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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Martha reads a response letter originally published in "Off Our Backs" from the women of Weather Underground in reply to Jane Alpert's letter.  This letter references topics including the bridge between the radical feminism movement and the left, the divisions in the women's movement, and the ideals of the organization. [Music from Bali] </text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text> On February 21st, a protest was conducted in Times Square by Committee for Fair Divorce and Alimony Laws protesting the paying of alimony by husbands.  A counter protest conducted by National Organization for Women (N.O.W.) in favor of alimony and increased regulations and child support.  Martha Shelley conducted interviews with both organizations from individuals at the protests.</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>This recording features thoughts on feminist credit unions by an unidentified speaker covering topics from the buercratic procedures and structure needed to create and run them, the ethical decisions on how to allocate loans given limited funding and importance of preserving their history. </text>
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Lesbian Nation was a groundbreaking radio show produced and hosted by Martha Shelley that specifically focused and revolved around the LGBTQ community during the rise of gay and lesbian liberation movements of the 1970s.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>This recording consists of informal interviews and a narrated tour conducted by Martha Shelly as she walks through the museum on the opening of the Women Choose Women exhibit at the New York Cultural Center. Martha Shelley interviews important people tied to this exhibit such as Mario Amaya, director of the New York Cultural Center.  Anne Kang, an activist who discusses work with her fellow activists to protest discrimination against work created by women at the Museum of Modern Art and the organization of what would become the Women Choose Women exhibition. &#13;
&#13;
Artist Muriel Castanis, a self described “sculpturette” shares her enthusiasm for the exhibition and the New York Cultural Center for hosting it. After the conclusion of this section, Martha Shelley conducts a walking tour of the exhibition and discusses selected works that stood out to her. She bumps into Janet Kogan and asks about her works and how they became part of the show. </text>
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                <text>Lesbian Herstory Archives</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Martha Shelley interviews lesbian students from Southern Illinois University in Carbondale about a number of topics including lesbian publishing, local environmental concerns, and student activism. Mary Flowerpot opens the show with another funny segment before Shelley comes on to address more serious topics. The students discuss a recent incident involving unwarranted police brutality against a local student group (trigger warning).</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Martha Shelley plays a Lavender Jane song to open the episode and reads a series of local announcements. In the second part of a three-episode interview, Shelley speaks with Florynce Kennedy about intersectional feminism and racial conflict in the feminist movement, defining one's lesbian identity, and working to reject the pathology of oppression. Trigger warning: racial slurs.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>About the First Lesbian Convention in San Francisco. A discussion of early scientific studies of sexuality (a couple of attendees and host talk about shock therapy). Trigger Warning: Discussion of shock therapy and suicide.</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                  <text>&lt;span style="font-weight: 400;"&gt;&lt;a href="https://www.alixdobkin.com/bio/bio.htm"&gt;Alix Dobkin&lt;/a&gt; was a celebrated folk musician, composer and feminist activist involved in the women’s liberation movement of the early 1970s. After the birth of her daughter and an amicable divorce she began listening to countercultural radio shows and worked to become a leading voice, meeting her lifelong partner &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt; along the way. She wrote how she initially focused on “a traditional, international, and contemporary/protest repertory, [coming] out as lesbian in 1972 and turned to writing and singing for women … to [build] lesbian culture in particular.” Dobkin found her voice while immersing herself in the Greenwich Village folk scene then moved on to bigger, women-centered crowds around the world. In 1973, Dobkin–as part of the group Lavender Jane, released the album &lt;a href="https://www.alixdobkin.com/discography/discography.htm"&gt;Lavender Jane Loves Women&lt;/a&gt;, arguably the first lesbian album made by and for women. Over the years, her influential songs such as “Woman to Woman,” “My Lesbian Wars,” and “Lesbian Code” spoke to crowds of women foregoing their way in the world, preaching to never be ashamed of identifying as lesbian. Dobkin passed away due to a brain aneurysm and stroke; she was surrounded by her family in Woodstock, NY.&lt;/span&gt;</text>
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                <text>Alix Dobkin sings a collection of her songs at an unknown location. The uploaded file has been cropped due to Fair Use restrictions. Full file available to view at Lesbian Herstory Archives.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/rights-statement" target="_blank" rel="noopener"&gt;See the LHA Copyright Statement&lt;/a&gt;</text>
