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                <text>Grace Paley photo</text>
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            <name>Title</name>
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                <text>Margaret Walker photo</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mari Evans photo</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Carolyn Rodgers photo</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Myrna Lamb photo</text>
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                <text>Deadly Nightshade photo</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>SPW1881A</text>
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                <text>Pleasure by Barbara Barracks</text>
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                <text>Author Barbara Barracks is interviewed on the show &lt;em&gt;Prose&lt;/em&gt;, produced by Sharon Martin. Barbara reads Chapter 10 of her novel &lt;em&gt;Pleasure&lt;/em&gt;.</text>
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                <text>Lesbian erotic literature</text>
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                <text>KPFK radio</text>
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            <name>Rights</name>
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                <text>See the LHA Copyright Statement</text>
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                <text>Pacifica Radio Archives</text>
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                <text>Audio Recording; Radio talk shows</text>
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                <text>Audio cassette</text>
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                <text>Access Copy: MP3</text>
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                <text>https://www.pacificaradioarchives.org/recording/bc0619</text>
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            <name>Duration</name>
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                <text>0:23:53</text>
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                <text>1972-02-15</text>
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                <text>"Time and Love" by Laura Nyo</text>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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            <description>The topic of the resource</description>
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                <text>Lesbian autobiographies</text>
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              <elementText elementTextId="59246">
                <text>LGBTQ+ poetry</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59250">
                <text>See the LHA Copyright Statement</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2/6/77</text>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>Everywomanspace</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Irene Yarrow</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Jan Clausen</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
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        <name>Feminism</name>
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        <name>Lesbian Community</name>
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      <tag tagId="554">
        <name>Lesbian Feminism</name>
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        <name>Lesbian Writer</name>
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        <name>Poetry</name>
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      <tag tagId="198">
        <name>Writing</name>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>See the LHA Copyright Statement</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description/>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Sister-Woman-Sister" by Holly Near</text>
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            <description>The nature or genre of the resource</description>
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                <text>"Free" by Melba Moore</text>
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                <text>"Scotch and Soda" by The Manhattan Transfer</text>
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        <name>Lesbian Musician</name>
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      <tag tagId="424">
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>(Side A) Victoria Brownworth opens this episode of &lt;em&gt;Amazon Country&lt;/em&gt; by announcing that an &lt;em&gt;Amazon Country&lt;/em&gt; employee lost her house, belongings and pets to a fire, so they're starting a collection for her through the Women's Cultural Trust. Various other announcements regard upcoming events, a lesbian support group, and the council elections at the Gay Community Center.&lt;br /&gt;&lt;br /&gt;Roberta Hacker interviews Linda Norwood and Sherrie Cohen of 'Dyketactics!' to discuss their lawsuit against the police, the first time in history that lesbians have sued the police for brutality, excessive force, and harrassment. This lawsuit regards police action on December 4, 1975, when 'Dyketactics!' (and other groups) attended a (Philadelphia) city council meeting to help urge passing of the "Gay Rights Bill" by the committee. Philadelphia's Civil Defense Squad immediately approached and used excessive force against the women, prompting 'Dyketactics!' to file a lawsuit against the City of Philadelphia for lesbophobic police brutality. Linda and Sherrie encourage women to attend the trial in order to support them. They also ask for feedback so that they can better represent and stand up for the lesbian community. When Victoria asks what they hope to get out of the trial, 'Dyketactics!' dsecribes their hopes to raise consciousness around the need for gay rights.&lt;br /&gt;&lt;br /&gt;(Side B) Linda and Sherrie discuss the positive reception they've had regarding the trial, and announce that there will be a community meeting hosted by 'Dyketactics!' to discuss the disbursement of the (potential) compensation from the lawsuit into the lesbian community.</text>
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                <text>"Old Cape Cod" by Bette Midler</text>
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The Forbidden Texts of the Three Marias</text>
