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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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Side B: 24:13</text>
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Side B: SPW1974_SideB_20250923_Transcript.docx</text>
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                <text>This episode of Women's Studies features journalist Gloria Emerson in conversation with Viv Sutherland on WBAI Radio, presenting an in-depth discussion of Emerson’s experiences as a New York Times correspondent during the Vietnam War and the themes explored in her book Winners and Losers. Emerson reflects on her transition from covering fashion in Paris to reporting from Vietnam, the ethical and emotional challenges of war journalism, and the gender dynamics within the press corps. The interview addresses subjects including the portrayal of Vietnamese civilians, the psychological effects of war on soldiers and reporters, and Emerson’s critical perspective on American media and class divisions. Side B continues with Emerson’s postwar reflections on patriotism, public reception of her book, her relationship with the New York Times, and her evolving views on feminism and morality.</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>Women's Studies</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Viv Sutherland</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Gloria Emerson</text>
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          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="61977">
                <text>Audio cassette</text>
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            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
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                <text>Access Copy: MP3</text>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:55:50</text>
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            </elementTextContainer>
          </element>
          <element elementId="184">
            <name>Transcription</name>
            <description>The textual transcription of the media item.</description>
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                <text>Side A: SPW1974_SideA_20250923_Transcript.docx&#13;
Side B: SPW1974_SideB_20250923_Transcript.docx</text>
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        <name>"Vietnam War</name>
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      <tag tagId="1254">
        <name>1961-1975"</name>
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      <tag tagId="208">
        <name>Activism</name>
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      <tag tagId="228">
        <name>Books</name>
      </tag>
      <tag tagId="1087">
        <name>Journalism</name>
      </tag>
      <tag tagId="381">
        <name>Political movements</name>
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      <tag tagId="1255">
        <name>Women journalists</name>
      </tag>
      <tag tagId="1181">
        <name>Women's studies</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Channel 26 Show November 30, 1971</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Channel 26 Show, November 30, 1971</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Two radio excerpts from the Channel 26 Show. &#13;
Notes: The "right track" is muffled and indistinct, but appears to contain music and a comedy program. The "left track" contains a discussion on the topic of gay liberation.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>11/30/71</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="57599">
                <text>audio/mpeg</text>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="57600">
                <text>1/4" audio tape</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57732">
                <text>Channel 26 Show&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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        <name>Discrimination</name>
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      <tag tagId="365">
        <name>Gay liberation movement</name>
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      <tag tagId="209">
        <name>LGBTQ+ civil rights</name>
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      <tag tagId="381">
        <name>Political movements</name>
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  <item itemId="1280" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Radio Free Women, 1972-1974</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55625">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                <elementText elementTextId="55627">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55652">
                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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              </elementTextContainer>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55653">
                  <text> </text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="55654">
                  <text>1972-1974</text>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="57577">
                <text>Interview NOW Coordinators</text>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="57578">
                <text>Radio Free Women</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="57579">
                <text>T31</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="57580">
                <text>Kathy Bonk and Whitney Adams, Co-Coordinators of N.O.W. Fair (August 24, 1974) </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57581">
                <text>Kathy Bonk and Whitney Adams from the National Organization for Women discuss the upcoming N.O.W. Fair on Radio Free Women. The fair will feature feminist activism, panels, political discussions, and interviews. Bonk and Adams go on to talk about other aspects of feminist political activism such as income inequality and racial discrimination.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57582">
                <text>8/24/74</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57584">
                <text>audio/mpeg</text>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="57585">
                <text>1/4" audio tape</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57734">
                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="97">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="60043">
                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Kathy Bonk, Whitney Adams</text>
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        <name>Activism</name>
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      <tag tagId="383">
        <name>Celebrations</name>
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      <tag tagId="191">
        <name>Discrimination</name>
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      <tag tagId="250">
        <name>Economics</name>
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      <tag tagId="189">
        <name>Feminism</name>
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      <tag tagId="165">
        <name>Job discrimination</name>
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      <tag tagId="588">
        <name>National Black Feminist Organization</name>
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      <tag tagId="450">
        <name>National Organization for Women</name>
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      <tag tagId="381">
        <name>Political movements</name>
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      <tag tagId="28">
        <name>Racism</name>
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        <name>Women's political movements</name>
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  <item itemId="938" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Lesbian Nation radio program, 1972-1974</text>
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              <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                  <text>Lesbian Nation, wbai-fm 99.5</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Shelley, Martha</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>wbai-fm, 99.5</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1972-1974</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Shelley, Martha</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Lesbian Nation was a groundbreaking radio show produced and hosted by Martha Shelley that specifically focused and revolved around the LGBTQ community during the rise of gay and lesbian liberation movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Martha Shelley (b. 1943) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis, a lesbian civil and political rights organization, eventually becoming president of the New York chapter. Shelley was one of the early members of the Gay Liberation Front (GLF), established immediately after the Stonewall Riots and which advocated for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/93"&gt;Other audio recordings&lt;/a&gt; donated to the LHA and associated with Martha Shelley can also be found among this website's collections.&lt;/span&gt;&lt;/p&gt;</text>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lesbian Nation, October 22, 1973</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>Political Movements and Community Struggles, Women's Liberation Center, Letters</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Martha Shelley and Lois Chaffee discuss the Women’s Liberation Center and an ongoing dispute over its occupancy of 243 West 20th St., as a family services group has tried to claim the space for themselves. Following their conversation, Martha Shelley reads aloud two letters from listeners, one a gay senior at Stuyvesant High School and the other a student at Sarah Lawrence College. Trigger warning: bullying, homophobic slurs.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>10/22/1973</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>0:25:30</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54546">
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          <element elementId="43">
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>AIDS (Disease); AIDS (Disease)--Political aspects--United States; ACT UP (Organization); New York (State)--New York; United States; AIDS (Disease)--History; AIDS (Disease)--Social aspects--United States; Clinical trials--Reporting; Clinical drug trials; Drugs--Testing; Clinical trials of drugs; Drug bioscreening ; Drug trials ; Drugs--Clinical trials; Drugs--Effectiveness--Testing; Drugs--Evaluation; AIDS (Disease) in women</text>
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                <text>Side A: Women in an ACT UP organizing meeting strategize how to recruit activists to grow their community and perform inclusive outreach to support different needs. Specifically, the ways they might connect healthcare professionals with subjects willing to assist with research. Howard Minkoff, MD, is mentioned as an example of a healthcare professional who has successfully cultivated relationships with patients during clinical trials. Side B: Meeting continues with a stated focus on current studies related to perinatal transmission research are countered with suggestions for improved protocol.</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;br /&gt;&lt;/a&gt;&#13;
&lt;p&gt;Photograph by Morgan Gwenwald&lt;/p&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>Billye Talmadge discusses her early experiences as she came to understand her own preferences and sexuality, and the support she received from her college dean, classmate, and mother.  She describes her role in the Daughters of Bilitis and the responsibilities and liabilities of being an officer in the group. She elaborates on the social and political climate of the times, and how she endeavored to help people overcome their fear of harassment and discrimination through providing education and supportive counseling and resources.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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