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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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                <text>The recording is from a workshop from April 20, 1971. The women are having an open discussion on honesty and trust within the group. The talk about how they feel about each other and how they handle being in Daughters of Bilitis. </text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students.</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>This audio recording talks about activism and oppression within the lesbian community. The workshop is a group of women discussing their feelings and experiences with being oppressed as women in society, especially as lesbians. </text>
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                <text>33:13</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity.  The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose. </text>
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                <text>Lesbians in the Church</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Women and Religion </text>
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                <text>Sally Gearheart</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&#13;
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&#13;
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&#13;
&#13;
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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&#13;
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                  <text>Barbara Grier was born on November 4, 1933 in Cincinnati, OH.  Her affiliation with the Daughters of Bilitis began in 1957, when she started to subscribe to The Ladder.  Shortly thereafter she began writing book reviews for the publication, then served as poetry and fiction editor from 1966-1968, when she became the editor-in-chief.  In this role, Grier included news stories, essays, prose and poetry that focused on the burgeoning women’s movement.  When the DOB folded in 1970, she and DOB President Rita Lapore continued to publish The Ladder until this ceased in 1972, for financial reasons.&#13;
&#13;
Grier met Donna McBride, the reference librarian at the Kansas City, MO public library and Grier's eventual partner, in 1971.  McBride first knew Grier as a library patron who made frequent and numerous recommendations of books of lesbian interest that she wanted the library to buy.  In January 1973, Grier and McBride, started Naiad Press,  the “world’s largest [and foremost and longest-lived] publisher of lesbian books” -- by lesbians, about lesbians and for lesbians.  It included romance novels, histories, erotica, volumes of poetry, science fiction and self-help guides, as well as mysteries, non-fiction and classics.  Prior to Naiad, “lesbian literature was primarily written by men whose protagonists generally ended up in one of two ways: they married a man or killed themselves.”  Grier and McBride kept their day jobs until 1982, when Naiad became their full-time work.  In 1995 Grier donated her “Lesbiana" collection to the James C. Hormel Gay and Lesbian Center of the San Francisco Public Library.”  Bella Books took over when Grier closed Naiad Press in 2005.  &#13;
&#13;
Grier died of cancer on November 10, 2011 in Tallahassee, FL.&#13;
&#13;
&#13;
Barbara Grier (n.d.) In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Barbara_Grier. &#13;
&#13;
Barbara Grier Obituary (2011, November 13). Tallahassee Democrat. Retrieved from http://www.legacy.com. &#13;
&#13;
Brownsworth, V. (2011, November 11). In Remembrance: Barbara Grier. Lambda Literary. Retrieved from http://www.lambdaliterary.org. &#13;
&#13;
Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc.&#13;
&#13;
Grier, B. (1987, November 27). [DOB transcript of tape]. DOB Oral History Project, Daughters of Bilitis. Herstory Archives, Brooklyn, New York.&#13;
&#13;
Grier, Barbara (1933-2011). (n.d.). In glbtq’s online encyclopedia. Retrieved from http://www.glbtq.com/literature/grier_b.html. &#13;
&#13;
Kallmaker, K. (2011). Barbara Grier, Reflections (blog). Retrieved from http://blog.kallmaker.com/2011/11/barbara-grier-reflections.html. &#13;
&#13;
San Francisco Public Library. Barbara Grier. Retrieved from http://sfpl.org/index.php?pg=2000134701. &#13;
&#13;
Vitello, P. (2011, November 13). Barbara Grier, Publisher of Lesbian Books, Dies at 78. The New York Times. Retrieved from http://www.nytimes.com. &#13;
&#13;
Woo, E. (2011, November 13). Barbara Grier dies at 78; co-founder of lesbian publishing house. Los Angeles Times. Retrieved from http://articles.latimes.com.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&#13;
She discusses her first lesbian relationship, which happened shortly after she moved to San Franciso, and how this introduced her to lesbian culture, specifically survival literature. She talks about how she was at first intimidated by certain aspects of lesbian culture, like powerful butch lesbians, frequent drinking in the community, and lesbian literature. &#13;
&#13;
She talks about the impact of DOB, and how there was harassment from police as well as other lesbians or women. She also talks about sharing The Ladder around her workplace in secret, and shares the story about how The Ladder was “stolen” from the DOB San Franciso offices. She says that diversity was always lacking in the DOB, and talks about some reasons why.&#13;
&#13;
DOB meetings sometimes consisted of potluck dinners and Gab and Javas, sometimes taking place at Schwarz’s house. She talks about how lesbians dressed at the time.&#13;
&#13;
Finally she discusses the differences between the DOB and the Lesbian Herstory Archives and how they met different needs for lesbians, and finally some of the special collections in the archive. Joan Nestle jumps in at the end to discuss radical politics and the FBI surveillance of the DOB.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&#13;
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                    <text>SPRING 1998

