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                <text>Author Barbara Barracks is interviewed on the show &lt;em&gt;Prose&lt;/em&gt;, produced by Sharon Martin. Barbara reads Chapter 10 of her novel &lt;em&gt;Pleasure&lt;/em&gt;.</text>
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                <text>Irene Yarrow opens this episode of &lt;em&gt;Everywomanspace &lt;/em&gt;with information about Lesbian Switchboard and Identity House to help listeners who want to know how to reach the gay community. She recommends these organizations and coming-out groups, along with consciousness-raising groups, for any woman who wants to get together with other women to discuss issues relating to feminism or lesbianism.&lt;br /&gt;&lt;br /&gt;Irene interviews Jan Clausen, a poet and writer from Oregon who reads her short story, "The Warsaw Ghetto." Irene and Jan discuss autobiographical writing, the experience of writing about friends and acquaintances, incorporating the political into personal writing, and receiving feedback as a writer. They also debate the question of whether feminist and lesbian writers should publish with women's presses or commercial presses, prompted by a questionnaire Jan sent to a number of lesbian writers, which she describes as her "writing community." Finally, Irene asks Jan if she feels that her stories with "lesbian content" limit her to a lesbian audience. Both hope that all women would be interested in women's content, regardless of sexuality. Jan also reads her poems, "The Christmas Letter" and "This is a Poem for You, Mary."&lt;br /&gt;&lt;br /&gt;Irene also takes questions from callers (side B) including a woman asking for advice on how to find resources to respond to her younger sister coming out and a woman who wanted to share her opinion that publishing through women's presses will be the only option when the women's movement "goes out of vogue."</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59250">
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            <description/>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>See the LHA Copyright Statement</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <description>The nature or genre of the resource</description>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>The Velvet Sledgehammer</text>
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            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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            <description/>
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      <tag tagId="245">
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        <name>Lesbian Pride Rallies</name>
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        <name>Love</name>
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        <name>Pornography</name>
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      <tag tagId="285">
        <name>Publications</name>
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        <name>Romance</name>
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        <name>Women</name>
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                <text>Everywomanspace</text>
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            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Irene Yarrow</text>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Marge Piercy</text>
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            </elementTextContainer>
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          <element elementId="176">
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            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="59289">
                <text>Audio cassette</text>
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            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59290">
                <text>Access Copy: MP3</text>
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          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:58:40</text>
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            </elementTextContainer>
          </element>
          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
            <elementTextContainer>
              <elementText elementTextId="59292">
                <text>"Sister-Woman-Sister" by Holly Near</text>
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    </elementSetContainer>
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        <name>Literature</name>
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      <tag tagId="643">
        <name>Marge Piercy</name>
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      <tag tagId="187">
        <name>Poetry</name>
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      <tag tagId="285">
        <name>Publications</name>
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      <tag tagId="198">
        <name>Writing</name>
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              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>SPW1904</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Black Women in the Arts</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Speakers self-describe the show as "a tape of six creative Black women discussing the media portrayal of Black women and their confrontation of racism and sexism." Originally recorded during the "Black Women in the Arts" Workshop at the National Alliance of Black Feminists conference held in Chicago, October 21-23 [1975]. Broadcast in an episode of &lt;em&gt;Everywomanspace&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;(On side A) Darlene Hayes (Phil Donahue Show) discusses media portrayal. Margaret Walker Alexander (poet) discusses the problems facing the Black woman writer. Mari Evans (poet) discusses her experience as a Black woman writer. (Panel continues on side B) Carolyn Marie Rodgers (poet) also discusses her experience as a Black woman writer. Two additional panelists are featured, but their names could not be deciphered.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Black feminism</text>
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              <elementText elementTextId="59299">
                <text>Womanism</text>
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              <elementText elementTextId="59300">
                <text>Black feminists</text>
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              <elementText elementTextId="59301">
                <text>Anti-Blackness</text>
              </elementText>
              <elementText elementTextId="59302">
                <text>Misogynoir</text>
              </elementText>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="59303">
                <text>WBAI radio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59309">
                <text>See the LHA Copyright Statement</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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          </element>
        </elementContainer>
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      <elementSet elementSetId="7">
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          <element elementId="169">