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                  <text>This collection consists of audio recordings of a presentation on lesbian history called “What Happened After We Came Out of Our Closets, or, Which Way’s the Street” and thought to be given by Wendy Hayes.&lt;br /&gt;&lt;br /&gt;Wendy Hayes was affiliated with the San Francisco chapter of the Daughters of Bilitis, a lesbian social and activist group founded in 1955. She was an office manager of &lt;em&gt;Sisters&lt;/em&gt;, a magazine published from 1970 to 1975 by the San Francisco chapter of the Daughters of Bilitis, and is listed as the magazine’s vice president in its penultimate masthead. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://digitalassets.lib.berkeley.edu/sfbagals/Sisters/sisters.html"&gt;&lt;em&gt;Sisters&lt;/em&gt; has been digitized in full by the Berkeley Library at the University of California&lt;/a&gt;.</text>
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                <text>Creating local Lesbian chapters and national communication through publications: The Ladder, Focus, Sisters, and Lesbian Tide. </text>
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                <text>Creating local Lesbian chapters and national communication through publications: The Ladder, Focus, Sisters, and Lesbian Tide. </text>
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                <text>Hayes, Wendy</text>
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                <text>Lesbian Herstory Archives</text>
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                <text>1/4 inch audio tape</text>
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                <text>0:08:51</text>
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                  <text>Judy Grahn is a poet, activist, and scholar who has published 14 books to date and is widely recognized for writing that engages with queer, feminist themes. &lt;br /&gt;&lt;br /&gt;At the age 21, Grahn was discharged from the Air Force for being openly gay, a source of great shame and anger that contributed to her radicalization. She went on to write and publish her own poetry and became a founding member of the West Coast New Feminist Movement. Grahn was a member of the Gay Women’s Liberation Group and, in 1969, a co-founder of the &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/103"&gt;Women's Press Collective&lt;/a&gt;–a collective of women devoted to publishing works by female authors and raising the voices of disenfranchised lesbians. Through the collective, Grahn published and circulated her earliest books of poetry including &lt;em&gt;Edward the Dyke and Other Poems&lt;/em&gt; (1971) and &lt;em&gt;She Who&lt;/em&gt; (1972). Her later works include non-fiction, such as her autobiography entitled &lt;em&gt;A Simple Revolution: The Making of an Activist Poetry&amp;nbsp;&lt;/em&gt;(2012).&lt;br /&gt;&lt;br /&gt;Grahn's poetry is heavily influenced by feminist mythology and Metaformic Theory which links modern culture to ancient menstruation rites. She is a leading theorist and scholar of feminist mythology and teaches at California Institute of Integral Studies. &lt;br /&gt;&lt;br /&gt;Grahn has received a number of awards for her poetry including a grant from the National Endowment for the Arts, two Lambda Literary Awards, American Book Award, a Foremothers of Women’s Spirituality Award, and a Stonewall Award. Since 1997, Publishing Triangle has annually awarded the Judy Grahn Award for Lesbian Non-Fiction to an outstanding work in her honor. Judy Grahn has been a past Grand Marshall of both the San Francisco and Seattle Pride Parades. She continues to dedicate her life to queer activism, cultural studies, and writing poetry.</text>
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                  <text>This link will take you to a description of the rights issues related to &lt;a href="http://herstories.prattinfoschool.nyc/omeka/grahn-wpc-ip"&gt;this collection and the Women's Press Collective collection&lt;/a&gt;. While only an excerpt of a reading by Grahn is available here, more material is held by the archive. For more information, contact the &lt;a href="https://lesbianherstoryarchives.org/"&gt;Lesbian Herstory Archives&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>A poetry reading featuring Judy Grahn. Grahn reads from "She Who" and other works. The uploaded file has been cropped due to Fair Use restrictions. The full recording is available at the Lesbian Herstory Archives.</text>
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                <text>Circa 1970s</text>
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                <text>Poetry, Live Performance</text>
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                <text>Judy Grahn</text>
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                <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/grahn-wpc-ip"&gt;Judy Grahn &amp;amp; Women's Press Collective Access &amp;amp; Use Rights&lt;/a&gt;&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;span&gt;&lt;span style="font-weight: 400;"&gt;Sidney Abbott was a lesbian, feminist author and activist. She was a member of the Gay Liberation Front (GLF) and the National Organization for Women (NOW), and was a former member–as many of the GLF and NOW membership were–of the lesbian radical feminist group Lavender Menace. Abbott co-authored the groundbreaking &lt;em&gt;Sappho Was A Right-On Woman: A Liberated View of Lesbianism&lt;/em&gt; (1971) with her partner, Barbara Love. In 2007, she created the non-profit organization Women’s Rights Are Human Rights and in 2008 launched the &lt;em&gt;In Our Shoes&lt;/em&gt; newsletter which examined issues of class, poverty, and politics. Abbott tragically passed away in a house fire in Southold, New York on April 15, 2015.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Audio recordings of Abbott can be found in the &lt;a href="http://herstories.prattinfoschool.nyc/omeka/exhibits/show/lesbian-nation/lesbian-nation-interviewees" target="_blank" rel="noopener"&gt;Lesbian Nation digital exhibition.&amp;nbsp;&lt;/a&gt;</text>