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                <text>For this episode of &lt;span&gt;&lt;em&gt;All Night Sunday with the Radio On&lt;/em&gt;, Suzan &lt;/span&gt;Shown interviews the cast and creator of &lt;em&gt;Disquieting Muses: A Response to the Suicides of Women Artists&lt;/em&gt;, discussing the feeling of obligation to find a man, get married, and otherwise fulfill the role of what a woman is supposed to be.&lt;br /&gt;&lt;br /&gt;Episode includes a reading of an untitled poem by Marilyn Monroe. Features a recording of &lt;em&gt;Women on Trial: The Forbidden Texts of the Three Marias&lt;/em&gt;, a one-night only performance about the case of three women authors who wrote against Portugal's dictatorship and were subsequently put on trial.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Suzan Shown</text>
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                <text>Betsy Shevey</text>
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                <text>"It's My Way" by Buffy Sainte-Marie</text>
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        <name>Feminist Theater</name>
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        <name>Gender Roles</name>
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        <name>Mental Health</name>
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      <tag tagId="159">
        <name>Suicide</name>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>In this episode of &lt;em&gt;Women's Consciousness Raising Hour&lt;/em&gt;, the first poet Rosemary Cappello reads a mixture of original poems and poems from friends and other notable poets, surrounding the theme of correspondence. Rosemary views correspondence as the most faithful way to show affection and grow closer with other poets. She also reads a poem that she wrote, in place of an angry letter, to respond to an anti-feminist book review.&lt;br /&gt;&lt;br /&gt;The second poet, Barbara Ruth, opens with a poems about her awe for life: her experience knowing and being close to other women, seeing a solar eclipse. Her poems discuss women's issues, specifically, the tension between being a woman and having intense or maddening emotions, and the tensions women have with men. Her poems frequently invoke the power of women and call for a revolution. Furthermore, Barbara grapples with issues of valuing some lives over others, witnessing suffering, narcissism, and simple wanting. She also reads poems about her mother.</text>
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            <description>The topic of the resource</description>
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                <text>Lesbian poetry</text>
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                <text>Correspondence</text>
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                <text>Feminism</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59455">
                <text>See the LHA Copyright Statement</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>Women's Consciousness Raising Hour</text>
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          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
              <elementText elementTextId="59452">
                <text>Diane Trombley</text>
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          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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              <elementText elementTextId="59453">
                <text>Rosemary Vappello</text>
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                <text>Barbara Ruth</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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            </elementTextContainer>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
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                <text>Access Copy: MP3</text>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:56:54</text>
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          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
            <elementTextContainer>
              <elementText elementTextId="59461">
                <text>"Talking Want Ad" by Virgo Rising and Janet Smith</text>
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              <elementText elementTextId="59462">
                <text>"The Whale" by Malvina Reynolds</text>
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              <elementText elementTextId="59463">
                <text>"Song to My Mama" by The Sirens</text>
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          <element elementId="183">
            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
            <elementTextContainer>
              <elementText elementTextId="59464">
                <text>At times the audio on the tapes is unintelligible, especially around 19:50 on side A. There is also a screeching sound beginning around 3 mins on side B and continuing until about 4:15.</text>
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        <name>Activism</name>
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      <tag tagId="191">
        <name>Discrimination</name>
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      <tag tagId="43">
        <name>Gender Roles</name>
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      <tag tagId="161">
        <name>Mothers</name>
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      <tag tagId="187">
        <name>Poetry</name>
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      <tag tagId="193">
        <name>Power</name>
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      <tag tagId="198">
        <name>Writing</name>
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  <item itemId="1394" public="1" featured="0">
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Mischief Mime</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>On this episode of &lt;em&gt;The Velvet Sledgehammer&lt;/em&gt;, Donna Allegra interviews members of Mischief Mime, a two woman theater troupe from Ithaca, New York. Mischief Mime tours and teaches nationally to prove artists can make it outside of the larger cities.</text>
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                <text>Lesbian radio</text>
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                <text>Performance art</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59474">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
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            <description>The nature or genre of the resource</description>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>The Velvet Sledgehammer</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>"Keep On the Sunnyside" by The Deadly Nightshade</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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        <name>Writing</name>