ate
•

SCREENING
DTV proudly presents a screening of the award-winning viJeo documentary. The Disappearance
of TiSoeur: Haiti after Duvalier by Board Member Harriel Hirshorn on Tuesday. April 28., al
8:00 pm al Millennium. 66 E. 4th St. in Manhattan. Also being shown: a work in progress by
Kara Lynch, Black Russians. A reception follows with the filmmakers. Call the office for info.

•

S'l'H

ANNIVERSARY PARTY!
FIVE YEARS OF BRTNGl NG LESBIA NS INTO YOUR LIVINGROOM! Join us Wednesday.
June 10th for Barbara Starrett's 50+ birthday party/Dyke TV's 5th Anniversary! Call the offi&lt;:t'
for info or to become a host. It'll be a blast!

•

HOUSEPARTIES!
Watch for a bonanza of houseparlies this Spring &amp; Summer! If you want Lo throw your own benefit for OTV jus t call the office!

DIGITAL

MEDI A

WORKSHOPS

We are offering Digital Media Workshops starting in May. See the enclosed brochure for detail:-.
and caJI the office for more info! Costs are competiti ve and courses include hands-on instruction. We just receivP.d a grant from the North Star Fund th at will help provide some scholarships. particularly for members of progressive lesbian/gay organizations.

VIDEO

WORKSHOPS

The next cyc le of Video Workshops begins in early May. Dyke TV has trai ned hundreds of students in all phas&lt;'S of video production. Many of these students have gone on Lo make their own
independent videos and have produced segments fo r our nationally broadcasted s how.

NEW

CO-DIRECTOR

In January Dyke TV hired Lucretia Knapp as our new Education and Programming Director.
Lu(~retia i:i a multimed ia artist and instructor who moved to New York in August. She manageg
programming. workshops and the Artists-in-Residence program. If you're interested in pro&lt;lu&lt;·ing for the show the next meeting is Tuesd ay, ApriJ 30, 6 :30pm.

GROWING

BOARD

OF

DIRECTORS

Our most recent additions are Ma&gt;.ine Blake. Teresa Cooper. Kori Galloway, Mari Keiko
Gonzalez, and Paula Pressley. At 14 members. our Board is the larges t it's ever been.

•
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Thur:; 10pm-12am with Free Speech*

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••••• • •• •• •••••••••••• •••

