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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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              <text>&lt;br /&gt;&#13;
&lt;h4&gt;&lt;a href="/mp3_files/SPW461_MARY_A.wav.mp3" target="_blank"&gt;Download Side A&lt;/a&gt;&lt;/h4&gt;&#13;
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                <text>Mary describes the bar scene, parties, fashion, music, bar layouts, and fights at Bingo's and Carousel bars.</text>
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                <text>Pratt Institute, School of Information and Library Science, 665 Projects in Digital Archives Students</text>
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                <text>This recordings is 2 of 2 tapes recorded with Mary T on 1978-07-07.</text>
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                <text>Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge</text>
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                <text>SPW# 461</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>March on Washington / Pacifica Program Service, 1979 (Tape 2 of 4)</text>
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                <text>Lesbian activists, Lesbian feminism, National March on Washington for Lesbian and Gay Rights, Washington, D.C., 1979</text>
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                <text>The second of four recordings of Pacifica Radio coverage of the National March on Washington for Lesbian and Gay Rights on October 14, 1979.  Musical performances by Mary Watkins, Meg Christian, and Holly Near. Speeches by Ray Hill and Charles Law.</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1159_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1159_A.wav</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tape 2 of a 4 tape series. Preceded by SPW1158.  Followed by SPW1160 and SPW1161.</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                  <text>Mabel Hampton (1902-1989) was an African-American lesbian, an activist, a domestic worker, and a dancer. Born in Winston-Salem, North Carolina, she lost her mother when she was only two years old. For the next five years, Mabel was raised by her maternal grandmother, but she too passed away. In 1909, she moved to Greenwich Village in New York City at age seven. Less than a year after moving in with her aunt, Mabel was raped by her uncle, a minister. She ran away to New Jersey, buying a bus ticket purchased with a nickel given to her by a woman on the street. Luckily, Mabel was taken in by a family that cared for her for the next several years.&#13;
&#13;
As a young woman, Mabel gravitated toward the lively scene in Harlem. In 1920, when she was seventeen, Mabel was wrongfully arrested during a prostitution sting and sentenced to time in Bedford Hills Correctional Facility for Women. Upon her release, she danced at clubs like "The Garden of Joy", sang as a member of the Lafayette Theater Chorus, and performed with Harlem Renaissance stars such as Gladys Bentley. Mabel engaged in several relationships with women and lived openly as a lesbian.&#13;
&#13;
In 1932, Mabel met Lillian Foster, who would be her partner until Lillian's death in 1978. With the Harlem Renaissance waning, Mabel sought out employment in other areas, primarily working as a domestic worker and hospital attendant. As a domestic, she worked for the family of Joan Nestle. Mabel and Joan developed a friendship that lasted for decades. When Joan started the Lesbian Herstory Archives in 1974, Mabel joined her as a founding member. Mabel donated her huge collection of lesbian pulp fiction novels and worked tirelessly with Joan and other volunteers to amass lesbian-related materials--literature, biographical information, academic publications, and ephemera--as a resource for the lesbian and gay community.&#13;
&#13;
Mabel was also a vital, enduring element in the gay rights movement-she participated in every gay pride march that occurred during her lifespan, including the first, historic march and demonstration for gay rights in Washington, D.C., which took place in 1979. In 1985, Mabel was named the grand marshal of the New York City Gay Pride March. That same year, Mabel was awarded a lifetime achievement award by the National Coalition of Black Lesbians and Gays.&#13;
&#13;
After the Lesbian Herstory Archives were founded, Mabel carried the LHA banner in many marches. She also worked tirelessly for SAGE, an organization devoted to promoting advocacy and developing services for elderly members of the gay, lesbian, bisexual, and transgender communities. Interviews with Mabel are featured in "Before Stonewall" and "Silent Pioneers"; both movies document the struggle for gay rights and the efforts made to obtain equality.&#13;
&#13;