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            <description>An account of the resource</description>
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                <text>This tape contains the third panel from the Gay Academic Union Conference at NYU, the "Lesbian in Literature" Panel. Panelists are Janet Cooper, speaking on female crushes and friendships in children's literature, and Cynthia Secor, speaking about Gertrude Stein and James Joyce. The moderator was Virginia Caputo.&lt;br /&gt;&lt;br /&gt;Janet describes that the first room in a library targeted specifically for children was in the Pratt Library in Brooklyn in 1895. The librarian Anne Carole Moore worked there, and would become a very influential children's librarian. She speaks on the monopoly of children's literature in publishing and book awards, with Anne Carole Moore at the center due to her connections with other powerful librarians. Since Anne Carole Moore's appointment, child friendships and friend crushes in literature have disappeared. The removal of content in library books where children physically touched each other, Janet says, was a direct result of the fear of lesbianism.&lt;br /&gt;&lt;br /&gt;Cynthia Secor speaks about Gertrude Stein and James Joyce. She asserts that Stein is an oft-overlooked figure in literature. Gertrude Stein was a sort of hidden figure, while James Joyce was taught everywhere. Stein was read by many lesbian women, but Cynthia did not read Stein until she joined the lesbian community. Cynthia reads a passage by Stein, "Cow come out...", discusses Stein's novella, Q.E.D., and her "Patriarchal Poetry" essay.</text>
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            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Lesbian poetry</text>
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                <text>Lesbian children's literature</text>
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                <text>Lesbophobia</text>
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                <text>LGBTQ+ children's literature</text>
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            <description>An entity responsible for making the resource available</description>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>See the LHA Copyright Statement</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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            <description>The nature or genre of the resource</description>
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description/>
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        <name>Conferences</name>
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        <name>Discrimination</name>
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      <tag tagId="551">
        <name>Lesbian Authors</name>
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      <tag tagId="521">
        <name>Lesbian Youth</name>
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      <tag tagId="244">
        <name>Libraries</name>
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        <name>Literature</name>
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      <tag tagId="480">
        <name>Sexism</name>
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              <description>A name given to the resource</description>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPW1969A</text>
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            <description>A name given to the resource</description>
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                <text>Simone de Beauvoir discusses the art of writing</text>
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            <description>An account of the resource</description>
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                <text>Recorded in Paris with Studs Terkel, Simone de Beauvoir describes her philosophies of life and writing her memoirs, discussing: her childhood upbringing in Catholic school, dynamics with her parents, artistic influences in her life, the experience of being a woman writer, and wartime.</text>
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                <text>Feminist literature</text>
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                <text>Coming of age</text>
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                <text>Women authors</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WFMT radio</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Studs Terkel Radio Archive and the Chicago History Museum</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Studs Terkel</text>
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                <text>Simone de Beauvoir</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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            <name>Digital Format</name>
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                <text>Access Copy: MP3</text>
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          <element elementId="179">
            <name>Digital Location</name>
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                <text>https://studsterkel.wfmt.com/programs/simone-de-beauvoir-discusses-art-writing</text>
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                <text>0:31:03</text>
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                <text>1960-05-04</text>
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        <name>Catholic School</name>
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      <tag tagId="269">
        <name>Childhood</name>
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      <tag tagId="305">
        <name>Literature</name>
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      <tag tagId="182">
        <name>Parents</name>
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      <tag tagId="580">
        <name>Philosophy</name>
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        <name>Writing</name>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Jan Alpert in the recording studio (New York: WBAI Folio July/August 1974)</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jan Albert in the recording studio 1974</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>"The Women's Department". Article featuring the women of ''The Real Live Lesbian Show', 'Our Cities, Our Lives', 'More Than Half the World', 'Women's Studies', and 'Everywomanspace'. Photos: Viv Sutherland, Rebecca Tron, Irene Yarrow (New York: WBAI Folio August 1977)</text>
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    </itemType>
