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                <text>Side A: Pat discusses her experiences as an African American lesbian.  She developed friendships and relationships with both white and black gay women in the 1950s.  She denies there were any racial tension in the Buffalo lesbian community; Pat says her experience was very inclusive.  She also discusses experiencing police harassment, but says that she longer experiences discrimination from law enforcement.  Pat discusses her wardrobe in the 1950s, which was composed of mens' clothing, and where she used to shop.&#13;
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                  <text>Mabel Hampton (1902-1989) was an African-American lesbian, an activist, a domestic worker, and a dancer. Born in Winston-Salem, North Carolina, she lost her mother when she was only two years old. For the next five years, Mabel was raised by her maternal grandmother, but she too passed away. In 1909, she moved to Greenwich Village in New York City at age seven. Less than a year after moving in with her aunt, Mabel was raped by her uncle, a minister. She ran away to New Jersey, buying a bus ticket purchased with a nickel given to her by a woman on the street. Luckily, Mabel was taken in by a family that cared for her for the next several years.&#13;
&#13;
As a young woman, Mabel gravitated toward the lively scene in Harlem. In 1920, when she was seventeen, Mabel was wrongfully arrested during a prostitution sting and sentenced to time in Bedford Hills Correctional Facility for Women. Upon her release, she danced at clubs like "The Garden of Joy", sang as a member of the Lafayette Theater Chorus, and performed with Harlem Renaissance stars such as Gladys Bentley. Mabel engaged in several relationships with women and lived openly as a lesbian.&#13;
&#13;
In 1932, Mabel met Lillian Foster, who would be her partner until Lillian's death in 1978. With the Harlem Renaissance waning, Mabel sought out employment in other areas, primarily working as a domestic worker and hospital attendant. As a domestic, she worked for the family of Joan Nestle. Mabel and Joan developed a friendship that lasted for decades. When Joan started the Lesbian Herstory Archives in 1974, Mabel joined her as a founding member. Mabel donated her huge collection of lesbian pulp fiction novels and worked tirelessly with Joan and other volunteers to amass lesbian-related materials--literature, biographical information, academic publications, and ephemera--as a resource for the lesbian and gay community.&#13;
&#13;
Mabel was also a vital, enduring element in the gay rights movement-she participated in every gay pride march that occurred during her lifespan, including the first, historic march and demonstration for gay rights in Washington, D.C., which took place in 1979. In 1985, Mabel was named the grand marshal of the New York City Gay Pride March. That same year, Mabel was awarded a lifetime achievement award by the National Coalition of Black Lesbians and Gays.&#13;
&#13;
After the Lesbian Herstory Archives were founded, Mabel carried the LHA banner in many marches. She also worked tirelessly for SAGE, an organization devoted to promoting advocacy and developing services for elderly members of the gay, lesbian, bisexual, and transgender communities. Interviews with Mabel are featured in "Before Stonewall" and "Silent Pioneers"; both movies document the struggle for gay rights and the efforts made to obtain equality.&#13;
&#13;
Joan Nestle started recording Mabel's oral histories in the late seventies, realizing the importance of documenting Mabel's life story as an example of racial and sexual freedom. In these histories--many of which are featured on this website--Mabel discusses her relationships with women, her struggles with racism, and her identity as an African-American lesbian in the twentieth century. Mabel died of pneumonia in 1989 at the age of eighty-seven. Her life as an advocate, activist, performer, and storyteller lives on in the images and oral histories collected by the Lesbian Herstory Archives. Many of the resources below, as well as additional subject files, biographical information, images, and media about Mabel, lesbian history, and gay pride are available by visiting the LHA in person.&#13;
&#13;
Resources&#13;
&#13;
City University of New York. (2003). Queer ideas: The David R. Kessler lectures in lesbian and gay studies. New York: Feminist Press at the City University of New York.&#13;
&#13;
DuPlessis, R. B., &amp; Snitow, A. B. (1998). The feminist memoir project: Voices from women's liberation. New York: Three Rivers Press.&#13;
&#13;
Hampton, M. (1979) "I didn't go back there anymore: Mabel Hampton talks about the south." In Feminary 10, 7-16.&#13;
&#13;
Hogan, S., &amp; Hudson, L. (1998). Completely queer: The Gay and Lesbian encyclopedia. New York: Henry Holt.&#13;
&#13;
Lesbian Herstory Archives. Mabel Hampton special collection, including transcripts of oral history. Lesbian Herstory Archives, Brooklyn, NY.&#13;
&#13;
