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                <text>Maxine Wolfe&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>Lesbians [sh85076160] Feminists [sh85047761] African American feminists [sh2004002861] African American women--Poetry [sh2007100767]</text>
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            <description>An account of the resource</description>
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                <text>Side A : A poetry reading from Audre Lorde&#13;
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</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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          <description>State the type of digital format.</description>
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                <text>Autobiography, Marriage, Children, Writing, Publishing, Discrimination, Literary Criticism, Lesbian Mothers, Homophile Movement</text>
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                <text>Marion Zimmer Bradley talks about her experience growing up, her marriage and children, being a woman writer in science fiction, writing for The Ladder, and discrimination in publishing. She also touches upon her struggles as a lesbian mother.</text>
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                <text>‎March ‎09, ‎2015</text>
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                <text>edited by Morgan Gwenwald [still photographer], Manuela Soares, Sara Yaeger [videographer]</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="51452">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement&lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>edited by Morgan Greenwald [still photographer],  Manuela Soares, Sara Yaeger [videographer]</text>
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                  <text> COPYRIGHT: 1988 L.H.E.F., Inc.</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>This is a collection of video clips, photos, and opening/closing credits for a Daughters of Bilities documentary sponsored by the Lesbian Herstory Archives.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Editors/Producers: Manuela Soares, Sara Yager, Morgan Gwenwald </text>
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            <name>Publisher</name>
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                <text>Lesbian Herstory Archive</text>
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                <text>Morgan Greenwald [Still Photographer], Sara Yager [videographer]</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51387">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
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                <text>Image</text>
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            <name>Rights Holder</name>
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                  <text>&lt;strong&gt;Del Martin&lt;/strong&gt; &lt;br /&gt;Del Martin (Dorothy Erma Corn) was born on May 5, 1921 in San Francisco. After studying journalism, Martin met Phyllis Lyon on a reporting job in Seattle in 1950 and moved in together in San Francisco in February of 1953. In September 1955, a woman named Rose Bamberger approached Del and Phyllis to inquire about starting a club for lesbians—it would be the first of its kind in the U.S.—a social and political club for lesbians. The founders agreed to name it after “Song of Bilitis,” the collective title for Pierre Louys’s poems about lesbian sexuality. Martin was its first president in 1955, national president from 1957-1960, and editor of DOB’s publication, The Ladder, from 1960-1962. She and Lyon started the first DOB national convention in 1960. As Martin stated, the Daughters of Bilitis were "fighting the church, the couch, and the courts.” She and Lyon pushed for legislation reform at a time when homosexuals were criminalized. In 1964, they created the Council on Religion and the Homosexual (CRH). One of Martin’s most famous writings in The Ladder was “If That’s All There Is,” a 1970 piece against sexism in the gay rights movement. Members of the National Organization for Women since 1967, Martin and Lyon worked to combat homophobia within NOW in 1971 and 1973. Martin was elected to NOW’s board of directors as the first out lesbian. DOB folded in 1970, but two years later, Lyon and Martin published their famous Lesbian/Woman. They also started the Alice B. Toklas Democratic Club in 1972, “the first gay political club in the United States.” Martin’s hard work over the years resulted in the American Psychiatric Association’s 1973 decision that homosexuality was not an illness. She attacked domestic violence in Battered Wives in 1976 and catalyzed a movement and the creation of several organizations combatting domestic violence. She was also chair of the San Francisco Commission on the Status of Women from 1976-1979. She and Lyon were lifelong members of the American Civil Liberties Union. They were members of numerous other organizations including in 1989 Old Lesbians Organizing for Change. In 1987, Del received a Doctorate from the Institute for Advanced Study of Human Sexuality. A documentary about Martin and Lyon was released in 2003. After their 2004 marriage was declared null, they married again in May 2008. Del Martin died on August 27, 2008 in San Francisco. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Phyllis Lyon&lt;/strong&gt; &lt;br /&gt;Phyllis Lyon was born on November 10, 1924 in Tulsa, Oklahoma. She earned a B.A. in journalism at the University of California at Berkeley. She was the secretary in the newly formed Daughters of Bilitis in 1955, and she edited The Ladder from 1956 to 1960. In 1957, Lyon famously did away with her pen name, Ann Ferguson, editing the magazine under her real name. Lyon worked at the Glide Foundation and the National Sex and Drug Forum (1968), where she did workshops and wrote and distributed lesbian-positive sex education materials. She helped found the Institute for Advanced Study of Human Sexuality in 1976. She fought against the banning of gay and lesbian teachers in 1978. She engaged in numerous other activities with her partner, Del Martin. &lt;br /&gt;&lt;br /&gt;Citations:&lt;br /&gt;&lt;br /&gt;Del Martin and Phyllis Lyon (n.d.). In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Del_Martin_and_Phyllis_Lyon. &lt;br /&gt;&lt;br /&gt;Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Gordon, R. (2008, June 17). Couple of 55 years tie the knot—again. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;Gordon, R. (2008, August 28). Lesbian rights pioneer Del Martin dies at 87. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;Graff, E.J. (2012, April 25). The Queer List, Part 1: Del Martin and Phyllis Lyons. The Queer List. Retrieved from http://prospect.org/article/queer-list-part-1-del-martin-and-phyllis-lyons. &lt;br /&gt;&lt;br /&gt;Health Services Lyon Martin. Remembering Del Martin. Retrieved from http://lyon-martin.org/about-us/the-lyon-martin-story/remembering-del-martin/. Lgbt history month. &lt;br /&gt;&lt;br /&gt;Del Martin &amp;amp; Phyllis Lyon. Retrieved from http://lgbthistorymonth.com/del-martin-phyllis-lyon?tab=biography. Lyon, P. (2009, May 26). &lt;br /&gt;&lt;br /&gt;Same-Sex Marriage: An Oral History: ‘It never was much of an issue for us.’ Los Angeles Times. Retrieved from http://articles.latimes.com. May, M. (2010, February 11). &lt;br /&gt;&lt;br /&gt;Same-sex-marriage trailblazer Phyllis Lyon. SFGate. Retrieved from http://www.sfgate.com. &lt;br /&gt;&lt;br /&gt;National Organization for Women. Phyllis Lyon and Del Martin Make History Again. Retrieved from http://www.now.org/issues/lgbi/021304lyon-martin.html. &lt;br /&gt;&lt;br /&gt;Religious Archives Network. Profile: Del Martin &amp;amp; Phyllis Lyon. Retrieved from http://www.lgbtran.org/Profile.aspx?ID=124.</text>
