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Before + After this Decade of Feminism</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Part 4 of the &lt;em&gt;Women in the Arts&lt;/em&gt; series, introduced by the director of Drama and Literature at KPFK, Clare Spark Loeb. Judy Chicago hosts and interviews author Anaïs Nin on the subjects of feminist literature and women's liberation. They discuss a disagreement they previously had about anger and women's liberation. Anaïs also reads from and discusses her book, &lt;em&gt;Fourth Diary&lt;/em&gt;.</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Arcus Flynn Interview, November 1, 1987&#13;
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                <text>Lesbian Herstory Archive</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            <description>An account of the resource</description>
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                <text>Arcus Flynn discusses her early life and her struggle with isolation and depression, her eventual discovery of the Daughters of Bilitis meetings and the community and friendships she found there. Arcus talks about the early importance of roles assumed by lesbians in the community (butch/femme), her involvement with the Women’s Rights movement, her evolution from Catholicism to born-again pagan spirituality (the Irish triad: truth, knowledge, and nature), and her discovery of herbology and natural healing.</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>This is the same discussion as CoalitionofLaborUnionWomen_2, but without the additional music conversation. The CLUW interview also has additional questions (at around minute 21): "How can women get in touch with you?" and "How many women are involved in the DC chapter of CLUW?"&#13;
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                <text>Coalition of Labor Union Women #1</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                <text>Pat Strand, Linda Osbourne</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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                  <text>1972-1974</text>
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                <text>Coalition Of Labor Union Women 2</text>
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                <text>Radio Free Women</text>
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                <text>Coalition of Labor Union Women #2</text>
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            <description>An account of the resource</description>
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                <text>This interview/discussion opens with "Frontier" by Cris Williamson. Pat Strand and Linda Osbourne are interviewed about the Coalition of Labor Union Women (CLUW) conference. They talk about how the women's unions and the coalition got their start. The effects of the conference on local unions is also talked about. The CLUW episode ends at 27 minutes. Note: At 27:20 the audio cuts to the middle of a conversation about women in music and the different challenges that are faced in male-dominated music spaces.</text>
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                <text>4/11/74</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="57746">
                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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              <elementText elementTextId="60046">
                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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            <name>Interviewee</name>
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                <text>Pat Strand, Linda Osbourne</text>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Common Ground - Women Have Always Worked</text>
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            <description>The topic of the resource</description>
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                <text>Women in the workplace</text>
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            <description>An account of the resource</description>
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                <text>(This is side B of tape) An interview with Alice Kessler-Harris about her book, "Women Have Always Worked," published by Feminist Press. Hessler redefines "work" and also emphasizes how historically women's labor was not salaried or compenstated financially. </text>
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            <name>Interviewee</name>
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                <text>Alice Kessler-Harris</text>
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            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Phyllis Kriegel</text>
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        <name>domestic sphere</name>
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        <name>Feminism</name>
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        <name>homemaking</name>
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        <name>industrial revolution</name>
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        <name>Labor</name>
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        <name>motherhood</name>
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        <name>Phyllis Kriegel</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Martha Shelley Audio Recordings, 1972-2020 [bulk 1972-1978]</text>
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              <description>An account of the resource</description>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Constructing a History of Power &amp; Sexuality,  New York University, undated (Part 2 [no part 1])</text>
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            <description>An account of the resource</description>
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                <text>This recording is the second part of a keynote address by Catherine Simpson &amp; Jonathan Katz titled “Constructing a History of Power &amp; Sexuality”. The recording of the first part is unavailable; upon digitization it was found that the tape itself was blank, possibly due to user error at the time of recording or from being erased. It consists of a question &amp; answer session with discussion of power from an interpersonal perspective up to a governmental, political level. Psychology and energy, both labor and libido are elaborated on, as well as the impact and ramifications of the Women's Liberation Movement &amp; Gay Liberation Movement on society.</text>
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                <text>03/31/1978</text>
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            <description>The size or duration of the resource.</description>
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                <text>0:30:00</text>
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            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English</text>
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                    <text>~