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                <text>Sidney Abbott at Lesbian Herstory Archives "The Good Old/Bad Old Days: Lesbian-Feminism, Its Origins—What's Helpful to Us Now?" Part 1 of 2</text>
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                <text>Lesbian feminism, LGBTQ rights organizations, Lesbian separatism</text>
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                <text>Sidney Abbott reflects on earlier years of the gay and lesbian movements; audience participation turns the presentation into a discussion on turning tides in the movements. </text>
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                <text>Sidney Abbott</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Lesbian Herstory Archives&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Contact LHA at dyv.lha@gmail.com </text>
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                  <text>&lt;span&gt;&lt;span style="font-weight: 400;"&gt;Sidney Abbott was a lesbian, feminist author and activist. She was a member of the Gay Liberation Front (GLF) and the National Organization for Women (NOW), and was a former member–as many of the GLF and NOW membership were–of the lesbian radical feminist group Lavender Menace. Abbott co-authored the groundbreaking &lt;em&gt;Sappho Was A Right-On Woman: A Liberated View of Lesbianism&lt;/em&gt; (1971) with her partner, Barbara Love. In 2007, she created the non-profit organization Women’s Rights Are Human Rights and in 2008 launched the &lt;em&gt;In Our Shoes&lt;/em&gt; newsletter which examined issues of class, poverty, and politics. Abbott tragically passed away in a house fire in Southold, New York on April 15, 2015.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Audio recordings of Abbott can be found in the &lt;a href="http://herstories.prattinfoschool.nyc/omeka/exhibits/show/lesbian-nation/lesbian-nation-interviewees" target="_blank" rel="noopener"&gt;Lesbian Nation digital exhibition.&amp;nbsp;&lt;/a&gt;</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;The Women’s Press Collective (WPC) was established in 1969 in Oakland, CA It emerged from the Gay Women’s Liberation Group (GWLG), the first feminist-lesbian collective on the west coast. Two of the Collective’s founding members were Judy Grahn, and her partner and illustrator, Wendy Cadden. The press operated out of the basement of GWLG’s bookstore, A Woman’s Place, located at 5251 Broadway in downtown Oakland. The WPC was an all-women press devoted to printing works by women given the growing demand for materials about lesbianism, feminism, and the women's perspective. One of the first works printed by the collective was Judy Grahn's &lt;em&gt;Edward the Dyke and Other Poems&lt;/em&gt;.&lt;/span&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="54874">
                <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/grahn-wpc-ip"&gt;Judy Grahn &amp;amp; Women's Press Collective Access &amp;amp; Use&lt;/a&gt;&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Licensed under CC BY-NC-ND&lt;/a&gt;</text>
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            <name>Identifier</name>
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            <description>The topic of the resource</description>
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                <text>Publishing, Literature, Poetry</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Judy Grahn</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;The Women’s Press Collective (WPC) was established in 1969 in Oakland, CA It emerged from the Gay Women’s Liberation Group (GWLG), the first feminist-lesbian collective on the west coast. Two of the Collective’s founding members were Judy Grahn, and her partner and illustrator, Wendy Cadden. The press operated out of the basement of GWLG’s bookstore, A Woman’s Place, located at 5251 Broadway in downtown Oakland. The WPC was an all-women press devoted to printing works by women given the growing demand for materials about lesbianism, feminism, and the women's perspective. One of the first works printed by the collective was Judy Grahn's &lt;em&gt;Edward the Dyke and Other Poems&lt;/em&gt;.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Four women from working-class backgrounds critique leadership and individualism in second-wave feminism. Karen Kollias, Rita Mae Brown, Dolores Bargowski, and Beverly Fisher discuss the exclusion they experience by middle-class feminists who do not hold the same values of strength and leadership, which are viewed as masculine and therefore threatening. Feelings of guilt and the role of the mother in lower-class homes are also discussed.</text>
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>In this recording, Sally Gearhart discusses how the Church enforces ideas of masculinity and feminity.  The host argues that feminism is incompatible with Christianity and lesbianism allows a woman to love herself and let go of the self-hatred that society and the Church impose. </text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