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                  <text>The Daughters of Bilitis is a previously unreleased documentary created in 1988 by Manuela Soares, Sara Yager and Morgan Gwenwald, with support from the Lesbian Herstory Archives. This film provides a visual and oral history of the Daughters of Bilitis, as told by original members of the group.</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51480">
                  <text> COPYRIGHT: 1988 L.H.E.F., Inc.</text>
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              </elementTextContainer>
            </element>
            <element elementId="98">
              <name>License</name>
              <description>A legal document giving official permission to do something with the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="58423">
                  <text>CC BY-NC-ND (Creative Commons License)</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="51177">
              <text>0:55:30</text>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
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        <element elementId="131">
          <name>Frame Rate</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51574">
              <text>29.97</text>
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        <element elementId="132">
          <name>Resolution</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51575">
              <text>.AVI: 720 x 480&#13;
.MP4: 320 x 240</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51162">
                <text>Daughters of Bilitis Interview cuts</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="51163">
                <text>DOB Cuts</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51164">
                <text>Education, Gay Civil Rights, Support Groups, Communities, Law, Lawyers, Prostitution, Separatism, Women's Liberation Movement, Activism, Political Movements and Community Struggles, </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51165">
                <text>Del Martin, Phyllis Lyon, Billye Talmadge, Nikki Nichols, Barbara Gittings, and Shirley Willer speak about their experiences with the Daughters of Bilitis organization.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51166">
                <text>Manuela Soares [interviewer]; Del Martin, Phyllis Lyon, Billye Talmadge, Nikki Nichols, and Barbara Gittings [interviewees]</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="51167">
                <text>Lesbian Herstory Archive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51168">
                <text>1988</text>
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              <elementText elementTextId="51176">
                <text>‎March ‎2, ‎2015 [digitized]</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51169">
                <text>Morgan Greenwald [Still Photographer], Sara Yager [videographer]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51170">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51171">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51172">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51173">
                <text>Lesbian Herstory Archive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51178">
                <text>11.5 GB</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="51174">
                <text>Preservation Copy: AVI with DV codec</text>
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              <elementText elementTextId="58505">
                <text>Access Copy: MP4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="51175">
                <text>VHS</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="183">
            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
            <elementTextContainer>
              <elementText elementTextId="51180">
                <text>Aspect Ratio: 4 : 3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="184">
            <name>Transcription</name>
            <description>The textual transcription of the media item.</description>
            <elementTextContainer>
              <elementText elementTextId="59829">
                <text>Transcript available upon request. Content of the transcript may differ from the content of the video.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
      <tag tagId="208">
        <name>Activism</name>
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      <tag tagId="392">
        <name>Barbara Gittings</name>
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      <tag tagId="397">
        <name>Billye Talmadge</name>
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      <tag tagId="211">
        <name>Communities</name>
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      <tag tagId="663">
        <name>Del Martin</name>
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      <tag tagId="168">
        <name>Education</name>
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      <tag tagId="1093">
        <name>Gay Civil Rights</name>
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      <tag tagId="558">
        <name>Law</name>
      </tag>
      <tag tagId="1094">
        <name>Lawyers</name>
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      <tag tagId="782">
        <name>Manuela Soares</name>
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      <tag tagId="394">
        <name>Nikki Nichols</name>
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      <tag tagId="664">
        <name>Phyllis Lyon</name>
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      <tag tagId="1095">
        <name>Prostitution</name>
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      <tag tagId="1096">
        <name>Separatism</name>
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      <tag tagId="398">
        <name>Shirley Willer</name>
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      <tag tagId="357">
        <name>Support Groups</name>
      </tag>
      <tag tagId="178">
        <name>Women's Liberation Movement</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="708" public="1" featured="0">
    <fileContainer>
      <file fileId="936" order="1">
        <src>https://herstories.prattinfoschool.nyc/omeka/files/original/85/708/cleaver.png</src>