Nestle, J. (1993). Excerpts from the Oral History of Mabel Hampton. Signs, 18, 4, 925-935.&#13;
&#13;
Nestle, J. (1998). "I Lift My Eyes to the Hill: the Life of Mabel Hampton as told by a White Woman." In A fragile union: New &amp; selected writings. San Francisco: Cleis Press.&#13;
&#13;
Nestle, J. (1991). "Surviving and More: Interview with Mabel Hampton". In Sinister Wisdom 43/44, Summer. Berkeley, CA.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>Barbara Grier was born on November 4, 1933 in Cincinnati, OH.  Her affiliation with the Daughters of Bilitis began in 1957, when she started to subscribe to The Ladder.  Shortly thereafter she began writing book reviews for the publication, then served as poetry and fiction editor from 1966-1968, when she became the editor-in-chief.  In this role, Grier included news stories, essays, prose and poetry that focused on the burgeoning women’s movement.  When the DOB folded in 1970, she and DOB President Rita Lapore continued to publish The Ladder until this ceased in 1972, for financial reasons.&#13;
&#13;
Grier met Donna McBride, the reference librarian at the Kansas City, MO public library and Grier's eventual partner, in 1971.  McBride first knew Grier as a library patron who made frequent and numerous recommendations of books of lesbian interest that she wanted the library to buy.  In January 1973, Grier and McBride, started Naiad Press,  the “world’s largest [and foremost and longest-lived] publisher of lesbian books” -- by lesbians, about lesbians and for lesbians.  It included romance novels, histories, erotica, volumes of poetry, science fiction and self-help guides, as well as mysteries, non-fiction and classics.  Prior to Naiad, “lesbian literature was primarily written by men whose protagonists generally ended up in one of two ways: they married a man or killed themselves.”  Grier and McBride kept their day jobs until 1982, when Naiad became their full-time work.  In 1995 Grier donated her “Lesbiana" collection to the James C. Hormel Gay and Lesbian Center of the San Francisco Public Library.”  Bella Books took over when Grier closed Naiad Press in 2005.  &#13;
&#13;
Grier died of cancer on November 10, 2011 in Tallahassee, FL.&#13;
&#13;
&#13;
Barbara Grier (n.d.) In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Barbara_Grier. &#13;
&#13;
Barbara Grier Obituary (2011, November 13). Tallahassee Democrat. Retrieved from http://www.legacy.com. &#13;
&#13;
Brownsworth, V. (2011, November 11). In Remembrance: Barbara Grier. Lambda Literary. Retrieved from http://www.lambdaliterary.org. &#13;
&#13;
Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc.&#13;
&#13;
Grier, B. (1987, November 27). [DOB transcript of tape]. DOB Oral History Project, Daughters of Bilitis. Herstory Archives, Brooklyn, New York.&#13;
&#13;
Grier, Barbara (1933-2011). (n.d.). In glbtq’s online encyclopedia. Retrieved from http://www.glbtq.com/literature/grier_b.html. &#13;
&#13;
Kallmaker, K. (2011). Barbara Grier, Reflections (blog). Retrieved from http://blog.kallmaker.com/2011/11/barbara-grier-reflections.html. &#13;
&#13;
San Francisco Public Library. Barbara Grier. Retrieved from http://sfpl.org/index.php?pg=2000134701. &#13;
&#13;
Vitello, P. (2011, November 13). Barbara Grier, Publisher of Lesbian Books, Dies at 78. The New York Times. Retrieved from http://www.nytimes.com. &#13;
&#13;
Woo, E. (2011, November 13). Barbara Grier dies at 78; co-founder of lesbian publishing house. Los Angeles Times. Retrieved from http://articles.latimes.com.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Part 2 of interviews addressed to "lesbians of the future" conducted by the Lesbian Herstory Archives at the 1978 Lesbian Regional Conference. Among the subjects discussed in the interviews include coming out, lesbian bars, racism against lesbians of color, representations of violence against women, feminism, and older lesbians.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>11/2023 (date digitized)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Lesbian Herstory Archives&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Speaking_to_the_Future_Tape_2</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Baked Tape</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/2 inch videotape</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:32:53</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>An account of the resource</description>
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                <text>Speakers self-describe the show as "a tape of six creative Black women discussing the media portrayal of Black women and their confrontation of racism and sexism." Originally recorded during the "Black Women in the Arts" Workshop at the National Alliance of Black Feminists conference held in Chicago, October 21-23 [1975]. Broadcast in an episode of &lt;em&gt;Everywomanspace&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;(On side A) Darlene Hayes (Phil Donahue Show) discusses media portrayal. Margaret Walker Alexander (poet) discusses the problems facing the Black woman writer. Mari Evans (poet) discusses her experience as a Black woman writer. (Panel continues on side B) Carolyn Marie Rodgers (poet) also discusses her experience as a Black woman writer. Two additional panelists are featured, but their names could not be deciphered.</text>