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Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>This episode is titled Women in Welfare and features discussions from Carol Brill, the director of the Massachusetts chapter of the National Association of Social Workers (NASW), and welfare advocates Kayla Taylor, and Susan Moore. This episode covers the topics of the welfare system structure, stereotypes and myths about welfare recipients, double standards working mothers face based on class, and the classism within the social work profession. Furthermore, it includes clips from governmental proceedings related to welfare and proposed cuts to welfare benefits. It ends with a discussion on how the issues within the welfare system relate to the Women’s Liberation Movement and demands economic change from politicians who fund big business and the military while disregarding the poor through welfare cuts. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Carol Barill: the Welfare Coalition and Executive Director of the Eastern Massachusetts chapter of the Association of Social Workers</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Romaine Brooks with Anne Imelda Radice</text>
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        <name>Erotica</name>
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        <name>History</name>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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              <description>An account of the resource</description>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>1972-1974</text>
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            <description>A name given to the resource</description>
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                <text>Learning to Fly, Show Business (Tape 1)</text>
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            <description>An account of the resource</description>
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                <text>This recording is a compilation of quotes, songs, poems, and performances by, about, and for women in show business. Featured in part one are quotes about working in music from Billie Holiday and Aretha Franklin; music by Melanie Safka; a poem to Aretha Franklin by Nikki Giovanni; a letter to Janis Joplin; a performance of Mercedez Benz by Janis Joplin. There are unnamed performances throughout the recording.</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Radio Free Women</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Show Business I</text>
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                <text>Irving Cooperberg discusses the importance of having a physical, experimental space and what it means for the legitimacy and stability of the community. He discusses different LGBT groups and community spaces throughout NYC, and the ways in which they promote life and hope amidst the HIV/AIDs epidemic. He talks about how these spaces give legitimacy to the community and allow for the melding of all different cultures and people. He also discusses the gay Synagogue and its role in the larger gay and lesbian community. </text>
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                <text>WNYC-TV&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Irving Cooperberg</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs were written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recorded in the 1950s. </text>
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                <text>LC048</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL.</text>
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                <text>1. Preacher and the Slave (Pie in the Sky When you Die) &#13;
2. The Commonwealth of Toil                                                                                                                                                                                                                                              3. Down to the Soup Line&#13;
4. Preacher and the Slave (Pie in the Sky When you Die) &#13;
5. Rebel Girl&#13;
6. The Tramp&#13;
7. Dump the Bosses off your Back &#13;
8. There is Power in a Union &#13;
9. Scissor Bill&#13;
10. Working Men Unite&#13;
11. Popular Wobbly &#13;
12. Boom Went the Boom &#13;
13. Hallelujah I’m a Bum &#13;
14. Live recording of I Got Trouble &#13;
15. Moving Day</text>
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                <text>Lesbian Hestory Archives</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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            <name>Rights</name>
            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.</text>
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              <description>A name given to the resource</description>
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                  <text>Radio Free Women, 1972-1974</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Garrison"&gt;Mary Garrison&lt;/a&gt;</text>
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                  <text>Radio Free Women (RFW) was a feminist radio collective in the early 1970s</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text> </text>
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                  <text>1972-1974</text>
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            <description>A name given to the resource</description>
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                <text>Class in the Women's Movement</text>
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            <description>An account of the resource</description>
