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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Recording starts with an introduction from the Feminist Radio Network, with female vocalizing, singing, and performing. The recording then begins to talk about women in the food service industry, and the statistics of how many women are waitresses. Upon interviewing a waitress, the conversation moves towards the low wages, and need for unionization in waitressing, since there is such a reliance on tips. Segueing through empowering music, the discussion shifts to women’s speeches, performances and testimonies on women’s liberation. The recording then moves on to a panel with Maxine Kumin, Grace Paley, and Alice Walker, discussing their thoughts on women’s writing.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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              <text>Pat Helin &amp; Barbara Deming</text>
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                <text>Pat Helin and Barbara Deming discuss their childhood in Iowa, relationships with their familes, their involvement with the Daughters of Bilitis in San Francisco and their friendship with Del Martin and Phyllis Lyon.&#13;
&#13;
On tape 2, they elaborate on their early days in San Francisco, Pat’s previous marriage, political affiliations, jobs, dancing in gay bars, and why they ultimately left the DOB.</text>
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                <text>http://devherstories.prattsils.org/omeka/archive/files/7501dc11b0f4a2ca49b7b8900fdd9250.mp4</text>
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                <text>[Digitized] November 6, 2013</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement&lt;/a&gt;&#13;
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                <text>Photo by Morgan Gwenwald</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            <name>Physical Format</name>
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        <name>AIDS</name>
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        <name>Bars</name>
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      <tag tagId="174">
        <name>Coming out</name>
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      <tag tagId="295">
        <name>Consciousness raising</name>
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        <name>Daughters of Bilitis</name>
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        <name>Del Martin</name>
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        <name>Feminism</name>
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      <tag tagId="242">
        <name>Gay men</name>
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      <tag tagId="298">
        <name>Homophile movement</name>
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        <name>Phyllis Lyon</name>
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      <tag tagId="508">
        <name>Republican Party</name>
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      <tag tagId="342">
        <name>Small towns</name>
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        <name>Unions</name>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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            <description>A name given to the resource</description>
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                <text>Folk Songs of the Industrial Workers of the World</text>
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            <description>An account of the resource</description>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs were written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recorded in the 1950s. </text>
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            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>LC048</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55385">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>A summary of the resource.</description>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL.</text>
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            <description>A list of subunits of the resource.</description>
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                <text>1. Preacher and the Slave (Pie in the Sky When you Die) &#13;
2. The Commonwealth of Toil                                                                                                                                                                                                                                              3. Down to the Soup Line&#13;
4. Preacher and the Slave (Pie in the Sky When you Die) &#13;
5. Rebel Girl&#13;
6. The Tramp&#13;
7. Dump the Bosses off your Back &#13;
8. There is Power in a Union &#13;
9. Scissor Bill&#13;
10. Working Men Unite&#13;
11. Popular Wobbly &#13;
12. Boom Went the Boom &#13;
13. Hallelujah I’m a Bum &#13;
14. Live recording of I Got Trouble &#13;
15. Moving Day</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
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                <text>WAV</text>
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            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
            <elementTextContainer>
              <elementText elementTextId="55207">
                <text>Lesbian Hestory Archives</text>
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            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:29:35</text>
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          <element elementId="175">
            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
            <elementTextContainer>
              <elementText elementTextId="55386">
                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.</text>
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        <name>Class</name>
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        <name>Music</name>
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      <tag tagId="361">
        <name>Unions</name>
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              <description>A name given to the resource</description>
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                  <text>Radio Free Women, 1972-1974</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1972-1974</text>
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              <description>A language of the resource</description>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Coalition Of Labor Union Women 2</text>
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                <text>Radio Free Women</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>T38</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Coalition of Labor Union Women #2</text>
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            <description>An account of the resource</description>
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                <text>This interview/discussion opens with "Frontier" by Cris Williamson. Pat Strand and Linda Osbourne are interviewed about the Coalition of Labor Union Women (CLUW) conference. They talk about how the women's unions and the coalition got their start. The effects of the conference on local unions is also talked about. The CLUW episode ends at 27 minutes. Note: At 27:20 the audio cuts to the middle of a conversation about women in music and the different challenges that are faced in male-dominated music spaces.</text>
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                <text>4/11/74</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="113">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>1/4" audio tape</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                <text>Pat Strand, Linda Osbourne</text>
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        <name>Linda Osbourne</name>
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        <name>Pat Strand</name>
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      <tag tagId="480">
        <name>Sexism</name>
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        <name>Unions</name>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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                  <text>1972-1974</text>
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                <text>This is the same discussion as CoalitionofLaborUnionWomen_2, but without the additional music conversation. The CLUW interview also has additional questions (at around minute 21): "How can women get in touch with you?" and "How many women are involved in the DC chapter of CLUW?"&#13;
Note: Audio has static throughout</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Pat Strand, Linda Osbourne</text>
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