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                <text>Episode of &lt;a href="http://www.msignorile.com/radio.htm"&gt;the Michelangelo Signorile Show on Sirius OutQ&lt;/a&gt; which aired July 20, 2003 in which have Ruth Berman and Connie Kurtz to talk about their life and new film “Ruthie and Connie: Every Room in the House.” At the beginning of the episode, they also talk about other people they are having on the show.&lt;br /&gt;&lt;br /&gt;Ruth and Connie's interview starts at 10:55 and ends at 30:30. They discuss their Cotello Towers neighbohood where they met when they were both married and young mothers. There they started the "Mother's Action Committe" within their community. They talk about their own internalized homophobia at the beginning of their relaionship and their fear that they would have been found out, and the transition to feeling comfortable with themselves and their sexuality. They discuss their lawsit with the New York City Board of Education for Domestic Partnership Benifits and their apperance on the Donahue Show in 1988.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;They take questions from callers which relate to being lesbian and Jewish, the community they have found there, and the importance for others around the country to find similar communities, or to create them.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;After Ruth + Connie's interview the hosts discuss a NYC teen, Natalie Young, who is sueing her teacher for harasmeent over comments made about the teenagers shirt that said "Barbie is a Lesbian"and other LGBT current events.</text>
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                <text>Audio starts with Ruth Berman talking to an audience about the importance of voting as a Lesbian and as an ally, an about the importance of being political and coming out as a gay person. She touches on the role of money and legality in domestic partnerships and the need to prove them. Ruth encourages the audience to join the National Organization for Women (NOW) to amplify their voices.&#13;
&#13;
10:00 mins into the tape, Rosemary Dempsey from NOW discusses the importance of legal tools to protect gay people and their families, ad how coming out is an important part of that process.&#13;
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&#13;
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&#13;
Ruth and Connie discuss how they met, their early activism within their communities, being married to men and having families, and their eventual falling in love with one another and coming out as Lesbians. They discuss their relationships with their families then and now, and the importance of coming out of the closet. &#13;
&#13;
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                <text>"Out: One Road to Empowerment" panel moderated by Dixie Johnson from National NOW Power Through Action Conference. Panel includes Karen Thompson, Ruth Berman, and Connie Kurtz. &#13;
&#13;
Side 1 Ruth starts off by singing "I Am What I Am" by Gloria Gaynor and then talks about her life and knowing she was a lesbian from a young age and her journey to get rid of the same she originally felt about her sexuality. She talks about being married and having children, being in the closet, and her early relationship with Connie. She expresses the shame she first felt when being with Connie and regretting how much time she lost being in the closet. Ruth talks about going on the Phil Donahue show and the lawsuit after being denied partner benefits for Connie by the NYC Board of Education because they weren't married. She encourages the audience to undo the damage of being brought up as heterosexual women and to come out. &#13;
&#13;
At 21:40 Connie speaks and talks about being a mother and grandmother, and her relationship to her family. She talks about how abuse has been perpetuated throughout her life about working through her problems and celebrating changes. Connie shares her experience of being diagnosed with cancer and her experience trying to heal herself and going into remission. &#13;
&#13;
At 38:30 Karen Thompson discusses trying to be what other people wanted throughout her early life and meeting a partner who taught her how to live and be herself. She recalls not being able to admit her sexuality to herself or her partner, the car accident that her partner was involved in, and realizing she had to come out to get through this challenging time. &#13;
&#13;
Side 2 The second part of this tape is a duplicate of the audio described in "National Organization for Women (NOW) NYC - Ruth Berman and Rosemary Dempsey"</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Ruth Simpson and Ellen Povill are interviewed in Woodstock, New York. Ruth talks about her past experience dating men and falling in love. She discusses coming out and realizing her sexual orientation when she was doing theater in college. On tape 2, she and Ellen Povill talk about various movements, including civil rights, feminism and gay and lesbian rights. They describe the day a group of feminists were arrested at a demonstration and the police brutality they experienced and later on, examples of FBI interception. Ruth discusses DOB and her leadership of the New York chapter and Ellen talks about her activities on the action committee.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Morgan Gwenwald, Manuela Soares, Sara Yaeger.</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>&lt;p&gt;Audio from SAGE's Second National Conference on Aging, which took place from &lt;span style="font-weight: 400;"&gt;May 5-6, 2000 in New York, NY.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The audio starts with a conversation with a woman discussing activism, being an out lesbian parent, and atheticism and answering questions from the auidence. She talks about "The Gay Games" and the healing effect of sports for women and girls. Questions from the audience include comments on finding community at the intersection of elder lesbians and sports.&lt;/p&gt;&#13;