Joan Nestle started recording Mabel's oral histories in the late seventies, realizing the importance of documenting Mabel's life story as an example of racial and sexual freedom. In these histories--many of which are featured on this website--Mabel discusses her relationships with women, her struggles with racism, and her identity as an African-American lesbian in the twentieth century. Mabel died of pneumonia in 1989 at the age of eighty-seven. Her life as an advocate, activist, performer, and storyteller lives on in the images and oral histories collected by the Lesbian Herstory Archives. Many of the resources below, as well as additional subject files, biographical information, images, and media about Mabel, lesbian history, and gay pride are available by visiting the LHA in person.&#13;
&#13;
Resources&#13;
&#13;
City University of New York. (2003). Queer ideas: The David R. Kessler lectures in lesbian and gay studies. New York: Feminist Press at the City University of New York.&#13;
&#13;
DuPlessis, R. B., &amp; Snitow, A. B. (1998). The feminist memoir project: Voices from women's liberation. New York: Three Rivers Press.&#13;
&#13;
Hampton, M. (1979) "I didn't go back there anymore: Mabel Hampton talks about the south." In Feminary 10, 7-16.&#13;
&#13;
Hogan, S., &amp; Hudson, L. (1998). Completely queer: The Gay and Lesbian encyclopedia. New York: Henry Holt.&#13;
&#13;
Lesbian Herstory Archives. Mabel Hampton special collection, including transcripts of oral history. Lesbian Herstory Archives, Brooklyn, NY.&#13;
&#13;
Nestle, J. (1993). Excerpts from the Oral History of Mabel Hampton. Signs, 18, 4, 925-935.&#13;
&#13;
Nestle, J. (1998). "I Lift My Eyes to the Hill: the Life of Mabel Hampton as told by a White Woman." In A fragile union: New &amp; selected writings. San Francisco: Cleis Press.&#13;
&#13;
Nestle, J. (1991). "Surviving and More: Interview with Mabel Hampton". In Sinister Wisdom 43/44, Summer. Berkeley, CA.</text>
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&#13;
As a young woman, Mabel gravitated toward the lively scene in Harlem. In 1920, when she was seventeen, Mabel was wrongfully arrested during a prostitution sting and sentenced to time in Bedford Hills Correctional Facility for Women. Upon her release, she danced at clubs like "The Garden of Joy", sang as a member of the Lafayette Theater Chorus, and performed with Harlem Renaissance stars such as Gladys Bentley. Mabel engaged in several relationships with women and lived openly as a lesbian.&#13;
&#13;
In 1932, Mabel met Lillian Foster, who would be her partner until Lillian's death in 1978. With the Harlem Renaissance waning, Mabel sought out employment in other areas, primarily working as a domestic worker and hospital attendant. As a domestic, she worked for the family of Joan Nestle. Mabel and Joan developed a friendship that lasted for decades. When Joan started the Lesbian Herstory Archives in 1974, Mabel joined her as a founding member. Mabel donated her huge collection of lesbian pulp fiction novels and worked tirelessly with Joan and other volunteers to amass lesbian-related materials--literature, biographical information, academic publications, and ephemera--as a resource for the lesbian and gay community.&#13;
&#13;
Mabel was also a vital, enduring element in the gay rights movement-she participated in every gay pride march that occurred during her lifespan, including the first, historic march and demonstration for gay rights in Washington, D.C., which took place in 1979. In 1985, Mabel was named the grand marshal of the New York City Gay Pride March. That same year, Mabel was awarded a lifetime achievement award by the National Coalition of Black Lesbians and Gays.&#13;
&#13;
After the Lesbian Herstory Archives were founded, Mabel carried the LHA banner in many marches. She also worked tirelessly for SAGE, an organization devoted to promoting advocacy and developing services for elderly members of the gay, lesbian, bisexual, and transgender communities. Interviews with Mabel are featured in "Before Stonewall" and "Silent Pioneers"; both movies document the struggle for gay rights and the efforts made to obtain equality.&#13;
&#13;
Joan Nestle started recording Mabel's oral histories in the late seventies, realizing the importance of documenting Mabel's life story as an example of racial and sexual freedom. In these histories--many of which are featured on this website--Mabel discusses her relationships with women, her struggles with racism, and her identity as an African-American lesbian in the twentieth century. Mabel died of pneumonia in 1989 at the age of eighty-seven. Her life as an advocate, activist, performer, and storyteller lives on in the images and oral histories collected by the Lesbian Herstory Archives. Many of the resources below, as well as additional subject files, biographical information, images, and media about Mabel, lesbian history, and gay pride are available by visiting the LHA in person.&#13;
&#13;
Resources&#13;
&#13;
City University of New York. (2003). Queer ideas: The David R. Kessler lectures in lesbian and gay studies. New York: Feminist Press at the City University of New York.&#13;
&#13;
DuPlessis, R. B., &amp; Snitow, A. B. (1998). The feminist memoir project: Voices from women's liberation. New York: Three Rivers Press.&#13;
