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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
&#13;
Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>Margie Adam is interviewed by Ruth Scovill. Margie performs music, woven between interviews, in this redubbed interview. She discusses women’s music as not being mainstream music, as well as the politics of women’s music, and need for women’s production companies. She mentions the importance of networking with women-owned companies and businesses. Redubbed.</text>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Recording starts with an introduction from the Feminist Radio Network, with female vocalizing, singing, and performing. The recording then begins to talk about women in the food service industry, and the statistics of how many women are waitresses. Upon interviewing a waitress, the conversation moves towards the low wages, and need for unionization in waitressing, since there is such a reliance on tips. Segueing through empowering music, the discussion shifts to women’s speeches, performances and testimonies on women’s liberation. The recording then moves on to a panel with Maxine Kumin, Grace Paley, and Alice Walker, discussing their thoughts on women’s writing.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Emily Hixon introduces the topic of grand jury abuse. Through interviews, testimonies, and conversation, they discuss how grand juries can attack political activists and their organizations. They also examine women’s politicized folk music, as well as trial tactics and strategies. They theorize about the intentions of the FBI, lawyers, legal organizing, and the federal government.</text>
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                <text>Interviewee discusses the statistics of child sexual assault, and how they are not reported accurately. They claim that girls face more assault than boys, but much of it goes unreported. Conversation circles around parental assault, parental protection, and social services. The host and interviewer talk about the role of the patriarchy, victim denial, abuse, and the need for child abuse education for children. They advocate for child’s rights, and children’s need for peer relationships.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>John Cooper hosts "Explorations in Self Help," with guest Carol Sims. Carol talks about her new book, The Re-entry Game, a book for women dating post-divorce, published by Warner Books. She talks about the rise of the financial and socially independent woman, as influenced by Women’s Liberation, and life post-Women’s liberation. She touches on post-divorce topics like custody battles, and self-love. Recorded by KCRWM Santa Monica.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Buffy+Dunker"&gt;Buffy Dunker&lt;/a&gt;</text>
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Video restoration created by digitizing two filmstrips and accompanying cassette tape and assembling through computer video editing program. </text>
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                <text>Alix Jeffry</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
&#13;
Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>Margie Adam is interviewed by Ruth Scovill. Margie talks about the Women’s Movement, and the National Womens’ Music Festival in Champaign-Urbana. She discusses definitions for women’s music, feminist music, and her song writing. Part 2 of 4.</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
&#13;
Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>Margie Adam is interviewed by Ruth Scovill. Recorded April 1, 1976. Margie speaks about growing up with music in the home, and the role of music in civil disobedience. She mentions being deeply affected by tragedies of the day, including the Kent State Massacre, and how it informed her relationship with music, and later moving to California. Part 1 of 4.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="55959">
                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Access is reserved by the donor requiring written consent prior to each publication until donor death.</text>
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                  <text>This collection includes interviews with members of the Rossmoor Lesbian Social Club. The Club consists of over one hundred residents of the Rossmoor, a community for people 55 years and older located in the San Francisco Bay Area. Club members themselves organized these interviews  in order to preserve their personal histories. </text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Amy+Klitsner"&gt;Amy Klitsner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Carol+Newhouse"&gt;Carol Newhouse&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Marlene+Michelson"&gt;Marlene Michelson&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rhona+Lishinsky"&gt;Rhona Lishinsky&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Nicole+Schapiro"&gt;Nicole Schapiro&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Renee+Archer"&gt;Renee Archer&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Judy+Greyboys"&gt;Judy Greyboys&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sharon+Noteboom"&gt;Sharon Noteboom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Lynn+Gold"&gt;Lynn Gold&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jade+Martner"&gt;Jade Martner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Deb+Mayer"&gt;Deb Mayer&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Andrea+Gilbert"&gt;Andrea Gilbert&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Stephanie+Singer"&gt;Stephanie Singer&lt;/a&gt;</text>