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                <text>This episode is a Production of Radio Free Women in Washington DC, affiliated with the Feminist Radio Network. The hosts cover issues of class wtihin the Women’s Movement, often from personal experience as lower or working class women. It includes discussions on the differences between the working class, poor working class, and lower class, the overlap between race and class, and the lack of culture within middle class spaces. Furthermore, they cover some common experiences of working and lower class women within the Women’s Movement, from discriminatory treatment from the middle class women in the movement and the lack of solidarity and support from middle class women to those with material needs.</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>A New You: The Laura Grey Way, hosted by John Cox and Laura Grey, is a weekly radio show that talks about beauty, skincare, and health. In this two-part recoding, the hosts are interviewing Betty Morales, the president of the Cancer Control Society. These episodes specifically focus on the idea of cancer as a nutritional deficiency condition, with Morales promoting the use of Laetrile, also know amygdalin, as a way to 'control' cancer in patients. However, the FDA has never given approval for laetrile to be used in the United States.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Lee Brown is a black woman and an ex-offender, but says “none of the three overlap with each other”. Brown's conversation with Colivia Carter is an discourse touching on themes of intersectionality before the framework had its name. Brown reads poetry she calls “streetology” about her experiences with prostitution, incarceration, and black families. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Physical Location</name>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>Sloan is the President of the National Black Feminist Organization. She discussed NBFO’s mission to provide an organization for black feminists who felt the need to fight both sexism and racism at the same time. She discussed the formation of the organization and the eastern conference on black feminism.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Lesbian Herstory Archives&#13;
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>Radio Free Women </text>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Margaret Sloan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>This production from Radio Free Women is an interview with Judith Katz, playwright, and Betsy Toth, director, of the Franny Chicago Play. The play revolves around the suicide of Franny Chicago, a lesbian who lives with her partner and a roommate, who is also a lesbian. Katz and Toth speak about the struggle of accurately portraying lesbian life while not turning it into a spectacle. In addition, they talk about the importance of feminist representation in theater.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Lesbian Hestory Archives&#13;
&#13;
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>In this program there is a discussion on the earliest myths on the creation of the universe, and goddess creation myths. There is a discussion of ancient matriarchal culture, and its survival as wicca/witchcraft. It pays homage to women who were hanged under accusations of witchcraft. The goddess is synonymous with gynocracy, and women participate in the divine.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Lesbian Hestory Archives&#13;
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            <description>Information about rights to the media item. Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights.</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.</text>
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                <text>In this interview, Marcia Danab, the host, talks to two members of Olivia Records: Ginny Berson, and Meg Christian. Berson and Christian talk about how they created their record label, as well as the challenges that they faced as a company made by women for women. They both talk about the struggles that they have faced in the music industry as women in regard to gaining ownership, being paid, being taken seriously as artists, and making music that is specific to the female experience and understanding. Olivia Records was founded in 1973 and played an important role within the gay rights and counterculture movements of the time. Notable artists they represented were Tret Fure, Kay Gardner, Leslie Ann Jones, BeBe K'Roche, Pat Parker, and Cris Williamson. Due to declining sales, Olivia Records became Olivia Cruises and Resorts, a lesbian vacation company, in 1990.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <text>Thoughts on athletics as they exist in America, and the pressure to develop oneself physically. In this radio show there is a reclamation of the “physical you.” There is also a discussion of how sports have become controlled by big business interests, they are now a plaything of the rich. This dehumanizes athletes, causing them to strive for only what can make them rich. Women's sports don't get much spectatorship and consequently don't get promotion or funding. The guests discuss how sports have also become a masculinity rite, and how winning is associated with proving one’s virility. On the other end, women athletes are pressured to prove their femininity in a masculine field. The emphasis on winning destroys athletes' bodies and spirits. Coaching forces athletes to be disciplined and to accept commands unquestioningly. The upward social mobility of sports is an illusion, and can only benefit a small portion of women and POC. The athletic system in this country is elitist, and little encouragement is given to amateurs and women. Black and women athletes have been challenging institutional sports in America.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This untitled interview features a guest who discusses her time in prison, the songs she wrote about another incarcerated woman, songs she wrote for political prisoners including Lolita Lebron and Susan Saxe, and conditions of the women’s prison which she was subjected to. She talks about how the state justified the horrible conditions at the prison, and the lack of access to any kind of rehabilitation programs, despite rehabilitation being the supposed purpose of prison. </text>