---v--July 12, 1995
Dear friend:
As you may know, Beijing, China is the location of the United Nations World Conference
on Women. Within this conference is a Non-Governmental Organization (NGO) Forum,
which will allow activists, grassroots organizers, and non-profit organizations from all over
the world to congregate. There will be an unprecedented exchange of ideas, a creation of
networks, and a concerted effort to influence government policy-making at the "official"
conference. Women who attend the NGO Forum will have access to government
representatives and will be able to directly express their needs on cru"';..J issues including
poverty, education, health and violence against women. DYKE TV -as part of the global
community of women committed to social change-will be in Beijing. Our aim is to record
the proceedings of both conferences particularly as they pertain to issues relevant to
lesbians. This documentation will bring the women and the issues of the conferences to a
wider forum of women unable to go to Beijing. We wi\J produce 6--8 pieces which will be
aired this fall in 61 cities on our weekly show and shown in their entirety at community
screenings.
In preparatory conferences for the UN Conference in Beijing there bas been major debate
over whether or not sexuality should be on the agenda. The Vatican, the Chinese
government, and other right-wing factions have been active opponents to the discussion of
sexuaJity at the conference. In addition, though a large percentage of the women working
within the NGO sector are lesbians or are sympathetic to lesbian issues, many delegates are
tom between their "primary focus" (hunger, land rights, peace strategies in war-tom areas,
etc.) and sexual liberation for all women. DYKE TV's goal is to clarity bow acknowledging
sexual autonomy or orientation could directly impact women's ability to take control of their
own bodies and even their own lives. In other words, in a society where basic human rights
are given only to men, a woman who chooses not to marry faces the threat of receiving
diminished access to education and economic stability, and can be an increased target for
violent attack. We must therefore work globally towards sexual autonomy and freedom of
orientation to ensure the well-being of all women.
While all women who love women may not fall into the culturally specific terms "dyke" or
"lesbian," women who live within homophobic or patriarchal cultures share many
similarities. The NGO Forum will allow women to share their common experiences. Part
of the goal of DYKE TV's Project Beijing is to record personal testimonies from a diverse
representation of lesbians and supporters. We will use these stories, and footage from both
conferences, to report thoroughly on Beijing '95 on 61 public-access cable stations around
the U.S. In addition, we are working with the Institute for Global Communications on an
Internet project which will being images and testimonies of women in Beijing to Internet
users throughout the world. And, in order to widen our audience even further, we are
currently collaborating with FIRE (Feminist International Radio Endeavor) to place the
testimonies on short-wave radio.
Other activities DYKE TV will cover at the NGO Forum in Beijing include daily plenary
sessions, working group meetings, networking meetings, and cuJtural events. Part of our

P. O. lox H . Prince Street Station. New York. NY 10012 • Telephone: 212·343-9335 • Fax: 212-343-9337

�focus will be on the Lesbian Tent which will be set up by the International Gay and Lesbian
Human Rights Commission as in international think tank, work area, and marketplace. As
press, we will have access to lobbying efforts of several organizations including Gay
.
People's Health Forum, from South Africa, Arkadija-Lesbian and Gay Lobby, from Serbia,
and the San Francisco Asian Women's Center.
DYKE TV's Beijing Project is part of a global movement to encourage the United Nations
to pay attention to women who envision themselves differently in the world. We need
human rights protections. We don't want to have to go through bureaucratic governmental
red tape every ten years in order to live the fulfilling, strong, creative and safe lives we know
we must live. The Beijing Project is an important step in this direction because it wiJJ
document the connections between all movements so that we can move forward together.
The fight for sexual autonomy is one part of a whole-that whole is all the struggles that
women face. Autonomy of women's sexuality and sexual orientations must be included in
the protective designation of International Human Rights if the women's movement is to
achieve complete victory.
DYKE TV needs your financial help to document and amplify the lesbian presence in
Beijing and the rest of the world. Send what you can. All donations are tax-exempt to the
fullest extent of the law under our 501 (c)(3) not-for-profit incorporation, Sang Froid.
Sang Froid/fbe Be.ijing Project
DYKE TV, attn: Beijing
POBoxSS
Prince Street Station
New York, NY 10012

checks can be made out to:
_ mail to:

If you'd like more information about DYI&lt;E TV or this project, please contact me at 718875-9010, or call the DYKE TV office at 212-343-9335. Thank you in advance for your
support of this vitaJ projecL

Sincerely,
•

I

-~L

_/

.

