

Lucretia Knapp
combines video, film, photography and computemed
Imagery In her single channel and multl·med1a Installation
work. She has taught film theory, photography and video
art at Ohio State un,vemty and Macromed,a Director at the
University of Michigan. She Is the D11ector of Education and
Programming at Dyke TV

Mary Patierno
is an independent video and f1lmmaker and co-founded
DYKETV in 1993. She 1s a partner of Damas D1g1tal. a non·
linear video production fac,hty ,n Manhattan and teaches
video at the MFA Photography Department at the School of
Visual Arts.

.... Membership 1n1or•1t1on1

lane Pifone
Is the founder of Happy Mana Media, LLC, a small, cutting
edge design flTm located in New York City. Clients include
Memo11al Sloan Kettering Cancer Center, Modem Medta,
and Nickelodeon. Happy Mazza Media also produces the
popular web site Drummerg11I. Jane received a BfA from
the university of Michigan, and has done extensive post·
graduate study in everything from Optical Enginnring to
Film Music. She 1s currently on the faculty of Pratt Institute,
!he New School, and the College of Aeronautics, whtfe she
eaches multlmed1a technology and desl9n.

Members receive a discount on the
Digital Media Workshops
$25 basic mmtbershl,rreceive Dyke TV newsletter, notice

of upcoming events, discounts on workshop fees
$5o priority mcm.benhl,rall of above plus special inv1t•·
t1ons to events

$ioo-all of above plus Dyke TV hat
bsc,-all of above plus 8est of Dyke TV tape
Ssoo-all of above plus a listing in the show t1ed1ts as•
sponsor
For More Information Contact:

Lucretia Knapp,
Director of lduca1lon and Programml119
(111) ,~, 9315
Some partial SCholanhipa for 1hl Olgltal Media clams are
available lhlMs to h Norta Star fund.

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                    <text>I

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Zip

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PO Box 55, Prince Stree Sta · on
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1- 00-31 -DYKE

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                    <text>l)YKE TV
P.O. Uo.1 88--128 East Broadway--NYC 10002-9998
(2 12) 343-9335,9336 FAX: (2 12) 343-9337
1./10/13

bVKE TVW~NTS Voul

DYKE TV, the trailblazing weekly public access cable
telev,~ion program, wants YOU to Join Its production team
If you a) are creative, b) know how to get things done;
and c) are ready to incite, subvert, organize and provoke
wtth the power of dyke vision and anger. You will be expected
to produce brilliant work for no salary. In exchange, you will
make history and flourish. Positions include:

1. FUND-RAISER You must be a born networker with
contacts in the lesbian/gay community and, at leas1, some
fund-raising experience. You will create a short and long
tenn fund-raising s1rategy and execute it. This is a
phone &amp; schmooze Job, guaranteed to get you Invites to
great parties and tum your social life into a delightful
whirlwind Fee on a commission basis.
2 P R./AUDIENCE DEVELOPMENT: You mus1 be able to write
snappy copy, talk to the press and Imagine and execute
all kinds or ingenious schemes to make every lesbian
citizen watch DYKE TV as If her life depended on it.
You'll be deluged by party invites. That wtll be your
reward.
3. CALENDAR PRODUCER: You will create a 80-90 second
weekly segment-the absolutely best-ever dyke calendar of
events in history. You must know everything or want to
and have an eclectic heart, equally at home in the Cllt
Club and in the Harlem Ballet. Video experience
desirable. If not, have a strong visual sense. Reward:
free tiekets to everything.

4. · 1WAS A LESBIAN CHILO• PRODUCER: You will produce,
every other week, a 90-second segment using old home
movies, videos or photographs, which you will have to
find yourself In lesbian attics, closets and basements
all over the city, the nation and the wortct. Video
experience preferred. Your reward will bl boCh cnatlve
and senUmental.

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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>NU~

V:

58 8 B 'Wo y
su ite 504
N e w Yor k , NY
1
0
0
~
2

el : 2 1 2 - 343 - 93 3 5
x : 212 - 3 4 3 - 8337

" the lesbian hut in the global village."
•·•

--Village Voice

05

DYKE TV

Because If We Don't Put Ourselves On The Air
Nobody Else Will
News and Features You Won't See Anywhere Else!
20,000 dykes march through the streets ofWashington...Ocean Springs, Mississippi holds
it first ever gay pride march... Dykes from across the country converge on Tampa when the home
of a lesbian with AIDS is firebombed ... Lesbian rugby players take you up-close and behind-thescen.as ... Lexa's Lesbian Leve Si~ reYeal th2 fa:ue passion cf cr_istals.