sU\1

LEVELS OF SUPPORT AND
THE COOL STUFF YOU CET

Dyke TV ne" sletter

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Dyke TV newsletter a nd Best of Dyke TV tape
Dyke TV newsletter, hat and Best of Dyke TV tape, plus
a listing in the show credits as a sponsor
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Lesbian community&#13;
Lesbians in mass media&#13;
Lesbianism on television</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A Dyke TV flyer announcing various events including screenings, workshops, and parties, as well as new Board of Directors memebrs. The reverse side of the flyer announces New York Dyke TV airtimes and encourages support</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank"&gt;See the LHA Copyright Statement &lt;/a&gt;</text>
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                <text>en-US</text>
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            <name>Type</name>
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              <elementText elementTextId="53313">
                <text>document</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>GoodNewsFlyer</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>New York, New York, United States</text>
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        <name>Advertising</name>
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      <tag tagId="211">
        <name>Communities</name>
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      <tag tagId="424">
        <name>Media</name>
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        <name>Technology</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women, AIDS, and ACT UP, 1988-1994</text>
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.MP4: 320 x 240</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gay Men's Health Crisis [Living with AIDS], </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>AIDS (Disease)--Political aspects; United States; AIDS (Disease)--History; AIDS (Disease)--Social aspects--United States; Drugs--Testing; Clinical trials of drugs; Drug trials; AIDS (Disease) in women</text>
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            <description>An account of the resource</description>
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                <text>Episode of Gay Men's Health Crisis (GMHC) cable show Living with AIDS, covering topics related to women with AIDS.</text>
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                <text>Episode of Gay Men's Health Crisis (GMHC) cable show Living with AIDS, covering topics related to women with AIDS. Begins with clip from CBS special "Aids Hits Home", acknowledging new media coverage of heterosexual women with AIDS because of an inherent threat to middle class. Ruth Rodriguez from the Hispanic AIDS Forum notes that IV drug users comprise 60% of HIV+ women, a social group largely ignored by health professionals. Outreach and AIDS education media should be produced for a range of social groups. References Needle Talk, a series released by the New York Department of Health with physicians and educators discussing IV drug use, sex, and AIDS/HIV transmission.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Jean Carlomusto; Donated by Maxine Wolfe in 1993</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Processed by Pratt School of Information LIS-668 students, Fall 2015</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Gay Men's Health Crisis&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>New York City, New York</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>Digitized on 2015-10-01</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="51941">
                <text>1/2 inch videotape</text>
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            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="51942">
                <text>Preservation Copy: AVI with DV codec</text>
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                <text>Access Copy: MP4</text>
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          </element>
          <element elementId="179">
            <name>Digital Location</name>
            <description>An address for a digital media item. Employs an unambiguous reference or identifier for a digital rendition/instantiation of a media item and may include domain, path, filename or html page. This includes URIs for each digital file format created by the Internet Archive (will have multiple values).</description>
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                <text>21_LivingWithAids_1</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:15:00</text>
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            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                <text>Encoding: DV Video (dvsd). Multiple minutes contain tracking issues.</text>
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        <name>AIDS</name>
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        <name>Communities</name>
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      <tag tagId="295">
        <name>Consciousness Raising</name>
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        <name>Drugs</name>
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      <tag tagId="168">
        <name>Education</name>
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      <tag tagId="374">
        <name>Health Care</name>
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      <tag tagId="241">
        <name>Illness</name>
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      <tag tagId="405">
        <name>Meetings</name>
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      <tag tagId="381">
        <name>Political Movements</name>
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        <name>Social Work</name>
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        <name>Women's Health</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPW1922</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gay Community Center</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>(Side A) Victoria Brownworth this episode of &lt;em&gt;Amazon Country&lt;/em&gt; with announcements regarding lesbian and feminist groups and organizations. Roberta Hacker interviews Arleen Olshan of the Gay Community Center. Arleen notes that lesbians are underrepresented in decision-making, policy development and program coordination, and the GCC would benefit from more lesbian involvement. They discuss lesbian separatism (especially relating to how few women are involved with the GCC). Arleen announces upcoming events at the GCC including various lectures by authors and activists, as well as consciousness-raising groups and educational classes. (Continues onto side B) Arleen encourages lesbians to check out the center because they "might be surprised" by the level of feminism that exists within the gay male community.&lt;br /&gt;&lt;br /&gt;Includes an ad for the Bicentennial Women's Center.</text>
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            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Women's music</text>
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                <text>Lesbian separatism</text>
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                <text>Lesbian feminists</text>
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                <text>Lesian liberation</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WXPN radio</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>WXPN</text>
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            <description>The nature or genre of the resource</description>
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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            <name>Digital Format</name>
            <description/>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:57:28</text>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Free" by Melba Moore</text>
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                <text>"Cherchez la Femme" by Dr. Buzzard's Original Savannah Band</text>
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                <text>"Scotch and Soda" by The Manhattan Transfer</text>
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                <text>"Cry Me A River" by Julie London</text>
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                <text>"Falling In Love Again" by Marlene Dietrich</text>
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                <text>"Love Is Blind" by Janis Ian</text>
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              <elementText elementTextId="59344">
                <text>"I'm Not In Love" by Dee Dee Sharp</text>
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                <text>"Lean On Me" by Melba Moore</text>
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              <elementText elementTextId="59346">
                <text>"Changing" by Kay Gardner</text>
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              <elementText elementTextId="59347">
                <text>"She Loves Me" by Isis</text>
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      <tag tagId="211">
        <name>Communities</name>
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      <tag tagId="189">
        <name>Feminism</name>
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      <tag tagId="446">
        <name>Lesbian Activists</name>
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      <tag tagId="554">
        <name>Lesbian Feminism</name>
      </tag>
      <tag tagId="476">
        <name>Lesbian Musician</name>
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      <tag tagId="590">
        <name>Lesbian Separatism</name>
      </tag>
      <tag tagId="424">
        <name>Media</name>
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                    <text>Ph_ IE rn. : _1~

