1 100 9 https://herstories.prattinfoschool.nyc/omeka/files/original/e45ff5d68abb811fb2ebca26f69ccd21.JPG 0af8c7cb0a11318664cc711ced965f9b https://herstories.prattinfoschool.nyc/omeka/files/original/05ffe6958271dc169d3e7febb2442e63.mp3 a317c58681fba3e5883e436537d58942 https://herstories.prattinfoschool.nyc/omeka/files/original/a224ba44f7c1c7bd4fee223daba9cf2e.mp3 f826a0e36166892124184aa1f2fe653c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Rights Holder A person or organization owning or managing rights over the resource. WXPN Identifier An unambiguous reference to the resource within a given context SPW1922 Title A name given to the resource Amazon Country - Gay Community Center Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Gay Community Center Subject The topic of the resource Lesbian radio Women's music Lesbian separatism Lesbian feminism Lesbian liberation Activism Communities Lesbian activists Media Music Ti Grace Atkinson Description An account of the resource (Side A) Victoria Brownworth this episode of Amazon Country with announcements regarding lesbian and feminist groups and organizations. Roberta Hacker interviews Arleen Olshan of the Gay Community Center. Arleen notes that lesbians are underrepresented in decision-making, policy development and program coordination, and the GCC would benefit from more lesbian involvement. They discuss lesbian separatism (especially relating to how few women are involved with the GCC). Arleen announces upcoming events at the GCC including various lectures by authors and activists, as well as consciousness-raising groups and educational classes. (Continues onto side B) Arleen encourages lesbians to check out the center because they "might be surprised" by the level of feminism that exists within the gay male community. Includes an ad for the Bicentennial Women's Center. Publisher An entity responsible for making the resource available WXPN radio Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://xpn.org/contact/">WXPN</a>. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. Amazon Country Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). Victoria Brownworth Roberta Hacker Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Arleen Olshan Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Digital Format Access Copy: MP3 Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 0:57:28 Music/Sound Used Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information. "Free" by Melba Moore "Cherchez la Femme" by Dr. Buzzard's Original Savannah Band "Scotch and Soda" by The Manhattan Transfer "Cry Me A River" by Julie London "Falling In Love Again" by Marlene Dietrich "Song to My Mama" by Meg Christian "Love Is Blind" by Janis Ian "I'm Not In Love" by Dee Dee Sharp "Lean On Me" by Melba Moore "Changing" by Kay Gardner "She Loves Me" by Isis Activism Communities Feminism Lesbian activists Lesbian feminism Lesbian liberation Lesbian musician Lesbian radio Lesbian separatism Media Music Ti Grace Atkinson Women's music https://herstories.prattinfoschool.nyc/omeka/files/original/72952c52966802cb9815412139491507.jpg 76a93e87fcece3f240b60670eecb1686 https://herstories.prattinfoschool.nyc/omeka/files/original/dbb3ff924e9be25709716cb1b6e2e1a4.mp3 d3245178788faf0301c07ee4dd847826 https://herstories.prattinfoschool.nyc/omeka/files/original/14643ac0a26d94b7d266169257163da9.mp3 180f81dd556a8379b815fcb089cf7d01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Rights Holder A person or organization owning or managing rights over the resource. WXPN Identifier An unambiguous reference to the resource within a given context SPW1926 Title A name given to the resource Amazon Country 9/19/76 - Dyketactics Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Dyketactics! Subject The topic of the resource Lesbian radio Women's music Police violence toward LGBTQ+ people Police harassment of LGBTQ+ people Lesbophobia Lesbian movement Lesbian community Feminism LGBTQ+ civil rights Lesbian musician Media Music Police Police harassment Ti Grace Atkinson Description An account of the resource (Side A) Victoria Brownworth opens this episode of Amazon Country by announcing that an Amazon Country employee lost her house, belongings and pets to a fire, so they're starting a collection for her through the Women's Cultural Trust. Various other announcements regard upcoming events, a lesbian support group, and the council elections at the Gay Community Center. Roberta Hacker interviews Linda Norwood and Sherrie Cohen of 'Dyketactics!' to discuss their lawsuit against the police, the first time in history that lesbians have sued the police for brutality, excessive force, and harrassment. This lawsuit regards police action on December 4, 1975, when 'Dyketactics!' (and other groups) attended a (Philadelphia) city council meeting to help urge