These are just a few of the segments that have aired on DYKE TY. Upcoming shows will feature
an interview with writer Dorothy Allison, reports from The Gay Games and Stonewall 25,
n ational anti-gay ballot measures, plus Notes from the Lesbian Herstory Archives, late-breaking
news, the hottest gossip and much more.

This is TV That's Way Overdue...

DYKE TV is the only all-lesbian show of its kind in the history of television. Think about that.
It's 1994. Television is over 50 years old. We've endured decades of TV invisibility, stereotypes,
and distorted news coverage. Our realities, our expressions, our images have been systematically shut out. Because TV has become such a powerful medium, our TV invisibility contributes to
our invisibility in society.

This can change, but only if we work together to make it change.
DYKE TV is already making it change, working as activists and setting up a network that puts
us on the air--across the nation. Dyke cameras are everywhere! Correspondents are in place in

D.enver, New Orleans, Atlanta, Boston, Chicago, London and Moscow. And this is just the begin·
rung-more correspondents are anticipated and many areas are working to get DYKE TV on thei
local cable.
(mon
Denver PBS, Manh~n, Brooklyn, Can'ibrldge, Northampton, Auatln, Dalla, Atlanta, W•hlngton, DC. , Fay.nevHle, AR
nd
a
San Francisco AND COMING SOON TO New Orleana, Yellow Springe. OH. Chicago, Seattle and• tv near you/

�-- page 2--

Grassroots Power and Lesbian 1·a lent Galore!
DYKE TV exists because of volunteers, because scores of lesbians have given enormously of their time and talent.
· DYKE TV is sharpening the edge, expanding the form of TV
programming, committed to reinv en ting television for the
lesbian nation.
Subversive, informative, and entertaining, DYKE TV is a
IIPQ~ ~ - - fluid, exciting process, tapping into r esources and building

the foundation for a responsive and responsible forum for
the entire community. How about some specials, some spinoffs? Hey, how about a DYKE TV Network? The possibilities are endless, but...

WITHOUT YOUR HELP, DYKE TV
WILL BE OFF TIIE AIR SOON!
Fi.,1,r.rl.s are ri.1.n.n.i~g 011.t!
iliiiiioii_ _ _ _ ___.

miiiini~-:..-:..-~-"1-1!1____.

Not surprisingly, DYKE TV has not been the recipient of
large, prestigious grants. If not for the power of the community, DYKE TV would not be on the air in the first place,
and it won't stay on much longer without your help. We can
do it the way we've done so many other things-by a lot of
dykes giving what they can, whether it's a little or a lot.
The medium of television is exploding - information highways, interactive TY, 560 channels of non-stop images. Our
images won't be among them, if we don't put them there. If
we're going to have a ''hut in the global village," we'll have
to build it ourselves, maintain it ourselves, and expand it
ourselves.

Now's the time-the possibilities are too exciting
to let slip away.
Help make it ht1ppen. Give what you can.
Support DYKE TV any way you can.
Please make checks payable to

DYKE TV/ SANG FROID at 588 B'way, Ste. 504 NY NY 10012
Tel:212-343-9335;Fax:212-343-9337

�</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                    <text>~