&#13;
Hampton, M. (1979) "I didn't go back there anymore: Mabel Hampton talks about the south." In Feminary 10, 7-16.&#13;
&#13;
Hogan, S., &amp; Hudson, L. (1998). Completely queer: The Gay and Lesbian encyclopedia. New York: Henry Holt.&#13;
&#13;
Lesbian Herstory Archives. Mabel Hampton special collection, including transcripts of oral history. Lesbian Herstory Archives, Brooklyn, NY.&#13;
&#13;
Nestle, J. (1993). Excerpts from the Oral History of Mabel Hampton. Signs, 18, 4, 925-935.&#13;
&#13;
Nestle, J. (1998). "I Lift My Eyes to the Hill: the Life of Mabel Hampton as told by a White Woman." In A fragile union: New &amp; selected writings. San Francisco: Cleis Press.&#13;
&#13;
Nestle, J. (1991). "Surviving and More: Interview with Mabel Hampton". In Sinister Wisdom 43/44, Summer. Berkeley, CA.</text>
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&#13;
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&#13;
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&#13;
Mabel was also a vital, enduring element in the gay rights movement-she participated in every gay pride march that occurred during her lifespan, including the first, historic march and demonstration for gay rights in Washington, D.C., which took place in 1979. In 1985, Mabel was named the grand marshal of the New York City Gay Pride March. That same year, Mabel was awarded a lifetime achievement award by the National Coalition of Black Lesbians and Gays.&#13;
&#13;
After the Lesbian Herstory Archives were founded, Mabel carried the LHA banner in many marches. She also worked tirelessly for SAGE, an organization devoted to promoting advocacy and developing services for elderly members of the gay, lesbian, bisexual, and transgender communities. Interviews with Mabel are featured in "Before Stonewall" and "Silent Pioneers"; both movies document the struggle for gay rights and the efforts made to obtain equality.&#13;
&#13;
Joan Nestle started recording Mabel's oral histories in the late seventies, realizing the importance of documenting Mabel's life story as an example of racial and sexual freedom. In these histories--many of which are featured on this website--Mabel discusses her relationships with women, her struggles with racism, and her identity as an African-American lesbian in the twentieth century. Mabel died of pneumonia in 1989 at the age of eighty-seven. Her life as an advocate, activist, performer, and storyteller lives on in the images and oral histories collected by the Lesbian Herstory Archives. Many of the resources below, as well as additional subject files, biographical information, images, and media about Mabel, lesbian history, and gay pride are available by visiting the LHA in person.&#13;
&#13;
Resources&#13;
&#13;
City University of New York. (2003). Queer ideas: The David R. Kessler lectures in lesbian and gay studies. New York: Feminist Press at the City University of New York.&#13;
&#13;
DuPlessis, R. B., &amp; Snitow, A. B. (1998). The feminist memoir project: Voices from women's liberation. New York: Three Rivers Press.&#13;
&#13;
Hampton, M. (1979) "I didn't go back there anymore: Mabel Hampton talks about the south." In Feminary 10, 7-16.&#13;
&#13;
Hogan, S., &amp; Hudson, L. (1998). Completely queer: The Gay and Lesbian encyclopedia. New York: Henry Holt.&#13;
&#13;
Lesbian Herstory Archives. Mabel Hampton special collection, including transcripts of oral history. Lesbian Herstory Archives, Brooklyn, NY.&#13;
&#13;
Nestle, J. (1993). Excerpts from the Oral History of Mabel Hampton. Signs, 18, 4, 925-935.&#13;
&#13;
Nestle, J. (1998). "I Lift My Eyes to the Hill: the Life of Mabel Hampton as told by a White Woman." In A fragile union: New &amp; selected writings. San Francisco: Cleis Press.&#13;
&#13;
Nestle, J. (1991). "Surviving and More: Interview with Mabel Hampton". In Sinister Wisdom 43/44, Summer. Berkeley, CA.</text>
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                  <text>Mabel Hampton (1902-1989) was an African-American lesbian, an activist, a domestic worker, and a dancer. Born in Winston-Salem, North Carolina, she lost her mother when she was only two years old. For the next five years, Mabel was raised by her maternal grandmother, but she too passed away. In 1909, she moved to Greenwich Village in New York City at age seven. Less than a year after moving in with her aunt, Mabel was raped by her uncle, a minister. She ran away to New Jersey, buying a bus ticket purchased with a nickel given to her by a woman on the street. Luckily, Mabel was taken in by a family that cared for her for the next several years.&#13;
&#13;
As a young woman, Mabel gravitated toward the lively scene in Harlem. In 1920, when she was seventeen, Mabel was wrongfully arrested during a prostitution sting and sentenced to time in Bedford Hills Correctional Facility for Women. Upon her release, she danced at clubs like "The Garden of Joy", sang as a member of the Lafayette Theater Chorus, and performed with Harlem Renaissance stars such as Gladys Bentley. Mabel engaged in several relationships with women and lived openly as a lesbian.&#13;