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To: lesbian , Bi-sexual and Queer Women of NYC
From: DYKE TV
Date: July&amp;, 1995

K TV wants you to be a part of our THIRD SEASON! He e is
your chanc• .to get involved with DYKE TV! Noexp~rlenced
necassaey, just the love of Women ind televi,Si~n is r 8quir8d t e
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Please come to ~e DYJETV Producer's '91eeting to present JO&amp;II' ideas for the
upcoming season. Join other ,esbian ~roduceri as they discuss what they
want on DYKETV. Find ~u~ how you can become involved!
DYKETV encourages atl dykes
pick up a videooaenara
and Al~'
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to

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WHERE: The ;O~j &amp;lesbian 'Community Center
208 ~~ 13th.:St;(at 7th Ave.)
WHEN: 'Thursday, July 13, 1995
@,7:00phl
WHY: It's fun! You can meet lotsa cute girls! A chance to be on t.v .! A way to
change the world! We cover dykes like no one else can!

Call Joanne at 212.343.9335 for more information.

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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Lesbian community&#13;
Lesbians in mass media&#13;
Lesbianism on television</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A flyer announcing the third season of Dyke TV and encouraging people to come to a producer's meeting to present ideas.</text>
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          <element elementId="39">
            <name>Creator</name>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="53331">
                <text>&lt;a href="/omeka/rights-statement" target="_blank"&gt;See the LHA Copyright Statement &lt;/a&gt;</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>document</text>
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          </element>
          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>New York, New York, United States</text>
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    <tagContainer>
      <tag tagId="436">
        <name>Advertising</name>
      </tag>
      <tag tagId="211">
        <name>Communities</name>
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        <name>Media</name>
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        <name>Technology</name>
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                <elementTextContainer>
                  <elementText elementTextId="55598">
                    <text>Digital Vld

,

I

'

Macromed1·a o·irector/ Instructor: Jane Pirone

Director was 1nltlally developed for matmg
.
Interactive com•

NEW DIGITAL MEDIA
AT Dvke TV
Internet Courses
Intro to the Internet/In structor: Tina LaPorta
This class will focus In on specif,c women's web projects,
media organizations and how these groups converge A
discussion of email hsts as a communication tool and other
experimental programs, such as video and audio streaming
technologies, will be covered The basics of how to make a
connection onto the internet will be covered m class
6 to 10 peoplt
Ftt: mtmbtrs: $150.00
non· mt mbtrs: $170.00
Wednesday May 13
Wednesday May 20

7pm • 9. 3opm
1pm - 93opm

O.Slgning &amp; Web Page/ Instructor: Audrey Kuenstler
This course 1s an Introduction to the world of web design,
where you'll learn basic HTML, web graphics and other tips
for creating dynamic web pages. There will be an intensive one day workshop. This course requires basic famlhar1ty with the World Wide Web and how to get there, but no
prior knowledge of Web design ,s required. Prior knowl·
edge of Adobe Photoshop 1s helpful.
4 to 6 people
Fff: memlNn:
$140,00
non· mtmlNn:
S16o.oo