            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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              <elementText elementTextId="59295">
                <text>Everywomanspace</text>
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            </elementTextContainer>
          </element>
          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
              <elementText elementTextId="59304">
                <text>Adrienne Gantt</text>
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            </elementTextContainer>
          </element>
          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
              <elementText elementTextId="59305">
                <text>Darlene Hayes</text>
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              <elementText elementTextId="59306">
                <text>Margaret Walker Alexander</text>
              </elementText>
              <elementText elementTextId="59307">
                <text>Mari Evans</text>
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              <elementText elementTextId="59308">
                <text>Carolyn Marie Rodgers</text>
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          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="59312">
                <text>Audio cassette</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59313">
                <text>Access Copy: MP3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="59314">
                <text>0:58:58</text>
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          <element elementId="164">
            <name>Date Created</name>
            <description>The original date that the media item was created. In the case of raw interviews, the date on which the interview was conducted. Format: YYYY-MM-DD</description>
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              <elementText elementTextId="59315">
                <text>1975-10-2x</text>
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            </elementTextContainer>
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          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
            <elementTextContainer>
              <elementText elementTextId="59316">
                <text>"Somebody Somewhere" by LaBelle</text>
              </elementText>
              <elementText elementTextId="59317">
                <text>"Border Song (Holy Moses)" by Aretha Franklin</text>
              </elementText>
              <elementText elementTextId="59318">
                <text>"What Can I Do for You" by LaBella</text>
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            </elementTextContainer>
          </element>
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        <name>Art</name>
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      <tag tagId="577">
        <name>Black Women</name>
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      <tag tagId="192">
        <name>Conferences</name>
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      <tag tagId="551">
        <name>Lesbian Authors</name>
      </tag>
      <tag tagId="158">
        <name>Lesbians of Color</name>
      </tag>
      <tag tagId="424">
        <name>Media</name>
      </tag>
      <tag tagId="588">
        <name>National Black Feminist Organization</name>
      </tag>
      <tag tagId="28">
        <name>Racism</name>
      </tag>
      <tag tagId="480">
        <name>Sexism</name>
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  <item itemId="1388" public="1" featured="0">
    <fileContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="58744">
                  <text>WBAI Radio Programs, circa 1970s</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59666">
                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPW1922</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gay Community Center</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>(Side A) Victoria Brownworth this episode of &lt;em&gt;Amazon Country&lt;/em&gt; with announcements regarding lesbian and feminist groups and organizations. Roberta Hacker interviews Arleen Olshan of the Gay Community Center. Arleen notes that lesbians are underrepresented in decision-making, policy development and program coordination, and the GCC would benefit from more lesbian involvement. They discuss lesbian separatism (especially relating to how few women are involved with the GCC). Arleen announces upcoming events at the GCC including various lectures by authors and activists, as well as consciousness-raising groups and educational classes. (Continues onto side B) Arleen encourages lesbians to check out the center because they "might be surprised" by the level of feminism that exists within the gay male community.&lt;br /&gt;&lt;br /&gt;Includes an ad for the Bicentennial Women's Center.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59323">
                <text>Lesbian radio</text>
              </elementText>
              <elementText elementTextId="59324">
                <text>Women's music</text>
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              <elementText elementTextId="59325">
                <text>Lesbian separatism</text>
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              <elementText elementTextId="59326">
                <text>Lesbian feminists</text>
              </elementText>
              <elementText elementTextId="59327">
                <text>Lesian liberation</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>WXPN radio</text>
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            </elementTextContainer>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="59332">
                <text>WXPN</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
            <elementTextContainer>
              <elementText elementTextId="59321">
                <text>Amazon Country</text>
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            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Victoria Brownworth</text>
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              <elementText elementTextId="59330">
                <text>Roberta Hacker</text>
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          </element>
          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
              <elementText elementTextId="59331">
                <text>Arleen Olshan</text>
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          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="59334">
                <text>Audio cassette</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59335">
                <text>Access Copy: MP3</text>
              </elementText>
            </elementTextContainer>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
            <elementTextContainer>
              <elementText elementTextId="59337">
                <text>"Free" by Melba Moore</text>
              </elementText>
              <elementText elementTextId="59338">
                <text>"Cherchez la Femme" by Dr. Buzzard's Original Savannah Band</text>
              </elementText>
              <elementText elementTextId="59339">
                <text>"Scotch and Soda" by The Manhattan Transfer</text>
              </elementText>
              <elementText elementTextId="59340">
