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          <description>An account of the resource</description>
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              <text>Viv Sutherland April 10, 1978- film strips (New York: WBAI Folio June 1978)</text>
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                <text>Viv Sutherland 35 mm (April 10, 1978)</text>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Viv Sutherland Speaks with Myrna Lamb about Her New Play</text>
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                <text>Myrna Lamb guest stars on &lt;em&gt;Women's Studies&lt;/em&gt; to talk about her new play, &lt;em&gt;Apple Pie&lt;/em&gt;. &lt;em&gt;Apple Pie&lt;/em&gt; is a musical theater piece about a woman's life in Nuremberg. The play grapples with issues of moral truths and internal and external judgement. Myrna and Viv also discuss the difficulties and complexities of being a woman playright, and various ways that the play attempts to tackle sexism, racism, and anti-semitism in society. They also discuss Myrna's run-ins with male directors in theater and the complex feelings people have about male directors directing women's stories.</text>
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                <text>Sexism</text>
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                <text>WBAI radio</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>See the LHA Copyright Statement</text>
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                <text>Pacifica Radio Archives</text>
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                <text>Audio Recording; Radio talk shows</text>
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                <text>Women's Studies</text>
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                <text>Viv Sutherland</text>
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                <text>Myrna Lamb</text>
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                <text>Audio cassette</text>
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                <text>Access Copy: MP3</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Dida" by Joan Baez feat. Joni Mitchell</text>
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              <text>Viv Sutherland, Joan Hervey, and Mike Edl waiting to go on air - April 10, 1978 (New York: WBAI Folio June 1978)</text>
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                <text>Viv Sutherland, Joan Hervey, and Mike Edl (April 10, 1978)</text>
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              <text>Viv Sutherland, Rebecca Tron, Irene Yarrow (New York: WBAI Folio August 1977)</text>
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                <text>Viv Sutherland, Rebecca Tron, Irene Yarrow (Aug 1977)</text>
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                <text>Viv Sutherland, via WBAI Folio 1970s</text>
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                <text>Viv Sutherland, via WBAI Folio 1970s</text>
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                  <text>Audre Lorde audio recordings, 1977-1986</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Voices of Women Writing Conference, April 30, 1982 (Tape 1)</text>
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                <text>African American feminists [sh2004002861] African American lesbians [sh85001859] Lesbianism [sh85076157] Lesbians [sh85076160] Sexism [sh85120678] Sex discrimination [sh85120591] Lesbian culture [sh2004003370] Literatures [sh2003003668]</text>
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                <text>Ms Holly makes assorted announcements then introduces Audre Lorde. She reads three poems: "For Each of You" "Poem for Women in Rage" "Sister, Morning is a Time for Miracles". Side B: Continuation of poem from Side A: "Sister, Morning is a Time for Miracles" Then reads: "After Images" Final Poem of reading: "On My Way to San Francisco I Pass Over You and the Verazano Bridge"</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1167_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1167_A.wav</text>
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                <text>Side B (mp3) http://herstory.prattsils.org/mp3_files/spw1167_B.mp3 Side B (wav) http://herstory.prattsils.org/wav_files/spw1167_B.wav</text>
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                <text>Digitized 2011, June</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt;&lt;/a&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tape 1 of 6.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Woman' is a talk show featuring in-depth conversations exploring issues affecting the lives of women. This episode features a conversation with Cris Williamson, who has been a singer songwriter for the past 14 years. She currently records with Olivia Records, an all-womens recording company. Her latest release is the "Changer and the Changed."</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Lesbian identity&#13;
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Second wave feminism</text>
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                <text>Taped radio program for the lesbian community.</text>
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                <text>Margie Adam, Meg Christian</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Physical Format</name>
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                <text>1/4 inch audio tape</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A: In this interview, Dr. Freda Adler discusses the rise in female criminal behavior as a consequence of broader social changes, particularly women’s increased participation in public and professional life. She explains that as women gain access to new roles, they also gain opportunities to engage in crimes once dominated by men. Traditional “feminine” crimes (such as prostitution and shoplifting) are being replaced by more assertive and violent acts like armed robbery and even assassination. Adler emphasizes that this shift doesn’t stem from new motivations but from changing circumstances, and she challenges the myth of inherent female passivity by documenting the evolving cultural landscape.&#13;
&#13;
Side B: This side explores how institutions—from law enforcement to the courts and prisons—have struggled to keep pace with changes in female behavior. Adler critiques the justice system’s gendered assumptions, showing how women have often received either harsher or overly lenient treatment based on outdated ideas. She also highlights discrimination in prison rehabilitation, the invisibility of women’s prison uprisings, and the psychological toll of role confusion (psychological and social uncertainty that many women face as gender roles shift rapidly) and cultural pressure. The tape closes with a call to treat women’s liberation and female criminality as separate issues, arguing for systemic reform rather than a return to traditional gender roles.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>WBAI Radio</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>WBAI Radio</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Viv Sutherland</text>