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      <file fileId="912" order="2">
        <src>https://herstories.prattinfoschool.nyc/omeka/files/original/85/708/D.C._2nd_Part.mp4</src>
        <authentication>819451376efe09222893de3ca78ca133</authentication>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="48540">
                  <text>Related Video Recordings, 1989-1995</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51624">
                  <text>This collection includes videos created during the course of the Daughters of Bilitis Video Project, including the 20th Anniversary of the Boston chapter and the memorial service for Diane Cleaver.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description>A person or organization owning or managing rights over the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="58410">
                  <text>Lesbian Herstory Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
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    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="51156">
              <text>0:23:39</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="51563">
              <text>16 bit/32 kHz</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="131">
          <name>Frame Rate</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51565">
              <text>29.97</text>
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          </elementTextContainer>
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        <element elementId="132">
          <name>Resolution</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51566">
              <text>.AVI: 720 x 480&#13;
.MP4: 320 x 240</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51142">
                <text>Memorial Service for Diane Cleaver (Part 2)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="51143">
                <text>D.C. 2nd Part</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51144">
                <text>Relationships, Friendship, Families, Aging, Death and Dying, Communities, Biographies, Writing, Songs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51145">
                <text>Friends and family gather at the funeral of Diane Cleaver to share stories, reminisce, and pay homage to her.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51146">
                <text>Sara Yager [videographer]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="51147">
                <text>Lesbian Herstory Archive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51148">
                <text>Morgan Greenwald [Still Photographer]; Manuela Soares</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51149">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51150">
                <text>English</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51151">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51152">
                <text>Lesbian Herstory Archive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51155">
                <text>‎‎February ‎23, ‎2015 [digitized]</text>
              </elementText>
              <elementText elementTextId="54593">
                <text>1995</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51157">
                <text>4.92 GB</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="51154">
                <text>VHS</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="183">
            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
            <elementTextContainer>
              <elementText elementTextId="51159">
                <text>Aspect Ratio: 4 : 3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="58506">
                <text>Preservation Copy: AVI with DV codec</text>
              </elementText>
              <elementText elementTextId="58507">
                <text>Access Copy: MP4</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="1090">
        <name>Aging</name>
      </tag>
      <tag tagId="1091">
        <name>Biographies</name>
      </tag>
      <tag tagId="211">
        <name>Communities</name>
      </tag>
      <tag tagId="457">
        <name>Daughters of Bilitis</name>
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      <tag tagId="230">
        <name>Death and Dying</name>
      </tag>
      <tag tagId="1104">
        <name>Diane Cleaver</name>
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      <tag tagId="145">
        <name>Families</name>
      </tag>
      <tag tagId="146">
        <name>Friendship</name>
      </tag>
      <tag tagId="203">
        <name>Music</name>
      </tag>
      <tag tagId="149">
        <name>Relationships</name>
      </tag>
      <tag tagId="1092">
        <name>Songs</name>
      </tag>
      <tag tagId="198">
        <name>Writing</name>
      </tag>
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  </item>
  <item itemId="706" public="1" featured="0">
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      <file fileId="897">
        <src>https://herstories.prattinfoschool.nyc/omeka/files/original/56/706/Shirley_Willer_side_2.wav.mp3</src>
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    <collection collectionId="56">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="48462">
                  <text>Audio Recordings, 1971-1988</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="48463">
                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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              </elementTextContainer>
            </element>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
      <elementContainer>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="51117">
              <text>0:44:26</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="51119">
              <text>128 kbps</text>
            </elementText>
            <elementText elementTextId="51120">
              <text>48.00 kHz</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51102">
                <text>Shirley Willer, Tape 2 of 4, Side A, July 11, 1987</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="51103">
                <text>SPW1312_Shirley Willer Tape 2 of 4 Side A_1987july11 </text>
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                <text>SPW1312</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51104">
                <text>Autobiography, Homosexuality, Coming Out, Women, Men, Discrimination, Women's Political Organizations, Queer Activism</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                  <text>Barbara Grier was born on November 4, 1933 in Cincinnati, OH.  Her affiliation with the Daughters of Bilitis began in 1957, when she started to subscribe to The Ladder.  Shortly thereafter she began writing book reviews for the publication, then served as poetry and fiction editor from 1966-1968, when she became the editor-in-chief.  In this role, Grier included news stories, essays, prose and poetry that focused on the burgeoning women’s movement.  When the DOB folded in 1970, she and DOB President Rita Lapore continued to publish The Ladder until this ceased in 1972, for financial reasons.&#13;