&#13;
In 1932, Mabel met Lillian Foster, who would be her partner until Lillian's death in 1978. With the Harlem Renaissance waning, Mabel sought out employment in other areas, primarily working as a domestic worker and hospital attendant. As a domestic, she worked for the family of Joan Nestle. Mabel and Joan developed a friendship that lasted for decades. When Joan started the Lesbian Herstory Archives in 1974, Mabel joined her as a founding member. Mabel donated her huge collection of lesbian pulp fiction novels and worked tirelessly with Joan and other volunteers to amass lesbian-related materials--literature, biographical information, academic publications, and ephemera--as a resource for the lesbian and gay community.&#13;
&#13;
Mabel was also a vital, enduring element in the gay rights movement-she participated in every gay pride march that occurred during her lifespan, including the first, historic march and demonstration for gay rights in Washington, D.C., which took place in 1979. In 1985, Mabel was named the grand marshal of the New York City Gay Pride March. That same year, Mabel was awarded a lifetime achievement award by the National Coalition of Black Lesbians and Gays.&#13;
&#13;
After the Lesbian Herstory Archives were founded, Mabel carried the LHA banner in many marches. She also worked tirelessly for SAGE, an organization devoted to promoting advocacy and developing services for elderly members of the gay, lesbian, bisexual, and transgender communities. Interviews with Mabel are featured in "Before Stonewall" and "Silent Pioneers"; both movies document the struggle for gay rights and the efforts made to obtain equality.&#13;
&#13;
Joan Nestle started recording Mabel's oral histories in the late seventies, realizing the importance of documenting Mabel's life story as an example of racial and sexual freedom. In these histories--many of which are featured on this website--Mabel discusses her relationships with women, her struggles with racism, and her identity as an African-American lesbian in the twentieth century. Mabel died of pneumonia in 1989 at the age of eighty-seven. Her life as an advocate, activist, performer, and storyteller lives on in the images and oral histories collected by the Lesbian Herstory Archives. Many of the resources below, as well as additional subject files, biographical information, images, and media about Mabel, lesbian history, and gay pride are available by visiting the LHA in person.&#13;
&#13;
Resources&#13;
&#13;
City University of New York. (2003). Queer ideas: The David R. Kessler lectures in lesbian and gay studies. New York: Feminist Press at the City University of New York.&#13;
&#13;
DuPlessis, R. B., &amp; Snitow, A. B. (1998). The feminist memoir project: Voices from women's liberation. New York: Three Rivers Press.&#13;
&#13;
Hampton, M. (1979) "I didn't go back there anymore: Mabel Hampton talks about the south." In Feminary 10, 7-16.&#13;
&#13;
Hogan, S., &amp; Hudson, L. (1998). Completely queer: The Gay and Lesbian encyclopedia. New York: Henry Holt.&#13;
&#13;
Lesbian Herstory Archives. Mabel Hampton special collection, including transcripts of oral history. Lesbian Herstory Archives, Brooklyn, NY.&#13;
&#13;
Nestle, J. (1993). Excerpts from the Oral History of Mabel Hampton. Signs, 18, 4, 925-935.&#13;
&#13;
Nestle, J. (1998). "I Lift My Eyes to the Hill: the Life of Mabel Hampton as told by a White Woman." In A fragile union: New &amp; selected writings. San Francisco: Cleis Press.&#13;
&#13;
Nestle, J. (1991). "Surviving and More: Interview with Mabel Hampton". In Sinister Wisdom 43/44, Summer. Berkeley, CA.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;br /&gt;&lt;/a&gt;&#13;
&lt;p&gt;Photo by Morgan Gwenwald&lt;/p&gt;&#13;
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The topic of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>A person or organization owning or managing rights over the resource.</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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          <element elementId="183">
            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                <text>Aspect Ratio: 4 : 3</text>
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      <tag tagId="1091">
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      <tag tagId="211">
        <name>Communities</name>
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      <tag tagId="457">
        <name>Daughters of Bilitis</name>
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        <name>Death and Dying</name>
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        <name>Music</name>
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      <tag tagId="149">
        <name>Relationships</name>
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        <name>Songs</name>
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            <description>The original date that the media item was created. In the case of raw interviews, the date on which the interview was conducted. Format: YYYY-MM-DD</description>