passing of the "Gay Rights Bill" by the committee. Philadelphia's Civil Defense Squad immediately approached and used excessive force against the women, prompting 'Dyketactics!' to file a lawsuit against the City of Philadelphia for lesbophobic police brutality. Linda and Sherrie encourage women to attend the trial in order to support them. They also ask for feedback so that they can better represent and stand up for the lesbian community. When Victoria asks what they hope to get out of the trial, 'Dyketactics!' dsecribes their hopes to raise consciousness around the need for gay rights. (Side B) Linda and Sherrie discuss the positive reception they've had regarding the trial, and announce that there will be a community meeting hosted by 'Dyketactics!' to discuss the disbursement of the (potential) compensation from the lawsuit into the lesbian community. Publisher An entity responsible for making the resource available WXPN radio Date A point or period of time associated with an event in the lifecycle of the resource 9/19/76 Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://xpn.org/contact/">WXPN</a>. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. Amazon Country Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). Victoria Brownworth Roberta Hacker Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Linda Norwood Sherrie Cohen Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Digital Format Access Copy: MP3 Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 1:00:38 Music/Sound Used Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information. "Old Cape Cod" by Bette Midler "Scotch and Soda" by The Manhattan Transfer "You Turned the Tables On Me" by Billie Holiday "They Can't Take That Away From Me" by Billie Holiday "I Only Have Eyes For You" by Billie Holiday "Hearts Desire" by The Manhattan Transfer "Get Off Me Baby" by Holly Near "Sister-Woman-Sister" by Holly Near "The Woman In Your Life" by Alix Dobkin "Sweet Woman" by Cris Williamson "Lean On Me" by Melba Moore "I'd Like To Be" by Jade and Sarsparilla Feminism Lesbian community Lesbian movement Lesbian musician Lesbian radio Lesbophobia LGBTQ+ civil rights Media Music Police Police harassment Police harassment of LGBTQ+ people Police violence toward LGBTQ+ people Ti Grace Atkinson Women's music https://herstories.prattinfoschool.nyc/omeka/files/original/643e96917c91d87a303aee1f084410ef.jpg 4c3419a2d329176f22a06d9c5c3dd974 https://herstories.prattinfoschool.nyc/omeka/files/original/2df3a3a41134302e93ec896587638ca5.mp3 a6021ed94d95d25043df181dd34fc549 https://herstories.prattinfoschool.nyc/omeka/files/original/c19a11d0eacedf9c14ae222bf078912b.mp3 28e826a64dda3eaa79e195006582a2b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Rights Holder A person or organization owning or managing rights over the resource. WXPN Identifier An unambiguous reference to the resource within a given context SPW1943 Title A name given to the resource The Women's Ausie Hour 10/7/76 - Pamela Brandt + Helen Kooke Speak about the Niteshade + Women's Music Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. The Deadly Nightshade: Pamela Brandt and Helen Hooke Speak about the Nightshade and Women's Music Subject The topic of the resource Lesbian radio Women's music Feminism Media Music Description An account of the resource This episode of The Women's Music Hour contains an interview with Pamela Brandt and Helen Hooke, who make up one of the first American all female bands, The Deadly Nightshade. Publisher An entity responsible for making the resource available WXPN radio Date A point or period of time associated with an event in the lifecycle of the resource 1976-10-07 Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://xpn.org/contact/">WXPN</a>. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. The Women's Music Hour Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Pamela Brandt Helen Moore Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Digital Format Access Copy: MP3 Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 0:56:10 Music/Sound Used Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information. "Keep On the Sunnyside" by The Deadly Nightshade "Mary Hartman, Mary Hartman" by The Deadly Nightshade Feminism Lesbian musician Lesbian radio Media Music Women's music https://herstories.prattinfoschool.nyc/omeka/files/original/01b11fbcaaf4cf77279d3a9ad8803871.jpg 2a79161df42ce4c32fef3aca05a6f78f https://herstories.prattinfoschool.nyc/omeka/files/original/9ce096e3d83c1cc695683bc36d4a0d92.mp3 97b48579c2675715a4f7be6ad50a7cdf https://herstories.prattinfoschool.nyc/omeka/files/original/0250c92d5720dd1a484f361a0d84d933.mp3 5321792afa9f8afc52c2e54c4907d9e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Rights Holder A person or organization owning or managing rights over the