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                <text>Womanism</text>
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                <text>Misogynoir</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>See the LHA Copyright Statement</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <description>The nature or genre of the resource</description>
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                <text>Everywomanspace</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Adrienne Gantt</text>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Darlene Hayes</text>
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                <text>Margaret Walker Alexander</text>
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                <text>Carolyn Marie Rodgers</text>
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                <text>Audio cassette</text>
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                <text>"Somebody Somewhere" by LaBelle</text>
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                <text>"Border Song (Holy Moses)" by Aretha Franklin</text>
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                <text>"What Can I Do for You" by LaBella</text>
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        <name>National Black Feminist Organization</name>
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        <name>Racism</name>
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        <name>Sexism</name>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <name>Dublin Core</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Varied Voices of Black Women</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Donna Allegra hosts members of &lt;em&gt;The Varied Voices of Black Women&lt;/em&gt;, a touring poetry and music production, on &lt;em&gt;The Lesbian Show&lt;/em&gt;. Guests include poet Pat Parker, singer and percussionist Linda Tillery, pianist Mary Watkins and Gwen Avery.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Performance art</text>
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                <text>Women's music</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="59494">
                <text>Pacifica Radio Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59495">
                <text>Audio Recording; Radio talk shows</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="169">
            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
            <elementTextContainer>
              <elementText elementTextId="59482">
                <text>The Lesbian Show</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
              <elementText elementTextId="59488">
                <text>Donna Allegra</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
              <elementText elementTextId="59489">
                <text>Linda Tillery</text>
              </elementText>
              <elementText elementTextId="59490">
                <text>Gwen Avery</text>
              </elementText>
              <elementText elementTextId="59491">
                <text>Pat Parker</text>
              </elementText>
              <elementText elementTextId="59492">
                <text>Mary Watkins</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="59496">
                <text>Audio cassette</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59497">
                <text>Access Copy: MP3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="59498">
                <text>0:39:11</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="165">
            <name>Date Broadcast</name>
            <description>The date on which the audio was originally broadcast. Format: YYYY-MM-DD</description>
            <elementTextContainer>
              <elementText elementTextId="59499">
                <text>1978-10-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
            <elementTextContainer>
              <elementText elementTextId="59500">
                <text>"Womanly Way" by Linda Tillery</text>
              </elementText>
              <elementText elementTextId="59501">
                <text>"High Flying Woman" by The Deadly Nightshade</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="996">
        <name>Black Lesbians</name>
      </tag>
      <tag tagId="577">
        <name>Black Women</name>
      </tag>
      <tag tagId="1030">
        <name>Feminist Theater</name>
      </tag>
      <tag tagId="158">
        <name>Lesbians of Color</name>
      </tag>
      <tag tagId="203">
        <name>Music</name>
      </tag>
      <tag tagId="232">
        <name>Performing Arts</name>
      </tag>
      <tag tagId="236">
        <name>Theater</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
