CC-BY-NC-ND 4.0. Requests for further uses and licensing questions should be forwarded to Pacifica Radio, owner of WBAI and other historical stations. See also LHA Copyright Statement.]]>CC-BY-NC-ND 4.0. Requests for further uses and licensing questions should be forwarded to Pacifica Radio, owner of WBAI and other historical stations. See also LHA Copyright Statement.]]>
B: II Gertrude Stein (Cont.)]]>
Side B: Gertrude Stein]]>CC-BY-NC-ND 4.0. Requests for further uses and licensing questions should be forwarded to Pacifica Radio, owner of WBAI and other historical stations. See also LHA Copyright Statement.]]>CC-BY-NC-ND 4.0. Requests for further uses and licensing questions should be forwarded to Pacifica Radio, owner of WBAI and other historical stations. See also LHA Copyright Statement.]]> Janet describes that the first room in a library targeted specifically for children was in the Pratt Library in Brooklyn in 1895. The librarian Anne Carole Moore worked there, and would become a very influential children's librarian. She speaks on the monopoly of children's literature in publishing and book awards, with Anne Carole Moore at the center due to her connections with other powerful librarians. Since Anne Carole Moore's appointment, child friendships and friend crushes in literature have disappeared. The removal of content in library books where children physically touched each other, Janet says, was a direct result of the fear of lesbianism.
Cynthia Secor speaks about Gertrude Stein and James Joyce. She asserts that Stein is an oft-overlooked figure in literature. Gertrude Stein was a sort of hidden figure, while James Joyce was taught everywhere. Stein was read by many lesbian women, but Cynthia did not read Stein until she joined the lesbian community. Cynthia reads a passage by Stein, "Cow come out...", discusses Stein's novella, Q.E.D., and her "Patriarchal Poetry" essay.]]>CC-BY-NC-ND 4.0. Requests for further uses and licensing questions should be forwarded to Pacifica Radio, owner of KPFK and other historical stations. See also LHA Copyright Statement.]]>Amazon Country. Bertha discusses how writing has been a means of freedom and escape for her, and how she would like fiction to help define what it means to be a lesbian. They also explore whether and how the patriarchy has an impact on what women write. They ruminate on the overlap between politics and art.]]>CC-BY-NC-ND 4.0. Requests for further uses and licensing questions should be forwarded to WXPN. See also LHA Copyright Statement.]]>
Feminism
Feminist literature]]>Contact LHA at dyv.lha@gmail.com