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                <text> Dr. Frieda Adler</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Women Against Rape (Part 1)</text>
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            <description>An account of the resource</description>
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                <text>This recording of the “Women’s Showcase” is the first of three from the NYU hosted event, Women Against Rape. This part features performances &amp; poetry from Nina Miller, Lee Van De Velde, Alice McIntyre and music from Jazz pianist Esther Blue &amp; singer Kathy Rose Salat.</text>
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                <text>Gift of Martha Shelley</text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity.  The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose. </text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>1974-1978</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>This episode is titled Women in Welfare and features discussions from Carol Brill, the director of the Massachusetts chapter of the National Association of Social Workers (NASW), and welfare advocates Kayla Taylor, and Susan Moore. This episode covers the topics of the welfare system structure, stereotypes and myths about welfare recipients, double standards working mothers face based on class, and the classism within the social work profession. Furthermore, it includes clips from governmental proceedings related to welfare and proposed cuts to welfare benefits. It ends with a discussion on how the issues within the welfare system relate to the Women’s Liberation Movement and demands economic change from politicians who fund big business and the military while disregarding the poor through welfare cuts. </text>
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                <text>Red Tape, Feminist Radio Network affliliate </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Carol Barill: the Welfare Coalition and Executive Director of the Eastern Massachusetts chapter of the Association of Social Workers</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>1972-1974</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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              <description>An account of the resource</description>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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                  <text>1972-1974</text>
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                <text>Women In Athletics Tape 2</text>
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                <text>Radio Free Women</text>
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            <description>An account of the resource</description>
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                <text>Audio opens with live coverage of women's tennis, moves on to women's athletics discussion with Billie Jean King. Discrimination against women in tennis and athletics overall is a main focus, centering specifically on pay disparities and lack of social support for participation in sports at all ages.</text>
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                <text>8/25/73</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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        <name>Discrimination</name>
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        <name>Sexism</name>
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        <name>Sports</name>
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              <name>Title</name>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Women Political Prisoners</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Side A - Political Prisoners: “Insight into the political nature of the imprisonment of women. Gail Simon has selected and read the writings of women who are imprisoned. Also hear music and poetry selected from the Olivia Records Album - Any Woman’s Blues, made by the Women’s Concert Collective, recorded live in the Women’s Jail at San Bruno in December 1975.” </text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="55620">
                  <text>Feminist Radio Network, circa 1974-1978</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55628">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="55629">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=kayla+taylor"&gt;Kayla Taylor&lt;/a&gt;</text>
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                <elementText elementTextId="55630">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Susan+Moore"&gt;Susan Moore&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="55631">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Alice+Walker"&gt;Alice Walker&lt;/a&gt;</text>
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                <elementText elementTextId="55632">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
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                <elementText elementTextId="55633">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rita+Mae+Brown"&gt;Rita Mae Brown&lt;/a&gt;</text>
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                <elementText elementTextId="55634">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Dolores+Bargowski"&gt;Dolores Bargowski&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Lisa Cowan</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1974-1978</text>
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              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="55678">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="55679">
                  <text>English</text>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Women Writers </text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>LC022</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The radio episode, which is part of the Feminist Radio Network, includes recordings from a conference panel which included the writers Maxine Kumin, Alice Walker, and Grace Paley. They discuss the challenges of being women writers, how their writing processes are affected by societal gender norms, and how important women’s stories are within the individualistic, middle-class American society where female bonding is not encouraged. This episode also includes excerpts from Living, by Grace Paley, and Everyday Use, by Alice Walker. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Feminist Radio Network</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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        <elementContainer>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <name>Digital Format</name>