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                <text>Ruth Berman, Connie Kurtz&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jennifer+Woodul"&gt;Jennifer Woodul&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Ginny+Berson"&gt;Ginny Berson&lt;/a&gt;</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
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Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>Sally Piano is interviewed by Ruth Scovill. Sally talks about her distrust of the government, including phone-tapping, spying, and the CIA. She addresses mainstream musicians of ripping off minority culture, including lesbians by men in power. She shares views on women’s music as alienating male audiences, intended to create space for women-only, as well as differences between straight and gay audiences. She discusses issues of maintaining an ethnic name as a performer, and how she came about using a stage name. Sally touches on themes of separatism in the women’s and lesbian movements. Part 3 of 3.</text>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>This footage shows events and gatherings from the third annual San Francisco Dyke March on June 18, 1995, themed "A World Without Borders." It includes several women giving brief speeches before the march begins on topics such as domestic violence and gay communities in South Africa. California State Senator Carole Migden and Assistant Secretary of Department of Housing and Urban Development Roberta Achtenberg appear in the march. At the end of the march, Achtenberg gives a speech and the singer Rozalla performs.</text>
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Mary Patierno [Executive Producer]&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Dyke TV: Linda Chapman, Mary Patierno, Ana Maria Simo. Tapes and digital files held by the Lesbian Herstory Archives. Tapes reproduced with permission from the copyright holders.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. Ranging from the mid-1930s through the early 1960s, this ethnography of lesbian society is narrated with the backdrop of a mid-sized American city. Davis and Kennedy’s book is the result of 13 years of research, including an extensive oral history project.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These recordings range from conference proceedings to panel discussions to phone messages from book publishers. In each case, these related materials form an important element of the research, enriching and contextualizing the interviews conducted as part of the Buffalo Women’s Oral History Project. They discuss topics such as the publishing process and initial responses to the draft manuscript, the work of lesbian archives in researching and documenting the emergence of lesbian communities and lesbian consciousness across America, and how the research conducted into a small lesbian community in Buffalo, NY fits into a wider social narrative of establishing gay and lesbian identity and the development of gay and lesbian liberation movements.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;For oral history recordings made as part of the research for the book, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/22"&gt;Buffalo Women's Oral History Project, 1978-1990&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, Sharon Noteboom discusses growing up on a farm in the Midwest in a religious family, the influence of conservative religion through her life, her coming out process in the late 70s, her involvement with the civil rights movement and various communities in San Francisco, and teaching as an out Lesbian. &#13;
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                <text>July 28, 2021</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="56711">
                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>GLBT Historical Society</text>
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        <name>Janet Seldon</name>
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        <name>Rossmoor Lesbian Social Club</name>
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                  <text>Daughters of Bilitis Video Project, 1987-1993</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>A name given to the resource</description>
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              <text>Shirley Willer Interview, July 11, 1987</text>
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          <description>An account of the resource</description>
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              <text>Shirley Willer talks about becoming aware of her true sexuality, being a lesbian nurse, the DOB, her view on motherhood, and her experience as an activist. </text>
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              <text>Manuela Soares</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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            <description>An account of the resource</description>
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                <text>Shirley Willer talks about becoming aware of her true sexuality, being a lesbian nurse, the DOB, her view on motherhood, and her experience as an activist. On tape 2, she discusses her National Presidency of DOB, the break up of DOB in 1970 and the end of the Ladder in 1972. She also touches on the 1968 convention and her relationship with Marion.</text>
