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                  <text>This collection includes interviews with members of the Rossmoor Lesbian Social Club. The Club consists of over one hundred residents of the Rossmoor, a community for people 55 years and older located in the San Francisco Bay Area. Club members themselves organized these interviews  in order to preserve their personal histories. </text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Amy+Klitsner"&gt;Amy Klitsner&lt;/a&gt;</text>
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              <text>Andrea Gourdine </text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, Andrea Gourdine  discusses growing up conservative in the bay area and the racial discrimination and segregation she and her family faced in 1940s in Richmond, CA. Her coming out process and the response from her mother. She discusses her career in HR which lead her to be the first black woman working in HR for the City and County of San Francisco where she ultimately become the director and the closeted environment of her professional work. She touches on her experience with the lesbian community in San Francisco and finding herself through that community, and later, through the Rossmoor community. </text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>GLBT Historical Society</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Conflicts in the Black Lesbian Community, Brooklyn NY, organized by the Committee on the Visibility of the Other Black Woman (Tape 1 of 3)</text>
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                <text>Event organized by the Committee for the Visibility of the Other Black Woman.  Audre Lorde moderates community discussion and dialogue including issues of identity, cross cultural conflicts, classism, and ageism.  She also introduces panelists' presentations.  Her most sustained comments are on Tape 2 as she introduces the panel on identity.</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1162_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1162_A.wav</text>
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                <text>Committee for the Visibility of the Other Black Woman</text>
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                <text>Digitized: June 2011</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tape 1 of a 3 tape series.  Followed by SPW1163 and SPW1164</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection consists of over a hundred recorded broadcasts from WBAI public radio, captured on compact audio cassettes by an unknown individual (or individuals). The tapes were likely dubbed from open reel masters before being moved to the Pacifica Radio Archives.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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              <text>Side A: 29:41&#13;
Side B: 28:51</text>
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              <text>Akilah, Miriam, Bibi (Sp?), / Unknown</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Cassette Tape</text>
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          <name>Transcription</name>
          <description>Any written text transcribed from a sound.</description>
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              <text>Side A: SPW1976_SideA_20251007_Transcript.docx&#13;
Side B: SPW1976_SideB_20251007_Transcript.docx</text>
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            <description>A name given to the resource</description>
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                <text>Everywomanspace - Assata Shakur</text>
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            <description>The topic of the resource</description>
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                <text>Shakur Family</text>
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                <text>Assata Shakur</text>
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                <text>Black Panther Party</text>
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              <elementText elementTextId="61929">
                <text>Black liberation movements</text>
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                <text>Joanne Chesimard</text>
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                <text>Poetry</text>
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                <text>Political movements</text>
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                <text>Pregnancy</text>
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                <text>This episode of Everywomanspace, hosted by Irene Yarrow on WBAI radio, Yarrow and a group of women discuss the recent events surrounding Assata Shakur's arrest and imprisonment and current treatment in the media and jail system. They read Shakur's poems, "What is Left" and play a recording of Evelyn Williams reading Shakur's poem, "Rights and Responsibilities Middlesex County Jail." The women go on to discuss the current state of Shakur's trial, share information on how listener's can support her, play a recording of Shakur thanking supporters from prison, and take calls from listeners.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>Everywomanspace</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>4 interviewees - names / full names are not known: Akilah, Miriam, Bibi (Sp?),  and Unknown</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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                <text>Access Copy: MP3</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:58:32</text>
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Side B: SPW1976_SideB_20251007_Transcript.docx</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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Lesbians&#13;
Children and homosexuality&#13;
Photographs</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In this segment of I Was a Lesbian Child, Jocelyn Taylor shares photographs from her childhood and stories of her life while growing up.  She shares a memory from when she attended Duke Ellington School of the Arts in Washington DC.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Linda Chapman [Executive Producer]&#13;
Mary Patierno [Executive Producer]&#13;
Ana Maria Simo [Executive Producer]</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Dyke TV</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="53395">
                <text>Copyright Dyke TV: Linda Chapman, Mary Patierno, Ana Maria Simo. Tapes and digital files held by the Lesbian Herstory Archives. Tapes reproduced with permission from the copyright holders.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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        <name>Anna Maria Simo</name>
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      <tag tagId="577">
        <name>Black Women</name>
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      <tag tagId="155">
        <name>Children</name>
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        <name>Families</name>
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      <tag tagId="708">
        <name>Jocelyn Taylor</name>
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      <tag tagId="699">
        <name>Linda Chapman</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>The Varied Voices of Black Women</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="61552">
                <text>Lesbian radio</text>
              </elementText>
              <elementText elementTextId="61553">
                <text>Performing arts</text>
              </elementText>
              <elementText elementTextId="61554">
                <text>Black lesbians</text>
              </elementText>
              <elementText elementTextId="61555">
                <text>Black women</text>
              </elementText>
              <elementText elementTextId="61556">
                <text>Feminist theater</text>
              </elementText>
              <elementText elementTextId="61557">
                <text>Lesbians of color</text>
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              <elementText elementTextId="61558">
                <text>Music</text>
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              <elementText elementTextId="61559">
                <text>Theater</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61560">
                <text>Donna Allegra hosts members of &lt;em&gt;The Varied Voices of Black Women&lt;/em&gt;, a touring poetry and music production, on &lt;em&gt;The Lesbian Show&lt;/em&gt;. Guests include poet Pat Parker, singer and percussionist Linda Tillery, pianist Mary Watkins and Gwen Avery.</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>WBAI radio</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1978-10-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61568">
                <text>This item is protected by copyright. You are free to use this item for personal and educational purposes, as outlined in &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC-BY-NC-ND 4.0&lt;/a&gt;. Requests for further uses and licensing questions should be forwarded to &lt;a href="https://www.pacificaradioarchives.org/"&gt;Pacifica Radio&lt;/a&gt;, owner of WBAI and other historical stations. See also &lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;LHA Copyright Statement&lt;/a&gt;.</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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          <element elementId="169">
            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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              <elementText elementTextId="61551">
                <text>The Lesbian Show</text>
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            </elementTextContainer>
          </element>
          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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              <elementText elementTextId="61561">
                <text>Donna Allegra</text>
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            </elementTextContainer>
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          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Linda Tillery</text>
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              <elementText elementTextId="61563">
                <text>Gwen Avery</text>
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              <elementText elementTextId="61564">
                <text>Pat Parker</text>
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              <elementText elementTextId="61565">
                <text>Mary Watkins</text>
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            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="61569">
                <text>Audio cassette</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61570">
                <text>Access Copy: MP3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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              <elementText elementTextId="61571">
                <text>0:39:11</text>
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            </elementTextContainer>
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          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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              <elementText elementTextId="61572">
                <text>"Womanly Way" by Linda Tillery</text>
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              <elementText elementTextId="61573">
                <text>"High Flying Woman" by The Deadly Nightshade</text>
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        <name>Black lesbians</name>
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      <tag tagId="577">
        <name>Black Women</name>
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      <tag tagId="1030">
        <name>Feminist theater</name>
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      <tag tagId="1223">
        <name>Lesbian radio</name>
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      <tag tagId="158">
        <name>Lesbians of color</name>
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      <tag tagId="203">
        <name>Music</name>
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      <tag tagId="232">
        <name>Performing arts</name>
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      <tag tagId="236">
        <name>Theater</name>
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