&#13;
Grier met Donna McBride, the reference librarian at the Kansas City, MO public library and Grier's eventual partner, in 1971.  McBride first knew Grier as a library patron who made frequent and numerous recommendations of books of lesbian interest that she wanted the library to buy.  In January 1973, Grier and McBride, started Naiad Press,  the “world’s largest [and foremost and longest-lived] publisher of lesbian books” -- by lesbians, about lesbians and for lesbians.  It included romance novels, histories, erotica, volumes of poetry, science fiction and self-help guides, as well as mysteries, non-fiction and classics.  Prior to Naiad, “lesbian literature was primarily written by men whose protagonists generally ended up in one of two ways: they married a man or killed themselves.”  Grier and McBride kept their day jobs until 1982, when Naiad became their full-time work.  In 1995 Grier donated her “Lesbiana" collection to the James C. Hormel Gay and Lesbian Center of the San Francisco Public Library.”  Bella Books took over when Grier closed Naiad Press in 2005.  &#13;
&#13;
Grier died of cancer on November 10, 2011 in Tallahassee, FL.&#13;
&#13;
&#13;
Barbara Grier (n.d.) In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Barbara_Grier. &#13;
&#13;
Barbara Grier Obituary (2011, November 13). Tallahassee Democrat. Retrieved from http://www.legacy.com. &#13;
&#13;
Brownsworth, V. (2011, November 11). In Remembrance: Barbara Grier. Lambda Literary. Retrieved from http://www.lambdaliterary.org. &#13;
&#13;
Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc.&#13;
&#13;
Grier, B. (1987, November 27). [DOB transcript of tape]. DOB Oral History Project, Daughters of Bilitis. Herstory Archives, Brooklyn, New York.&#13;
&#13;
Grier, Barbara (1933-2011). (n.d.). In glbtq’s online encyclopedia. Retrieved from http://www.glbtq.com/literature/grier_b.html. &#13;
&#13;
Kallmaker, K. (2011). Barbara Grier, Reflections (blog). Retrieved from http://blog.kallmaker.com/2011/11/barbara-grier-reflections.html. &#13;
&#13;
San Francisco Public Library. Barbara Grier. Retrieved from http://sfpl.org/index.php?pg=2000134701. &#13;
&#13;
Vitello, P. (2011, November 13). Barbara Grier, Publisher of Lesbian Books, Dies at 78. The New York Times. Retrieved from http://www.nytimes.com. &#13;
&#13;
Woo, E. (2011, November 13). Barbara Grier dies at 78; co-founder of lesbian publishing house. Los Angeles Times. Retrieved from http://articles.latimes.com.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Judith Schwarz discusses how grateful she is the DOB exists, the way that societal attitudes towards lesbianism has changed since the founding of DOB, how many women were afraid to have mail mailed to them or used pseudonyms or “bar names” to hide their identity.&#13;
&#13;
She discusses her first lesbian relationship, which happened shortly after she moved to San Franciso, and how this introduced her to lesbian culture, specifically survival literature. She talks about how she was at first intimidated by certain aspects of lesbian culture, like powerful butch lesbians, frequent drinking in the community, and lesbian literature. &#13;
&#13;
She talks about the impact of DOB, and how there was harassment from police as well as other lesbians or women. She also talks about sharing The Ladder around her workplace in secret, and shares the story about how The Ladder was “stolen” from the DOB San Franciso offices. She says that diversity was always lacking in the DOB, and talks about some reasons why.&#13;
&#13;
DOB meetings sometimes consisted of potluck dinners and Gab and Javas, sometimes taking place at Schwarz’s house. She talks about how lesbians dressed at the time.&#13;
&#13;
Finally she discusses the differences between the DOB and the Lesbian Herstory Archives and how they met different needs for lesbians, and finally some of the special collections in the archive. Joan Nestle jumps in at the end to discuss radical politics and the FBI surveillance of the DOB.</text>
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&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Transcript available upon request. Content of the transcript may differ from the content of the video.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;Photograph by Morgan Gwenwald&lt;/p&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                <text>Billye Talmadge discusses her early experiences as she came to understand her own preferences and sexuality, and the support she received from her college dean, classmate, and mother.  She describes her role in the Daughters of Bilitis and the responsibilities and liabilities of being an officer in the group. She elaborates on the social and political climate of the times, and how she endeavored to help people overcome their fear of harassment and discrimination through providing education and supportive counseling and resources.</text>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students. Edited by Lauren Allshouse, Kim Loconto, Rachel Smiley, and Sara White.</text>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Nikki Nichols describes her coming out process, and experiences with older lesbian women as a teenager.  Discusses changing views on butch/fem issue.  Laments the lack of lesbian groups in Sacramento,  as well as describing issues with and fears of gay bars.  Talks about how the discovery of DOB saved her life – socially and otherwise.  Describes first DOB convention in 1960.  Discusses her research into Native American attitudes towards homosexuality, as well as Native American rights movement.&#13;
&#13;
On tape 2, she talks about The Ladder and its role in lesbian history, and gives her thoughts about which leaders loomed large in the DOB. She brings up the Act or Teach “controversy” of the early 60s. She mentions problems with drug culture in San Francisco during the 60s. She also talks about her enthusiasm for active protest/picketing, and the difficulties of getting gay activists and rallies in California outside of San Francisco.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Rose Jordan Transcription: May 23rd. 1993&#13;
&#13;
00:00:22 - Title card reads, “LHA, DOB Video Project, Tape # M- 66, Rose Jordan, New York City, May 23, 1993”&#13;
&#13;
00:00:30 - Second title card reads “LHA/DOB Video Project – Morgan Gwenwald, Manuela Soares, Sara Yager”&#13;
&#13;
00:00:33 - Audio begins with RJ speaking, video starts on RJ&#13;
&#13;
00:00:33 - 00:01:01- Pre-interview chatting out of context&#13;
&#13;
00:01:03 - (Interview Begins) RJ: Uh, alright, ask me a question. &#13;
&#13;
00:01:07 - Interviewer: So how did you, how did you, um, come to DOB? How did you discover it?&#13;
&#13;
00:01:11 - RJ: I think it was purely by accident. Uh, around 1968 my lover and I went to Chicago because I quit a job that I couldn’t stand anymore. I was being harassed and-and I just couldn’t take it. So I decided, and we discussed it, and I said, we’re, we’re leaving town. So we packed up in a van and we went to Chicago because I knew someone in, uh, Carbondale and she had said to me, “Oh you come to Carbondale, you’ll be able to get a job!” and none of it was true. Ok (laughs) so we got a little screwed about that. &#13;