                <text>"Cry Me A River" by Julie London</text>
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              <elementText elementTextId="59341">
                <text>"Falling In Love Again" by Marlene Dietrich</text>
              </elementText>
              <elementText elementTextId="59342">
                <text>"Song to My Mama" by Meg Christian</text>
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              <elementText elementTextId="59343">
                <text>"Love Is Blind" by Janis Ian</text>
              </elementText>
              <elementText elementTextId="59344">
                <text>"I'm Not In Love" by Dee Dee Sharp</text>
              </elementText>
              <elementText elementTextId="59345">
                <text>"Lean On Me" by Melba Moore</text>
              </elementText>
              <elementText elementTextId="59346">
                <text>"Changing" by Kay Gardner</text>
              </elementText>
              <elementText elementTextId="59347">
                <text>"She Loves Me" by Isis</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
    <tagContainer>
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        <name>Activism</name>
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      <tag tagId="211">
        <name>Communities</name>
      </tag>
      <tag tagId="189">
        <name>Feminism</name>
      </tag>
      <tag tagId="446">
        <name>Lesbian Activists</name>
      </tag>
      <tag tagId="554">
        <name>Lesbian Feminism</name>
      </tag>
      <tag tagId="476">
        <name>Lesbian Musician</name>
      </tag>
      <tag tagId="590">
        <name>Lesbian Separatism</name>
      </tag>
      <tag tagId="424">
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                <text>"Old Cape Cod" by Bette Midler</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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The Forbidden Texts of the Three Marias</text>
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            <description>An account of the resource</description>
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                <text>For this episode of &lt;span&gt;&lt;em&gt;All Night Sunday with the Radio On&lt;/em&gt;, Suzan &lt;/span&gt;Shown interviews the cast and creator of &lt;em&gt;Disquieting Muses: A Response to the Suicides of Women Artists&lt;/em&gt;, discussing the feeling of obligation to find a man, get married, and otherwise fulfill the role of what a woman is supposed to be.&lt;br /&gt;&lt;br /&gt;Episode includes a reading of an untitled poem by Marilyn Monroe. Features a recording of &lt;em&gt;Women on Trial: The Forbidden Texts of the Three Marias&lt;/em&gt;, a one-night only performance about the case of three women authors who wrote against Portugal's dictatorship and were subsequently put on trial.</text>
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                <text>Performance art</text>
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                <text>Patriarchy</text>
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                <text>Gender role stereotypes</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <description>The nature or genre of the resource</description>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>All Night Sunday with the Radio On</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Suzan Shown</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Betsy Shevey</text>
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                <text>Lynn Kearney</text>
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                <text>Kas Self</text>
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                <text>Christine Campbell</text>
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                <text>Peggy Bayer</text>
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                <text>Jo Beth Levy</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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            <name>Digital Format</name>
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            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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              <elementText elementTextId="59442">
                <text>"It's My Way" by Buffy Sainte-Marie</text>
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      <tag tagId="333">
        <name>Femininity &amp; Masculinity</name>
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      <tag tagId="1030">
        <name>Feminist Theater</name>
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      <tag tagId="43">
        <name>Gender Roles</name>
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      <tag tagId="558">
        <name>Law</name>
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      <tag tagId="224">
        <name>Marriage</name>
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      <tag tagId="258">
        <name>Mental Health</name>
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      <tag tagId="232">
        <name>Performing Arts</name>
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      <tag tagId="159">
        <name>Suicide</name>
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      <tag tagId="236">
        <name>Theater</name>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>An account of the resource</description>
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                <text>In this episode of &lt;em&gt;Women's Consciousness Raising Hour&lt;/em&gt;, the first poet Rosemary Cappello reads a mixture of original poems and poems from friends and other notable poets, surrounding the theme of correspondence. Rosemary views correspondence as the most faithful way to show affection and grow closer with other poets. She also reads a poem that she wrote, in place of an angry letter, to respond to an anti-feminist book review.&lt;br /&gt;&lt;br /&gt;The second poet, Barbara Ruth, opens with a poems about her awe for life: her experience knowing and being close to other women, seeing a solar eclipse. Her poems discuss women's issues, specifically, the tension between being a woman and having intense or maddening emotions, and the tensions women have with men. Her poems frequently invoke the power of women and call for a revolution. Furthermore, Barbara grapples with issues of valuing some lives over others, witnessing suffering, narcissism, and simple wanting. She also reads poems about her mother.</text>
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            <description>The topic of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>See the LHA Copyright Statement</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Rights Holder</name>
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            <description>The nature or genre of the resource</description>
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                <text>The Women's Music Hour</text>
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                <text>Pamela Brant</text>
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                <text>Audio cassette</text>
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            <name>Digital Format</name>