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                <text>Discussion of domestic relations, and how a woman agrees to certain terms when she gets married. Women do not know what they are agreeing to. They know what it is, but they do not want the details. There is a discussion of how women are programmed to inherently undermine their own thoughts, and to label them as “feelings” as opposed to facts. Further discussion on how gender issues are defined.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>The radio episode, which is part of the Feminist Radio Network, includes recordings from a conference panel which included the writers Maxine Kumin, Alice Walker, and Grace Paley. They discuss the challenges of being women writers, how their writing processes are affected by societal gender norms, and how important women’s stories are within the individualistic, middle-class American society where female bonding is not encouraged. This episode also includes excerpts from Living, by Grace Paley, and Everyday Use, by Alice Walker. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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&#13;
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Lesbians in the 1970s Civil Rights Movement</text>
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                <text>Marcia Danub and Linda Daniels speak with Eleanor Cooper, spokeswoman for Lesbian Feminist Liberation, and Jean O'Leary, Legislative Coordinator, Board for the (then) National Gay Taskforce. LGBTQ+ and women’s rights activists were looking to repeal laws criminalizing homosexuality. Sodomy bills in the 1970s were explicitly written to target gay people, causing fear in the LGBTQ+ in their professional and personal lives. Intro 554 was one of many forms of the NYC Gay Rights Bill, which was passed in 1986, banning discrimination because of sexual orientation. Cooper and O'Leary provide information about the way these laws affect the lives of lesbians and how to participate in the repeal of sodomy laws and support the passing of Intro 554.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Ti-Grace Atkinson, Theories of Logic (Tape 1)</text>
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                <text>Part 1 of the recording of Ti-Grace Atkinson, a writer and philosopher who was part of the Women’s Movement in the 1970s, discusses elements of logic and different academic theories around logical thinking. She connects these elements of logic to oppression and the Women’s Movement. Part 1 mainly covers abstract theories of logical thinking. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Mabel Hampton (1902-1989) was an African-American lesbian, an activist, a domestic worker, and a dancer. Born in Winston-Salem, North Carolina, she lost her mother when she was only two years old. For the next five years, Mabel was raised by her maternal grandmother, but she too passed away. In 1909, she moved to Greenwich Village in New York City at age seven. Less than a year after moving in with her aunt, Mabel was raped by her uncle, a minister. She ran away to New Jersey, buying a bus ticket purchased with a nickel given to her by a woman on the street. Luckily, Mabel was taken in by a family that cared for her for the next several years.&#13;
&#13;
As a young woman, Mabel gravitated toward the lively scene in Harlem. In 1920, when she was seventeen, Mabel was wrongfully arrested during a prostitution sting and sentenced to time in Bedford Hills Correctional Facility for Women. Upon her release, she danced at clubs like "The Garden of Joy", sang as a member of the Lafayette Theater Chorus, and performed with Harlem Renaissance stars such as Gladys Bentley. Mabel engaged in several relationships with women and lived openly as a lesbian.&#13;
&#13;
In 1932, Mabel met Lillian Foster, who would be her partner until Lillian's death in 1978. With the Harlem Renaissance waning, Mabel sought out employment in other areas, primarily working as a domestic worker and hospital attendant. As a domestic, she worked for the family of Joan Nestle. Mabel and Joan developed a friendship that lasted for decades. When Joan started the Lesbian Herstory Archives in 1974, Mabel joined her as a founding member. Mabel donated her huge collection of lesbian pulp fiction novels and worked tirelessly with Joan and other volunteers to amass lesbian-related materials--literature, biographical information, academic publications, and ephemera--as a resource for the lesbian and gay community.&#13;
&#13;
Mabel was also a vital, enduring element in the gay rights movement-she participated in every gay pride march that occurred during her lifespan, including the first, historic march and demonstration for gay rights in Washington, D.C., which took place in 1979. In 1985, Mabel was named the grand marshal of the New York City Gay Pride March. That same year, Mabel was awarded a lifetime achievement award by the National Coalition of Black Lesbians and Gays.&#13;
&#13;
After the Lesbian Herstory Archives were founded, Mabel carried the LHA banner in many marches. She also worked tirelessly for SAGE, an organization devoted to promoting advocacy and developing services for elderly members of the gay, lesbian, bisexual, and transgender communities. Interviews with Mabel are featured in "Before Stonewall" and "Silent Pioneers"; both movies document the struggle for gay rights and the efforts made to obtain equality.&#13;