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            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Hestory Archives&#13;
&#13;
</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:29:34</text>
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        <name>Alice Walker</name>
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      <tag tagId="43">
        <name>Gender Roles</name>
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        <name>Grace Paley</name>
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      <tag tagId="305">
        <name>Literature</name>
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        <name>Maxine Kumin</name>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Rape Crisis Center Presentation</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>This episode of Women's Studies features journalist Gloria Emerson in conversation with Viv Sutherland on WBAI Radio, presenting an in-depth discussion of Emerson’s experiences as a New York Times correspondent during the Vietnam War and the themes explored in her book Winners and Losers. Emerson reflects on her transition from covering fashion in Paris to reporting from Vietnam, the ethical and emotional challenges of war journalism, and the gender dynamics within the press corps. The interview addresses subjects including the portrayal of Vietnamese civilians, the psychological effects of war on soldiers and reporters, and Emerson’s critical perspective on American media and class divisions. Side B continues with Emerson’s postwar reflections on patriotism, public reception of her book, her relationship with the New York Times, and her evolving views on feminism and morality.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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        <name>Activism</name>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Women's Work Weekend (New York: WBAI Folio Aug 1977)</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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Side B: SPW1958_SideB_20251007_Transcript.docx</text>
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Side B: ♀♀ (women) CR Hour - Custody part II - Diane Trombley Speaks with ♀♀ (Women) from Calm + ♀♀ (Women) in transition</text>
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            <description>An account of the resource</description>
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                <text>This episode of The Women’s Consciousness Raising Hour, hosted by Diane Trombley, features an in-depth discussion on the struggles faced by women, particularly divorced and lesbian mothers, within the American custody and legal systems. Guests Jennifer Fleming of Women in Transition and Mickey Weinstein of Custody Action for Lesbian Mothers (CALM) explore the emotional, financial, and institutional challenges encountered by women navigating separation, abuse, and child custody disputes. The program exposes systemic sexism and judicial bias, shares strategies for legal self-advocacy, and promotes alternatives such as shared custody and community support networks.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60895">
                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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            <name>Host</name>
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        <name>Law</name>
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        <name>Mothers</name>
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        <name>Women's Consciousness Raising Hour</name>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Womens Studies, via WBAI Folio 1970s</text>
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                <text>Womens Studies, via WBAI Folio 1970s</text>
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                  <text>Audio Recordings, 1971-1988</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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    <elementSetContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>Activism</text>
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                <text>Communities</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>This audio recording talks about activism and oppression within the lesbian community. The workshop is a group of women discussing their feelings and experiences with being oppressed as women in society, especially as lesbians. </text>
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            <name>Publisher</name>
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                <text>Lesbian Herstory Archives</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. </text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46834">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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Digital: .MP3&#13;
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Daughters of Bilitis</name>
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        <name>Discrimination</name>
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        <src>https://herstories.prattinfoschool.nyc/omeka/files/original/56/344/[2014SP]workshop_4.20.71_4.mp3</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Audio Recordings, 1971-1988</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Workshop #4, Side B, April 20, 1971</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Feminism</text>
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                <text>Friendship</text>
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                <text>Activism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The recording is from a workshop from April 20, 1971. The women are having an open discussion on honesty and trust within the group. The talk about how they feel about each other and how they handle being in Daughters of Bilitis. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Lesbian Herstory Archives</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1971-4-20</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="46820">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Physical: Audio Cassette &#13;
Digital: .MP3</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>48:08</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Activism</name>
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        <name>Communities</name>
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        <name>Daughters of Bilitis</name>
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        <name>Feminism</name>
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        <name>Friendship</name>
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