1

L,;T.~ ~
Beijing Project Coordinator

�</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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Lesbians in mass media&#13;
United Nations&#13;
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China</text>
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                <text>"Old Cape Cod" by Bette Midler</text>
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                <text>"Get Off Me Baby" by Holly Near</text>
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                <text> "Sweet Woman" by Cris Williamson</text>
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            <name>Publisher</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>See the LHA Copyright Statement</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2/6/77</text>
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                <text>Everywomanspace</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Irene Yarrow</text>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <description/>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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        <name>Lesbian Writer</name>
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Side B: SPW1975_SideB_20250923_Transcript.docx</text>
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            <description>A name given to the resource</description>
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                <text>This episode of Everywomanspace, hosted by Irene Yarrow on WBAI radio, features the complete reading of Yarrow’s autobiographical story “Woman Becoming.” Yarrow explores her personal journey of self-realization and coming out as a lesbian, interwoven with experiences of motherhood, marriage, and feminist awakening. The broadcast incorporates poetry by Judy Grahn, musical selections by Alix Dobkin and Joni Mitchell, and live listener call-ins.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>This recording features thoughts on feminist credit unions by an unidentified speaker covering topics from the buercratic procedures and structure needed to create and run them, the ethical decisions on how to allocate loans given limited funding and importance of preserving their history. </text>
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                <text>T81_1_29</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Martha Shelley</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives</text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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              <elementText elementTextId="54301">
                <text>Unknown</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
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              <elementText elementTextId="54303">
                <text>WAV</text>
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        <name>Economics</name>
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        <name>Feminism</name>
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        <name>History</name>
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        <name>National Organization for Women</name>
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              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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            <name>Title</name>
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                <text>Feminist Workshop, February 18, 1971</text>
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            <description>The topic of the resource</description>
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                <text>Lesbian identity&#13;
Homonormativity&#13;
Second wave feminism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="57958">
                <text>Recorded discussion regarding what constitutes a lesbian and lesbian identity writ large.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1971-02-18</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2023-09-26 (digitized)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57962">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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            <description/>
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                <text>WAV</text>
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        <name>Feminism</name>
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      <tag tagId="147">
        <name>Identity</name>
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      <tag tagId="287">
        <name>Lesbian Community</name>
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      <tag tagId="526">
        <name>Lesbian Identity</name>
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      <tag tagId="566">
        <name>Second Wave Feminism</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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                <text>Feminist Workshop, March 14, 1971</text>
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            <name>Subject</name>
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                <text>Lesbian identity&#13;
Homonormativity&#13;
Second wave feminism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Recorded discussion regarding the defining features of lesbianism and the lesbian identity. </text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="90">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2023-10-10 (digitized)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57975">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <description>A language of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <name>Digital Format</name>
            <description/>
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        <name>Lesbian Community</name>
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        <name>Lesbian Identity</name>
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      <tag tagId="566">
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              <description>An account of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Feminism</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Interviewer: Shirley Lo&#13;
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            <name>Publisher</name>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving student</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46929">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            <name>Format</name>
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Physical format: Cassette Tape</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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                <text>Audio Recording	</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>New York City, N.Y.</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Feminism</name>
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        <name>New York</name>
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        <name>New York City Lesbians &amp; Gays</name>