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                  <text>Shirley Kaiser</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Victoria+Rue"&gt;Victoria Rue&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Kathryn+Poethig"&gt;Katheryn Poethig&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Stephanie Singer Interview</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bay Area Lesbian Archives (BALA)</text>
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                <text>Rossmoor Lesbian Social Club</text>
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            <description>Date (often a range) that the resource became or will become available.</description>
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                <text>November 11, 2022</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Recording of a Zoom event "Life Passages" where Stephanie Singer speaks on her experience as a transwoman and a Lesbian and discussed her early life, her coming out, and her family dynamics. After Stephanie speaks, there is a Q&amp;A with other people on the Zoom meeting who are part of the Rossmoor Lesbian Social Club.</text>
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            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>MP4</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55665">
                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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              <elementText elementTextId="60093">
                <text>GLBT Historical Society</text>
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                  <text>Mabel Hampton (1902-1989) was an African-American lesbian, an activist, a domestic worker, and a dancer. Born in Winston-Salem, North Carolina, she lost her mother when she was only two years old. For the next five years, Mabel was raised by her maternal grandmother, but she too passed away. In 1909, she moved to Greenwich Village in New York City at age seven. Less than a year after moving in with her aunt, Mabel was raped by her uncle, a minister. She ran away to New Jersey, buying a bus ticket purchased with a nickel given to her by a woman on the street. Luckily, Mabel was taken in by a family that cared for her for the next several years.&#13;
&#13;
As a young woman, Mabel gravitated toward the lively scene in Harlem. In 1920, when she was seventeen, Mabel was wrongfully arrested during a prostitution sting and sentenced to time in Bedford Hills Correctional Facility for Women. Upon her release, she danced at clubs like "The Garden of Joy", sang as a member of the Lafayette Theater Chorus, and performed with Harlem Renaissance stars such as Gladys Bentley. Mabel engaged in several relationships with women and lived openly as a lesbian.&#13;
&#13;
In 1932, Mabel met Lillian Foster, who would be her partner until Lillian's death in 1978. With the Harlem Renaissance waning, Mabel sought out employment in other areas, primarily working as a domestic worker and hospital attendant. As a domestic, she worked for the family of Joan Nestle. Mabel and Joan developed a friendship that lasted for decades. When Joan started the Lesbian Herstory Archives in 1974, Mabel joined her as a founding member. Mabel donated her huge collection of lesbian pulp fiction novels and worked tirelessly with Joan and other volunteers to amass lesbian-related materials--literature, biographical information, academic publications, and ephemera--as a resource for the lesbian and gay community.&#13;
&#13;
Mabel was also a vital, enduring element in the gay rights movement-she participated in every gay pride march that occurred during her lifespan, including the first, historic march and demonstration for gay rights in Washington, D.C., which took place in 1979. In 1985, Mabel was named the grand marshal of the New York City Gay Pride March. That same year, Mabel was awarded a lifetime achievement award by the National Coalition of Black Lesbians and Gays.&#13;
&#13;
After the Lesbian Herstory Archives were founded, Mabel carried the LHA banner in many marches. She also worked tirelessly for SAGE, an organization devoted to promoting advocacy and developing services for elderly members of the gay, lesbian, bisexual, and transgender communities. Interviews with Mabel are featured in "Before Stonewall" and "Silent Pioneers"; both movies document the struggle for gay rights and the efforts made to obtain equality.&#13;
&#13;
Joan Nestle started recording Mabel's oral histories in the late seventies, realizing the importance of documenting Mabel's life story as an example of racial and sexual freedom. In these histories--many of which are featured on this website--Mabel discusses her relationships with women, her struggles with racism, and her identity as an African-American lesbian in the twentieth century. Mabel died of pneumonia in 1989 at the age of eighty-seven. Her life as an advocate, activist, performer, and storyteller lives on in the images and oral histories collected by the Lesbian Herstory Archives. Many of the resources below, as well as additional subject files, biographical information, images, and media about Mabel, lesbian history, and gay pride are available by visiting the LHA in person.&#13;
&#13;
Resources&#13;
&#13;
City University of New York. (2003). Queer ideas: The David R. Kessler lectures in lesbian and gay studies. New York: Feminist Press at the City University of New York.&#13;
&#13;
DuPlessis, R. B., &amp; Snitow, A. B. (1998). The feminist memoir project: Voices from women's liberation. New York: Three Rivers Press.&#13;
&#13;
Hampton, M. (1979) "I didn't go back there anymore: Mabel Hampton talks about the south." In Feminary 10, 7-16.&#13;