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                <text>Interviewer: Manuela Soares Interviewee: Shirley Willer</text>
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                <text>Morgan Greenwald [Still Photographer], Sara Yager [videographer]</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51430">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>CC BY-NC-ND (Creative Common License)</text>
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                <text>LHA Spoken Word Audio Cassette Collection, SPW1311 - SPW1314</text>
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            <name>Digital Format</name>
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                <text>Aspect Ratio 4 : 3</text>
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      <tag tagId="374">
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        <name>Identity</name>
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        <name>Interviews</name>
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      <tag tagId="526">
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      <tag tagId="160">
        <name>Lesbian mothers</name>
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      <tag tagId="782">
        <name>Manuela Soares</name>
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        <name>Shirley Willer</name>
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        <name>The Ladder</name>
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        <name>Work</name>
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            <element elementId="50">
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              <description>An account of the resource</description>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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            <name>Title</name>
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            <name>Subject</name>
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                <text>Autobiography, Homosexuality, Coming Out, Women, Men, Discrimination, Women's Political Organizations, Queer Activism</text>
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          <element elementId="41">
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                <text>This is a recording of Shirley Willer talking about her life. She talks about her experience with men, her experience as being labeled a lesbian, coming out to family and friends, how she discovered the existence of homosexual organizations through ONE Magazine, discrimination, the DOB, her initial expectations when first joining the organization, becoming chapter president, duties and achievements as president, conflicts surrounding the DOB, her decision to step down as chapter president, and the dissolution of DOB.&#13;
Marion Glass is recorded as well. She talks about her relationship with women, joining the Mattachine Society, and about DOB’s activist approach. &#13;
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          <element elementId="39">
            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="51106">
                <text>Shirley Willer, Marion Glass</text>
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                <text>Speaking to the Future: 1978 Lesbian Regional Conference (Tape 1)</text>
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                <text>Coming Out, Lesbian Community, Homophobia, Lesbians of Color</text>
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            <description>An account of the resource</description>
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                <text>Part 1 of interviews addressed to "lesbians of the future" conducted by the Lesbian Herstory Archives at the 1978 Lesbian Regional Conference. Among the subjects discussed in the interviews include coming out, lesbian fashion, older lesbians, chosen names, homophobia, and racism against lesbians of color.</text>
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                <text>Lesbian Herstory Archives</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Lesbian Herstory Archives&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Identifier</name>
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                <text>Speaking_to_the_Future_Tape_1</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Baked Tape</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/2 inch videotape</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:33:07</text>
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        <name>Coming out</name>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>St. Paul's Church Lesbian Pride Week Concert, June 26, 1976</text>
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                <text>LGBTQ+ musicians&#13;
LGBTQ+ demonstrations&#13;
Women's music</text>
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                <text>Concert held at St Paul's Church on the occasion of Lesbian Pride Week. Also includes the announcement of the site, details and regulations for a later rally. </text>
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                <text>2023-11-14 (digitized)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Casse Culver, Willie Tyson, Alix Dobkin</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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                <text>00:31:08</text>
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                <text>Stan Mack's "New Year's Day at WBAI" comic featuring Jan Albert</text>