&#13;
00:01:40 -  RJ (cont.): Anyway, um, we were there about 9 months, or 10 months, so we came back around ‘69…I don’t remember the month, but I know it was the time when…I read in the paper about the Stonewall riots. And I said, “My god look what they’re doing!” I mean I was horrified. “How could they do this?” And then I remembered that the Stonewall bar--I had been in that place in the–’63 or ‘6–I forget the date. And when someone described the place and I passed by, I said. “Oh I was in there, I remember that place. It was very large, had a big bar...” whatever. &#13;
&#13;
00:02:18 - RJ (cont.): So then I heard that there was a group forming, but I had never belonged to a group before in my life. I was very shy, I-I couldn’t even talk. It was really very interesting. And I joined this GLF, Gay Liberation Front, uh, Lois Hart and a few other-- some men were involved with it. And I went to this huge meeting. And I forget where the devil it was. It was in a church on 28th street somewhere? Church of the Holy Apostle, or something? So there we were and-and it was huge. There must’ve been 200 people jammed into that room. So I sat in the back because I wasn’t about to talk. And I listened. And a lot of the people there were, I guess their affiliation was either socialist or communist or I don’t know…something of that sort. Which I didn’t know much about then. A lot of them had gone to Cuba. And they were giving a-a kind of-of symposium on the things they found there. A lot of them were suddenly going against Castro because they saw how they were treating homosexuals. And so that was the discussion. &#13;
&#13;
00:03:15 - RJ (cont.): Then I remember going back a second and third time. And finally, I got up the courage to ask a question. Because I thought that was--and I wrote it down so I wouldn’t forget--and I raised my hand (video skips) but he stopped and they turned and looked at me. I almost fell into a hole in the floor– I was so nervous--my hand was shaking. I asked-asked this question, I don’t remember what I asked! (laughs) And it was answered, and from that point on I was able to speak out at meetings. It was interesting. &#13;
&#13;
00:03:45 - RJ (cont.): Then, um I don’t know if it was my lover or myself, that heard about this, this, this, these initials D.O.B., and we didn’t quite know what it was, and then we found out what it was. And it was either on 38th Street or 27th Street. I, uh, think it was 38th Street. We went to this building, I took an elevator I think. Second floor? Third floor? And I went into this room and it was just a long table and it must have been 10 or 11 women. There weren’t that many. And at the end of this table this woman sat who was, I think, the president. Shirley...Shirley Willar...W-Willar, yeah, that’s it. And so she was like presiding over this meeting, the workshop and I got involved asking a couple of questions and stuff. And that was that. &#13;
&#13;
00:04:31 - RJ (cont.): I don’t think I went back to a second meeting. Then I heard that a loft would have been gotten…a-a big place where lesbians were at, y’know, I was amazed, you know I was really surprised and intrigued. So we went to this place. It was on Prince Street. And when I got there, um, there was no meeting, but there were a few women around fixing things, or painting, or something of that sort. And we looked around and I ran into two people that I knew! Ellen Povell and what was the other woman’s name? I can’t remember...another E...Elaine, something. And I had met those two women a few years before when I was with a different lover. So we renewed old acquaintances–we talked and stuff and I think I met Ruth Simpson at that time. And that was that. &#13;
&#13;
00:05:14 - RJ (cont.): Then I heard there was going to be a big meeting and there was a problem. I don’t know where I heard these things from but you know how you listen...we was going to bars and we heard things. So I went. And um, my lover and I went. And I remember, I can see it in my mind’s eye, the room was dark and there was lights or something in the--it wasn’t like a stage-- but it was a certain area of the room and then there was seats this way and I was in the back. And I heard this argument. (video skips) There were four women up there including Ruth Simpson and Ti-Grace Atkinson and (video skips) boudoirs and these women were fighting and arguing and debating in front of this big crowd about how Ruth should step down because there was gonna be a revolution or there was gonna be some changes made (laughs) of some sort. And since I didn’t know what the devil this was all about, I just listened. &#13;
&#13;
00:06:04 - RJ (cont.):  All of a sudden there was a fight broke out and some woman who I met later, Dani Covello (sp?), she picked up a chair and she threw it at someone because they had hit her. There was this melee going on--this fight (laughs) And I said to my lover “let us go home because I don’t wanna get involved in this!” (laughs) So we left. And that was that for a while. &#13;
&#13;
00:06:24- RJ (cont.):  And then I heard there was a dance there and stuff so we went. And it was very pleasant, it was nice, it was nice to see a lot of women there, y’know. Let me backtrack a minute because I forgot to tell you something about Alternate U when I mentioned the dance. There was a place called Alternate U that GLF was involved in. That was the first time there was a dance for women. And, uh, my lover and I went and it was just wonderful to see all these women together dancing! I had never seen that before except in bars, and this was so open, that it was kind of frightening in a way. And that night, three or four men came up there claiming they were police and they showed us guns. They were not police. And we stared them down and fought with them. Again, I was in the back of the room, I didn’t do much of anything. And some women jumped out the fire escape and tried to get away. And we discovered later that they were from the bars. They were trying to close us down. They didn’t like the idea that women were not going to frequent the bars, that they were going to this alternate place to be with each other, without giving money to the mafia. Cause all those bars were mafia run, especially Kooky’s. I don’t know if you remember Kooky’s on 14th street, 7th and 8th avenues. &#13;
&#13;
00:07:34- RJ (cont.):  Anyway to get back to DOB--when I went back, I started to get involved in it. We went to meetings and we sat and listened. And, um, we were social with some of the women, I got to know who they were, y’know things like that. Just on the fringes. After a while–and I can’t remember the date–I think it was ‘70 or ‘71, I don’t remember. Someone nominated me for co-chair--I almost fell through the floor–I didn’t know anything about chairing an organization! I didn’t know why they did that, y’know! But my lover said “I’m so proud of you! Do it!” or whatever she said. I said “well alright” because I didn’t expect to be elected, but I was! And again I was shocked because I had never been involved in anything like that before and I didn’t know what to do. &#13;