&#13;
Hogan, S., &amp; Hudson, L. (1998). Completely queer: The Gay and Lesbian encyclopedia. New York: Henry Holt.&#13;
&#13;
Lesbian Herstory Archives. Mabel Hampton special collection, including transcripts of oral history. Lesbian Herstory Archives, Brooklyn, NY.&#13;
&#13;
Nestle, J. (1993). Excerpts from the Oral History of Mabel Hampton. Signs, 18, 4, 925-935.&#13;
&#13;
Nestle, J. (1998). "I Lift My Eyes to the Hill: the Life of Mabel Hampton as told by a White Woman." In A fragile union: New &amp; selected writings. San Francisco: Cleis Press.&#13;
&#13;
Nestle, J. (1991). "Surviving and More: Interview with Mabel Hampton". In Sinister Wisdom 43/44, Summer. Berkeley, CA.</text>
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&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Marcia Danub and Linda Daniels speak with Eleanor Cooper, spokeswoman for Lesbian Feminist Liberation, and Jean O'Leary, Legislative Coordinator, Board for the (then) National Gay Taskforce. LGBTQ+ and women’s rights activists were looking to repeal laws criminalizing homosexuality. Sodomy bills in the 1970s were explicitly written to target gay people, causing fear in the LGBTQ+ in their professional and personal lives. Intro 554 was one of many forms of the NYC Gay Rights Bill, which was passed in 1986, banning discrimination because of sexual orientation. Cooper and O'Leary provide information about the way these laws affect the lives of lesbians and how to participate in the repeal of sodomy laws and support the passing of Intro 554.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>The radio episode, which is part of the Feminist Radio Network, includes recordings from a conference panel which included the writers Maxine Kumin, Alice Walker, and Grace Paley. They discuss the challenges of being women writers, how their writing processes are affected by societal gender norms, and how important women’s stories are within the individualistic, middle-class American society where female bonding is not encouraged. This episode also includes excerpts from Living, by Grace Paley, and Everyday Use, by Alice Walker. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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&#13;
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                <text>Discussion of domestic relations, and how a woman agrees to certain terms when she gets married. Women do not know what they are agreeing to. They know what it is, but they do not want the details. There is a discussion of how women are programmed to inherently undermine their own thoughts, and to label them as “feelings” as opposed to facts. Further discussion on how gender issues are defined.</text>
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                <text>The Seneca Falls radiodrama is a brief overview of what led to the first Women's Rights Convention in Seneca Falls, New York, 1848. The convention, now called the Seneca Falls Convention, was held in order to converse about the liberties that women do and do not have, be they civil, social, political, or religious. The recording introduces listeners to Lucretia Mott and Elizabeth Cady Stanton, two prominent members of the women’s rights movement at the time. A reading of the Declaration of Sentiments, which outlines the civil, social, political, and religious rights of women, as well as various quotes, are included in this recording.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This untitled interview features a guest who discusses her time in prison, the songs she wrote about another incarcerated woman, songs she wrote for political prisoners including Lolita Lebron and Susan Saxe, and conditions of the women’s prison which she was subjected to. She talks about how the state justified the horrible conditions at the prison, and the lack of access to any kind of rehabilitation programs, despite rehabilitation being the supposed purpose of prison. </text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>Thoughts on athletics as they exist in America, and the pressure to develop oneself physically. In this radio show there is a reclamation of the “physical you.” There is also a discussion of how sports have become controlled by big business interests, they are now a plaything of the rich. This dehumanizes athletes, causing them to strive for only what can make them rich. Women's sports don't get much spectatorship and consequently don't get promotion or funding. The guests discuss how sports have also become a masculinity rite, and how winning is associated with proving one’s virility. On the other end, women athletes are pressured to prove their femininity in a masculine field. The emphasis on winning destroys athletes' bodies and spirits. Coaching forces athletes to be disciplined and to accept commands unquestioningly. The upward social mobility of sports is an illusion, and can only benefit a small portion of women and POC. The athletic system in this country is elitist, and little encouragement is given to amateurs and women. Black and women athletes have been challenging institutional sports in America.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>In this program there is a discussion on the earliest myths on the creation of the universe, and goddess creation myths. There is a discussion of ancient matriarchal culture, and its survival as wicca/witchcraft. It pays homage to women who were hanged under accusations of witchcraft. The goddess is synonymous with gynocracy, and women participate in the divine.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Hestory Archives&#13;
&#13;