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      <tag tagId="398">
        <name>Shirley Willer</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>(Side A) Victoria Brownworth this episode of &lt;em&gt;Amazon Country&lt;/em&gt; with announcements regarding lesbian and feminist groups and organizations. Roberta Hacker interviews Arleen Olshan of the Gay Community Center. Arleen notes that lesbians are underrepresented in decision-making, policy development and program coordination, and the GCC would benefit from more lesbian involvement. They discuss lesbian separatism (especially relating to how few women are involved with the GCC). Arleen announces upcoming events at the GCC including various lectures by authors and activists, as well as consciousness-raising groups and educational classes. (Continues onto side B) Arleen encourages lesbians to check out the center because they "might be surprised" by the level of feminism that exists within the gay male community.&lt;br /&gt;&lt;br /&gt;Includes an ad for the Bicentennial Women's Center.</text>
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            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Women's music</text>
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                <text>Lesbian separatism</text>
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                <text>Lesbian feminists</text>
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                <text>Lesian liberation</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WXPN radio</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>WXPN</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>Amazon Country</text>
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                <text>Victoria Brownworth</text>
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                <text>Roberta Hacker</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Arleen Olshan</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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            <name>Digital Format</name>
            <description/>
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                <text>Access Copy: MP3</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:57:28</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Free" by Melba Moore</text>
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                <text>"Cherchez la Femme" by Dr. Buzzard's Original Savannah Band</text>
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              <elementText elementTextId="59339">
                <text>"Scotch and Soda" by The Manhattan Transfer</text>
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                <text>"Cry Me A River" by Julie London</text>
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                <text>"Falling In Love Again" by Marlene Dietrich</text>
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                <text>"Song to My Mama" by Meg Christian</text>
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              <elementText elementTextId="59343">
                <text>"Love Is Blind" by Janis Ian</text>
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                <text>"I'm Not In Love" by Dee Dee Sharp</text>
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                <text>"Lean On Me" by Melba Moore</text>
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              <elementText elementTextId="59346">
                <text>"Changing" by Kay Gardner</text>
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                <text>"She Loves Me" by Isis</text>
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        <name>Activism</name>
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      <tag tagId="211">
        <name>Communities</name>
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      <tag tagId="189">
        <name>Feminism</name>
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        <name>Lesbian Activists</name>
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      <tag tagId="554">
        <name>Lesbian Feminism</name>
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      <tag tagId="476">
        <name>Lesbian Musician</name>
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      <tag tagId="590">
        <name>Lesbian Separatism</name>
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      <tag tagId="424">
        <name>Media</name>
      </tag>
      <tag tagId="203">
        <name>Music</name>
      </tag>
      <tag tagId="611">
        <name>Ti Grace Atkinson</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Video Library, 1973-1993</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>It Can Be Done: Chicago Women's Graphic Collective</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A video about the relationships and bonds among members of the Women's Graphics Collective. The Collective produced posters addressing the struggles of the women's movement and other political movements, including the United Farm Workers organized a boycott on non-union lettuce and grape farmers.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Women's Graphics Collective, Women's Movement, Feminism</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="58047">
                <text>Shirlee Blumenthal and Barbara Bejna, directors</text>
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              <elementText elementTextId="58048">
                <text>School of Education, University of Wisconsin - Milwaukee, producer</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="58049">
                <text>c. 1973 (date created)</text>
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                <text>11/2023 (date digitized)</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="58051">
                <text>All rights reserved to the Chicago Women's Graphic Collective.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>It_Can_Be_Done</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Baked Tape</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
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                <text>1/2 inch videotape</text>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
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                <text>0:32:11</text>
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        <name>Activism</name>
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      <tag tagId="189">
        <name>Feminism</name>
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      <tag tagId="147">
        <name>Identity</name>
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      <tag tagId="221">