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          <element elementId="167">
            <name>Title</name>
            <description>The name given to the media item you are cataloging. It is the unique name everyone should use to refer to or search for a particular media item. There are situations in which no proper or given title is available, e.g., photographs or segments harvested from a longer work or program. In these situations a "supplied title" must be invented and used to name the media item. Be considerate of and sensitive to the end user who is attempting to search for your media item.</description>
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                <text>Lesbian Nation</text>
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            <name>Episode Title</name>
            <description>If applicable, the episode or piece to which a media item contributed.</description>
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                <text>Lesbian Nation</text>
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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          <element elementId="170">
            <name>Description</name>
            <description>Uses free-form text to report abstracts, or summaries about the intellectual content of a media item you are cataloging. The information may be in the form of a paragraph giving an individual program description or brief content reviews.</description>
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                <text>Interview: Barbara Cove + Sidney Abbot&#13;
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MONO -&gt; "Heroin" - Velvet Underground&#13;
&#13;
Martha Shelley presents an interview with Barbara Cove and Sidney Abbott, author of Sappho was a Right-on Woman, on writing books and researching Sappho's life and lifestyle. The show is prefaced by a vocal performance by Women Like Me, led by Roberta Kosse.</text>
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            <name>Creator</name>
            <description>Identifies a person or organization primarily responsible for creating a media item. The creator may be considered an author and could be one or more people, a business, organization, group, project or service. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Shelley, Martha</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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          <element elementId="175">
            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
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                <text>Rights to WBAI </text>
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          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
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          <element elementId="178">
            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                <text>Under "Recycling Info" &#13;
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Press Department&#13;
S.F. Symphony Orchestra&#13;
107 War Memorial Veterans BLDG&#13;
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>A person or organization owning or managing rights over the resource.</description>
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              <description>A name given to the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>This recording of the “Women’s Showcase” is the second part of three from the NYU hosted event, Women Against Rape. The opening of the recording features the conclusion of Alice McIntyre’s poetry reading. This part features poetry read by Daniella Guiseppe, Davita Singer and Margie Fine and a comic autobiographical story from Karen Mendelsohn. There are also musical performances by Rosemary Mclaughlin and a self composed piano piece from Elieen Kane, a WBAI radio host. </text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Lesbian Nation was a groundbreaking radio show produced and hosted by Martha Shelley that specifically focused and revolved around the LGBTQ community during the rise of gay and lesbian liberation movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Martha Shelley interviews Gene Damon aka Barbara Grier, founder of the lesbian magazine The Ladder (1956-1972). They discuss the beginnings of The Ladder and how it evolved from a smaller publication within the Daughters of Bilitis (DOB) into an independent publication. Grier discusses the shift in content as well once the magazine became independent of the Daughters of Bilitis. Grier felt that under DOB they were focused on presenting a clean public image of lesbians to society at large and that this was reflected in what was published in older versions of The Ladder. Once Grier became the editor, she felt it was important to address topics like sexuality, saying “we began running material that deals with sex honestly and forthrightly.”</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Shelley, Martha</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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        <name>Love</name>