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            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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                <text>The Franny Chicago Play</text>
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                <text>This production from Radio Free Women is an interview with Judith Katz, playwright, and Betsy Toth, director, of the Franny Chicago Play. The play revolves around the suicide of Franny Chicago, a lesbian who lives with her partner and a roommate, who is also a lesbian. Katz and Toth speak about the struggle of accurately portraying lesbian life while not turning it into a spectacle. In addition, they talk about the importance of feminist representation in theater.</text>
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            <description>The topic of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Hestory Archives&#13;
&#13;
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Judith Katz&#13;
Betsy Toth</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>Sloan is the President of the National Black Feminist Organization. She discussed NBFO’s mission to provide an organization for black feminists who felt the need to fight both sexism and racism at the same time. She discussed the formation of the organization and the eastern conference on black feminism.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>LC031</text>
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              <elementText elementTextId="60056">
                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                <text>In this episode of Radio Free Women, three members of the National Organization for Women (NOW), discuss the state of abortion after the passage of Roe v. Wade. Mary Bailey (coordinator of the NOW Abortion Coalition), Mary Helen Bloom (member of the national area chapter of NOW), and Mary Garrison (President of the Montgomery NOW chapter) discuss threats to the landmark ruling. They also discuss how women are excluded for the conversation around abortion, as well as where states have the right to regulate and balance issues of state interests with consideration of women's health.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This episode is a Production of Radio Free Women in Washington DC, affiliated with the Feminist Radio Network. The hosts cover issues of class wtihin the Women’s Movement, often from personal experience as lower or working class women. It includes discussions on the differences between the working class, poor working class, and lower class, the overlap between race and class, and the lack of culture within middle class spaces. Furthermore, they cover some common experiences of working and lower class women within the Women’s Movement, from discriminatory treatment from the middle class women in the movement and the lack of solidarity and support from middle class women to those with material needs.</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs were written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recorded in the 1950s. </text>
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            <description>A language of the resource</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL.</text>
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                <text>1. Preacher and the Slave (Pie in the Sky When you Die) &#13;
2. The Commonwealth of Toil                                                                                                                                                                                                                                              3. Down to the Soup Line&#13;
4. Preacher and the Slave (Pie in the Sky When you Die) &#13;
5. Rebel Girl&#13;
6. The Tramp&#13;
7. Dump the Bosses off your Back &#13;
8. There is Power in a Union &#13;
9. Scissor Bill&#13;
10. Working Men Unite&#13;
11. Popular Wobbly &#13;
12. Boom Went the Boom &#13;
13. Hallelujah I’m a Bum &#13;
14. Live recording of I Got Trouble &#13;
15. Moving Day</text>
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            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Hestory Archives</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.</text>
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        <name>Music</name>
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        <name>Unions</name>
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                  <text>Neighborhood Voices was a series produced by WNYC-TV in 1985 and consisted of interviews with long-term residents of New York City.</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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              <description>A language of the resource</description>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=WNYC"&gt;WNYC&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Audre+Lorde"&gt;Audre Lourde&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sonny+Wainwright"&gt;Sonny Wainwright&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Irving+Cooperberg"&gt;Irving Cooperberg&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>Irving Cooperberg discusses the importance of having a physical, experimental space and what it means for the legitimacy and stability of the community. He discusses different LGBT groups and community spaces throughout NYC, and the ways in which they promote life and hope amidst the HIV/AIDs epidemic. He talks about how these spaces give legitimacy to the community and allow for the melding of all different cultures and people. He also discusses the gay Synagogue and its role in the larger gay and lesbian community. </text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>U-matic video</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The size or duration of the resource.</description>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>WNYC-TV&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>If applicable, the episode or piece to which a media item contributed.</description>