&#13;
&#13;
00:08:21- RJ (cont.):  After about 2 weeks I knew what to do. I learned very fast (laughs). And, so we had this structure and then there was like a school. One of the women was a therapist, um, I forgot her name. I can’t remember her name (laughs). Uh, she started a little school on Sundays, y’know. Uh, about what lesbianism is, and y’know trying to kind of workshop with people, because there was nothing like that around. Certainly NOW didn’t do it because they were really against lesbianism as destroying the movement, so we had it there. &#13;
&#13;
00:08:52- RJ (cont.):  And as the months and years went on, I learned more and more and I noticed that there was something strange going on, because there were people coming to the meetings who seemed to disrupt them. To not, to want to have the business go forward…not to want the discussions to happen. Um, we knew that some of them were from the Socialist Worker’s Party, but we didn’t know who the others were. And, um, we all talked with each other about the fact that maybe they were cops or something, y’know. But there was no proof of it. But it got worse and worse and worse. And I think at the time, all of us involved in DOB, at the organizational stage of it, were a little too quick to be judgmental, to be angry, to work against each other when we should’ve been working with each other, to point a finger at each other when it was other outside influences that were doing things. We were kind of, I don’t know what it was b--blind to the fact that it wasn’t coming from our ranks but we were being influenced by it. And a lot of women picked that influence up and used it against each other.  Started to accuse–(laughs) they accused me of being for the FBI (laughs). I mean it was very horrible. &#13;
&#13;
00:10:16- RJ (cont.): So when I said early on before we started the talk, you know it was the best of times and it was the worst of times, at the same time. Because the best of times was the outpouring of togetherness that we had. It was like sisterhood, the dances were like circle dances, I mean, Kate Millet was there, Jill Johnston, y’know we danced with our tops off. Y’know it was like, a lot of freedom. But there was also a lot of--a feeling of trying to restrict at the same time. Y’know it was like going out and then pulling back. A, a very strange combination. &#13;
&#13;
00:10:49- RJ (cont.): But I was involved in doing that too, because this is what the climate was of the times themselves. Because it was the women’s movement, there was a lot of upheaval, women wanted their rights, lesbians wanted their rights,  y’know it was a whole upheaval. And I think that what was going on behind the scenes was an early backlash…not so much a backlash but a stoppage. The people who were in power–whoever they were–saw us as a threat, which we are, to their position, patriarchal position, and they wanted to make sure that we weren’t about to blow up the White House (laughs), which we weren’t! I mean my phone was tapped--it was obvious,people’s phones were tapped. At marches, I recall there were these undercover cops, we got to know their faces after a while... I started taking photographs of them which they didn’t like. We had a roster of these people. We used to pass it around and say, “Watch out for this fellow…watch out for that guy”, (laughs) things like that…. &#13;
&#13;
00:11:47- RJ (cont.): A lot of it was done, y’know, with humor. A lot of it was done with paranoia. Some of our paranoia was correct. Some of it was not…So there was a mixture of things going on. So it was difficult, even now, to kind of sort out who are the bad guys, who are the good guys, who are the people who were scapegoated. It’s very hard. I was scapegoated but a lot of other women were, too. And uh, it’s-it’s-it’s sad that when–although it’s not always true–when a group of women take over their own movement, only women, people really work against you. The reason why NOW is so successful is they allow men in. And they use certain kinds of agendas that-that will benefit men. We didn’t do that. All our agenda was benefitting women. And there were certain factions in the city, uh, that, uh, that didn’t want us to be separatists. &#13;
&#13;
00:12:47- Interviewer: Like what factions?&#13;
&#13;
00:12:49 - RJ: Well, uh, Gay Activists Alliance, there were other women who wanted to start a different, uh, a different group…and didn’t want to compete with our group. There was many different things underlying the reasons why DOB across the country, I think, was systematically being undermined. I don’t know about the word destroy but I know it was being undermined. Very heavily. I know the Ladder went out of business…there was stuff going on there…it’s almost as if the outside influences sort of programmed the women in the movement to act a certain way. And we did, and it was wrong of us, but we didn’t know any better. &#13;
&#13;
00:13:35 - Interviewer: Act a certain way in what ways (inaudible)…?&#13;
&#13;
00:13:37 - RJ: In undermining ourselves! It’s almost like, uh, internalized homophobia would be. It’s like that type of thing. If the environment says a certain thing, it sets up a-a kind of agenda for us. We swallowed it whole and then attacked each other. All movements do this… splinter movements. &#13;
&#13;
00:13:37 - Interviewer: How would you characterize DOB when you were a member, when you were co-chair...Was it separatist? Was it lesbian? Was it feminist? &#13;
&#13;
00:13:39 - RJ: No it wasn’t quite separatist–it-it was always separatist in the fact that, uh, we wanted that space for women. And the constitution said, no men allowed. And being the co-chair, I was intent upon upholding the constitution. And when I had an argument with, um, Alma and a few other women, and they said “we want our brothers from GAA to come here”, and I said “no you can’t do that--if you wanna do that then we have to call a constitutional convention, have all the members agree, vote on it, and whatever they say, I’ll uphold”. Okay, whatever they say. But in the meantime, men are not permitted in this space. And I was told by someone….I’ll mention her name–Alma Routsong–said to me—we were walking to the subway–she said, “We’re gonna do this over your dead body, whether you like it or not”. I said, “No you're not”. We had a big fight. And they did anyway. &#13;
&#13;
00:14:58- RJ (cont.): So this, this kind of friction, pulling kind of thing, where I was trying to do one thing, which I thought was right…they were trying to do another, which they probably thought was right (laughs)...I don’t know if they thought it was right, but that’s what they wanted. And this whole, this whole thing was happening which split us apart. And I was very distressed about it, but there was, it just seemed like there was nothing I could do. The more I tried to do and the more angry I became, which was the wrong thing to do, the worse it became. And I didn’t know how to handle it. I mean if it happened today, I would know how to handle it, but then, we were so new at all of this that I didn’t know how to handle it. &#13;