---v--July 12, 1995
Dear friend:
As you may know, Beijing, China is the location of the United Nations World Conference
on Women. Within this conference is a Non-Governmental Organization (NGO) Forum,
which will allow activists, grassroots organizers, and non-profit organizations from all over
the world to congregate. There will be an unprecedented exchange of ideas, a creation of
networks, and a concerted effort to influence government policy-making at the "official"
conference. Women who attend the NGO Forum will have access to government
representatives and will be able to directly express their needs on cru"';..J issues including
poverty, education, health and violence against women. DYKE TV -as part of the global
community of women committed to social change-will be in Beijing. Our aim is to record
the proceedings of both conferences particularly as they pertain to issues relevant to
lesbians. This documentation will bring the women and the issues of the conferences to a
wider forum of women unable to go to Beijing. We wi\J produce 6--8 pieces which will be
aired this fall in 61 cities on our weekly show and shown in their entirety at community
screenings.
In preparatory conferences for the UN Conference in Beijing there bas been major debate
over whether or not sexuality should be on the agenda. The Vatican, the Chinese
government, and other right-wing factions have been active opponents to the discussion of
sexuaJity at the conference. In addition, though a large percentage of the women working
within the NGO sector are lesbians or are sympathetic to lesbian issues, many delegates are
tom between their "primary focus" (hunger, land rights, peace strategies in war-tom areas,
etc.) and sexual liberation for all women. DYKE TV's goal is to clarity bow acknowledging
sexual autonomy or orientation could directly impact women's ability to take control of their
own bodies and even their own lives. In other words, in a society where basic human rights
are given only to men, a woman who chooses not to marry faces the threat of receiving
diminished access to education and economic stability, and can be an increased target for
violent attack. We must therefore work globally towards sexual autonomy and freedom of
orientation to ensure the well-being of all women.
While all women who love women may not fall into the culturally specific terms "dyke" or
"lesbian," women who live within homophobic or patriarchal cultures share many
similarities. The NGO Forum will allow women to share their common experiences. Part
of the goal of DYKE TV's Project Beijing is to record personal testimonies from a diverse
representation of lesbians and supporters. We will use these stories, and footage from both
conferences, to report thoroughly on Beijing '95 on 61 public-access cable stations around
the U.S. In addition, we are working with the Institute for Global Communications on an
Internet project which will being images and testimonies of women in Beijing to Internet
users throughout the world. And, in order to widen our audience even further, we are
currently collaborating with FIRE (Feminist International Radio Endeavor) to place the
testimonies on short-wave radio.
Other activities DYKE TV will cover at the NGO Forum in Beijing include daily plenary
sessions, working group meetings, networking meetings, and cuJtural events. Part of our

P. O. lox H . Prince Street Station. New York. NY 10012 • Telephone: 212·343-9335 • Fax: 212-343-9337

�focus will be on the Lesbian Tent which will be set up by the International Gay and Lesbian
Human Rights Commission as in international think tank, work area, and marketplace. As
press, we will have access to lobbying efforts of several organizations including Gay
.
People's Health Forum, from South Africa, Arkadija-Lesbian and Gay Lobby, from Serbia,
and the San Francisco Asian Women's Center.
DYKE TV's Beijing Project is part of a global movement to encourage the United Nations
to pay attention to women who envision themselves differently in the world. We need
human rights protections. We don't want to have to go through bureaucratic governmental
red tape every ten years in order to live the fulfilling, strong, creative and safe lives we know
we must live. The Beijing Project is an important step in this direction because it wiJJ
document the connections between all movements so that we can move forward together.
The fight for sexual autonomy is one part of a whole-that whole is all the struggles that
women face. Autonomy of women's sexuality and sexual orientations must be included in
the protective designation of International Human Rights if the women's movement is to
achieve complete victory.
DYKE TV needs your financial help to document and amplify the lesbian presence in
Beijing and the rest of the world. Send what you can. All donations are tax-exempt to the
fullest extent of the law under our 501 (c)(3) not-for-profit incorporation, Sang Froid.
Sang Froid/fbe Be.ijing Project
DYKE TV, attn: Beijing
POBoxSS
Prince Street Station
New York, NY 10012

checks can be made out to:
_ mail to:

If you'd like more information about DYI&lt;E TV or this project, please contact me at 718875-9010, or call the DYKE TV office at 212-343-9335. Thank you in advance for your
support of this vitaJ projecL

Sincerely,
•

I

-~L

_/

.