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            <description>The date on which the audio was originally broadcast. Format: YYYY-MM-DD</description>
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                <text>"Keep On the Sunnyside" by The Deadly Nightshade</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
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                <text>Access Copy: MP3</text>
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            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>See the LHA Copyright Statement</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Side A: In this interview, Dr. Freda Adler discusses the rise in female criminal behavior as a consequence of broader social changes, particularly women’s increased participation in public and professional life. She explains that as women gain access to new roles, they also gain opportunities to engage in crimes once dominated by men. Traditional “feminine” crimes (such as prostitution and shoplifting) are being replaced by more assertive and violent acts like armed robbery and even assassination. Adler emphasizes that this shift doesn’t stem from new motivations but from changing circumstances, and she challenges the myth of inherent female passivity by documenting the evolving cultural landscape.&#13;
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Robin Morgan Reads: The Network of the Imaginary Mother</text>
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&#13;
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                <text>Side A opens with Viv Sutherland introducing Lily Tomlin’s comedy album Modern Scream on the WBAI Women’s Studies program. The bulk of the tape features Tomlin’s satirical sketches, where she voices multiple characters. Highlights include a bizarre monologue from a woman addicted to rubber, a mock celebrity interview parodying Hollywood shallowness, a chaotic sorority speech full of performative morality, and a child’s monologue touching on emotional contradictions. The humor is absurdist, character-driven, and rooted in media and gender satire.&#13;
&#13;
Side B continues with more sketches from Modern Scream, maintaining the format of comic vignettes performed by Tomlin. It features a flashback to Detroit high school life, a surreal phone company sketch, a spoof interview about playing a heterosexual woman, a parody detergent commercial that turns into a soap opera-style meltdown, and a long sermon from “Sister Boogie Woman” celebrating radical self-expression. The tape closes with Sutherland’s sign-off and a preview of upcoming feminist programming. Like Side A, it’s rich in satire but not thematically aligned with our themes.</text>
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                <text>Side A: Margot Adler discusses the various definitions of "occult" and "magic" as expressed by four groups in society: the uneducated, the educated, scholars, and practicitioners. Adler contends that the way these words are defined reflect social conditioning and shape the conversation around spiritual practice and occult study. She proposes a definition that is not mystical nor supernatural that she explores and expounds upon throughout the program. To this end, Adler relates an experience she had visiting and working within a small farming community of magic practitioners and how their understanding of magic as the "art of getting results" applied to their lives. One psychological element that Adler focuses upon is charisma and how the charisma of individuals or communities is itself a magical quality.  &#13;
&#13;
Side B: There is a call in portion at the end of the program wherein Adler and callers talk about Rorschach and the Tarot, therapist role within witchcraft, New York magical and spiritual communities, and ends with a more heated discussion regarding the divisions between magic and science. </text>
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                <text>Episode of Our Lives, Our City. Side A is an interview with members of the Center for the Elimination of Violence in the Family (Yolonda Baker and Diane Jackson) and a former resident of the center (Laura), mostly about the center and the work they are doing. The Center for the Elimination of Violence in the Family opened on March 4, 1977 (according to Yolonda, it is the first domestic violence shelter in NYC). The Center offers shelter/residence, counseling, referrals to education programs, job-training, work opportunities at the shelter, and accompaniment to welfare, family court, and police appointments. Side B is for taking calls. </text>
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                <text> Yolonda Baker</text>
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                <text> Diane Jackson</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Women Political Prisoners</text>
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            <description>An account of the resource</description>
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                <text>Side A - Political Prisoners: “Insight into the political nature of the imprisonment of women. Gail Simon has selected and read the writings of women who are imprisoned. Also hear music and poetry selected from the Olivia Records Album - Any Woman’s Blues, made by the Women’s Concert Collective, recorded live in the Women’s Jail at San Bruno in December 1975.” </text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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Side B: 30:02</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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Side B: SPW1882_SideB_20250923_Transcript.docx</text>
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            <description>A name given to the resource</description>
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                <text>Side A: Everywoman Space II 7/11/76 - Irene Yarrow Speaks with Author, Carol Rosenthal &#13;
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>This is the second episode of Everywomanspace. Host, Irene Yarrow, speaks with author Carol Rosenthal. Rosenthal reads her short story Cowboys and Yarrow reads her short story, Mother. The two briefly discuss each piece and how to support women's writing amongst themselves before taking calls from listeners on the same topics. </text>
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            <description>An entity responsible for making the resource available</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                <text>In this episode of "Everywomanspace," hosted by Irene Yarrow, the host emphasizes that the program is inclusive for all women, regardless of sexual orientation, race, ethnicity, social class, or gender. She introduces the show as a platform for open communication and discourse. Throughout the episode, Irene takes calls from listeners, welcoming their criticisms and suggestions regarding what they would like to see in the program in the future.</text>
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Rhonda Copeland</text>
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Side B: Women's Studies - Winners + Losers by Gloria Emerson</text>
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