resource. WXPN Identifier An unambiguous reference to the resource within a given context SPW1948 Title A name given to the resource Amazon Country - Victoria Brownworth Speaks with Bertha Harris Subject The topic of the resource Lesbian radio Women's music Lesbian authors Lesbian fiction Patriarchy Lesbian identity Bertha Harris Discrimination Feminism Lesbian literature Lesbian separatism Music Writing Media Lesbian musician Description An account of the resource Victoria Brownworth interviews author Bertha Harris in an episode of Amazon Country. Bertha discusses how writing has been a means of freedom and escape for her, and how she would like fiction to help define what it means to be a lesbian. They also explore whether and how the patriarchy has an impact on what women write. They ruminate on the overlap between politics and art. Publisher An entity responsible for making the resource available WXPN radio Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://xpn.org/contact/">WXPN</a>. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. Amazon Country Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). Victoria Brownworth Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Bertha Harris Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Digital Format Access Copy: MP3 Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 0:58:41 Music/Sound Used Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information. "Your Mama Won't Like Me" by Suzi Quatro "It's Gonna Take A Miracle" by Jade and Sarsaparilla Bertha Harris Discrimination Feminism Lesbian authors Lesbian fiction Lesbian identity Lesbian literature Lesbian musician Lesbian radio Lesbian separatism Lesbian writers Media Music Patriarchy Women's music Writing https://herstories.prattinfoschool.nyc/omeka/files/original/74e277417e48ba11ffba20cae24066ba.jpg d5216fc5eddd796e61d5fbaf8d572b8f https://herstories.prattinfoschool.nyc/omeka/files/original/009827ea935c9d52bee6a17cc95dc733.mp3 f066c08c94afb07ce11e322e85f82e8c https://herstories.prattinfoschool.nyc/omeka/files/original/e9aa09cd5f5b5ec7c9351c7d1d2a8f55.jpg c5f543973653afa962e6837c6c29bae5 https://herstories.prattinfoschool.nyc/omeka/files/original/a83a92fa85e49f92ae439f16db27148f.mp3 625f4bc838413061e69e3194dbd4c4a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Side A: 31:48 Side B: 28:49 Interviewer* Diane Trombley Interviewee* Joanne Wolf Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Cassette Tape Transcription Any written text transcribed from a sound. Side A: SPW1933_SideA_20251007_Transcript.docx Side B: SPW1933_SideB_20251007_Transcript.docx Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context SPW1933 Title A name given to the resource Women's Consciousness Radio Hour - What Carter Promises Women Subject The topic of the resource Folk Music Politics Feminism Carter Family Malvina Reynolds Women's music WXPN Description An account of the resource In this episode of Women's Consciousness Radio Hour on WXPN, host Diane Trombley kicks off the program by playing a two songs by activist and musician Malvina Reynolds. One song is from the album "Virgo Rising - The Once And Future Woman," and the other is from Reynold's own album, "Held Over." Trombley then welcomes guest Joanne Wolf to the show. Joanne was convener of the Women's Health Concern Committee, a member of NOW, and also a member of the board of the Bicentennial Women's Center. They discuss women's issues in American politics with a particular emphasis on the Democratic and Republican split and the Carter-Mondale ticket / platfrom of 1976. Publisher An entity responsible for making the resource available WBAI Radio Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://www.pacificaradioarchives.org/">Pacifica Radio</a>, owner of WBAI and other historical stations. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. The Women's Conciousness Raising Hour Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). Diane Trombley Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Joanne Wolf Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Digital Format Access Copy: MP3 Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 1:00:37 Transcription The textual transcription of the media item. Side A: SPW1933_SideA_20251007_Transcript.docx Side B: SPW1933_SideB_20251007_Transcript.docx Carter Family Feminism Folk music Malvina Reynolds Politics Women's music WXPN https://herstories.prattinfoschool.nyc/omeka/files/original/d1beda37da609628b7c3bfc2cc54e9af.jpg da4a9f9839be12ae3564708aaaae9ba9 https://herstories.prattinfoschool.nyc/omeka/files/original/4d8c3a4eb5a519402fa5c1949326b862.mp3 e96af67784ad445612267fb08873c3a3 https://herstories.prattinfoschool.nyc/omeka/files/original/5835a5197fac2bf20cefbcedc79b1d22.mp3 da36da6297d42c2d17c14bae66e6cb26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context SPW1952 Title A name given to the resource The Deadly Niteshade Live Subject The topic of the resource Women's music The Deadly Nightshade Description An account of the resource The Deadly Nightshade Live, hosted by WBAI in NYC. The radio show they appeared on nor the host(s) are noted at the beginning of the recording. Note, the incorrect spelling of Nightshade on the Inscribed Title. Publisher An entity responsible for making the resource available WBAI Radio Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://www.pacificaradioarchives.org/">Pacifica Radio</a>, owner of WBAI and other historical stations. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). unknown Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). The Deadly Nightshade Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 0:58:02 Music/Sound Used Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information. "High Flying Woman" by The Deadly Nightshade "Comin' Thru" by The Deadly Nightshade "Keep on the Sunnyside" by The Deadly Nightshade "Dance, Mr. Big, Dance" by The Deadly Nightshade "Ain't I a Woman?" by The Deadly Nightshade "Onions" by The Deadly Nightshade "Don't Pass Me By" by The Deadly Nightshade (The Beatles Cover) "Truckin'" by The Deadly Nightshade (The Grateful Dead Cover) Notes Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata. Digitized Spring 2026 Volume dips approximately 18 minutes into the recording. The Deadly Nightshade Women's music https://herstories.prattinfoschool.nyc/omeka/files/original/bf1c4cfb2cc3fc2889426792a2e9d940.jpg 357e19064d3050b965bd6d24a088deac https://herstories.prattinfoschool.nyc/omeka/files/original/7def9e7af9a94bdd2362115058c4af5c.mp3 31d50d7ed49c901158254d59b6d3503c https://herstories.prattinfoschool.nyc/omeka/files/original/fbb353182036ef5ae2b7dee318d9671c.mp3 5a21bebfc5235d0ed6bc056a88d4d87a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context SPW1961 Title A name given to the resource Chalanga with Roz Esposito Subject The topic of the resource Music Women's music Ira Weitzman Roz Esposito Description An account of the resource Broadcast of Free Music Store, on side A and B, hosted by Ira Weitzman, no title inscribed on cassette. Free Music Store broadcast live concerts. This broadcast captures a band whose name, phonetically, is "cha-long-a," and is possibly lead by "Diane Ponzio" or "Diane Pond," followed by Roz Esposito. Publisher An entity responsible for making the resource available WBAI Radio Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://www.pacificaradioarchives.org/">Pacifica Radio</a>, owner of WBAI and other historical stations. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. Free Music Store Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). Ira Weitzman Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Roz Esposito Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Digital Format Access Copy: MP4 Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 1:51:41 Notes Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata. The name of the first band and the musicians that made it up can unfortunately not be corroborated. Phonetically, the band sounds like "chah-long-a". Phonetically. the musician names sounded Diane Ponzio (lead), congas "Cheryl Grogan," bass "Din Allen," drums "David Pentecost," and cello "Julie Tan". Google Gemini suggested that these were all members of a band called Tsalonga, but could not provide any proof online that these musicians had been in a band together, and did not replicate that response. It's possible these musicians were in a small band together early in their careers, and that no recordings of their performances survive. Digitized Spring 2026 Ira Weitzman Music Roz Esposito Women's music https://herstories.prattinfoschool.nyc/omeka/files/original/68fe43df0927712d848c84563979a33d.jpg 964ea0c5ba6f8158cb5e0fed6dda77b7 https://herstories.prattinfoschool.nyc/omeka/files/original/883cf2e5ac3d351b40859cf0209ca55a.mp3 90b47f2dc4e5b08e4b46d75da6530b81 https://herstories.prattinfoschool.nyc/omeka/files/original/f4584cd8bb2e919b65e2b23c76902ff7.mp3 53ed772ed193fef42bcb48452e365162 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context SPW1970 Title A name given to the resource More Than Half the World - Jeannie Pool Subject The topic of the resource Breast cancer Women's music Jeannie Pool Audre Lorde Description An account of the resource Broadcast of More than Half the World, hosted by Jeannie Pool, and inscribed as “More Than Half the World - Jeannie Poole” on both side A and B. In this broadcast, Pool: plays several songs by women musicians, including multiple by Meg Christian; interviews Audre Lorde on The Cancer Journal; takes calls from listeners; discusses the upcoming First National Congress on Women in Music and plans to move the conference to NYU in March; discusses Heresies magazine issue No. 10 on Women in Music; interviews Sue Fink, the conductor of the Los Angeles Women's Community Chorus; and plays live recordings of the LA Women's Community Chorus performing. There are severe audio issues at the beginning of the access copy, which resolve after a couple of minutes. Note the discrepancy in Pool’s name as written in the inscribed title. Publisher An entity responsible for making the resource available WBAI Radio Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://www.pacificaradioarchives.org/">Pacifica Radio</a>, owner of WBAI and other historical stations. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. More Than Half the World Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). Jeannie Pool Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Audre Lorde Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 2:35:32 Music/Sound Used Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information. "Face the Music" by Meg Christian Notes Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata. Issue in digitizing resulted in chipmunk effect on both sides, access copy was slowed down to be comprehensible. Song played at the beginning has audio issues. Unclear if they are a result of original radio taping or digitization process. Digitized Spring 2026 Audre Lorde Breast cancer Jeannie Pool Women's music https://herstories.prattinfoschool.nyc/omeka/files/original/f530723189e964ca37ee43eb1d431326.jpg 8c3873752731266366a76bab9c39e82b https://herstories.prattinfoschool.nyc/omeka/files/original/db2b769cd2c9d933555f57ff70e17f99.mp3 1d416a20a464b3cd8f032796de1c6696 https://herstories.prattinfoschool.nyc/omeka/files/original/4afc27c83fab426d5fa5df1aafc10c3c.mp3 3e145f366ca1ff53e29f27d8e840bf60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WBAI Radio Programs, circa 1970s Description An account of the resource This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.  The tapes contain programs that are specific to feminism and lesbian communities, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.  Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”  These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality. Recurring radio programs featured in this collection include Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World, and Seeing Red, among others.  These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s. Find out more about the context of the collection here: <a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about">WBAI Women's Department and Feminist Programming</a> Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context SPW1971 Title A name given to the resource Velvet Sledgehammer - Edwina Lee Tyler - Luna Tune Subject The topic of the resource Dance--Africa Music Women's music Donna Allegra Ferne Yangyeitie Caulker-Bronson Edwina Lee Tyler Luna Tune Description An account of the resource Broadcast of The Velvet Sledgehamer, inscribed as "Velvet Sledgehammer - Edwina Lee Tyler - Luna Tunes" on Sides A and B. Donna Allegra interviews Ferne Yangyeitie Caulker-Bronson (Founder and Artistic Director of Wisconsin based, African dance troupe Ko-Thi), Edwina Lee Tyler (drummer of African percussions, performer, and founder/Artistic Director of African dance troupe A Piece of the World), and Luna Tunes (women’s a cappella group), who also give a live performance. Publisher An entity responsible for making the resource available WBAI Radio Rights Information about rights held in and over the resource This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC-BY-NC-ND 4.0</a>. Requests for further uses and licensing questions should be forwarded to <a href="https://www.pacificaradioarchives.org/">Pacifica Radio</a>, owner of WBAI and other historical stations. See also <a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement">LHA Copyright Statement</a>. PBCore PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/ Series Title If applicable, the larger series to which the episode or piece contributed. The Velvet Sledgehammer Host If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix"). Donna Allegra Interviewee The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix"). Ferne Yangyeitie Caulker-Bronson Edwina Lee Tyler Luna Tune Physical Format The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive. Audio cassette Duration Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS 1:31:04 Music/Sound Used Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information. "High Flying Woman" by The Deadly Nightshade "Freedom Time" by Linda Tillery Notes Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata. Digitized Spring 2026 Dance--Africa Donna Allegra Edwina Lee Tyler Ferne Yangyeitie Caulker-Bronson Luna Tune Music Women's music