        <name>Youth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Daughters of Bilitis Video Project, 1987-1993</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>A discussion about the differences and challenges of the women's movement by various women. Personality, class tension, diversity, stereotyping, group identity, ideas of leadership are debated. The tension between lower class women and middleclass women is described in terms of leadership styles. Lower class women have a strong female role models to grow up with, this lacks completely for the middle class women. Action is perceived as a negative male trait by the middle class women, who are not used to take action but rather prefer moderation and security. </text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>Four women from working-class backgrounds critique leadership and individualism in second-wave feminism. Karen Kollias, Rita Mae Brown, Dolores Bargowski, and Beverly Fisher discuss the exclusion they experience by middle-class feminists who do not hold the same values of strength and leadership, which are viewed as masculine and therefore threatening. Feelings of guilt and the role of the mother in lower-class homes are also discussed.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"Our Dead Behind Us: Poems", 1986, Norton, New York.</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            <description>A name given to the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The size or duration of the resource.</description>
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                <text>Part 1 of a reading of a letter by Jane Alpert titled Mother Right that discusses Jane Alpert's life in the Weather Underground for three years.  The letter is split into two parts: an open letter to women activists to leave the left movement to radical feminism and a call to action to build a matriarchy.   The episode references rape, emotional manipulation and sexism performed by members of the Weather Underground and the left.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The topic of the resource</description>
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            <description>A language of the resource</description>
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            <description>A person or organization owning or managing rights over the resource.</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Shelley, Martha</text>
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          <element elementId="173">
            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Shelley, Martha</text>
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          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <name>Digital Format</name>
            <description/>
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        <name>Activism</name>
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        <name>Feminism</name>
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        <name>Jane Alpert</name>
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        <name>Matriarchy</name>
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        <name>Weather Underground</name>
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            <name>Date Created</name>
            <description>The original date that the media item was created. In the case of raw interviews, the date on which the interview was conducted. Format: YYYY-MM-DD</description>
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                <text>LHA_Audio_006</text>
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          <element elementId="167">
            <name>Title</name>
            <description>The name given to the media item you are cataloging. It is the unique name everyone should use to refer to or search for a particular media item. There are situations in which no proper or given title is available, e.g., photographs or segments harvested from a longer work or program. In these situations a "supplied title" must be invented and used to name the media item. Be considerate of and sensitive to the end user who is attempting to search for your media item.</description>
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                <text>Lesbian Nation</text>
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            <name>Episode Title</name>
            <description>If applicable, the episode or piece to which a media item contributed.</description>
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                <text>Lesbian Nation</text>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
            <elementTextContainer>
              <elementText elementTextId="53775">
                <text>Lesbian Nation, wbai-fm 99.5</text>
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          </element>
          <element elementId="170">
            <name>Description</name>
            <description>Uses free-form text to report abstracts, or summaries about the intellectual content of a media item you are cataloging. The information may be in the form of a paragraph giving an individual program description or brief content reviews.</description>
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                <text>Letter from Jane Alpert, Pt. 2  Miscellanea (abbreviated LN shows)&#13;
Shelley reads from Jane Alpert's Mother Right, a new feminist theory, part two of a three part series. WBAI had received the letter from the underground a week prior to taping.  </text>
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            <name>Creator</name>
            <description>Identifies a person or organization primarily responsible for creating a media item. The creator may be considered an author and could be one or more people, a business, organization, group, project or service. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Shelley, Martha</text>
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            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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              <elementText elementTextId="53778">
                <text>Shelley, Martha</text>
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          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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              <elementText elementTextId="53779">
                <text>Shelley, Martha</text>
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          <element elementId="175">
            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
            <elementTextContainer>
              <elementText elementTextId="53780">
                <text>Rights to WBAI </text>
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          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="53781">
                <text>Open reel audiotape</text>
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            <name>Digital Format</name>
            <description/>
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                <text>MP3</text>
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          <element elementId="178">
            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Herstory Archive</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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          <element elementId="183">