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        <name>Martha Shelley</name>
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        <name>Poetry</name>
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                  <text>&lt;span style="font-weight: 400;"&gt;&lt;a href="https://www.alixdobkin.com/bio/bio.htm"&gt;Alix Dobkin&lt;/a&gt; was a celebrated folk musician, composer and feminist activist involved in the women’s liberation movement of the early 1970s. After the birth of her daughter and an amicable divorce she began listening to countercultural radio shows and worked to become a leading voice, meeting her lifelong partner &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt; along the way. She wrote how she initially focused on “a traditional, international, and contemporary/protest repertory, [coming] out as lesbian in 1972 and turned to writing and singing for women … to [build] lesbian culture in particular.” Dobkin found her voice while immersing herself in the Greenwich Village folk scene then moved on to bigger, women-centered crowds around the world. In 1973, Dobkin–as part of the group Lavender Jane, released the album &lt;a href="https://www.alixdobkin.com/discography/discography.htm"&gt;Lavender Jane Loves Women&lt;/a&gt;, arguably the first lesbian album made by and for women. Over the years, her influential songs such as “Woman to Woman,” “My Lesbian Wars,” and “Lesbian Code” spoke to crowds of women foregoing their way in the world, preaching to never be ashamed of identifying as lesbian. Dobkin passed away due to a brain aneurysm and stroke; she was surrounded by her family in Woodstock, NY.&lt;/span&gt;</text>
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                <text>Alix Dobkin Performance [Fair Use Excerpt]</text>
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                <text>Alix Dobkin sings a collection of her songs at an unknown location. The uploaded file has been cropped due to Fair Use restrictions. Full file available to view at Lesbian Herstory Archives.</text>
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                <text>Alix Dobkin</text>
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                <text>February 7, 1976</text>
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            <description>The topic of the resource</description>
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                <text>Songwriting, performance, live music</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54703">
                <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement" target="_blank" rel="noopener"&gt;See the LHA Copyright Statement&lt;/a&gt;</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Open reel videotape</text>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs were written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recorded in the 1950s. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL.</text>
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                <text>1. Preacher and the Slave (Pie in the Sky When you Die) &#13;
2. The Commonwealth of Toil                                                                                                                                                                                                                                              3. Down to the Soup Line&#13;
4. Preacher and the Slave (Pie in the Sky When you Die) &#13;
5. Rebel Girl&#13;
6. The Tramp&#13;
7. Dump the Bosses off your Back &#13;
8. There is Power in a Union &#13;
9. Scissor Bill&#13;
10. Working Men Unite&#13;
11. Popular Wobbly &#13;
12. Boom Went the Boom &#13;
13. Hallelujah I’m a Bum &#13;
14. Live recording of I Got Trouble &#13;
15. Moving Day</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <name>Digital Format</name>
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            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Hestory Archives</text>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:29:35</text>
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          <element elementId="175">
            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.</text>
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        <name>Unions</name>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Olivia Records interview with Marcia Danab</text>
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            <description>An account of the resource</description>