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                <text>Stan Mack's "New Year's Day at WBAI" comic featuring Jan Albert, from Stan Mack's Real Life Funnies</text>
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                    <text>8</text>
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                  <text>Voices of the LHA: Statement of Purpose and Related Recordings</text>
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                  <text>Voices of LHA is an audio recording that documents the history and legacy of the Lesbian Herstory Archives. Members of LHA recite the LHA Statement of Purpose and then read quotations from appreciative visitors to LHA. Unfortunately the readers are unidentified.</text>
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                <text>Mission statements</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Oral history recording that documents the history and legacy of the Lesbian Herstory Archives. Members of LHA recite the LHA Statement of Purpose from 1974. This is followed by the reading of quotes (with multiple, unidentified readers) from appreciative visitors to LHA.</text>
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            <name>Source</name>
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                <text>Side A (wav) http://herstory.prattsils.org/wav_files/spw55_A.wav Side A (mp3) http://herstory.prattsils.org/mp3_files/spw55_A.mp3</text>
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                <text>Lesbian Herstory Archive</text>
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            <name>Date Modified</name>
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                <text>Digitized 2010, November</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Lesbian Herstory Archive&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Oral Histories</text>
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                <text>SPW55</text>
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                <text>Brooklyn, NY, United States</text>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                <text>Recording of a Zoom event "Life Passages" where Stephanie Singer speaks on her experience as a transwoman and a Lesbian and discussed her early life, her coming out, and her family dynamics. After Stephanie speaks, there is a Q&amp;A with other people on the Zoom meeting who are part of the Rossmoor Lesbian Social Club.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="55665">
                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Interview goes through 27:50 and  the rest of the recording is the community Q&amp;A</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
&#13;
Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>Susan Abod is interviewed by Ruth Scovill. The tape starts in the middle of a conversation. Susan talks about women’s rock music as the antithesis to “cockrock,” or rock music for and by men. She discusses her journey of auditioning and joining bands, and being influences by socialism, feminism, and how she joined a political band of women. (Some audio distortion). She talks about rewriting song lyrics, the concepts of straight-baiting, utopian politics, and differences between women’s music and feminist lyrics in music. Around 49:30 the narrator changes, and the topic changes to the Woman’s Coffee Coven, which later became a production company. This may be the predecessor of Olivia Records.</text>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Compilation of news coverage from '10 Tampa Bay' of protests organized by the Lesbian Avengers responding to the burning of a trailer belonging to lesbian and HIV advocate Dee DeBerry. &lt;br /&gt;&lt;br /&gt;Sections:&lt;br /&gt;&#13;
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&lt;li&gt;"Why are these lesbian activists eating fire?" [00:38-02:47]&lt;/li&gt;&#13;
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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              <text>Side A: 31:26 / Side B: 30:38</text>
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Side B: SPW1954_SideB_20251007_Transcript.docx</text>
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                <text>This episode of the Women’s Consciousness Raising Hour, hosted by Diane Trombley, features an interview conducted by Victoria Brownworth with writer and scholar Bertha Harris, Director of Women’s Studies at the City University of New York. Harris discusses her literary influences, the role of writing as personal liberation, and her exploration of lesbian identity and imagination through fiction. She reflects on the lesbian and feminist writers of 1920s Paris, such as Djuna Barnes, Natalie Clifford Barney, and Renée Vivien, emphasizing their impact on women’s literature and the need for broader recognition of their works. The program also features feminist songs highlighting women’s autonomy, labor, and resistance to patriarchy.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A:Women playing the guitar singing a jingle. She goes on to talk about the pain that comes with operating in a male centered society. In an interview, two women talk about women not being as confident in their ability of being without the "big father" figure present for reassurance. There's a conversation discussing how a woman sacrifices more, does more, feels more, which makes them gifted. They talk about women as nature, explaining how a woman's suffering forces people to experience life on a deeper level. There is talk about work as a form of salvation while finding moments of joy in the process. 