            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                <text>Self Contained Do not recycle!</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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        <name>Jane Alpert</name>
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      <tag tagId="475">
        <name>Martha Shelley</name>
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              <description>A name given to the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Lesbian Nation was a groundbreaking radio show produced and hosted by Martha Shelley that specifically focused and revolved around the LGBTQ community during the rise of gay and lesbian liberation movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Martha Shelley (b. 1943) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis, a lesbian civil and political rights organization, eventually becoming president of the New York chapter. Shelley was one of the early members of the Gay Liberation Front (GLF), established immediately after the Stonewall Riots and which advocated for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/93"&gt;Other audio recordings&lt;/a&gt; donated to the LHA and associated with Martha Shelley can also be found among this website's collections.&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In this episode Martha Shelley reads a letter written by Jane Alpert. The letter discusses male vs female biology, motherhood, feminism and the feminist revolution, Gynocracies and patriarchies, as well as gender roles. </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>A person or organization owning or managing rights over the resource.</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="60350">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Gender Roles</name>
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        <name>Jane Alpert</name>
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        <name>Labyris Bookstore</name>
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&#13;
Announcements: The Gay Pride program has a new time slot; The first meeting of the Gay Women's Alternative, a collective for women over 30; A dance at 99 Rooster st put together by Lesbian Feminist Liberation; Film and Video Festival from a group called Women Make Movies</text>
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                  <text>Barbara Grier was born on November 4, 1933 in Cincinnati, OH.  Her affiliation with the Daughters of Bilitis began in 1957, when she started to subscribe to The Ladder.  Shortly thereafter she began writing book reviews for the publication, then served as poetry and fiction editor from 1966-1968, when she became the editor-in-chief.  In this role, Grier included news stories, essays, prose and poetry that focused on the burgeoning women’s movement.  When the DOB folded in 1970, she and DOB President Rita Lapore continued to publish The Ladder until this ceased in 1972, for financial reasons.&#13;
&#13;
Grier met Donna McBride, the reference librarian at the Kansas City, MO public library and Grier's eventual partner, in 1971.  McBride first knew Grier as a library patron who made frequent and numerous recommendations of books of lesbian interest that she wanted the library to buy.  In January 1973, Grier and McBride, started Naiad Press,  the “world’s largest [and foremost and longest-lived] publisher of lesbian books” -- by lesbians, about lesbians and for lesbians.  It included romance novels, histories, erotica, volumes of poetry, science fiction and self-help guides, as well as mysteries, non-fiction and classics.  Prior to Naiad, “lesbian literature was primarily written by men whose protagonists generally ended up in one of two ways: they married a man or killed themselves.”  Grier and McBride kept their day jobs until 1982, when Naiad became their full-time work.  In 1995 Grier donated her “Lesbiana" collection to the James C. Hormel Gay and Lesbian Center of the San Francisco Public Library.”  Bella Books took over when Grier closed Naiad Press in 2005.  &#13;
&#13;
Grier died of cancer on November 10, 2011 in Tallahassee, FL.&#13;
&#13;
&#13;
Barbara Grier (n.d.) In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Barbara_Grier. &#13;
&#13;
Barbara Grier Obituary (2011, November 13). Tallahassee Democrat. Retrieved from http://www.legacy.com. &#13;
&#13;
Brownsworth, V. (2011, November 11). In Remembrance: Barbara Grier. Lambda Literary. Retrieved from http://www.lambdaliterary.org. &#13;
&#13;
Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc.&#13;
&#13;
Grier, B. (1987, November 27). [DOB transcript of tape]. DOB Oral History Project, Daughters of Bilitis. Herstory Archives, Brooklyn, New York.&#13;
&#13;
Grier, Barbara (1933-2011). (n.d.). In glbtq’s online encyclopedia. Retrieved from http://www.glbtq.com/literature/grier_b.html. &#13;
&#13;
Kallmaker, K. (2011). Barbara Grier, Reflections (blog). Retrieved from http://blog.kallmaker.com/2011/11/barbara-grier-reflections.html. &#13;
&#13;
San Francisco Public Library. Barbara Grier. Retrieved from http://sfpl.org/index.php?pg=2000134701. &#13;
&#13;
Vitello, P. (2011, November 13). Barbara Grier, Publisher of Lesbian Books, Dies at 78. The New York Times. Retrieved from http://www.nytimes.com. &#13;
&#13;
Woo, E. (2011, November 13). Barbara Grier dies at 78; co-founder of lesbian publishing house. Los Angeles Times. Retrieved from http://articles.latimes.com.</text>
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&#13;
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                <text>The second of four recordings of Pacifica Radio coverage of the National March on Washington for Lesbian and Gay Rights on October 14, 1979.  Musical performances by Mary Watkins, Meg Christian, and Holly Near. Speeches by Ray Hill and Charles Law.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tape 2 of a 4 tape series. Preceded by SPW1158.  Followed by SPW1160 and SPW1161.</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Masturbation</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Modern Language Association Conference in Chicago, December 1977. Lesbian Feminist Poetry Reading featuring six poets. Side A includes Joan Larkin, Barbara Smith and Diedre McCalla. Side B includes Melanie Kaye, Adrienne Rich and Audre Lorde; Audre Lorde appears at 28:07 on SPW1151_B (Side B).</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Pamela Oline is interviewed. She is heterosexual and talks about her path to and experience of being a member of DOB and campaigning for gay and lesbian rights. She describes her childhood growing up in England, moving to America when she was 14 and changing career from a mathematician and to a psychotherapist. Recognizing the psychological issues of the time, she decided to understand the lesbian community from the inside.  She talks about DOB meetings, lesbian and feminism issues, radical and conventional activism, marriage, and GAU (Gay Academic Union) meetings, panel discussions, etc.&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Ruth Simpson and Ellen Povill are interviewed in Woodstock, New York. Ruth talks about her past experience dating men and falling in love. She discusses coming out and realizing her sexual orientation when she was doing theater in college. On tape 2, she and Ellen Povill talk about various movements, including civil rights, feminism and gay and lesbian rights. They describe the day a group of feminists were arrested at a demonstration and the police brutality they experienced and later on, examples of FBI interception. Ruth discusses DOB and her leadership of the New York chapter and Ellen talks about her activities on the action committee.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Morgan Gwenwald, Manuela Soares, Sara Yaeger.</text>