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                <text>In this interview, Marcia Danab, the host, talks to two members of Olivia Records: Ginny Berson, and Meg Christian. Berson and Christian talk about how they created their record label, as well as the challenges that they faced as a company made by women for women. They both talk about the struggles that they have faced in the music industry as women in regard to gaining ownership, being paid, being taken seriously as artists, and making music that is specific to the female experience and understanding. Olivia Records was founded in 1973 and played an important role within the gay rights and counterculture movements of the time. Notable artists they represented were Tret Fure, Kay Gardner, Leslie Ann Jones, BeBe K'Roche, Pat Parker, and Cris Williamson. Due to declining sales, Olivia Records became Olivia Cruises and Resorts, a lesbian vacation company, in 1990.</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55542">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>1975</text>
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                <text>Berson, Ginny; Christian, Meg</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
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                <text>Jennifer Woodul and Ginny Berson, founders of Olivia Records, are interviewed by Ruth Scovill. Jennifer Woodul and Ginny Berson talk about their band and production studio, Olivia. The recording starts mid-sentence. They discuss recording music and starting a music studio. They talk about how they met at The Furies Newspaper, and the need they seen for women-owned businesses, and issues with capitalism. Part 1 of 2.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Ginny+Berson"&gt;Ginny Berson&lt;/a&gt;</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
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                <text>Radio Free Women Interview With Singer Cris Williamson</text>
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                <text>Cris Williamson talks about her music and plays some songs on guitar.&#13;
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Note: The tape suffers from water damage which has made parts difficult to hear and which causes some drop-outs.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                <text>Irene Young music demo tape. Vocals by Stefanie Saldana and Judith Skolnik. Track Listing: 1. The Lie / 2. Sad Song / 3. It's Good to Meet You / 4. Pleasin' Man</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This interview/discussion opens with "Frontier" by Cris Williamson. Pat Strand and Linda Osbourne are interviewed about the Coalition of Labor Union Women (CLUW) conference. They talk about how the women's unions and the coalition got their start. The effects of the conference on local unions is also talked about. The CLUW episode ends at 27 minutes. Note: At 27:20 the audio cuts to the middle of a conversation about women in music and the different challenges that are faced in male-dominated music spaces.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="57746">
                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                <text>Pat Strand, Linda Osbourne</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>Radio Free Women Coalition of Labor Union Women</text>
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            <description>An account of the resource</description>
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                <text>This is the same discussion as CoalitionofLaborUnionWomen_2, but without the additional music conversation. The CLUW interview also has additional questions (at around minute 21): "How can women get in touch with you?" and "How many women are involved in the DC chapter of CLUW?"&#13;
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                <text>audio/mpeg</text>
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                <text>1/4" audio tape</text>
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            <name>Title</name>
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                <text>Coalition of Labor Union Women #1</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="57741">
                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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            <name>Interviewee</name>
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                <text>Pat Strand, Linda Osbourne</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>From an Old House in Char</text>
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            <description>An account of the resource</description>
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                <text>Live performance of a variety of songs, including covers of "Imagine my Surprise" by Holly Near and "Take it Easy" by the Eagles</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="57740">