Saturday

lune 6

d ·

1nstructo,· eoME lting .on the Media·100/
ary Pa herno
·

puter games but today Director 1s used m the Industry for
creating animation and interactive CD-ROM programs. This
class Is a case study of the computer authoring program
Macromedia Director. You will learn the basic elements of
the program, I e stage, cast and score and discuss animation
techniques and the interactive computer language lingo.
You will view CD·ROM's that have been created with
Director, discuss design elements and learn how certain
effects were created
4 to 6 ptoplt
Ftt: members: Sz75.oo
non-membtrs: h95.oo
Wednesday June ,7
6:30-9:oopm
Friday
June19
6:30-9·oopm
Sunday
lune 21
1oam·5:oopm

Intro to A~er Effects/ Instructor: Lynn Shelton
This class will introduce you to the wonders of a powerful
software that 1s used in the industry for creating special
effects and 2-0 animation for film, video and telev,slon
commercials. You w,11 learn to composite multiple layers,
animate an unlimited number of elements and apply special
effects. After Effects provides the tools you need to affordably create dynamic designs for CD ROM or video. The f,rst
two class meetings will be demonstration and lecture and
tht second two hands·on experience

1pm • 9:30pm
7pm • 9:30pm
10am • 5:00pm
1oam • 5:00pm

10am - 5:00pm

centact: Lucntla Knapp, Director of Ed

Learn the Joy5 0f
co b
non-linear computer editing through a
m 1nat1on of d emonstratlon, instruction and hands-on
e)(ereIses Th'
· ,s course covers each step of the editing
process· digit
ba
.
In
mng, sic edit techniques, graphics key5
g, peclal effects, outputting and media file management.
Prrrwqu/slt1: computer literacy and a basic knowledge
1traditional video editing
4 to 6 ptoplt
Ftt: membtrs: $335.00
non·mtmbtrs: $360.00

0

Wednesday
lhursday
Friday
Saturday

May 13
May 14
May 15
May 16

7pm - 9:30pm
7pm • 9·3opm
7pm • 9:30pm
10am - 5.00pm

· Graphic s Courses
Adobe Photoshop Overview/Instructor: o,ane
Bonder
This course will give you a solid foundation m creating,
rrtouchmg and compositing d,g,tal images for prmt. You
will learn how to use the program's tools and advanced
features like channels, masking and layers. In addition,
you will learn how to create titles (In Illustrator) for video.
Come to class with: a proJect ,n mind, i.e. a poster or
postcard to advertise your latest video, two images to
scan and an extra 10 dollars to cover the cost of a service
buftau (Klnko's) for input or output of your d191tal creations. This course will meet three limes, the flrst two wlll
l,t dlfflolstratlons and lectures and the third wlll be broup Into Individual blocks for hands-on experience.
,...
flt : members: Sz15.oo
non·mtmbtn : $325.00
7pm • 9:30pm
7pm • 9:30pm
10am - 5:00pm

�Lynn Shelton

Leam basic camera, lighting, sound, and video editing
produc11on, counter media boredom; create music videos
or experimental narratives; and see your finished pro·
gram a11 on TV Mttt future guemllas, documentar1ans,
animators, storytellers, and st_arsl
Tht video classes are available Tuesday evening or
Sunday aftemoon. Your fin Ished video pro1ects will be
screened for the public at Manhattan Neighborhood
Network (Manhattan's pubhc access television station).
The course fee Is h oo.oo or less (shding scale). Partial
scholarships are also available through the generosity of
the Manhanan Neighborhood Network.
There ,s also a FREE studio workshop being offered the
first three Mondays In May at Manhattan Neighborhood
Network. Students will learn how to technical dtrect, use
a character generator, operate an audio board and set
studio lights. If you are interested in the video or studio
workshops or have any other questions call'

video classes meet:
Tuesdays (7pm· 9·30)
May 5,12,19,26
June 2,9
Sundays (1pm· 3 30)
May 3,10,17,24,31
lune 7
studio classet meet:
Mondays (6:30·9:3opm)
May 4,11,18

The studio class will make a televls1on p,ogram on a
Monday evening 1n 1une (TBA).