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&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A is a radio program on WBAI in New York, hosted by Viv Sutherland, and addresses the serious issue of sexual harassment in the workplace. The show consists of two central interviews: Mary Garvin, a carpenter and member of a union, and Rachel, a legal secretary, who both tell their own stories of being harassed at the workplace. Mary Garvin, a member of United Brotherhood of Carpenters and Joiners of America, Local 1204, describes her own encounters with casual and malicious forms of harassment at work on building sites, such as discriminatory treatment as a minority worker. Rachel describes a hellish experience of attempted sexual attack by her employer, a private attorney, detailing being physically restrained and assaulted in his office. The program also features phone-ins from listeners discussing different issues surrounding sexual harassment, law, and potential responses to such an event––some advocating for violent responses. The discussion touches upon the issue of complexities of building harassment cases, shortcomings in current legal protection, and the need for systemic changes to assist the victims better and prevent workplace harassment. Side B continues with call-ins. It expands on themes from the first half but brings in more emphasis on legal, economic, and cultural barriers to justice. The program ends with a call for systemic change, grassroots activism, and women reclaiming their power in courtrooms, workplaces, and daily interactions.</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
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Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>"Keep On the Sunnyside" by The Deadly Nightshade</text>
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                <text>"Mary Hartman, Mary Hartman" by The Deadly Nightshade</text>
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                <text>In addition to Audre Lorde, Linda Gordon, Manuela Prairie, Jessica Benjamin, Bonnie Johnston, Camille Bristow, and Susan McHenry participated in the panel. The recording includes a question and answer session between panelists and audience members. The topics discussed include racism, feminism, class oppression, individualism, sexuality, community, and sisterhood.</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1155_A.mp3 Side A (wav) http://herstory.prattsils.org/wav_files/spw1155_A.wav</text>
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                <text>Side B (mp3) http://herstory.prattsils.org/mp3_files/spw1155_B.mp3 Side B (wav) http://herstory.prattsils.org/wav_files/spw1155_B.wav</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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                <text>Tape 1 of 2.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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Robin Morgan Reads: The Network of the Imaginary Mother</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Viv Sutherland</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Marylin Hacker</text>
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                <text>Grace Paley</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="59553">
                <text>Audio cassette</text>
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            <name>Digital Format</name>
            <description/>
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                <text>Access Copy: MP3</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
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                <text>0:57:22</text>
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          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Dida" by Joan Baez feat. Joni Mitchell</text>
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              <elementText elementTextId="59557">
                <text>"I Shall Be Released" by Bette Midler</text>
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        <name>Feminism</name>
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      <tag tagId="551">
        <name>Lesbian Authors</name>
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      <tag tagId="331">
        <name>Lesbian Writer</name>
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      <tag tagId="305">
        <name>Literature</name>
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        <name>Poetry</name>
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      <tag tagId="198">
        <name>Writing</name>
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        <src>https://herstories.prattinfoschool.nyc/omeka/files/original/56/344/[2014SP]workshop_4.20.71_4.mp3</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Audio Recordings, 1971-1988</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Workshop #4, Side B, April 20, 1971</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Feminism</text>
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                <text>Friendship</text>
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                <text>Activism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46816">
                <text>The recording is from a workshop from April 20, 1971. The women are having an open discussion on honesty and trust within the group. The talk about how they feel about each other and how they handle being in Daughters of Bilitis. </text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="46817">
                <text>Lesbian Herstory Archives</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1971-4-20</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students.</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46820">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Physical: Audio Cassette &#13;
Digital: .MP3</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>48:08</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Activism</name>
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        <name>Communities</name>
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        <name>Daughters of Bilitis</name>
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      <tag tagId="189">
        <name>Feminism</name>
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      <tag tagId="146">
        <name>Friendship</name>
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