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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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&lt;h4&gt;&lt;a href="/mp3_files/SPW442_Joan_A.wav.mp3" target="_blank"&gt;Download the Interview&lt;/a&gt;&lt;/h4&gt;</text>
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                <text>Joan discusses permanent relationships and other lesbians' relationships, dating process, how she and others approach lesbians they are interested in, and terminologies in dating (example: when do you start "going" with someone, and is it actually called "going"?). She identifies herself first as a lesbian, second as an African American. She talks about racism in the white lesbian community and the acceptance of black lesbians in black communities, which she says has to do with class. She talks about the black movement and gay/women's liberation in Buffalo. She describes how she's dressed. </text>
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                <text>Pratt Institute, School of Information and Library Science, 665 Projects in Digital Archives Students</text>
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                <text>Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Event organized by the Committee for the Visibility of the Other Black Woman.  Audre Lorde moderates community discussion and dialogue including issues of identity, cross cultural conflicts, classism, and ageism.  She also introduces panelists' presentations.  Her most sustained comments are on Tape 2 as she introduces the panel on identity.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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Archives. Archives of Sexuality and Gender, link.gale.com/apps/doc/CVHIFW708896432/AHSI?u=
k12_ahsi&amp;sid=bookmark-AHSI&amp;pg=67. Accessed 12 Mar. 2023.

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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Donna Allegra hosts members of &lt;em&gt;The Varied Voices of Black Women&lt;/em&gt;, a touring poetry and music production, on &lt;em&gt;The Lesbian Show&lt;/em&gt;. Guests include poet Pat Parker, singer and percussionist Linda Tillery, pianist Mary Watkins and Gwen Avery.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The tapes contain programs that are specific to feminism and lesbian communities&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, capturing the cultural and political conversations of the time. The collection includes panels, interviews, and listener Q&amp;amp;A with influential feminist writers, artists, poets, activists, and other cultural figures. Notable interviewees include Audre Lorde, Rita Mae Brown, Margaret Walker, and many others, along with medical professionals, journalists, and legal scholars.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Themes commonly explored include women’s health and body autonomy, activism, and gender norms. The programs also highlight women in music, the arts, and the ongoing fight for inclusivity and legal reforms. They served as a crucial platform for spreading information about LGBTQ+ and women’s events, informing women of their rights, promoting feminist and lesbian activism, and encouraging community and “consciousness raising.”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These WBAI broadcasts reflect an awareness that women’s experiences are shaped not only by gender, but also by race, sexuality, class, and other identities. Programs frequently highlighted the distinct challenges faced by women of color, lesbian women, and working-class women, challenging a single, unified view of womanhood. In this way, the collection captures early, evolving conversations about overlapping systems of inequality and what would later be defined as intersectionality.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Recurring radio programs featured in this collection include &lt;em&gt;Everywomanspace, The Lesbian Show, Women’s Consciousness Raising Hour, Velvet Sledgehammer, Women’s Studies, More Than Half the World&lt;/em&gt;, and &lt;em&gt;Seeing Red&lt;/em&gt;, among others.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These broadcasts provide background for understanding the intersection of feminism, LGBTQ+ rights, and the cultural movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Side A: Inaugural broadcast of Lesbian Images, inscribed with the same title on cassette side A, and hosted by Diane and Sonia (last names not noted). The hosts interview organizer Lavinia Penson to promote the Conference of Black Women, which was the first conference gathering Black Lesbians on the East Coast following the historic Conference of Black Women in San Francisco. The hosts took several calls during this program, and a few of  the callers expressed racist and lesbophobic views. This broadcast also includes: discussions of hopes for the show; announcements for local weekly meetings and programming for lesbians and women in NYC; a new issue of woman’s prison newsletter “No More Cages”; and promotion for the rally in honor of Dr. Martin Luther King Jr’s birthday and effort to make it a national holiday, as well as an anti-KKK rally in Buffalo.&#13;
&#13;
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&#13;
Side B: Broadcast of Common Ground featuring Mother Jone's editor Adam Hochschild interviewing Carolyn Marshall about her research on drug "Benedictine," an anti-nausea medication prescribed commonly to pregnant women, that may have concerning side effects.</text>
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            <name>Digital Format</name>
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                <text>Access Copy: MP3</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>1:25:30</text>
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            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Here Comes the Sun" by Nina Simone</text>
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                <text>"Happy Birthday" by Stevie Wonder</text>
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            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                <text>Digitized Spring 2026</text>
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        <name>Adam Hochschild</name>
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      <tag tagId="1244">
        <name>Black feminists</name>
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      <tag tagId="996">
        <name>Black lesbians</name>
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      <tag tagId="1355">
        <name>Carolyn Marshall</name>
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        <name>Conferences</name>
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      <tag tagId="1353">
        <name>Drugs--adverse reactions</name>
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      <tag tagId="1087">
        <name>Journalism</name>
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      <tag tagId="1356">
        <name>Lavinia Penson</name>
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      <tag tagId="973">
        <name>Pregnancy</name>
      </tag>
      <tag tagId="28">
        <name>Racism</name>
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