                <text>Various song rights holders&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>Interview with Kay Gardner, executive director and co-founder of the Women's Music Network, and Lou Crimmins, performer. 1974 production of the Feminist Radio Network. Discussion of the nonprofit Women Music Network's ideals and operations supporting women in the music industry. including Lavender Jane.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>(Side A) Victoria Brownworth this episode of &lt;em&gt;Amazon Country&lt;/em&gt; with announcements regarding lesbian and feminist groups and organizations. Roberta Hacker interviews Arleen Olshan of the Gay Community Center. Arleen notes that lesbians are underrepresented in decision-making, policy development and program coordination, and the GCC would benefit from more lesbian involvement. They discuss lesbian separatism (especially relating to how few women are involved with the GCC). Arleen announces upcoming events at the GCC including various lectures by authors and activists, as well as consciousness-raising groups and educational classes. (Continues onto side B) Arleen encourages lesbians to check out the center because they "might be surprised" by the level of feminism that exists within the gay male community.&lt;br /&gt;&lt;br /&gt;Includes an ad for the Bicentennial Women's Center.</text>
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                <text>"Free" by Melba Moore</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>(Side A) Victoria Brownworth opens this episode of &lt;em&gt;Amazon Country&lt;/em&gt; by announcing that an &lt;em&gt;Amazon Country&lt;/em&gt; employee lost her house, belongings and pets to a fire, so they're starting a collection for her through the Women's Cultural Trust. Various other announcements regard upcoming events, a lesbian support group, and the council elections at the Gay Community Center.&lt;br /&gt;&lt;br /&gt;Roberta Hacker interviews Linda Norwood and Sherrie Cohen of 'Dyketactics!' to discuss their lawsuit against the police, the first time in history that lesbians have sued the police for brutality, excessive force, and harrassment. This lawsuit regards police action on December 4, 1975, when 'Dyketactics!' (and other groups) attended a (Philadelphia) city council meeting to help urge passing of the "Gay Rights Bill" by the committee. Philadelphia's Civil Defense Squad immediately approached and used excessive force against the women, prompting 'Dyketactics!' to file a lawsuit against the City of Philadelphia for lesbophobic police brutality. Linda and Sherrie encourage women to attend the trial in order to support them. They also ask for feedback so that they can better represent and stand up for the lesbian community. When Victoria asks what they hope to get out of the trial, 'Dyketactics!' dsecribes their hopes to raise consciousness around the need for gay rights.&lt;br /&gt;&lt;br /&gt;(Side B) Linda and Sherrie discuss the positive reception they've had regarding the trial, and announce that there will be a community meeting hosted by 'Dyketactics!' to discuss the disbursement of the (potential) compensation from the lawsuit into the lesbian community.</text>
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                <text>Lesbian community</text>
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                <text>Amazon Country</text>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>"Old Cape Cod" by Bette Midler</text>
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                <text>"I Only Have Eyes For You" by Billie Holiday</text>
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                <text>"Womanly Way" by Linda Tillery</text>
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        <name>Lesbians of Color</name>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>WXPN</text>
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            <description>The nature or genre of the resource</description>
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>The Women's Music Hour</text>
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                <text>Pamela Brant</text>
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                <text>Helen Moore</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="59532">
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
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                <text>0:56:10</text>
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                <text>1976-10-07</text>
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            <name>Date Broadcast</name>
            <description>The date on which the audio was originally broadcast. Format: YYYY-MM-DD</description>
            <elementTextContainer>
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                <text>1976-10-07</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
            <elementTextContainer>
              <elementText elementTextId="59537">
                <text>"Keep On the Sunnyside" by The Deadly Nightshade</text>
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              <elementText elementTextId="59538">
                <text>"Mary Hartman, Mary Hartman" by The Deadly Nightshade</text>
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      <tag tagId="203">
        <name>Music</name>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="59571">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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