&#13;
00:15:35 - Interviewer: So what happened?&#13;
&#13;
00:15:36 - RJ: So I was accused of being from the FBI, the CIA and the mafia, (laughs) and I was, it was, it was, uh, spread around town that I was the reason why DOB was destroyed. I did it. I don’t know how I did that, but I did it, all alone. It was amazing that I could’ve done that. I said to myself, “how much power do I have?” y’know, I didn’t know how exactly I-I did that alone. But that was the rumor. And I remember one evening–after this fight, this thing–I went to Bonnie &amp; Clyde’s, which was a kind of movement hangout, and some of my friends were there and as I walked in the door I said “hi” and four of them looked me up and down, folded their arms like this, and turned their backs on me. I was bad news…it was spread around that I was bad news. I didn’t know why (laughs) I was bad news. Here I thought I was trying to uphold the DOB concepts or whatever and here it was being said that I was bad news. So that-that was very distressing for a long time. &#13;
&#13;
00:16:34- RJ (cont.): Now during the interim that I was in DOB, I also was in New York Radical Feminists. And we were doing some things, y’know, education and uh demonstrations. And um, all kinds of, y’know…we were the first ones to do, uh,  rape, uh, kindof…it wasn’t a symposium but it was like a speakout about rape and it was the first people who ever did that. Uh, things like that we were doing. So I belonged to both factions. &#13;
&#13;
00:17:03- Interviewer: What kinds of things was,uh, was DOB doing? Were they less active? How did they differ from…&#13;
&#13;
00:17:07- RJ: Well, they would--I don’t know what they wou...originally, DOB was a social organization. And most of the members–there were a lot of members–most of the members either never came to the dances…they just contributed, they, y’know, got the newsletters, and stuff like that…most of them were in the closet. And at that time we were all screaming about how everyone’s gotta come out. Y’know, I don’t believe that anymore because I think it’s circumstantial. But in those days, everybody was, y’know, revolutionary, everybody has to come out…it would be nice, but it’s not always feasible. &#13;
&#13;
00:17:40 - RJ (cont.): So the thing, the thing was that when the takeover happened from Ruth Simpson, y’know it’s Ruth Simpson over to this group that I joined because that was the only group there at the time…they were speaking of revolutionary things like, uh, consensus instead of votes, uh-uh, y’know, cells o-or groups. It was very patterned, I think, after–-I didn’t know it then–but after the communist kind of thing where they had separate cells. Then we used to have things like critiques, certain evenings in the group, to critique ourselves or criticize each other, which I thought was really tacky (laughs). But doing, doing things like that–putting up, uh, uh sort of schools run by women, uh, how to print, how to, y’know, it was-it was very good, it wasn’t a bad thing. It’s just that, I think, I think their attitudes about other people were very intolerant. I was also intolerant! I’m more tolerant now. It, its, it was so new that we wanted to have our agenda there because we felt that was the way it should go. Ok? &#13;
&#13;
00:18:47 - RJ (cont.): And, um, I think doing that kind of blind-sided thing can destroy something, it can do that, because people are gonna fight you. And so you’re gonna use all your energy being fought against. That all the dynamic and the aura–if you wanna get psychic about it–is, is very negative and what it does is, is boomerangs toward the people doing it. So I think a lot of it was people conspiring, maybe not, in a, in a kinda legal sense, but conspiring, planning to do this this and that…cause we all did it, uh, to put our own agenda forward. Y’know that was what was happening, without cooperating with each other. And, um, I think that was, that’s what destroys people. When you don’t cooperate with each other, you know? Because everybody wants their way, and there’s gotta be, maybe there has to be a middle ground. I don’t, I don’t know exactly. But right now I’m not involved in any group, I just belong to NOW, sort of, on the fringes (laughs), I’m not even in-involved in much of anything. &#13;
&#13;
00:19:51 - Interviewer: What happened at the end of DOB after, um, the um, accusations with Alma back and forth? I mean what happened to the membership? How did that…how did that…how did DOB end? Was it lack of membership? Lack of money? What…tell us a little bit about the, about final..&#13;
&#13;
00:20:04 - RJ: Well, uh, I tried, I tried with Judy and Ingrid and a couple of other people to kind of resurrect it in a way. And we were trying to do it--my, my idea of doing it was in writing, and uh, I put together a, a kind of--I still have them at  home--a kind of book, booklet or magazine, a small magazine kind of thing done by women about lesbians with writings in it and stuff, and uh, I thought that if we could have something like that, that we would, um, kind of draw women into the group again. Into a different kind of group, maybe. Something that the women who were drawn into it could sit down and have by consensus say what they wanted the group to be. &#13;
&#13;
00:20:49 - RJ (cont.): The other women didn’t want to do that. They were fighting me all the way, believe me. They, they wanted to do something different, which…a group of us felt that, that wasn’t the way to start. But, you don’t, you don’t, you don’t put an organization together by just putting an organization together. We had no money, we had no place to go, (laughs) we had no place to be, so our contention was that if you start a, a, uh letter, or a newsletter, or a magazine, you don’t need a space. The movement could be done through mailings, and-and kind of a, um, from time to time renting a place for meetings, and things like that where you didn’t have to have a space. Until such time if we could get money to do that. And they didn’t want to do that. So it sort of fizzled out…it just did.&#13;
&#13;
00:21:35 - Interviewer: What happened to the space? Cause from the loft you went...what happened with the spaces?&#13;
&#13;
00:21:40 - RJ: We had to get out of the Prince Street place because we couldn’t afford the rent, there was no, uh–membership was falling off, there was no donations, there was no grants, it was...y’know. Nothing. And, um, since I was the only chair left--Alma quit, the other one quit, and they all said they quit because of me. Maybe they did, because I was trying to uphold the constitution the way I felt it should be, and I was adamant about it, which I shouldn’t have been perhaps. Maybe I should've been a little softer, I don’t know. But at the time that’s what I was doing. &#13;