1

L,;T.~ ~
Beijing Project Coordinator

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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                    <text>Contact: Phyllis Lutsky

212-343-9335
March 25, 1994
FOR IMMEDIATE RELEASE

DYKE TV EXPANDS OPERATIONS TO 18 CITIES
WlLL REACH OVER 6.S MILLION HOUSEHOLDS
New Yorl. March 25. 1994 - DYKE TV announced today that it will begin airing soon in
San Franci co and seven other cities. This m~s that the trailblazing weekly half-hour cable
tele,·ision program will reach over 6.5 million households in 18 cities - making it the second
most widely distributed gay or lesbian television program in the country.
The announcement was made by Executive Producers Mary Patierno and Linda Chapman at a
press conference in DYKE TV's new downtown Manhattan studio. ·we have experienced
phenomenal growth in only 9-1 /2 months since we started airing in June 1993," said
Patierno, · and we' re getting better and better at what we do.•
Associate Producer Julie Clo.r~ who heads distribution, sai'1 that DYKE 1V will air on San
Francisco's cable channel 53 every Friday at 6 P.M., starting April 1st. It will kick off
within weeks in Ne"' Orleans, Seattle, Chicago, Yellow Springs (Ohio), San Antonio, 2!ld
1 - &amp;-

..n ..
...-..o1"'"¥

(LoWSI
' ·ana) .

Clark said the program is currently cablecast every week in Atlanta, Austin, Cambridge,
Dallas, Denver, Madison (Wisconsin), New York City, Northampton(~.), Philadelphia
and Washington, DC. Twice a month it is carried nationally by "The 90's at Nite" on seven
cable systems.

Executive Producers Chapman and Patierno also unveiled DYKE TV's spring programming.
·it's fresher, funnier, harder hitting, more national in scope,• said Chapman. •viewer
f~ack tells~ that DYKE TV is the smart television that they've been dreaming about,•
qwp~ ~ t e Producer Harriet Hirsbom. Each program mixes news, arts, sports,
gossip, political commentary, health coverage, music videos and more.
U~ming shows~~ include investigative reports on Mississippi's embattled Camp Sister
S~mt and on the killing of a Nebraska lesbian who passed as a man, an exclusive interview
with author Dorothy Allison, portraits of the girls in the Gay Games and up to the minute
c~verage of ~vents leading to the International Dyke March and the Stonewall 25 Celebration
this summer m New York City.

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                    <text>SPRING 1998

ate
•

SCREENING
DTV proudly presents a screening of the award-winning viJeo documentary. The Disappearance
of TiSoeur: Haiti after Duvalier by Board Member Harriel Hirshorn on Tuesday. April 28., al
8:00 pm al Millennium. 66 E. 4th St. in Manhattan. Also being shown: a work in progress by
Kara Lynch, Black Russians. A reception follows with the filmmakers. Call the office for info.

•

S'l'H

ANNIVERSARY PARTY!
FIVE YEARS OF BRTNGl NG LESBIA NS INTO YOUR LIVINGROOM! Join us Wednesday.
June 10th for Barbara Starrett's 50+ birthday party/Dyke TV's 5th Anniversary! Call the offi&lt;:t'
for info or to become a host. It'll be a blast!

•

HOUSEPARTIES!
Watch for a bonanza of houseparlies this Spring &amp; Summer! If you want Lo throw your own benefit for OTV jus t call the office!

DIGITAL

MEDI A

WORKSHOPS

We are offering Digital Media Workshops starting in May. See the enclosed brochure for detail:-.
and caJI the office for more info! Costs are competiti ve and courses include hands-on instruction. We just receivP.d a grant from the North Star Fund th at will help provide some scholarships. particularly for members of progressive lesbian/gay organizations.

VIDEO

WORKSHOPS

The next cyc le of Video Workshops begins in early May. Dyke TV has trai ned hundreds of students in all phas&lt;'S of video production. Many of these students have gone on Lo make their own
independent videos and have produced segments fo r our nationally broadcasted s how.

NEW

CO-DIRECTOR

In January Dyke TV hired Lucretia Knapp as our new Education and Programming Director.
Lu(~retia i:i a multimed ia artist and instructor who moved to New York in August. She manageg
programming. workshops and the Artists-in-Residence program. If you're interested in pro&lt;lu&lt;·ing for the show the next meeting is Tuesd ay, ApriJ 30, 6 :30pm.

GROWING

BOARD

OF

DIRECTORS

Our most recent additions are Ma&gt;.ine Blake. Teresa Cooper. Kori Galloway, Mari Keiko
Gonzalez, and Paula Pressley. At 14 members. our Board is the larges t it's ever been.

•
,.....

8.....