&#13;
Joan Nestle started recording Mabel's oral histories in the late seventies, realizing the importance of documenting Mabel's life story as an example of racial and sexual freedom. In these histories--many of which are featured on this website--Mabel discusses her relationships with women, her struggles with racism, and her identity as an African-American lesbian in the twentieth century. Mabel died of pneumonia in 1989 at the age of eighty-seven. Her life as an advocate, activist, performer, and storyteller lives on in the images and oral histories collected by the Lesbian Herstory Archives. Many of the resources below, as well as additional subject files, biographical information, images, and media about Mabel, lesbian history, and gay pride are available by visiting the LHA in person.&#13;
&#13;
Resources&#13;
&#13;
City University of New York. (2003). Queer ideas: The David R. Kessler lectures in lesbian and gay studies. New York: Feminist Press at the City University of New York.&#13;
&#13;
DuPlessis, R. B., &amp; Snitow, A. B. (1998). The feminist memoir project: Voices from women's liberation. New York: Three Rivers Press.&#13;
&#13;
Hampton, M. (1979) "I didn't go back there anymore: Mabel Hampton talks about the south." In Feminary 10, 7-16.&#13;
&#13;
Hogan, S., &amp; Hudson, L. (1998). Completely queer: The Gay and Lesbian encyclopedia. New York: Henry Holt.&#13;
&#13;
Lesbian Herstory Archives. Mabel Hampton special collection, including transcripts of oral history. Lesbian Herstory Archives, Brooklyn, NY.&#13;
&#13;
Nestle, J. (1993). Excerpts from the Oral History of Mabel Hampton. Signs, 18, 4, 925-935.&#13;
&#13;
Nestle, J. (1998). "I Lift My Eyes to the Hill: the Life of Mabel Hampton as told by a White Woman." In A fragile union: New &amp; selected writings. San Francisco: Cleis Press.&#13;
&#13;
Nestle, J. (1991). "Surviving and More: Interview with Mabel Hampton". In Sinister Wisdom 43/44, Summer. Berkeley, CA.</text>
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                <text>Transcripts of interviews with Mabel Hampton between 1976 and 1989.</text>
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                <text>A two-volume transcript of several tapes in the Mabel Hampton Oral History collection.  In addition to tape transcriptions, the volumes include notes and other annotations by Joan Nestle and Sara Atatimur. The final pages of volume two also include Joan Nestle's article "I Lift My Eyes to the Hill: The Life of Mabel Hampton as Told by a White Woman;" Mabel Hampton's obituary in the New York Times; and a draft of Joan Nestle's article "Her Spirit Soars Above Us."</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Amy+Klitsner"&gt;Amy Klitsner&lt;/a&gt;</text>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Buffy+Dunker"&gt;Buffy Dunker&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=E.G.+Burkhart"&gt;E.G. Burkhart&lt;/a&gt;</text>
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                <elementText elementTextId="56049">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=JEB"&gt;JEB&lt;/a&gt;</text>
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                <elementText elementTextId="56050">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Colleen+Byrnes"&gt;Colleen Byrnes&lt;/a&gt;</text>
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                <elementText elementTextId="56051">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Tee+Corinne"&gt;Tee Corinne&lt;/a&gt;</text>
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                <elementText elementTextId="56052">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jay+Doster"&gt;Jay Doster&lt;/a&gt;</text>
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                <elementText elementTextId="56053">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Maria+Flores"&gt;Maria Flores&lt;/a&gt;</text>
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                <elementText elementTextId="56054">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Linda+Gordon"&gt;Linda Gordon&lt;/a&gt;</text>
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                <elementText elementTextId="56055">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Lee+Ann+Huber"&gt;Lee Ann Huber&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Alix+Jeffry"&gt;Alix Jeffry&lt;/a&gt;</text>
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                <elementText elementTextId="56057">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Bettye+Lane"&gt;Bettye Lane&lt;/a&gt;</text>
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                <elementText elementTextId="56058">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Cynthia+MacAdam"&gt;Cynthia MacAdam&lt;/a&gt;</text>
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                <elementText elementTextId="56060">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Peggy+Mitchell"&gt;Peggy Mitchell&lt;/a&gt;</text>
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                <elementText elementTextId="56068">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Holly+Near"&gt;Holly Near&lt;/a&gt;</text>
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                <elementText elementTextId="56069">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Teresa+Tull"&gt;Teresa Tull&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Meg+Christian"&gt;Meg Christian&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Virginia+Rubino"&gt;Virginia Rubino&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Gioia+Siciliano"&gt;Gioia Siciliano&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Linda+L.+deQuello"&gt;Linda L. deQuello&lt;/a&gt;</text>