    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Women's Dept. (Aug 1977)</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Viv Sutherland, Rebecca Tron, Irene Yarrow (New York: WBAI Folio August 1977)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Viv Sutherland, Rebecca Tron, Irene Yarrow (Aug 1977)</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="59770">
              <text>WBAI Program Listing by Type (New York: WBAI Folio August 1977)</text>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>WBAI Programs by Type (1977)</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Paula Kane and Judy Pasternak in the recording studio (New York: WBAI Folio September 1976)&#13;
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Paula Kane and Judy Pasternak (1976)</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
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              <text>Viv Sutherland in the studio (New York: WBAI Folio November 1975)</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Viv Sutherland (1975)</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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            <elementText elementTextId="59776">
              <text>Viv Sutherland April 10, 1978- film strips (New York: WBAI Folio June 1978)</text>
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    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="59775">
                <text>Viv Sutherland 35 mm (April 10, 1978)</text>
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  <item itemId="1412" public="1" featured="0">
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      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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            <elementText elementTextId="59778">
              <text>Viv Sutherland, Joan Hervey, and Mike Edl waiting to go on air - April 10, 1978 (New York: WBAI Folio June 1978)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Viv Sutherland, Joan Hervey, and Mike Edl (April 10, 1978)</text>
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      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Judy Pasternak and volunteer "techie" (New York: WBAI Folio June 1978)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Judy Pasternak and techie (April 10, 1978)</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Side A: In this interview, Dr. Freda Adler discusses the rise in female criminal behavior as a consequence of broader social changes, particularly women’s increased participation in public and professional life. She explains that as women gain access to new roles, they also gain opportunities to engage in crimes once dominated by men. Traditional “feminine” crimes (such as prostitution and shoplifting) are being replaced by more assertive and violent acts like armed robbery and even assassination. Adler emphasizes that this shift doesn’t stem from new motivations but from changing circumstances, and she challenges the myth of inherent female passivity by documenting the evolving cultural landscape.&#13;
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Robin Morgan Reads: The Network of the Imaginary Mother</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>The Female Angst</text>
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                <text>Side A:Women playing the guitar singing a jingle. She goes on to talk about the pain that comes with operating in a male centered society. In an interview, two women talk about women not being as confident in their ability of being without the "big father" figure present for reassurance. There's a conversation discussing how a woman sacrifices more, does more, feels more, which makes them gifted. They talk about women as nature, explaining how a woman's suffering forces people to experience life on a deeper level. There is talk about work as a form of salvation while finding moments of joy in the process. &#13;
&#13;
Side B:"Equating women to death, and men with life." Person being interviewed offers a new perspective on coexisting as both man and woman. She stresses personal identity over identification and speaks about how when a women acquires education she poses as a threat to men. She mentions how women giving boundless and immense love to men, when in actuality women are in search of themselves as an individual. Tape ends in music.</text>
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                <text>Side A opens with Viv Sutherland introducing Lily Tomlin’s comedy album Modern Scream on the WBAI Women’s Studies program. The bulk of the tape features Tomlin’s satirical sketches, where she voices multiple characters. Highlights include a bizarre monologue from a woman addicted to rubber, a mock celebrity interview parodying Hollywood shallowness, a chaotic sorority speech full of performative morality, and a child’s monologue touching on emotional contradictions. The humor is absurdist, character-driven, and rooted in media and gender satire.&#13;
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                <text>Side A: Margot Adler discusses the various definitions of "occult" and "magic" as expressed by four groups in society: the uneducated, the educated, scholars, and practicitioners. Adler contends that the way these words are defined reflect social conditioning and shape the conversation around spiritual practice and occult study. She proposes a definition that is not mystical nor supernatural that she explores and expounds upon throughout the program. To this end, Adler relates an experience she had visiting and working within a small farming community of magic practitioners and how their understanding of magic as the "art of getting results" applied to their lives. One psychological element that Adler focuses upon is charisma and how the charisma of individuals or communities is itself a magical quality.  &#13;
&#13;
Side B: There is a call in portion at the end of the program wherein Adler and callers talk about Rorschach and the Tarot, therapist role within witchcraft, New York magical and spiritual communities, and ends with a more heated discussion regarding the divisions between magic and science. </text>
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                <text>This is the second episode of Everywomanspace. Host, Irene Yarrow, speaks with author Carol Rosenthal. Rosenthal reads her short story Cowboys and Yarrow reads her short story, Mother. The two briefly discuss each piece and how to support women's writing amongst themselves before taking calls from listeners on the same topics. </text>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="60703">
                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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