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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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            <description>A language of the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>LGBTQ plays</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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            <name>Identifier</name>
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                <text>LC053</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Hestory Archives&#13;
&#13;
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Judith Katz&#13;
Betsy Toth</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:31:01</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Radio Free Women, 1972-1974</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text> </text>
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                  <text>1972-1974</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Furies</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Furies was a group of twelve lesbian separatists in Washington, D.C. who saw heterosexual women as an obstacle in their feminism. Heterosexuality was as cyclical, and women in heterosexual relationships reinforced their oppression by absorbing the name and values of their male partners and moving them forward. The Furies published a newspaper, The Furies, that ran from 1972-1973.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>LC036</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>June 19, 1972</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="55406">
                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="55407">
                <text>Radio Free Women</text>
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          <element elementId="97">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="60049">
                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
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                <text>WAV</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:35:09</text>
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        <name>History</name>
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        <name>Lesbian separatism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Goddess and the Origins of Patriarchy</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>LGBTQ+ spiritual people</text>
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              <elementText elementTextId="61326">
                <text>Move from patriarchy</text>
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              <elementText elementTextId="61327">
                <text>Spirituality</text>
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              <elementText elementTextId="61328">
                <text>Violence</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="61329">
                <text>The Lesbian Radio Show, hosted by Rose Jordan. Discussion about the ancient goddess culture and feminist spirituality with Merlin Stone, author of "When God Was a Woman" (1976) and Grace Chanel, who had recent article in feminist journal, Heresies (1978).</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI Radio</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1978</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61335">
                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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          <element elementId="169">
            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>The Lesbian Radio Show</text>
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          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Rose Jordan</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Merlin Stone</text>
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                <text>Grace Chanel</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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          <element elementId="177">
            <name>Digital Format</name>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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      <tag tagId="1119">
        <name>Move from patriarchy</name>
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      <tag tagId="237">
        <name>Spirituality</name>
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      <tag tagId="220">
        <name>Violence</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                <text>The Heat Is On Miss Saigon</text>
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                <text>Asian American LGBTQ+ people&#13;
LGBTQ+ demonstrations&#13;
Anti-racism</text>
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                <text>Interviews and speeches from the demonstration at the Broadway opening of Miss Saigon organized by a coalition called "The Heat Is On 'Miss Saigon': Coaltion to End Racism and Sexism on Broadway".</text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>U-matic</text>
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                <text>MP4</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:11:45</text>
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        <name>Demonstrations</name>
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        <name>Miss Saigon</name>
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        <name>Racism</name>
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        <name>Sexism</name>
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        <name>Theater</name>
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                  <text>Video Library, 1973-1993</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
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            <name>Title</name>
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                <text>The Lesbian Avengers Eat Fire, Too</text>
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                <text>Lesbian Avengers, Lesbian activism, Hate Crimes, Anti-lesbian violence</text>
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                <text>&lt;em&gt;&lt;a href="https://youtu.be/o4o0tZPETAc?si=ZBf5ytK50WW7CVs4"&gt;[Description from the Lesbian Avengers]&lt;/a&gt;&lt;br /&gt;The Lesbian Avengers Eat Fire, Too&lt;/em&gt; offers a look at the New York group's first year, from their initial demonstration in front of an elementary school in '92 to the Dyke March in DC, where the Avengers ate fire in front of the White House, cheered on by an enormous crowd.&lt;br /&gt;&lt;br /&gt;The video supplements footage of actions with portraits of real-life Avengers still giddy with their first experiences of taking to the streets as out dykes, as well as interviews with puzzled tourists trying to answer the question, "Who are the Lesbian Avengers?"&lt;br /&gt;&lt;br /&gt;Edited by two Avengers, videomaker Janet Baus, and experimental filmmaker, Su Friedrich, the video was a group effort, with a number of Avengers contributing.&lt;br /&gt;--------&lt;br /&gt;&lt;span&gt;The Lesbian Avenger employed fire eating as an act of protest as a response to arson attacks against gays and lesbians who had been killed by Molotov cocktails thrown into their homes. &lt;/span&gt;</text>
