<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://herstories.prattinfoschool.nyc/omeka/items/show/238">
    <dcterms:title><![CDATA[Pat Helin and Barbara Deming Interview, May 10, 1987]]></dcterms:title>
    <dcterms:subject><![CDATA[AIDS, Bars, Coming out, Consciousness Raising, Consciousness Raising Groups, Homophile Movement, Gay Men, Rural Lesbians, Small Towns, Unions, Politics: Republican, Marriage, Feminism, Mothers]]></dcterms:subject>
    <dcterms:description><![CDATA[Pat Helin and Barbara Deming discuss their childhood in Iowa, relationships with their familes, their involvement with the Daughters of Bilitis in San Francisco and their friendship with Del Martin and Phyllis Lyon.<br />
<br />
On tape 2, they elaborate on their early days in San Francisco, Pat’s previous marriage, political affiliations, jobs, dancing in gay bars, and why they ultimately left the DOB.]]></dcterms:description>
    <dcterms:creator><![CDATA[Manuela Soares]]></dcterms:creator>
    <dcterms:source><![CDATA[http://devherstories.prattsils.org/omeka/archive/files/7501dc11b0f4a2ca49b7b8900fdd9250.mp4]]></dcterms:source>
    <dcterms:publisher><![CDATA[Lesbian Herstory Archives]]></dcterms:publisher>
    <dcterms:created><![CDATA[1987-05-10]]></dcterms:created>
    <dcterms:created><![CDATA[[Digitized] November 6, 2013]]></dcterms:created>
    <dcterms:issued><![CDATA[May 10, 1987]]></dcterms:issued>
    <dcterms:contributor><![CDATA[edited by Morgan Gwenwald, Manuela Soares, Sara Yaeger]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="/omeka/rights-statement" target="_blank" rel="noopener"> See the LHA Copyright Statement</a>
<p>Licensed under CC BY-NC-ND</p>]]></dcterms:rights>
    <dcterms:rights><![CDATA[Photo by Morgan Gwenwald]]></dcterms:rights>
    <dcterms:medium><![CDATA[Digital reproduction of video cassette]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Video Recording; Oral history]]></dcterms:type>
    <dcterms:identifier><![CDATA[MV-9]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[Helin_Pat_&amp;_Deming_Barbara_Tape2of2_1987May10]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[San Francisco, CA]]></dcterms:coverage>
    <dcterms:rightsHolder><![CDATA[Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://herstories.prattinfoschool.nyc/omeka/items/show/981">
    <dcterms:title><![CDATA[Folk Songs of the Industrial Workers of the World]]></dcterms:title>
    <dcterms:subject><![CDATA[Music]]></dcterms:subject>
    <dcterms:description><![CDATA[This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs were written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recorded in the 1950s. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL.]]></dcterms:abstract>
    <dcterms:tableOfContents><![CDATA[1. Preacher and the Slave (Pie in the Sky When you Die) <br />
2. The Commonwealth of Toil                                                                                                                                                                                                                                              3. Down to the Soup Line<br />
4. Preacher and the Slave (Pie in the Sky When you Die) <br />
5. Rebel Girl<br />
6. The Tramp<br />
7. Dump the Bosses off your Back <br />
8. There is Power in a Union <br />
9. Scissor Bill<br />
10. Working Men Unite<br />
11. Popular Wobbly <br />
12. Boom Went the Boom <br />
13. Hallelujah I’m a Bum <br />
14. Live recording of I Got Trouble <br />
15. Moving Day]]></dcterms:tableOfContents>
    <dcterms:rights><![CDATA[Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"><span style="font-weight: 400;">Licensed under CC BY-NC-ND</span></a>]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[LC048]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://herstories.prattinfoschool.nyc/omeka/items/show/1030">
    <dcterms:title><![CDATA[Discussion on Waitressing]]></dcterms:title>
    <dcterms:description><![CDATA[Recording starts with an introduction from the Feminist Radio Network, with female vocalizing, singing, and performing. The recording then begins to talk about women in the food service industry, and the statistics of how many women are waitresses. Upon interviewing a waitress, the conversation moves towards the low wages, and need for unionization in waitressing, since there is such a reliance on tips. Segueing through empowering music, the discussion shifts to women’s speeches, performances and testimonies on women’s liberation. The recording then moves on to a panel with Maxine Kumin, Grace Paley, and Alice Walker, discussing their thoughts on women’s writing.]]></dcterms:description>
    <dcterms:creator><![CDATA[Feminist Radio Network]]></dcterms:creator>
    <dcterms:date><![CDATA[n/d]]></dcterms:date>
    <dcterms:rights><![CDATA[Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"><span style="font-weight: 400;">Licensed under CC BY-NC-ND</span></a>]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[LC056]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://herstories.prattinfoschool.nyc/omeka/items/show/1267">
    <dcterms:title><![CDATA[Coalition of Labor Union Women #2]]></dcterms:title>
    <dcterms:alternative><![CDATA[Coalition Of Labor Union Women 2]]></dcterms:alternative>
    <dcterms:description><![CDATA[This interview/discussion opens with &quot;Frontier&quot; by Cris Williamson. Pat Strand and Linda Osbourne are interviewed about the Coalition of Labor Union Women (CLUW) conference. They talk about how the women&#039;s unions and the coalition got their start. The effects of the conference on local unions is also talked about. The CLUW episode ends at 27 minutes. Note: At 27:20 the audio cuts to the middle of a conversation about women in music and the different challenges that are faced in male-dominated music spaces.]]></dcterms:description>
    <dcterms:date><![CDATA[4/11/74]]></dcterms:date>
    <dcterms:rights><![CDATA[Feminist Radio Network<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"><span style="font-weight: 400;">Licensed under CC BY-NC-ND</span></a>]]></dcterms:rights>
    <dcterms:accessRights><![CDATA[Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.]]></dcterms:accessRights>
    <dcterms:isPartOf><![CDATA[Radio Free Women]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[audio/mpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[PT40M16S]]></dcterms:extent>
    <dcterms:medium><![CDATA[1/4&quot; audio tape]]></dcterms:medium>
    <dcterms:identifier><![CDATA[T38]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://herstories.prattinfoschool.nyc/omeka/items/show/1272">
    <dcterms:title><![CDATA[Coalition of Labor Union Women #1]]></dcterms:title>
    <dcterms:alternative><![CDATA[Radio Free Women Coalition of Labor Union Women]]></dcterms:alternative>
    <dcterms:description><![CDATA[This is the same discussion as CoalitionofLaborUnionWomen_2, but without the additional music conversation. The CLUW interview also has additional questions (at around minute 21): &quot;How can women get in touch with you?&quot; and &quot;How many women are involved in the DC chapter of CLUW?&quot;<br />
Note: Audio has static throughout]]></dcterms:description>
    <dcterms:rights><![CDATA[Feminist Radio Network<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"><span style="font-weight: 400;">Licensed under CC BY-NC-ND</span></a>]]></dcterms:rights>
    <dcterms:accessRights><![CDATA[Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.]]></dcterms:accessRights>
    <dcterms:isPartOf><![CDATA[Radio Free Women]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[audio/mpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[PT30M10S]]></dcterms:extent>
    <dcterms:medium><![CDATA[1/4&quot; audio tape]]></dcterms:medium>
</rdf:Description></rdf:RDF>