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                <text>Irving Cooperberg</text>
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                <text>Neighborhood Voices</text>
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        <name>New York City Lesbians &amp; Gays</name>
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                <text>Sonny Wainwright provides discourse about the privilege of marriage as it pertains to illness and becoming a parent. She explains her choice to "live straight" for several years so that she could have a child. It was not until she met Audre Lorde that she realized she had "choices", whom she called her teacher. Wainwright also discusses the need for lesbian illness support groups due to unjust experiences brought on by the illegality of same-sex marriage.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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              <name>Creator</name>
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                <text>This recording is a compilation of quotes, songs, poems, and performances by, about, and for women in show business. Featured in part one are quotes about working in music from Billie Holiday and Aretha Franklin; music by Melanie Safka; a poem to Aretha Franklin by Nikki Giovanni; a letter to Janis Joplin; a performance of Mercedez Benz by Janis Joplin. There are unnamed performances throughout the recording.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection.</text>
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            <name>Episode Title</name>
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                <text>Show Business I</text>
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                <text>Learning to Fly</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
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                <elementText elementTextId="55633">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rita+Mae+Brown"&gt;Rita Mae Brown&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Lisa Cowan</text>
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                  <text>1974-1978</text>
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              <description>A related resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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              <description>A language of the resource</description>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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            <description>A name given to the resource</description>
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                <text>Romaine Brooks with Anne Imelda Radice</text>
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            <description>An account of the resource</description>
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                <text>Anne Imelda Radice, an art museum director and arts administrator, discusses the life and art of Romaine Brooks. Romaine Brooks was a lesbian portrait artist born in Rome, Italy in the late 19th century. She was known as the "thief of souls" for her ability to capture emotion in her art. The host and Radice have a conversation on how lesbianism was perceived during Brooks' time period, as well as her relationship with her lifelong partner, Natalie Barney.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anne Imelda Radice</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Romaine Brooks with Anne Imelda Radice</text>
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      <tag tagId="213">
        <name>History</name>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Alice+Walker"&gt;Alice Walker&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="55633">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rita+Mae+Brown"&gt;Rita Mae Brown&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>This episode is titled Women in Welfare and features discussions from Carol Brill, the director of the Massachusetts chapter of the National Association of Social Workers (NASW), and welfare advocates Kayla Taylor, and Susan Moore. This episode covers the topics of the welfare system structure, stereotypes and myths about welfare recipients, double standards working mothers face based on class, and the classism within the social work profession. Furthermore, it includes clips from governmental proceedings related to welfare and proposed cuts to welfare benefits. It ends with a discussion on how the issues within the welfare system relate to the Women’s Liberation Movement and demands economic change from politicians who fund big business and the military while disregarding the poor through welfare cuts. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity.  The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose. </text>