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                <text>Janet Baus, producer and director</text>
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                <text>Su Friedrich, producer and director</text>
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                <text>Lesbian Avengers</text>
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                <text>1993 (date released)</text>
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                <text>02/2024 (date digitized)</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="58197">
                <text>Lesbian Herstory Educational Foundation, Inc.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>The_Lesbian_Avengers_Eat_Fire_Too</text>
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          <element elementId="97">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="60035">
                <text>Researchers may take photographs or make photocopies of this material for personal use instead of note taking. Researches may NOT copy digital files, including video.</text>
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        <name>PBCore</name>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>U-matic</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:55:30</text>
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        <name>Activism</name>
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        <name>Documentary</name>
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        <name>Dyke marches</name>
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        <name>Hate crimes</name>
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        <name>Lesbian avengers</name>
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              <description>A name given to the resource</description>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Lesbian in Literature - Female Friendships, Crushes + Afffections in Children's Lit - Janet Cooper</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>The Lesbian in Literature - Episode 3 of 4</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Lesbian poetry</text>
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              <elementText elementTextId="61403">
                <text>Lesbian children's literature</text>
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              <elementText elementTextId="61404">
                <text>Lesbophobia</text>
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                <text>LGBTQ+ children's literature</text>
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                <text>Childhood</text>
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                <text>Children</text>
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                <text>Conferences</text>
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                <text>Discrimination</text>
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                <text>Lesbian authors</text>
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                <text>Lesbian writers</text>
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                <text>Libraries</text>
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                <text>Literature</text>
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                <text>Sexism</text>
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                <text>Gay Academic Union</text>
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            <description>An account of the resource</description>
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                <text>This tape contains the third panel from the Gay Academic Union Conference at NYU, the "Lesbian in Literature" Panel. Panelists are Janet Cooper, speaking on female crushes and friendships in children's literature, and Cynthia Secor, speaking about Gertrude Stein and James Joyce. The moderator was Virginia Caputo.&lt;br /&gt;&lt;br /&gt;Janet describes that the first room in a library targeted specifically for children was in the Pratt Library in Brooklyn in 1895. The librarian Anne Carole Moore worked there, and would become a very influential children's librarian. She speaks on the monopoly of children's literature in publishing and book awards, with Anne Carole Moore at the center due to her connections with other powerful librarians. Since Anne Carole Moore's appointment, child friendships and friend crushes in literature have disappeared. The removal of content in library books where children physically touched each other, Janet says, was a direct result of the fear of lesbianism.&lt;br /&gt;&lt;br /&gt;Cynthia Secor speaks about Gertrude Stein and James Joyce. She asserts that Stein is an oft-overlooked figure in literature. Gertrude Stein was a sort of hidden figure, while James Joyce was taught everywhere. Stein was read by many lesbian women, but Cynthia did not read Stein until she joined the lesbian community. Cynthia reads a passage by Stein, "Cow come out...", discusses Stein's novella, Q.E.D., and her "Patriarchal Poetry" essay.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>KPFK radio</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1975-07-29</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of KPFK and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>Gay Academic Union Conference (1974)</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Virginia Caputo</text>
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                <text>Janet Cooper</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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      <tag tagId="244">
        <name>Libraries</name>
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      <tag tagId="305">
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          <description>An account of the resource</description>
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              <text>The Lesbian in Literature Program Listing (Los Angelos: KPFK Folio July 1975)</text>
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                <text>The Lesbian in Literature Program Listing (Los Angelos: KPFK Folio July 1975)</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>The Lesbian Magazine - Did You Say Love!? A Valentine Show</text>
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                <text>Valentine's Day</text>
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                <text>Sodomy laws</text>
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                <text>Judy Pasternak</text>
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                <text>Broadcast of The Lesbian Magazine, noted as "Did You Say Love!? A Valentine's Show," on both side A and B. Valentines themed episode containing lesbian love songs, roundtable of host Judy Pasternak's friends reflecting on love in varied forms, and news updates relevant to the lesbian community.</text>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>"Did You Say Love" by Willie Tyson</text>