~J&lt;FNEWll1111
W
MEIII

w

11111111

1s a freelance photographer and graphic designer with a
Masters degree from Rutgers University. She teaches com·
puter graphics at Kean College in New Jersey as well as the
video workshops at DykeTV.

Audrey Kuenstler
has a Master's Degree in Cultural Theory from Carnegie
Mellon University and 1s currently finishing a Master's
degree in Interactive Telecommunications at NYU. She
teaches both media theory and multimedia production at
The New School.

received an MFA in Photography and Rel d
the School of Visual Aris and is an I d ated Media from
..
d
" epen ent video
ma ..er an non·hnear video editor H I
Sesame Street USI C
er c 1ents include

,
ommunications Croup Wh h
Productions and Reel Ar11sts, among other~ S~~e
teaches multi-media at the The School of V;sual ~rls and
Bard College.

a~:ie

Video In s tructor s
Mari Keiko Conzal11
Is a commercial editor and filmmaker. Her work Is d1stnb·
uted through Framehne and Naata. She has worked on
pro1ects for Sony, Sesame Street, Sheryl Crow, Sony Music
and Pepsi Cola.

Tina LaPorta
,s currently an art,st·in·res,dence w1tn Ars Electronica
Future Lab on the World Wide Web. Her work is also included in the d1gltal studies exhibition on the Alt·X Web site.
Last year she produced a telev1S1on sertes on Manhattan
Cable Network and her videos have been screened at The
Kitchen, P.S 122, and Art in General. She holds an MfA from
the School of Visual Arts in Computer Art

Lucretia Knapp
combines video, film, photography and computemed
Imagery In her single channel and multl·med1a Installation
work. She has taught film theory, photography and video
art at Ohio State un,vemty and Macromed,a Director at the
University of Michigan. She Is the D11ector of Education and
Programming at Dyke TV

Mary Patierno
is an independent video and f1lmmaker and co-founded
DYKETV in 1993. She 1s a partner of Damas D1g1tal. a non·
linear video production fac,hty ,n Manhattan and teaches
video at the MFA Photography Department at the School of
Visual Arts.

.... Membership 1n1or•1t1on1

lane Pifone
Is the founder of Happy Mana Media, LLC, a small, cutting
edge design flTm located in New York City. Clients include
Memo11al Sloan Kettering Cancer Center, Modem Medta,
and Nickelodeon. Happy Mazza Media also produces the
popular web site Drummerg11I. Jane received a BfA from
the university of Michigan, and has done extensive post·
graduate study in everything from Optical Enginnring to
Film Music. She 1s currently on the faculty of Pratt Institute,
!he New School, and the College of Aeronautics, whtfe she
eaches multlmed1a technology and desl9n.

Members receive a discount on the
Digital Media Workshops
$25 basic mmtbershl,rreceive Dyke TV newsletter, notice

of upcoming events, discounts on workshop fees
$5o priority mcm.benhl,rall of above plus special inv1t•·
t1ons to events

$ioo-all of above plus Dyke TV hat
bsc,-all of above plus 8est of Dyke TV tape
Ssoo-all of above plus a listing in the show t1ed1ts as•
sponsor
For More Information Contact:

Lucretia Knapp,
Director of lduca1lon and Programml119
(111) ,~, 9315
Some partial SCholanhipa for 1hl Olgltal Media clams are
available lhlMs to h Norta Star fund.

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                <text>Kennedy, E. L. &amp;amp; Davis, M. D. (1993). &lt;em&gt;Boots of Leather, Slippers of Gold: The History of a Lesbian Communit&lt;/em&gt;y. New York: Routledge</text>
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