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                  <text>Barbara Grier was born on November 4, 1933 in Cincinnati, OH.  Her affiliation with the Daughters of Bilitis began in 1957, when she started to subscribe to The Ladder.  Shortly thereafter she began writing book reviews for the publication, then served as poetry and fiction editor from 1966-1968, when she became the editor-in-chief.  In this role, Grier included news stories, essays, prose and poetry that focused on the burgeoning women’s movement.  When the DOB folded in 1970, she and DOB President Rita Lapore continued to publish The Ladder until this ceased in 1972, for financial reasons.&#13;
&#13;
Grier met Donna McBride, the reference librarian at the Kansas City, MO public library and Grier's eventual partner, in 1971.  McBride first knew Grier as a library patron who made frequent and numerous recommendations of books of lesbian interest that she wanted the library to buy.  In January 1973, Grier and McBride, started Naiad Press,  the “world’s largest [and foremost and longest-lived] publisher of lesbian books” -- by lesbians, about lesbians and for lesbians.  It included romance novels, histories, erotica, volumes of poetry, science fiction and self-help guides, as well as mysteries, non-fiction and classics.  Prior to Naiad, “lesbian literature was primarily written by men whose protagonists generally ended up in one of two ways: they married a man or killed themselves.”  Grier and McBride kept their day jobs until 1982, when Naiad became their full-time work.  In 1995 Grier donated her “Lesbiana" collection to the James C. Hormel Gay and Lesbian Center of the San Francisco Public Library.”  Bella Books took over when Grier closed Naiad Press in 2005.  &#13;
&#13;
Grier died of cancer on November 10, 2011 in Tallahassee, FL.&#13;
&#13;
&#13;
Barbara Grier (n.d.) In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Barbara_Grier. &#13;
&#13;
Barbara Grier Obituary (2011, November 13). Tallahassee Democrat. Retrieved from http://www.legacy.com. &#13;
&#13;
Brownsworth, V. (2011, November 11). In Remembrance: Barbara Grier. Lambda Literary. Retrieved from http://www.lambdaliterary.org. &#13;
&#13;
Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc.&#13;
&#13;
Grier, B. (1987, November 27). [DOB transcript of tape]. DOB Oral History Project, Daughters of Bilitis. Herstory Archives, Brooklyn, New York.&#13;
&#13;
Grier, Barbara (1933-2011). (n.d.). In glbtq’s online encyclopedia. Retrieved from http://www.glbtq.com/literature/grier_b.html. &#13;
&#13;
Kallmaker, K. (2011). Barbara Grier, Reflections (blog). Retrieved from http://blog.kallmaker.com/2011/11/barbara-grier-reflections.html. &#13;
&#13;
San Francisco Public Library. Barbara Grier. Retrieved from http://sfpl.org/index.php?pg=2000134701. &#13;
&#13;
Vitello, P. (2011, November 13). Barbara Grier, Publisher of Lesbian Books, Dies at 78. The New York Times. Retrieved from http://www.nytimes.com. &#13;
&#13;
Woo, E. (2011, November 13). Barbara Grier dies at 78; co-founder of lesbian publishing house. Los Angeles Times. Retrieved from http://articles.latimes.com.</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Arcus Flynn discusses her early life and her struggle with isolation and depression, her eventual discovery of the Daughters of Bilitis meetings and the community and friendships she found there. Arcus talks about the early importance of roles assumed by lesbians in the community (butch/femme), her involvement with the Women’s Rights movement, her evolution from Catholicism to born-again pagan spirituality (the Irish triad: truth, knowledge, and nature), and her discovery of herbology and natural healing.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Pamela Oline is interviewed. She is heterosexual and talks about her path to and experience of being a member of DOB and campaigning for gay and lesbian rights. She describes her childhood growing up in England, moving to America when she was 14 and changing career from a mathematician and to a psychotherapist. Recognizing the psychological issues of the time, she decided to understand the lesbian community from the inside.  She talks about DOB meetings, lesbian and feminism issues, radical and conventional activism, marriage, and GAU (Gay Academic Union) meetings, panel discussions, etc.&#13;
&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>Kay O'Hara and Gerrie Morrison are interviewed in 1988.  They both talk about their family lives, when they realized they were lesbians, coming out, their relationship, and previous relationships. Kay mentions her engagement and marriage before she accepted she was a lesbian. They talk about the San Francisco DOB from the 1950s and the meeting's events that were held, as well as butch and femme roles. They talk about literature that was available, including the Ladder and the contributions they made to its design and distribution. On tape 2, they comment on a series of slides and photographs of members of DOB.</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                <text>This audio recording talks about activism and oppression within the lesbian community. The workshop is a group of women discussing their feelings and experiences with being oppressed as women in society, especially as lesbians. </text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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              <text>Jean Cordova</text>
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                <text>Jeanne Cordova discusses how the Daughters of Bilitis inspired her to change her career path and passions in life from aspirations of playing soft ball, to becoming highly involved in activism.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. Ranging from the mid-1930s through the early 1960s, this ethnography of lesbian society is narrated with the backdrop of a mid-sized American city. Davis and Kennedy’s book is the result of 13 years of research, including an extensive oral history project.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These recordings range from conference proceedings to panel discussions to phone messages from book publishers. In each case, these related materials form an important element of the research, enriching and contextualizing the interviews conducted as part of the Buffalo Women’s Oral History Project. They discuss topics such as the publishing process and initial responses to the draft manuscript, the work of lesbian archives in researching and documenting the emergence of lesbian communities and lesbian consciousness across America, and how the research conducted into a small lesbian community in Buffalo, NY fits into a wider social narrative of establishing gay and lesbian identity and the development of gay and lesbian liberation movements.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;For oral history recordings made as part of the research for the book, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/22"&gt;Buffalo Women's Oral History Project, 1978-1990&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
These recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy, and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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