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                <text>Digitized Spring 2026</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>African American feminists [sh2004002861] African American lesbians [sh85001859] Lesbianism [sh85076157] Feminism [sh85047741]</text>
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                <text>In addition to Audre Lorde, Linda Gordon, Manuela Prairie, Jessica Benjamin, Bonnie Johnston, Camille Bristow, and Susan McHenry participated in the panel. The recording includes a question and answer session between panelists and audience members. The topics discussed include racism, feminism, class oppression, individualism, sexuality, community, and sisterhood.</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1155_A.mp3 Side A (wav) http://herstory.prattsils.org/wav_files/spw1155_A.wav</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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                <text>Tape 1 of 2.</text>
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        <name>Linda Gordon</name>
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&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Audre Lorde continues her presentation as part of “The Personal and the Political” panel held at the Second Sex Conference on September 29, 1979. Audience members pose questions and make comments regarding the intersections between race, class, sexual orientation, and gender and feminism in response to Audre Lorde’s speech, “The Master’s Tools Will Never Dismantle the Master’s House”, from SPW1155.</text>
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                <text>Audre Lorde</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1156_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1156_A.wav</text>
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                <text>Side B (mp3) http://herstory.prattsils.org/mp3_files/spw1156_B.mp3 Side B (wav) http://herstory.prattsils.org/wav_files/spw1159_B.wav</text>
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                <text>Digitized: June 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Preceded by SPW1155.</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>The Real Live Lesbian Show</text>
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                <text>via WBAI Folio 1977</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>The Real Live Lesbian Show - Mary Jo Risher</text>
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                <text>Rebecca Tron</text>
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                <text>Broadcast of The Real Live Lesbian Show, noted as “The Real Live Lesbian Show - Mary Jo Risner,” on both side A and side B. In this broadcast, Rebecca Tron (one of two hosts) interviews Mary Jo Risher and her partner Anne Forman, in promotion of Risher’s book By Her Own Admission: A Lesbian Mother’s Fight to Keep Her Son. Risher lost her son in a highly publicized custody battle with her husband. She was discriminated against for being a lesbian. Note that Risher’s name is misspelled on the inscribed title.</text>
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                <text>1977-07</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>The Real Live Lesbian Show</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>0:39:11</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Womanly Way" by Linda Tillery</text>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>The Women's Ausie Hour 10/7/76 - Pamela Brandt + Helen Kooke Speak about the Niteshade + Women's Music</text>
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                <text>The Deadly Nightshade: Pamela Brandt and Helen Hooke Speak about the Nightshade and Women's Music</text>
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                <text>This episode of &lt;em&gt;The Women's Music Hour&lt;/em&gt; contains an interview with Pamela Brandt and Helen Hooke, who make up one of the first American all female bands, The Deadly Nightshade.</text>
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                <text>WXPN radio</text>
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                <text>1976-10-07</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://xpn.org/contact/"&gt;WXPN&lt;/a&gt;. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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                <text>The Women's Music Hour</text>
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                <text>Pamela Brandt</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:56:10</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Keep On the Sunnyside" by The Deadly Nightshade</text>
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                <text>"Mary Hartman, Mary Hartman" by The Deadly Nightshade</text>
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      <tag tagId="203">
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        <name>Women's music</name>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>"The Women's Department". Article featuring the women of ''The Real Live Lesbian Show', 'Our Cities, Our Lives', 'More Than Half the World', 'Women's Studies', and 'Everywomanspace'. Photos: Viv Sutherland, Rebecca Tron, Irene Yarrow (New York: WBAI Folio August 1977)</text>
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                <text>The Women's Dept. (Aug 1977)</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Third World Lesbian Writers Conference featuring Audre Lorde, Yvonne Flowers, and Robin Christian, 1979 </text>
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                <text>Audio recording of the Third World Lesbian Writers Conference that took place on March 24, 1979.  This is one of two tapes from the workshop, the second tape is missing. This is a workshop with Audre Lorde, Yvonne Flowers, and Robin Christian.   Audre Lorde is on Side 1.  Joan Nestle, Deb Edel, and Candice Wood are mentioned.</text>
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                <text>Audre Lorde</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1157_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1157_A.wav</text>
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                <text>Third World Lesbian Writers Conference</text>
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                <text>Digitized: June 2011</text>
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                <text>Joan Nestle, Deb Edel, Candice Wood</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Original = Cassette Tape</text>
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                <text>WAV</text>
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                <text>Side A [44:36]</text>
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                <text>Side B [44:52]</text>
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