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                <text>Lesbians in the Church</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;The Women’s Press Collective (WPC) was established in 1969 in Oakland, CA It emerged from the Gay Women’s Liberation Group (GWLG), the first feminist-lesbian collective on the west coast. Two of the Collective’s founding members were Judy Grahn, and her partner and illustrator, Wendy Cadden. The press operated out of the basement of GWLG’s bookstore, A Woman’s Place, located at 5251 Broadway in downtown Oakland. The WPC was an all-women press devoted to printing works by women given the growing demand for materials about lesbianism, feminism, and the women's perspective. One of the first works printed by the collective was Judy Grahn's &lt;em&gt;Edward the Dyke and Other Poems&lt;/em&gt;.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;&lt;span style="font-weight: 400;"&gt;Sidney Abbott was a lesbian, feminist author and activist. She was a member of the Gay Liberation Front (GLF) and the National Organization for Women (NOW), and was a former member–as many of the GLF and NOW membership were–of the lesbian radical feminist group Lavender Menace. Abbott co-authored the groundbreaking &lt;em&gt;Sappho Was A Right-On Woman: A Liberated View of Lesbianism&lt;/em&gt; (1971) with her partner, Barbara Love. In 2007, she created the non-profit organization Women’s Rights Are Human Rights and in 2008 launched the &lt;em&gt;In Our Shoes&lt;/em&gt; newsletter which examined issues of class, poverty, and politics. Abbott tragically passed away in a house fire in Southold, New York on April 15, 2015.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Audio recordings of Abbott can be found in the &lt;a href="http://herstories.prattinfoschool.nyc/omeka/exhibits/show/lesbian-nation/lesbian-nation-interviewees" target="_blank" rel="noopener"&gt;Lesbian Nation digital exhibition.&amp;nbsp;&lt;/a&gt;</text>
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                  <text>&lt;span&gt;&lt;span style="font-weight: 400;"&gt;Sidney Abbott was a lesbian, feminist author and activist. She was a member of the Gay Liberation Front (GLF) and the National Organization for Women (NOW), and was a former member–as many of the GLF and NOW membership were–of the lesbian radical feminist group Lavender Menace. Abbott co-authored the groundbreaking &lt;em&gt;Sappho Was A Right-On Woman: A Liberated View of Lesbianism&lt;/em&gt; (1971) with her partner, Barbara Love. In 2007, she created the non-profit organization Women’s Rights Are Human Rights and in 2008 launched the &lt;em&gt;In Our Shoes&lt;/em&gt; newsletter which examined issues of class, poverty, and politics. Abbott tragically passed away in a house fire in Southold, New York on April 15, 2015.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Audio recordings of Abbott can be found in the &lt;a href="http://herstories.prattinfoschool.nyc/omeka/exhibits/show/lesbian-nation/lesbian-nation-interviewees" target="_blank" rel="noopener"&gt;Lesbian Nation digital exhibition.&amp;nbsp;&lt;/a&gt;</text>
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                <text>Sidney Abbott at Lesbian Herstory Archives "The Good Old/Bad Old Days: Lesbian-Feminism, Its Origins—What's Helpful to Us Now?" Part 1 of 2</text>
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                <text>Sidney Abbott reflects on earlier years of the gay and lesbian movements; audience participation turns the presentation into a discussion on turning tides in the movements. </text>
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                <text>Lesbian Herstory Archives&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Contact LHA at dyv.lha@gmail.com </text>
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                  <text>Judy Grahn audio recordings, circa 1970s</text>
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                  <text>Judy Grahn is a poet, activist, and scholar who has published 14 books to date and is widely recognized for writing that engages with queer, feminist themes. &lt;br /&gt;&lt;br /&gt;At the age 21, Grahn was discharged from the Air Force for being openly gay, a source of great shame and anger that contributed to her radicalization. She went on to write and publish her own poetry and became a founding member of the West Coast New Feminist Movement. Grahn was a member of the Gay Women’s Liberation Group and, in 1969, a co-founder of the &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/103"&gt;Women's Press Collective&lt;/a&gt;–a collective of women devoted to publishing works by female authors and raising the voices of disenfranchised lesbians. Through the collective, Grahn published and circulated her earliest books of poetry including &lt;em&gt;Edward the Dyke and Other Poems&lt;/em&gt; (1971) and &lt;em&gt;She Who&lt;/em&gt; (1972). Her later works include non-fiction, such as her autobiography entitled &lt;em&gt;A Simple Revolution: The Making of an Activist Poetry&amp;nbsp;&lt;/em&gt;(2012).&lt;br /&gt;&lt;br /&gt;Grahn's poetry is heavily influenced by feminist mythology and Metaformic Theory which links modern culture to ancient menstruation rites. She is a leading theorist and scholar of feminist mythology and teaches at California Institute of Integral Studies. &lt;br /&gt;&lt;br /&gt;Grahn has received a number of awards for her poetry including a grant from the National Endowment for the Arts, two Lambda Literary Awards, American Book Award, a Foremothers of Women’s Spirituality Award, and a Stonewall Award. Since 1997, Publishing Triangle has annually awarded the Judy Grahn Award for Lesbian Non-Fiction to an outstanding work in her honor. Judy Grahn has been a past Grand Marshall of both the San Francisco and Seattle Pride Parades. She continues to dedicate her life to queer activism, cultural studies, and writing poetry.</text>