�NEW YORK
CITY
AIRTIMES

Bronx
Brooklvn
Manhattan
Queens

Channel 70
Channel 34.67
Channel 34
Channel 57

v; e d &amp; Thur:, 10pm
~ -ed. 11:30pm &amp; Thur:-. 3:30pm
Thurs 9:30pm 5/7, 5/21. 6/4, 6/18. 7/2, 7/16
Thur:; 10pm-12am with Free Speech*

•fwt' :-pet"dl T\" ,... J !Jlod, uf pmi:n·"l\t' prnpamn11n!! am·d t11l lJl1lt' Jt'lC:" !cit&gt;, ,,um hair-.

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K e air naliom, ide-- call the offiC'e for airtime~ in ) our area!

••••• • •• •• •••••••••••• •••

sU\1

LEVELS OF SUPPORT AND
THE COOL STUFF YOU CET

Dyke TV ne" sletter

Dyke TV ne\, sletter and hat

Dyke TV newsletter a nd Best of Dyke TV tape
Dyke TV newsletter, hat and Best of Dyke TV tape, plus
a listing in the show credits as a sponsor
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P.O. Bo'\ 55
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Prince St. ~lotion ~ e: d)kt-&gt;l\@echon~c-.C'Om
~t'" York.. N\ 10012
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                    <text>Ph_ IE rn. : _1~

-...i:

9_

d.

· J

To: lesbian , Bi-sexual and Queer Women of NYC
From: DYKE TV
Date: July&amp;, 1995

K TV wants you to be a part of our THIRD SEASON! He e is
your chanc• .to get involved with DYKE TV! Noexp~rlenced
necassaey, just the love of Women ind televi,Si~n is r 8quir8d t e
'

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Please come to ~e DYJETV Producer's '91eeting to present JO&amp;II' ideas for the
upcoming season. Join other ,esbian ~roduceri as they discuss what they
want on DYKETV. Find ~u~ how you can become involved!
DYKETV encourages atl dykes
pick up a videooaenara
and Al~'
. ,, . . . . .
.

to

,.. •

'•

\

WHERE: The ;O~j &amp;lesbian 'Community Center
208 ~~ 13th.:St;(at 7th Ave.)
WHEN: 'Thursday, July 13, 1995
@,7:00phl
WHY: It's fun! You can meet lotsa cute girls! A chance to be on t.v .! A way to
change the world! We cover dykes like no one else can!

Call Joanne at 212.343.9335 for more information.

IH

"f

uOX 'i r;' I' •..,"' C [ s l ', rA r, 0 N. N 'r ·' -'" l OO 1
PHONr ll l./s 4 j q 3 35 rAX 21 2/ ] 4 "! YsJ7

TV, f&gt;. 0.