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                <text>Lizabeth R. Diamond</text>
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&#13;
Video restoration created by digitizing two filmstrips and accompanying cassette tape and assembling through computer video editing program. </text>
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                <text>Karen Harding</text>
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                <text>Maryanne McCarthy</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
&#13;
Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>9/6/76</text>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Discussion on Battered Women, Wife Abuse</text>
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                <text>Interviewee discusses helping a domestic abuse victim retrieve their personal belongings, and shares statistics on reported domestic abuses.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                  <text>1974-1978</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                <text>Discussion on Sexual Abuse of Children (Incest)</text>
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                <text>Interviewee discusses the statistics of child sexual assault, and how they are not reported accurately. They claim that girls face more assault than boys, but much of it goes unreported. Conversation circles around parental assault, parental protection, and social services. The host and interviewer talk about the role of the patriarchy, victim denial, abuse, and the need for child abuse education for children. They advocate for child’s rights, and children’s need for peer relationships.</text>
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                <text>Feminist Radio Network</text>
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                <text>5/16/78</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>00:37:49</text>
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                <text>I Ain't Gonna Testify</text>
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                <text>Emily Hixon introduces the topic of grand jury abuse. Through interviews, testimonies, and conversation, they discuss how grand juries can attack political activists and their organizations. They also examine women’s politicized folk music, as well as trial tactics and strategies. They theorize about the intentions of the FBI, lawyers, legal organizing, and the federal government.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.</text>
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                <text>Emily Hixon</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="55633">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rita+Mae+Brown"&gt;Rita Mae Brown&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="55634">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="55635">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Dolores+Bargowski"&gt;Dolores Bargowski&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="55636">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="55674">
                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55675">
                  <text>Lisa Cowan</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
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                  <text>1974-1978</text>
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              </elementTextContainer>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="55678">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55679">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Discussion on Waitressing</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Recording starts with an introduction from the Feminist Radio Network, with female vocalizing, singing, and performing. The recording then begins to talk about women in the food service industry, and the statistics of how many women are waitresses. Upon interviewing a waitress, the conversation moves towards the low wages, and need for unionization in waitressing, since there is such a reliance on tips. Segueing through empowering music, the discussion shifts to women’s speeches, performances and testimonies on women’s liberation. The recording then moves on to a panel with Maxine Kumin, Grace Paley, and Alice Walker, discussing their thoughts on women’s writing.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="55996">
                <text>Feminist Radio Network</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n/d</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55998">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>LC056</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="56001">
                <text>1/4 inch audio tape</text>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="56002">
                <text>WAV</text>
              </elementText>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:36:10</text>
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    <tagContainer>
      <tag tagId="616">
        <name>Alice Walker</name>
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      <tag tagId="205">
        <name>Class</name>
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      <tag tagId="618">
        <name>Grace Paley</name>
      </tag>
      <tag tagId="617">
        <name>Maxine Kumin</name>
      </tag>
      <tag tagId="361">
        <name>Unions</name>
      </tag>
      <tag tagId="1072">
        <name>Working-class Lesbians</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