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                  <text>This link will take you to a description of the rights issues related to &lt;a href="http://herstories.prattinfoschool.nyc/omeka/grahn-wpc-ip"&gt;this collection and the Women's Press Collective collection&lt;/a&gt;. While only an excerpt of a reading by Grahn is available here, more material is held by the archive. For more information, contact the &lt;a href="https://lesbianherstoryarchives.org/"&gt;Lesbian Herstory Archives&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>Judy Grahn Poetry Reading  [Fair use excerpt]</text>
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                <text>Judy Grahn Poetry Reading Fair Use Clip </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A poetry reading featuring Judy Grahn. Grahn reads from "She Who" and other works. The uploaded file has been cropped due to Fair Use restrictions. The full recording is available at the Lesbian Herstory Archives.</text>
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                <text>Circa 1970s</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>T75_5_10</text>
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            <description>The topic of the resource</description>
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                <text>Poetry, Live Performance</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Judy Grahn</text>
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            <description>The size or duration of the resource.</description>
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                <text>0:01:11</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="54816">
                <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/grahn-wpc-ip"&gt;Judy Grahn &amp;amp; Women's Press Collective Access &amp;amp; Use Rights&lt;/a&gt;&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>1/4 inch audio tape</text>
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            <description/>
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                <text>MP3</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Daughters of Bilitis and The Ladder Workshop, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>This collection consists of audio recordings of a presentation on lesbian history called “What Happened After We Came Out of Our Closets, or, Which Way’s the Street” and thought to be given by Wendy Hayes.&lt;br /&gt;&lt;br /&gt;Wendy Hayes was affiliated with the San Francisco chapter of the Daughters of Bilitis, a lesbian social and activist group founded in 1955. She was an office manager of &lt;em&gt;Sisters&lt;/em&gt;, a magazine published from 1970 to 1975 by the San Francisco chapter of the Daughters of Bilitis, and is listed as the magazine’s vice president in its penultimate masthead. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://digitalassets.lib.berkeley.edu/sfbagals/Sisters/sisters.html"&gt;&lt;em&gt;Sisters&lt;/em&gt; has been digitized in full by the Berkeley Library at the University of California&lt;/a&gt;.</text>
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              <text>October 2021</text>
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                <text>Ladder Workshop/Wendy Hayes, 1970s (Part 3)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Creating local Lesbian chapters and national communication through publications: The Ladder, Focus, Sisters, and Lesbian Tide. </text>
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                <text>Circa 1970s</text>
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                <text>December 2021</text>
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                <text>Circa 1970s</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Lesbian Herstory Archives</text>
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            <name>Access Rights</name>
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                <text>Lesbian Herstory Archives</text>
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            <name>Identifier</name>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives</text>
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            <name>Title</name>
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                <text>Daughters of Bilitis - Ladder Workshop/Wendy Hayes Lesbian History Exploration (Part 3/3) (1970s)</text>
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                <text>Creating local Lesbian chapters and national communication through publications: The Ladder, Focus, Sisters, and Lesbian Tide. </text>
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                <text>Hayes, Wendy</text>
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          <element elementId="175">
            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
            <elementTextContainer>
              <elementText elementTextId="54719">
                <text>Lesbian Herstory Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="54720">
                <text>1/4 inch audio tape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="178">
            <name>Physical Location</name>
            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
            <elementTextContainer>
              <elementText elementTextId="54722">
                <text>Lesbian Herstory Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="54723">
                <text>0:08:51</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="58471">
                <text>WAV</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="457">
        <name>Daughters of Bilitis</name>
      </tag>
      <tag tagId="285">
        <name>Publications</name>
      </tag>
      <tag tagId="284">
        <name>The Ladder</name>
      </tag>
      <tag tagId="662">
        <name>Wendy Hayes</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