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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>1974-1978</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Discussion on Sexual Abuse of Children (Incest)</text>
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                <text>Interviewee discusses the statistics of child sexual assault, and how they are not reported accurately. They claim that girls face more assault than boys, but much of it goes unreported. Conversation circles around parental assault, parental protection, and social services. The host and interviewer talk about the role of the patriarchy, victim denial, abuse, and the need for child abuse education for children. They advocate for child’s rights, and children’s need for peer relationships.</text>
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                <text>Feminist Radio Network</text>
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                <text>5/16/78</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>00:37:49</text>
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                <text>I Ain't Gonna Testify</text>
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                <text>Emily Hixon introduces the topic of grand jury abuse. Through interviews, testimonies, and conversation, they discuss how grand juries can attack political activists and their organizations. They also examine women’s politicized folk music, as well as trial tactics and strategies. They theorize about the intentions of the FBI, lawyers, legal organizing, and the federal government.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.</text>
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                <text>Emily Hixon</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Lesbian Herstory Archives</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Boston, MA, United States</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Jan. 31, 1981</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Video Library, 1973-1993</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
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      <name>Moving Image</name>
      <description>A series of visual representations that, when shown in succession, impart an impression of motion.</description>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cathay Che’s Performance at Dixon Place</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Performance art&#13;
Lesbian theater&#13;
Lesbian poetry</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Video recording of a spoken word performance art piece put on by Cathay Che at Dixon Place for an audience. Date of performance unknown.</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Available for viewing on-site at the Lesbian Herstory Archives only. Gay Entertainment Network should be credited if used.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gay Entertainment Network</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2023-09-26 (digitized)</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cathay Che</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>601.2 MB</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="58130">
                <text>U-matic</text>
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          </element>
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            <name>Digital Format</name>
            <description/>
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                <text>MP4</text>
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          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
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                <text>00:25:19</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Daughters of Bilitis and The Ladder Workshop, circa 1970s</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection consists of audio recordings of a presentation on lesbian history called “What Happened After We Came Out of Our Closets, or, Which Way’s the Street” and thought to be given by Wendy Hayes.&lt;br /&gt;&lt;br /&gt;Wendy Hayes was affiliated with the San Francisco chapter of the Daughters of Bilitis, a lesbian social and activist group founded in 1955. She was an office manager of &lt;em&gt;Sisters&lt;/em&gt;, a magazine published from 1970 to 1975 by the San Francisco chapter of the Daughters of Bilitis, and is listed as the magazine’s vice president in its penultimate masthead. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://digitalassets.lib.berkeley.edu/sfbagals/Sisters/sisters.html"&gt;&lt;em&gt;Sisters&lt;/em&gt; has been digitized in full by the Berkeley Library at the University of California&lt;/a&gt;.</text>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Open reel audio tape (7" reel, 1/2" width)</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Date Digitized</name>
          <description/>
          <elementTextContainer>
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              <text>October 2021</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ladder Workshop/Wendy Hayes, 1970s (Part 2)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54676">
                <text>About the First Lesbian Convention in San Francisco. A discussion of early scientific studies of sexuality (a couple of attendees and host talk about shock therapy). Trigger Warning: Discussion of shock therapy and suicide.</text>
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          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>Circa 1970s</text>
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            </elementTextContainer>
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          <element elementId="89">
            <name>Date Available</name>
            <description>Date (often a range) that the resource became or will become available.</description>
            <elementTextContainer>
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                <text>December 2021</text>
              </elementText>
            </elementTextContainer>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>Circa 1970s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Lesbian Herstory Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="97">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
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                <text>Lesbian Herstory Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>T75_5_2</text>
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            </elementTextContainer>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Hayes, Wendy</text>
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            </elementTextContainer>
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        </elementContainer>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
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            <name>Identifier</name>
            <description>Best practice is to identify the media item (whether analog or digital) by means of an unambiguous string or number corresponding to an established or formal identification system if one exists. We recommend using the item's Omeka URL. (e.g., http://myomeka.com/items/show/1) If you are using the Internet Archive Plugin, this field will be autofilled.</description>
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                <text>T75_5_2</text>
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            </elementTextContainer>
          </element>
          <element elementId="167">
            <name>Title</name>
            <description>The name given to the media item you are cataloging. It is the unique name everyone should use to refer to or search for a particular media item. There are situations in which no proper or given title is available, e.g., photographs or segments harvested from a longer work or program. In these situations a "supplied title" must be invented and used to name the media item. Be considerate of and sensitive to the end user who is attempting to search for your media item.</description>
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                <text>Daughters of Bilitis - Ladder Workshop/Wendy Hayes Lesbian History Exploration (Part 2/3) (1970s)</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Hayes, Wendy</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
            <elementTextContainer>
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                <text>Lesbian Herstory Archvies</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            </elementTextContainer>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
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                <text>WAV</text>
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          <element elementId="178">
            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Herstory Archives</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:17:22</text>
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        <name>Daughters of Bilitis</name>
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        <name>Religion</name>
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        <name>Sexuality</name>
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        <name>The Ladder</name>
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        <name>Wendy Hayes</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dyke TV television program components, 1993-1998</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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      <description>Metadata elements specific to Video Recordings, taken from PBCore and LC-AV (interoperable with METSRights) to supplement Dublin Core.</description>
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          <name>Date Digitized</name>
          <description/>
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          <name>Resolution</name>
          <description/>
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          <name>File Size</name>
          <description/>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Report from World AIDS Day 1995</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The topic of the resource</description>
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                <text>AIDS (Disease)&#13;
Harm reduction&#13;
AIDS (Disease) in women&#13;
ACT UP (Organization)&#13;
Clinical drug trials&#13;
Public health&#13;
Demonstrations</text>
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                <text>Copyright Dyke TV: Linda Chapman, Mary Patierno, Ana Maria Simo. Tapes and digital files held by the Lesbian Herstory Archives. Tapes reproduced with permission from the copyright holders.</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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